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Death and Mourning

Ella Wheeler Wilcox

Ella Wheeler Wilcox

Haunted

Haunted


What are these nameless mysteries,
These subtleties of life and death,
That bring before our spirit eyes
The loved and lost; or, like a breath
Of lightest air, will touch the cheek,
And yet a wordless language speak?


In every breeze that blows, to-day,
One voice seems speaking unto me;
And north or south, whichever way
I turn my gaze, one face I see,
And closely, closely at my side
A mystic shadow seems to glide.


A motley crowd we move among,
We surge on with the mighty mass,
And yet no one in all the throng
Looks strangely on us as we pass.
No eye but mine own seems to see
The nameless thing that walks by me.


I cannot touch a proffered hand
But this strange shadow glides between.
Why came he from the spirit land?
What brought him from the world unseen?
Why am I troubled and oppressed
By the vague presence of my guest?


He was my friend! I should rejoice!
I loved him once! Why do I fear?
And yet I shudder as his voice
Speaks in the wind. I feel him near,
This restless spirit of the dead,
And shiver with a nameless dread.


I loved him once; he was my friend;
He held the first place in my heart,
And might have held it to the end.
But our two ways spread wide apart:
I kept the path upon the hill,
And he went down and down, until


He reached the depths of sin and shame,
And died as sots and drunkards die.
I ceased to even speak his name.
God knows I never thought that I,



Who blamed his lack of moral strength,
Might answer for his fall, at length!


O restless dead, lost friend of mine!
I might have saved you, had I tried.
I saw you lift the glass of wine,
And, seeing, had I warned you, cried,
'Touch not, taste not the drink accursed!'
I might have saved you from the thirst


That swallowed up your brain and soul.
But nay! I scorned you when you fell,
And, looking upward to my goal,
Left you to stagger down to hell.
Accusing spirit of the dead,
Your presence fills my heart with dread!
366
Ella Wheeler Wilcox

Ella Wheeler Wilcox

From the Grave

From the Grave

When the first sere leaves of the year were falling,
I heard, with a heart that was strangely thrilled,
Out of the grave of a dead Past calling,
A voice I fancied forever stilled.
All through winter and spring and summer,
Silence hung over that grave like a pall,
But, borne on the breath of the last sad comer,
I listen again to the old-time call.
It is only a love of a by-gone season,
A senseless folly that mocked at me
A reckless passion that lacked all reason,
So I killed it, and hid it where none could see.
I smothered it first to stop its crying,
Then stabbed it through with a good sharp blade,
And cold and pallid I saw it lying,
And deep—ah' deep was the grave I made.
But now I know that there is no killing
A thing like Love, for it laughs at Death.
There is no hushing, there is no stilling
That which is part of your life and breath.
You may bury it deep, and leave behind you
The land, the people, that knew your slain;
It will push the sods from its grave, and find you
On wastes of water or desert plain.
You may hear but tongues of a foreign people,
You may list to sounds that are strange and new;



But, clear as a silver bell in a steeple,
That voice from the grave shall call to you.
You may rouse your pride, you may use your reason.
And seem for a space to slay Love so;
But, all in its own good time and season,
It will rise and follow wherever you go.
You shall sit sometimes, when the leaves are falling,
Alone with your heart, as I sit to-day,
And hear that voice from your dead Past calling
Out of the graves that you hid away.
497
Ella Wheeler Wilcox

Ella Wheeler Wilcox

Daft

Daft


In the warm yellow smile of the morning,
She stands at the lattice pane,
And watches the strong young binders
Stride down to the fields of grain.
And she counts them over and over
As they pass her cottage door:
Are they six, she counts them seven;
Are they seven, she counts one more.

When the sun swings high in the heavens,
And the reapers go shouting home,
She calls to the household, saying,
'Make haste! for the binders have come
And Johnnie will want his dinner He
was always a hungry child';
And they answer, 'Yes, it ia waiting';
Then tell you, 'Her brain is wild.'

Again, in the hush of the evening,
When the work of the day is done,
And the binders go singing homeward
In the last red rays of the sun,
She will sit at the threshold waiting,
And with her withered face lights with joy:
'Come, Johnnie, ' she says, as they pass her,
'Come into the house, my boy.'

Five summers ago her Johnnie
Went out in the smile of the morn,
Singing across the meadow,
Striding down through the corn -
He towered above the binders,
Walking on either side,
And the mother's heart within her
Swelled with exultant pride.

For he was the light of the household His
brown eyes were wells of truth,
And his face was the face of the morning,
Lit with its pure, fresh youth,
And his song rang out from the hilltops
Like the mellow blast of a horn,
And he strode o'er the fresh shorn meadows,
And down through the rows of corn.

But hushed were the voices of singing,
Hushed by the presence of death,
As back to the cottage they bore him In
the noontide's scorching breath,
For the heat of the sun had slain him,
Had smitten the heart in his breast,
And he who towered above them


Lay lower than all the rest.

The grain grows ripe in the sunshine,
And the summers ebb and flow,
And the binders stride to their labour
And sing as they come and go;
But never again from the hilltops
Echoes the voice like a horn;
Never up from the meadows,
Never back from the corn.

Yet the poor, crazed brain of the mother
Fancies him always near;
She is blest in her strange delusion,

For she knoweth no pain nor fear,
And always she counts the binders
As they pass by her cottage door;


Are they six, she counts them seven;
Are they seven, she counts one more.
434
Elizabeth Barrett Browning

Elizabeth Barrett Browning

Stanzas on the Death of Lord Byron

Stanzas on the Death of Lord Byron

He was, and is not! Graecia's trembling shore,
Sighing through all her palmy groves, shall tell
That Harold's pilgrimage at last is o'er—
Mute the impassioned tongue, and tuneful shell,
That erst was wont in noblest strains to swell—
Hush'd the proud shouts that rode Aegaea's wave!
For lo! the great Deliv'rer breathes farewell!
Gives to the world his mem'ry and a grave—
Expiring in the land he only lived to save!


Mourn, Hellas, mourn! and o'er thy widow'd brow,
For aye, the cypress wreath of sorrow twine;
And in thy new-form'd beauty, desolate, throw
The fresh-cull'd flowers on his sepulchral shrine.
Yes! let that heart whose fervour was all thine,
In consecrated urn lamented be!
That generous heart where genius thrill'd divine,
Hath spent its last most glorious throb for thee—
Then sank amid the storm that made thy children free!


Britannia's Poet! Graecia's hero, sleeps!
And Freedom, bending o'er the breathless clay,
Lifts up her voice, and in her anguish weeps!
For us, a night hath clouded o'er our day,
And hush'd the lips that breath'd our fairest lay.
Alas! and must the British lyre resound
A requiem, while the spirit wings away
Of him who on its strings such music found,
And taught its startling chords to give so sweet a sound!


The theme grows sadder — but my soul shall find
A language in those tears! No more — no more!
Soon, 'midst the shriekings of the tossing wind,
The 'dark blue depths' he sang of, shall have bore
Our all of Byron to his native shore!
His grave is thick with voices — to the ear
Murm'ring an awful tale of greatness o'er;
But Memory strives with Death, and lingering near,
Shall consecrate the dust of Harold's lonely bier!
544
Elizabeth Barrett Browning

Elizabeth Barrett Browning

De Profundis

De Profundis

I

The face, which, duly as the sun,
Rose up for me with life begun,
To mark all bright hours of the day
With hourly love, is dimmed away—
And yet my days go on, go on.


II


The tongue which, like a stream, could run
Smooth music from the roughest stone,
And every morning with ' Good day'
Make each day good, is hushed away,
And yet my days go on, go on.


III


The heart which, like a staff, was one
For mine to lean and rest upon,
The strongest on the longest day
With steadfast love, is caught away,
And yet my days go on, go on.


IV


And cold before my summer's done,
And deaf in Nature's general tune,
And fallen too low for special fear,
And here, with hope no longer here,
While the tears drop, my days go on.


V


The world goes whispering to its own,
‘This anguish pierces to the bone;’
And tender friends go sighing round,
‘What love can ever cure this wound ?'
My days go on, my days go on.


VI


The past rolls forward on the sun
And makes all night. O dreams begun,
Not to be ended! Ended bliss,
And life that will not end in this!
My days go on, my days go on.


VII


Breath freezes on my lips to moan:
As one alone, once not alone,



I sit and knock at Nature's door,
Heart-bare, heart-hungry, very poor,
Whose desolated days go on.


VIII


I knock and cry, —Undone, undone!
Is there no help, no comfort, —none?
No gleaning in the wide wheat plains
Where others drive their loaded wains?
My vacant days go on, go on.


IX


This Nature, though the snows be down,
Thinks kindly of the bird of June:
The little red hip on the tree
Is ripe for such. What is for me,
Whose days so winterly go on?


X


No bird am I, to sing in June,
And dare not ask an equal boon.
Good nests and berries red are Nature's
To give away to better creatures, —
And yet my days go on, go on.


XI


I ask less kindness to be done, —
Only to loose these pilgrim shoon,
(Too early worn and grimed) with sweet
Cool deadly touch to these tired feet.
Till days go out which now go on.


XII


Only to lift the turf unmown
From off the earth where it has grown,
Some cubit-space, and say ‘Behold,
Creep in, poor Heart, beneath that fold,
Forgetting how the days go on.’


XIII


What harm would that do? Green anon
The sward would quicken, overshone
By skies as blue; and crickets might
Have leave to chirp there day and night
While my new rest went on, went on.



XIV


From gracious Nature have I won
Such liberal bounty? may I run
So, lizard-like, within her side,
And there be safe, who now am tried
By days that painfully go on?


XV


—A Voice reproves me thereupon,
More sweet than Nature's when the drone
Of bees is sweetest, and more deep
Than when the rivers overleap
The shuddering pines, and thunder on.


XVI


God's Voice, not Nature's! Night and noon
He sits upon the great white throne
And listens for the creatures' praise.
What babble we of days and days?
The Day-spring He, whose days go on.


XVII


He reigns above, He reigns alone;
Systems burn out and have his throne;
Fair mists of seraphs melt and fall
Around Him, changeless amid all,
Ancient of Days, whose days go on.


XVIII


He reigns below, He reigns alone,
And, having life in love forgone
Beneath the crown of sovran thorns,
He reigns the Jealous God. Who mourns
Or rules with Him, while days go on?


XIX


By anguish which made pale the sun,
I hear Him charge his saints that none
Among his creatures anywhere
Blaspheme against Him with despair,
However darkly days go on.


XX


Take from my head the thorn-wreath brown!



No mortal grief deserves that crown.
O supreme Love, chief misery,
The sharp regalia are for Thee
Whose days eternally go on!


XXI


For us, —whatever's undergone,
Thou knowest, willest what is done,
Grief may be joy misunderstood;
Only the Good discerns the good.
I trust Thee while my days go on.


XXII


Whatever's lost, it first was won;
We will not struggle nor impugn.
Perhaps the cup was broken here,
That Heaven's new wine might show more clear.
I praise Thee while my days go on.


XXIII


I praise Thee while my days go on;
I love Thee while my days go on:
Through dark and dearth, through fire and frost,
With emptied arms and treasure lost,
I thank Thee while my days go on.


XXIV


And having in thy life-depth thrown
Being and suffering (which are one),
As a child drops his pebble small
Down some deep well, and hears it fall
Smiling—so I. THY DAYS GO ON.
485
Elizabeth Barrett Browning

Elizabeth Barrett Browning

Aurora Leigh (excerpts)

Aurora Leigh (excerpts)

[Book 1]
I am like,

They tell me, my dear father. Broader brows

Howbeit, upon a slenderer undergrowth

Of delicate features, -- paler, near as grave ;

But then my mother's smile breaks up the whole,

And makes it better sometimes than itself.

So, nine full years, our days were hid with God

Among his mountains : I was just thirteen,

Still growing like the plants from unseen roots

In tongue-tied Springs, -- and suddenly awoke

To full life and life 's needs and agonies,

With an intense, strong, struggling heart beside

A stone-dead father. Life, struck sharp on death,

Makes awful lightning. His last word was, `Love --'

`Love, my child, love, love !' -- (then he had done with grief)

`Love, my child.' Ere I answered he was gone,

And none was left to love in all the world.

There, ended childhood. What succeeded next

I recollect as, after fevers, men

Thread back the passage of delirium,

Missing the turn still, baffled by the door ;

Smooth endless days, notched here and there with knives ;

A weary, wormy darkness, spurr'd i' the flank

With flame, that it should eat and end itself

Like some tormented scorpion. Then at last

I do remember clearly, how there came

A stranger with authority, not right,

(I thought not) who commanded, caught me up

From old Assunta's neck ; how, with a shriek,

She let me go, -- while I, with ears too full

Of my father's silence, to shriek back a word,

In all a child's astonishment at grief

Stared at the wharf-edge where she stood and moaned,

My poor Assunta, where she stood and moaned !

The white walls, the blue hills, my Italy,

Drawn backward from the shuddering steamer-deck,

Like one in anger drawing back her skirts

Which supplicants catch at. Then the bitter sea

Inexorably pushed between us both,

And sweeping up the ship with my despair

Threw us out as a pasture to the stars.

Ten nights and days we voyaged on the deep ;

Ten nights and days, without the common face

Of any day or night ; the moon and sun

Cut off from the green reconciling earth,

To starve into a blind ferocity

And glare unnatural ; the very sky

(Dropping its bell-net down upon the sea

As if no human heart should 'scape alive,)

Bedraggled with the desolating salt,

Until it seemed no more that holy heaven


To which my father went. All new and strange
The universe turned stranger, for a child.
Then, land ! -- then, England ! oh, the frosty cliffs
Looked cold upon me. Could I find a home
Among those mean red houses through the fog ?
And when I heard my father's language first
From alien lips which had no kiss for mine
I wept aloud, then laughed, then wept, then wept,
And some one near me said the child was mad
Through much sea-sickness. The train swept us on.
Was this my father's England ? the great isle ?
The ground seemed cut up from the fellowship
Of verdure, field from field, as man from man ;
The skies themselves looked low and positive,
As almost you could touch them with a hand,
And dared to do it they were so far off
From God's celestial crystals ; all things blurred
And dull and vague. Did Shakspeare and his mates
Absorb the light here ? -- not a hill or stone
With heart to strike a radiant colour up
Or active outline on the indifferent air.
I think I see my father's sister stand
Upon the hall-step of her country-house
To give me welcome. She stood straight and calm,
Her somewhat narrow forehead braided tight
As if for taming accidental thoughts
From possible pulses ; brown hair pricked with grey
By frigid use of life, (she was not old
Although my father's elder by a year)
A nose drawn sharply yet in delicate lines ;
A close mild mouth, a little soured about
The ends, through speaking unrequited loves
Or peradventure niggardly half-truths ;
Eyes of no colour, -- once they might have smiled,
But never, never have forgot themselves
In smiling ; cheeks, in which was yet a rose
Of perished summers, like a rose in a book,
Kept more for ruth than pleasure, -- if past bloom,
Past fading also.

She had lived, we'll say,
A harmless life, she called a virtuous life,
A quiet life, which was not life at all,
(But that, she had not lived enough to know)
Between the vicar and the country squires,
The lord-lieutenant looking down sometimes
From the empyrean to assure their souls
Against chance-vulgarisms, and, in the abyss
The apothecary, looked on once a year
To prove their soundness of humility.
The poor-club exercised her Christian gifts
Of knitting stockings, stitching petticoats,
Because we are of one flesh after all


And need one flannel (with a proper sense

Of difference in the quality) -- and still

The book-club, guarded from your modern trick

Of shaking dangerous questions from the crease,

Preserved her intellectual. She had lived

A sort of cage-bird life, born in a cage,

Accounting that to leap from perch to perch

Was act and joy enough for any bird.

Dear heaven, how silly are the things that live

In thickets, and eat berries !
I, alas,

A wild bird scarcely fledged, was brought to her cage,

And she was there to meet me. Very kind.

Bring the clean water, give out the fresh seed.

She stood upon the steps to welcome me,

Calm, in black garb. I clung about her neck, --

Young babes, who catch at every shred of wool

To draw the new light closer, catch and cling

Less blindly. In my ears, my father's word

Hummed ignorantly, as the sea in shells,

`Love, love, my child.' She, black there with my grief,

Might feel my love -- she was his sister once,

I clung to her. A moment, she seemed moved,

Kissed me with cold lips, suffered me to cling,

And drew me feebly through the hall into

The room she sate in.
There, with some strange spasm

Of pain and passion, she wrung loose my hands

Imperiously, and held me at arm's length,

And with two grey-steel naked-bladed eyes

Searched through my face, -- ay, stabbed it through and through,

Through brows and cheeks and chin, as if to find

A wicked murderer in my innocent face,

If not here, there perhaps. Then, drawing breath,

She struggled for her ordinary calm

And missed it rather, -- told me not to shrink,

As if she had told me not to lie or swear, -


`She loved my father, and would love me too

As long as I deserved it.' Very kind.

[Book 5]

AURORA LEIGH, be humble. Shall I hope
To speak my poems in mysterious tune
With man and nature ? -- with the lava-lymph
That trickles from successive galaxies
Still drop by drop adown the finger of God
In still new worlds ? -- with summer-days in this ?
That scarce dare breathe they are so beautiful ?--
With spring's delicious trouble in the ground,
Tormented by the quickened blood of roots,
And softly pricked by golden crocus-sheaves


In token of the harvest-time of flowers ?--

With winters and with autumns, -- and beyond,

With the human heart's large seasons, when it hopes

And fears, joys, grieves, and loves ? -- with all that strain

Of sexual passion, which devours the flesh

In a sacrament of souls ? with mother's breasts

Which, round the new-made creatures hanging there,

Throb luminous and harmonious like pure spheres ? --

With multitudinous life, and finally

With the great escapings of ecstatic souls,

Who, in a rush of too long prisoned flame,

Their radiant faces upward, burn away

This dark of the body, issuing on a world,

Beyond our mortal ? -- can I speak my verse

Sp plainly in tune to these things and the rest,

That men shall feel it catch them on the quick,

As having the same warrant over them

To hold and move them if they will or no,

Alike imperious as the primal rhythm

Of that theurgic nature ? I must fail,

Who fail at the beginning to hold and move

One man, -- and he my cousin, and he my friend,

And he born tender, made intelligent,

Inclined to ponder the precipitous sides

Of difficult questions ; yet, obtuse to me,

Of me, incurious ! likes me very well,

And wishes me a paradise of good,

Good looks, good means, and good digestion, -- ay,

But otherwise evades me, puts me off

With kindness, with a tolerant gentleness, --

Too light a book for a grave man's reading ! Go,

Aurora Leigh : be humble.
There it is,

We women are too apt to look to One,

Which proves a certain impotence in art.

We strain our natures at doing something great,

Far less because it 's something great to do,

Than haply that we, so, commend ourselves

As being not small, and more appreciable

To some one friend. We must have mediators

Betwixt our highest conscience and the judge ;

Some sweet saint's blood must quicken in our palms

Or all the life in heaven seems slow and cold :

Good only being perceived as the end of good,

And God alone pleased, -- that's too poor, we think,

And not enough for us by any means.

Ay, Romney, I remember, told me once

We miss the abstract when we comprehend.

We miss it most when we aspire, -- and fail.

Yet, so, I will not. -- This vile woman's way

Of trailing garments, shall not trip me up :

I 'll have no traffic with the personal thought


In art's pure temple. Must I work in vain,
Without the approbation of a man ?
It cannot be ; it shall not. Fame itself,
That approbation of the general race,
Presents a poor end, (though the arrow speed,
Shot straight with vigorous finger to the white,)
And the highest fame was never reached except
By what was aimed above it. Art for art,
And good for God Himself, the essential Good !
We 'll keep our aims sublime, our eyes erect,
Although our woman-hands should shake and fail ;
And if we fail .. But must we ? -


Shall I fail ?
The Greeks said grandly in their tragic phrase,
`Let no one be called happy till his death.'
To which I add, -- Let no one till his death
Be called unhappy. Measure not the work
Until the day 's out and the labour done,
Then bring your gauges. If the day's work 's scant,
Why, call it scant ; affect no compromise ;
And, in that we have nobly striven at least,
Deal with us nobly, women though we be.
And honour us with truth if not with praise.
533