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Romantic Love

James Whitcomb Riley

James Whitcomb Riley

Noey's Night-Piece

Noey's Night-Piece

'They ain't much 'tale' about it!' Noey said.-'
K'tawby grapes wuz gittin' good-n-red
I rickollect; and Tubb Kingry and me
'Ud kindo' browse round town, daytime, to see
What neighbers 'peared to have the most to spare
'At wuz git-at-able and no dog there
When we come round to git 'em, say 'bout ten
O'clock at night when mostly old folks then
Wuz snorin' at each other like they yit
Helt some old grudge 'at never slep' a bit.
Well, at the _Pars'nige_--ef ye'll call to mind,-They's
'bout the biggest grape-arber you'll find
'Most anywheres.--And mostly there, we knowed
They wuz _k'tawbies_ thick as ever growed--
And more'n they'd _p'serve_.--Besides I've heerd
Ma say k'tawby-grape-p'serves jes 'peared
A waste o' sugar, anyhow!--And so
My conscience stayed outside and lem me go
With Tubb, one night, the back-way, clean up through
That long black arber to the end next to
The house, where the k'tawbies, don't you know,
Wuz thickest. And t'uz lucky we went _slow_,--
Fer jest as we wuz cropin' tords the gray-
End, like, of the old arber--heerd Tubb say
In a skeered whisper, 'Hold up! They's some one
Jes slippin' in here!--and _looks like a gun_
He's carryin'!' I _golly!_ we both spread
Out flat aginst the ground!

''What's that?' Tubb said.--
And jest then--'_plink! plunk! plink!_' we heerd something
Under the back-porch-winder.--Then, i jing!
Of course we rickollected 'bout the young
School-mam 'at wuz a-boardin' there, and sung,
And played on the melodium in the choir.--
And she 'uz 'bout as purty to admire
As any girl in town!--the fac's is, she
Jest _wuz_, them times, to a dead certainty,
The belle o' this-here bailywick!--But--Well,-I'd
best git back to what I'm tryin' to tell:--
It wuz some feller come to serenade
Miss Wetherell: And there he plunked and played
His old guitar, and sung, and kep' his eye
Set on her winder, blacker'n the sky!--
And black it _stayed_.--But mayby she wuz 'way
From home, er wore out--bein' _Saturday!_

'It _seemed_ a good-'eal _longer_, but I _know_
He sung and plunked there half a' hour er so
Afore, it 'peared like, he could ever git
His own free qualified consents to quit
And go off 'bout his business. When he went


I bet you could a-bought him fer a cent!


'And now, behold ye all!--as Tubb and me
Wuz 'bout to raise up,--right in front we see
A feller slippin' out the arber, square
Smack under that-air little winder where
The _other_ feller had been standin'.--And
The thing he wuz a-carryin' in his hand
Wuzn't no _gun_ at all!--It wuz a _flute_,--
And _whoop-ee!_ how it did git up and toot
And chirp and warble, tel a mockin'-bird
'Ud dast to never let hisse'f be heerd
Ferever, after sich miracalous, high
Jim-cracks and grand skyrootics played there by
Yer Cousin Rufus!--Yes-sir; it wuz him!--
And what's more,--all a-suddent that-air dim
Dark winder o' Miss Wetherell's wuz lit
Up like a' oyshture-sign, and under it
We see him sort o' wet his lips and smile
Down 'long his row o' dancin' fingers, while
He kindo' stiffened up and kinked his breath
And everlastin'ly jest blowed the peth
Out o' that-air old one-keyed flute o' his.
And, bless their hearts, that's all the 'tale' they is!'


And even as Noey closed, all radiantly
The unconscious hero of the history,
Returning, met a perfect driving storm
Of welcome--a reception strangely warm
And _unaccountable_, to _him_, although
Most _gratifying_,--and he told them so.
'I only urge,' he said, 'my right to be
Enlightened.' And a voice said: '_Certainly:_--
During your absence we agreed that you
Should tell us all a story, old or new,
Just in the immediate happy frame of mind
We knew you would return in.'


So, resigned,
The ready flutist tossed his hat aside--
Glanced at the children, smiled, and thus complied.
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James Whitcomb Riley

James Whitcomb Riley

My Bride That Is To Be

My Bride That Is To Be

O soul of mine, look out and see
My bride, my bride that is to be!
Reach out with mad, impatient hands,
And draw aside futurity
As one might draw a veil aside--
And so unveil her where she stands
Madonna-like and glorified--
The queen of undiscovered lands
Of love, to where she beckons me--
My bride--my bride that is to be.

The shadow of a willow-tree
That wavers on a garden-wall
In summertime may never fall
In attitude as gracefully
As my fair bride that is to be;--
Nor ever Autumn's leaves of brown
As lightly flutter to the lawn
As fall her fairy-feet upon
The path of love she loiters down.-O'er
drops of dew she walks, and yet
Not one may stain her sandal wet--
Aye, she might _dance_ upon the way
Nor crush a single drop to spray,
So airy-like she seems to me,--
My bride, my bride that is to be.

I know not if her eyes are light
As summer skies or dark as night,--
I only know that they are dim
With mystery: In vain I peer
To make their hidden meaning clear,
While o'er their surface, like a tear
That ripples to the silken brim,
A look of longing seems to swim
All worn and wearylike to me;
And then, as suddenly, my sight
Is blinded with a smile so bright,
Through folded lids I still may see
My bride, my bride that is to be.

Her face is like a night of June
Upon whose brow the crescent-moon
Hangs pendant in a diadem
Of stars, with envy lighting them.--
And, like a wild cascade, her hair
Floods neck and shoulder, arm and wrist,
Till only through a gleaming mist
I seem to see a siren there,
With lips of love and melody
And open arms and heaving breast
Wherein I fling myself to rest,


The while my heart cries hopelessly
For my fair bride that is to be....

Nay, foolish heart and blinded eyes!
My bride hath need of no disguise.--
But, rather, let her come to me
In such a form as bent above
My pillow when in infancy
I knew not anything but love.--
O let her come from out the lands
Of Womanhood--not fairy isles,--
And let her come with Woman's hands
And Woman's eyes of tears and smiles,--
With Woman's hopefulness and grace
Of patience lighting up her face:
And let her diadem be wrought
Of kindly deed and prayerful thought,
That ever over all distress
May beam the light of cheerfulness.--
And let her feet be brave to fare
The labyrinths of doubt and care,
That, following, my own may find
The path to Heaven God designed.--
O let her come like this to me--
My bride--my bride that is to be.
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James Whitcomb Riley

James Whitcomb Riley

In Bohemia

In Bohemia

Ha! My dear! I'm back again--
Vendor of Bohemia's wares!
Lordy! How it pants a man
Climbing up those awful stairs!
Well, I've made the dealer say
Your sketch _might_ sell, anyway!
And I've made a publisher
Hear my poem, Kate, my dear.


In Bohemia, Kate, my dear--
Lodgers in a musty flat
On the top floor--living here
Neighborless, and used to that,--
Like a nest beneath the eaves,
So our little home receives
Only guests of chirping cheer-We'll
be happy, Kate, my dear!


Under your north-light there, you
At your easel, with a stain
On your nose of Prussian blue,
Paint your bits of shine and rain;
With my feet thrown up at will
O'er my littered window-sill,
I write rhymes that ring as clear
As your laughter, Kate, my dear.


Puff my pipe, and stroke my hair--
Bite my pencil-tip and gaze
At you, mutely mooning there
O'er your 'Aprils' and your 'Mays!'
Equal inspiration in
Dimples of your cheek and chin,
And the golden atmosphere
Of your paintings, Kate, my dear!


_Trying_! Yes, at times it is,
To clink happy rhymes, and fling
On the canvas scenes of bliss,
When we are half famishing!--
When your 'jersey' rips in spots,
And your hat's 'forget-me-nots'
Have grown tousled, old and sere--
It is trying, Kate, my dear!


But--as sure--_some_ picture sells,
And--sometimes--the poetry--
Bless us! How the parrot yells
His acclaims at you and me!
How we revel then in scenes
Of high banqueting!--sardines-Salads--
olives--and a sheer



Pint of sherry, Kate, my dear!

Even now I cross your palm,
With this great round world of gold!-'
Talking wild?' Perhaps I am--
Then, this little five-year-old!--
Call it anything you will,
So it lifts your face until
I may kiss away that tear
Ere it drowns me, Kate, my dear.
286
James Whitcomb Riley

James Whitcomb Riley

Her Beautiful Hands

Her Beautiful Hands

Your hands--they are strangely fair!
O Fair--for the jewels that sparkle there,-Fair--
for the witchery of the spell
That ivory keys alone can tell;
But when their delicate touches rest
Here in my own do I love them best,
As I clasp with eager, acquisitive spans
My glorious treasure of beautiful hands!


Marvelous--wonderful--beautiful hands!
They can coax roses to bloom in the strands
Of your brown tresses; and ribbons will twine,
Under mysterious touches of thine,
Into such knots as entangle the soul
And fetter the heart under such a control
As only the strength of my love understands--
My passionate love for your beautiful hands.


As I remember the first fair touch
Of those beautiful hands that I love so much,
I seem to thrill as I then was thrilled,
Kissing the glove that I found unfilled--
When I met your gaze, and the queenly bow,
As you said to me, laughingly, 'Keep it now!' . . .
And dazed and alone in a dream I stand,
Kissing this ghost of your beautiful hand.


When first I loved, in the long ago,
And held your hand as I told you so--
Pressed and caressed it and gave it a kiss
And said 'I could die for a hand like this!'
Little I dreamed love's fullness yet
Had to ripen when eyes were wet
And prayers were vain in their wild demands
For one warm touch of your beautiful hands.


. . . . . . . . .
Beautiful Hands!--O Beautiful Hands!
Could you reach out of the alien lands
Where you are lingering, and give me, to-night,
Only a touch--were it ever so light--
My heart were soothed, and my weary brain
Would lull itself into rest again;
For there is no solace the world commands
Like the caress of your beautiful hands.
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James Whitcomb Riley

James Whitcomb Riley

Farmer Whipple--Bachelor

Farmer Whipple--Bachelor

It's a mystery to see me--a man o' fifty-four,
Who's lived a cross old bachelor fer thirty year' and more-A-
lookin' glad and smilin'! And they's none o' you can say
That you can guess the reason why I feel so good to-day!


I must tell you all about it! But I'll have to deviate
A little in beginnin', so's to set the matter straight
As to how it comes to happen that I never took a wife--
Kindo' 'crawfish' from the Present to the Springtime of my life!


I was brought up in the country: Of a family of five--
Three brothers and a sister--I'm the only one alive,--
Fer they all died little babies; and 'twas one o' Mother's ways,
You know, to want a daughter; so she took a girl to raise.


The sweetest little thing she was, with rosy cheeks, and fat--
We was little chunks o' shavers then about as high as that!
But someway we sort a' SUITED-like! and Mother she'd declare
She never laid her eyes on a more lovin' pair


Than WE was! So we growed up side by side fer thirteen year',
And every hour of it she growed to me more dear!-W'y,
even Father's dyin', as he did, I do believe
Warn't more affectin' to me than it was to see her grieve!


I was then a lad o' twenty; and I felt a flash o' pride
In thinkin' all depended on ME now to pervide
Fer Mother and fer Mary; and I went about the place
With sleeves rolled up--and workin', with a mighty smilin'
face.--


Fer SOMEPIN' ELSE was workin'! but not a word I said
Of a certain sort o' notion that was runnin' through my head,-'
Some day I'd maybe marry, and a BROTHER'S love was one
Thing--a LOVER'S was another!' was the way the notion run!


I remember onc't in harvest, when the 'cradle-in' ' was done,
(When the harvest of my summers mounted up to twenty-one),
I was ridin' home with Mary at the closin' o' the day-A-
chawin' straws and thinkin', in a lover's lazy way!


And Mary's cheeks was burnin' like the sunset down the lane:
I noticed she was thinkin', too, and ast her to explain.
Well--when she turned and KISSED ME, WITH HER ARMS AROUND
ME--LAW!
I'd a bigger load o' Heaven than I had a load o' straw!


I don't p'tend to learnin', but I'll tell you what's a fac',
They's a mighty truthful sayin' somers in a' almanac--
Er SOMERS--'bout 'puore happiness'--perhaps some folks'll laugh
At the idy--'only lastin' jest two seconds and a half.'-



But it's jest as true as preachin'!--fer that was a SISTER'S
kiss,
And a sister's lovin' confidence a-tellin' to me this:-'
SHE was happy, BEIN' PROMISED TO THE SON O' FARMER BROWN.'--
And my feelin's struck a pardnership with sunset and went down!


I don't know HOW I acted, and I don't know WHAT I said,--
Fer my heart seemed jest a-turnin' to an ice-cold lump o' lead;
And the hosses kind o'glimmered before me in the road,
And the lines fell from my fingers--And that was all I knowed-


Fer--well, I don't know HOW long--They's a dim rememberence
Of a sound o' snortin' horses, and a stake-and-ridered fence
A-whizzin' past, and wheat-sheaves a-dancin' in the air,
And Mary screamin' 'Murder!' and a-runnin' up to where


_I_ was layin' by the roadside, and the wagon upside down
A-leanin' on the gate-post, with the wheels a-whirlin' roun'!
And I tried to raise and meet her, but I couldn't, with a vague
Sort o' notion comin' to me that I had a broken leg.


Well, the women nussed me through it; but many a time I'd sigh
As I'd keep a-gittin' better instid o' goin' to die,
And wonder what was left ME worth livin' fer below,
When the girl I loved was married to another, don't you know!


And my thoughts was as rebellious as the folks was good and kind
When Brown and Mary married--Railly must 'a' been my MIND
Was kind o' out o' kilter!--fer I hated Brown, you see,
Worse'n PIZEN--and the feller whittled crutches out fer ME--


And done a thousand little ac's o' kindness and respec'--
And me a-wishin' all the time that I could break his neck!
My relief was like a mourner's when the funeral is done
When they moved to Illinois in the Fall o' Forty-one.


Then I went to work in airnest--I had nothin' much in view
But to drownd out rickollections--and it kep' me busy, too!
But I slowly thrived and prospered, tel Mother used to say
She expected yit to see me a wealthy man some day.


Then I'd think how little MONEY was, compared to happiness--
And who'd be left to use it when I died I couldn't guess!
But I've still kep' speculatin' and a-gainin' year by year,
Tel I'm payin' half the taxes in the county, mighty near!


Well!--A year ago er better, a letter comes to hand
Astin' how I'd like to dicker fer some Illinois land-'
The feller that had owned it,' it went ahead to state,
'Had jest deceased, insolvent, leavin' chance to speculate,'--


And then it closed by sayin' that I'd 'better come and see.'-



I'd never been West, anyhow--a'most too wild fer ME,
I'd allus had a notion; but a lawyer here in town
Said I'd find myself mistakend when I come to look around.


So I bids good-by to Mother, and I jumps aboard the train,
A-thinkin' what I'd bring her when I come back home again--
And ef she'd had an idy what the present was to be,
I think it's more'n likely she'd 'a' went along with me!


Cars is awful tejus ridin', fer all they go so fast!
But finally they called out my stoppin'-place at last:
And that night, at the tavern, I dreamp' I was a train
O' cars, and SKEERED at somepin', runnin' down a country lane!


Well, in the morning airly--after huntin' up the man--
The lawyer who was wantin' to swap the piece o' land--
We started fer the country; and I ast the history
Of the farm--its former owner--and so forth, etcetery!


And--well--it was interESTin'--I su'prised him, I suppose,
By the loud and frequent manner in which I blowed my nose!--
But his su'prise was greater, and it made him wonder more,
When I kissed and hugged the widder when she met us at the
door!--


IT WAS MARY: . . . They's a feelin' a-hidin' down in here--
Of course I can't explain it, ner ever make it clear.--
It was with us in that meetin', I don't want you to fergit!
And it makes me kind o'nervous when I think about it yit!


I BOUGHT that farm, and DEEDED it, afore I left the town
With 'title clear to mansions in the skies,' to Mary Brown!
And fu'thermore, I took her and the CHILDERN--fer you see,
They'd never seed their Grandma--and I fetched 'em home with me.


So NOW you've got an idy why a man o' fifty-four,
Who's lived a cross old bachelor fer thirty year' and more
Is a-lookin' glad and smilin'!--And I've jest come into town
To git a pair o' license fer to MARRY Mary Brown.
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James Whitcomb Riley

James Whitcomb Riley

An Old Sweetheart Of Mine

An Old Sweetheart Of Mine

As one who cons at evening o'er an album all alone,
And muses on the faces of the friends that he has known,
So I turn the leaves of Fancy, till in shadowy design
I find the smiling features of an old sweetheart of mine.


The lamplight seems to glimmer with a flicker of surprise,
As I turn it low, to rest me of the dazzle in my eyes,
And light my pipe in silence, save a sigh that seems to yoke
Its fate with my tobacco, and to vanish with the smoke.


'Tis a fragrant retrospection, for the loving thoughts that start
Into being are like perfumes from the blossom of the heart;
And to dream the old dreams over is a luxury divine—
When my truant fancies wander with that old sweetheart of mine.


Though I hear, beneath my study, like a fluttering of wings,
The voices of my children and the mother as she sings,
I feel no twinge of conscience to deny me any theme
When Care has cast her anchor in the harbor of a dream.


In fact, to speak in earnest, I believe it adds a charm
To spice the good a trifle with a little dust of harm;
For I find an extra flavor in Memory's mellow wine
That makes me drink the deeper to that old sweetheart of mine.


A face of lily-beauty, with a form of airy grace,
Floats out of my tobacco as the genii from the vase;
And I thrill beneath the glances of a pair of azure eyes,
As glowing as the summer and as tender as the skies.


I can see the pink sunbonnet and the little checkered dress
She wore when first I kissed her, and she answered the caress
With the written declaration that, 'as surely as the vine
Grew round the stump,' she loved me,—that old sweetheart of mine!


And again I feel the pressure of her slender little hand,
As we used to talk together of the future we had planned:
When I should be a poet, and with nothing else to do
But write the tender verses that she set the music to;


When we should live together in a cozy little cot,
Hid in a nest of roses, with a fairy garden-spot,
Where the vines were ever fruited, and the weather ever fine,
And the birds were ever singing for that old sweetheart of mine;


And I should be her lover forever and a day,
And she my faithful sweetheart till the golden hair was gray;
And we should be so happy that when either's lips were dumb
They would not smile in heaven till the other's kiss had come.


But ah! my dream is broken by a step upon the stair,
And the door is softly opened, and my wife is standing there!



Yet with eagerness and rapture all my visions I resign
To greet the living presence of that old sweetheart of mine.
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