Poems in this topic
Soul
Anne Brontë
A Hymn
A Hymn
Eternal power of earth and air,
Unseen, yet seen in all around,
Remote, but dwelling everywhere,
Though silent, heard in every sound.
If e'er thine ear in mercy bent
When wretched mortals cried to thee,
And if indeed thy Son was sent
To save lost sinners such as me.
Then hear me now, while kneeling here;
I lift to thee my heart and eye
And all my soul ascends in prayer;
O give me give
me Faith I cry.
Without some glimmering in my heart,
I could not raise this fervent prayer;
But O a stronger light impart,
And in thy mercy fix it there!
While Faith is with me I am blest;
It turns my darkest night to day;
But while I clasp it to my breast
I often feel it slide away.
Then cold and dark my spirit sinks,
To see my light of life depart,
And every fiend of Hell methinks
Enjoys the anguish of my heart.
What shall I do if all my love,
My hopes, my toil, are cast away,
And if there be no God above
To hear and bless me when I pray?
If this be vain delusion all,
If death be an eternal sleep,
And none can hear my secret call,
Or see the silent tears I weep.
O help me God! for thou alone
Canst my distracted soul relieve;
Forsake it not it
is thine own,
Though weak yet longing to believe.
O drive these cruel doubts away
And make me know that thou art God;
A Faith that shines by night and day
Will lighten every earthly load.
If I believe that Jesus died
And waking rose to reign above,
Then surely Sorrow, Sin and Pride
Must yield to peace and hope and love.
And all the blessed words he said
Will strength and holy joy impart,
A shield of safety o'er my head,
A spring of comfort in my heart.
Eternal power of earth and air,
Unseen, yet seen in all around,
Remote, but dwelling everywhere,
Though silent, heard in every sound.
If e'er thine ear in mercy bent
When wretched mortals cried to thee,
And if indeed thy Son was sent
To save lost sinners such as me.
Then hear me now, while kneeling here;
I lift to thee my heart and eye
And all my soul ascends in prayer;
O give me give
me Faith I cry.
Without some glimmering in my heart,
I could not raise this fervent prayer;
But O a stronger light impart,
And in thy mercy fix it there!
While Faith is with me I am blest;
It turns my darkest night to day;
But while I clasp it to my breast
I often feel it slide away.
Then cold and dark my spirit sinks,
To see my light of life depart,
And every fiend of Hell methinks
Enjoys the anguish of my heart.
What shall I do if all my love,
My hopes, my toil, are cast away,
And if there be no God above
To hear and bless me when I pray?
If this be vain delusion all,
If death be an eternal sleep,
And none can hear my secret call,
Or see the silent tears I weep.
O help me God! for thou alone
Canst my distracted soul relieve;
Forsake it not it
is thine own,
Though weak yet longing to believe.
O drive these cruel doubts away
And make me know that thou art God;
A Faith that shines by night and day
Will lighten every earthly load.
If I believe that Jesus died
And waking rose to reign above,
Then surely Sorrow, Sin and Pride
Must yield to peace and hope and love.
And all the blessed words he said
Will strength and holy joy impart,
A shield of safety o'er my head,
A spring of comfort in my heart.
79
Anne Brontë
A Prisoner in a Dungeon Deep
A Prisoner in a Dungeon Deep
A prisoner in a dungeon deep
Sat musing silently;
His head was rested on his hand,
His elbow on his knee.
Turned he his thoughts to future times
Or are they backward cast?
For freedom is he pining now
Or mourning for the past?
No, he has lived so long enthralled
Alone in dungeon gloom
That he has lost regret and hope,
Has ceased to mourn his doom.
He pines not for the light of day
Nor sighs for freedom now;
Such weary thoughts have ceased at length
To rack his burning brow.
Lost in a maze of wandering thoughts
He sits unmoving there;
That posture and that look proclaim
The stupor of despair.
Yet not for ever did that mood
Of sullen calm prevail;
There was a something in his eye
That told another tale.
It did not speak of reason gone,
It was not madness quite;
It was a fitful flickering fire,
A strange uncertain light.
And sooth to say, these latter years
Strange fancies now and then
Had filled his cell with scenes of life
And forms of living men.
A mind that cannot cease to think
Why needs he cherish there?
Torpor may bring relief to pain
And madness to despair.
Such wildering scenes, such flitting shapes
As feverish dreams display:
What if those fancies still increase
And reason quite decay?
But hark, what sounds have struck his ear;
Voices of men they seem;
And two have entered now his cell;
Can this too be a dream?
'Orlando, hear our joyful news:
Revenge and liberty!
Your foes are dead, and we are come
At last to set you free.'
So spoke the elder of the two,
And in the captive's eyes
He looked for gleaming ecstasy
But only found surprise.
'My foes are dead! It must be then
That all mankind are gone.
For they were all my deadly foes
And friends I had not one.'
A prisoner in a dungeon deep
Sat musing silently;
His head was rested on his hand,
His elbow on his knee.
Turned he his thoughts to future times
Or are they backward cast?
For freedom is he pining now
Or mourning for the past?
No, he has lived so long enthralled
Alone in dungeon gloom
That he has lost regret and hope,
Has ceased to mourn his doom.
He pines not for the light of day
Nor sighs for freedom now;
Such weary thoughts have ceased at length
To rack his burning brow.
Lost in a maze of wandering thoughts
He sits unmoving there;
That posture and that look proclaim
The stupor of despair.
Yet not for ever did that mood
Of sullen calm prevail;
There was a something in his eye
That told another tale.
It did not speak of reason gone,
It was not madness quite;
It was a fitful flickering fire,
A strange uncertain light.
And sooth to say, these latter years
Strange fancies now and then
Had filled his cell with scenes of life
And forms of living men.
A mind that cannot cease to think
Why needs he cherish there?
Torpor may bring relief to pain
And madness to despair.
Such wildering scenes, such flitting shapes
As feverish dreams display:
What if those fancies still increase
And reason quite decay?
But hark, what sounds have struck his ear;
Voices of men they seem;
And two have entered now his cell;
Can this too be a dream?
'Orlando, hear our joyful news:
Revenge and liberty!
Your foes are dead, and we are come
At last to set you free.'
So spoke the elder of the two,
And in the captive's eyes
He looked for gleaming ecstasy
But only found surprise.
'My foes are dead! It must be then
That all mankind are gone.
For they were all my deadly foes
And friends I had not one.'
79
André Breton
The Spectral Attitudes
The Spectral Attitudes
I attach no importance to life
I pin not the least of life's butterflies to importance
I do not matter to life
But the branches of salt the white branches
All the shadow bubbles
And the sea-anemones
Come down and breathe within my thoughts
They come from tears that are not mine
From steps I do not take that are steps twice
And of which the sand remembers the flood-tide
The bars are in the cage
And the birds come down from far above to sing before these bars
A subterranean passage unites all perfumes
A woman pledged herself there one day
This woman became so bright that I could no longer see her
With these eyes which have seen my own self burning
I was then already as old as I am now
And I watched over myself and my thoughts like a night watchman in an immense
factory Keeping watch alone
The circus always enchants the same tramlines
The plaster figures have lost nothing of their expression
They who bit the smile's fig
I know of a drapery in a forgotten town
If it pleased me to appear to you wrapped in this drapery
You would think that your end was approaching
Like mine
At last the fountains would understand that you must not say Fountain
The wolves are clothed in mirrors of snow
I have a boat detached from all climates
I am dragged along by an ice-pack with teeth of flame
I cut and cleave the wood of this tree that will always be green
A musician is caught up in the strings of his instrument
The skull and crossbones of the time of any childhood story
Goes on board a ship that is as yet its own ghost only
Perhaps there is a hilt to this sword
But already there is a duel in this hilt
During the duel the combatants are unarmed
Death is the least offence
The future never comes
The curtains that have never been raised
Float to the windows of houses that are to be built
The beds made of lilies
Slide beneath the lamps of dew
There will come an evening
The nuggets of light become still underneath the blue moss
The hands that tie and untie the knots of love and of air
Keep all their transparency for those who have eyes to see
They see the palms of hands
The crowns in eyes
But the brazier of crown and palms
Can scarcely be lit in the deepest part of the forest
There where the stags bend their heads to examine the years
Nothing more than a feeble beating is heard
From which sound a thousand louder or softer sounds proceed
And the beating goes on and on
There are dresses that vibrate
And their vibration is in unison with the beating
When I wish to see the faces of those that wear them
A great fog rises from the ground
At the bottom of the steeples behind the most elegant reservoirs of life and of wealth
In the gorges which hide themselves between two mountains
On the sea at the hour when the sun cools down
Those who make signs to me are separated by stars
And yet the carriage overturned at full speed
Carries as far as my last hesitation
That awaits me down there in the town where the statues of bronze
and of stone have changed places with statues of wax Banyans banyans.
I attach no importance to life
I pin not the least of life's butterflies to importance
I do not matter to life
But the branches of salt the white branches
All the shadow bubbles
And the sea-anemones
Come down and breathe within my thoughts
They come from tears that are not mine
From steps I do not take that are steps twice
And of which the sand remembers the flood-tide
The bars are in the cage
And the birds come down from far above to sing before these bars
A subterranean passage unites all perfumes
A woman pledged herself there one day
This woman became so bright that I could no longer see her
With these eyes which have seen my own self burning
I was then already as old as I am now
And I watched over myself and my thoughts like a night watchman in an immense
factory Keeping watch alone
The circus always enchants the same tramlines
The plaster figures have lost nothing of their expression
They who bit the smile's fig
I know of a drapery in a forgotten town
If it pleased me to appear to you wrapped in this drapery
You would think that your end was approaching
Like mine
At last the fountains would understand that you must not say Fountain
The wolves are clothed in mirrors of snow
I have a boat detached from all climates
I am dragged along by an ice-pack with teeth of flame
I cut and cleave the wood of this tree that will always be green
A musician is caught up in the strings of his instrument
The skull and crossbones of the time of any childhood story
Goes on board a ship that is as yet its own ghost only
Perhaps there is a hilt to this sword
But already there is a duel in this hilt
During the duel the combatants are unarmed
Death is the least offence
The future never comes
The curtains that have never been raised
Float to the windows of houses that are to be built
The beds made of lilies
Slide beneath the lamps of dew
There will come an evening
The nuggets of light become still underneath the blue moss
The hands that tie and untie the knots of love and of air
Keep all their transparency for those who have eyes to see
They see the palms of hands
The crowns in eyes
But the brazier of crown and palms
Can scarcely be lit in the deepest part of the forest
There where the stags bend their heads to examine the years
Nothing more than a feeble beating is heard
From which sound a thousand louder or softer sounds proceed
And the beating goes on and on
There are dresses that vibrate
And their vibration is in unison with the beating
When I wish to see the faces of those that wear them
A great fog rises from the ground
At the bottom of the steeples behind the most elegant reservoirs of life and of wealth
In the gorges which hide themselves between two mountains
On the sea at the hour when the sun cools down
Those who make signs to me are separated by stars
And yet the carriage overturned at full speed
Carries as far as my last hesitation
That awaits me down there in the town where the statues of bronze
and of stone have changed places with statues of wax Banyans banyans.
939
Anne Brontë
And yet my comrades marked it not,
And yet my comrades marked it not,
My voice was still the same;
They saw me smile, and o'er my face No
signs of sadness came;
They little knew my hidden thoughts
And they will never know
The anguish of my drooping heart,
The bitter aching woe!
Olivia Vernon.
My voice was still the same;
They saw me smile, and o'er my face No
signs of sadness came;
They little knew my hidden thoughts
And they will never know
The anguish of my drooping heart,
The bitter aching woe!
Olivia Vernon.
83
Allen Ginsberg
Understand That This Is a Dream
Understand That This Is a Dream
Real as a dream
What shall I do with this great opportunity to fly?
What is the interpretation of this planet, this moon?
if I can dream that I dream / and dream anything dreamable / can I dream
I am awake / and why do that?
When I dream in a dream that I wake / up what
happens when I try to move?
I dream that I move
and the effort moves and moves
till I move / and my arm hurts
Then I wake up / dismayed / I was dreaming / I was waking
when I was dreaming still / just now.
and try to remember next time in dreams
that I am in dreaming.
And dream anything I want when I'm awaken.
When I'm in awakeness what do I desire?
I desire to fulfill my emotional belly.
My whole body my heart in my fingertops thrill with some old fulfillments.
Pages of celestial rhymes burning fire-words
unconsumable but disappear.
Arcane parchments my own and the universe the answer.
Belly to Belly and knee to knee.
The hot spurt of my body to thee and thee
old boy / dreamy Earl / you Prince of Paterson / now king of me / lost
Haledon
first dream that made me take down my pants
urgently to show the cars / auto tracks / rolling down avenue hill.
That far back what do I remember / but the face of the leader of the gang
was blond / that loved me / one day on the steps of his house blocks away
all afternoon I told him about my magic Spell
I can do anything I want / palaces millions / chemistry sets / chicken
coops / white horses
stables and torture basements / I inspect my naked victims
chained upside down / my fingertips thrill approval on their thighs
white hairless cheeks I may kiss all I want
at my mercy. on the racks.
I pass with my strong attendants / I am myself naked
bending down with my buttocks out
for their smacks of reproval / o the heat of desire
liek shit in my asshole. The strange gang
across the street / thru the grocerystore / in the wood alley / out in the open
on the corner
Because I lied to the Dentist about that chickencoop roofing / slate stolen off
his garage
by me and the boy I loved who would punish me if he knew
what I loved him.
That now I have had that boy back in another blond form
Peter Orlovsky a Chinese teenager in Bangkok ten years twenty years
Jo Army on the campus / white blond loins / my mouth hath kisses /
full of his cock / my ass burning / full of his cock
all that I do desire. In dream and awake
this handsome body mine / answered
all I desired / intimate loves / open eyed / revealed at last / clothes on the
floor
Underwear the most revealing stripped off below the belly button in bed.
That's that / yes yes / the flat cocks the red pricks the gentle public hair /
alone with me
my magic spell. My power / what I desire alone / what after thirty years /
I got forever / after thirty years / satisfied enough with Peter / with all I
wanted /
with many men I knew one generation / our sperm passing
into our mouths and bellies / beautiful when I love / given.
Now the dream oldens / I olden / my hair a year long / my thirtyeight
birthday approaching.
I dream I
am bald / am disappearing / the campus unrecognizable / Haledon Avenue
will be covered with neon / motels / Supermarkets / iron
the porches and woods changed when i go back / to see Earl again
He'll be bald / fleshy father / I could pursie him further in the garage
If there's still a garage on the hill / on the planet / when I get back.
From Asia.
If I could even remember his name or his face / or find him /
When I was ten / perhaps he exists in some form.
With a belly and a belt and an auto
Whatever his last name / I never knew / in the phonebook / the Akashic
records.
I'll write my Inspiration for all Mankind to remember,
My Idea, the secret cave / in the clothes closet / that house probably down /
Nothing to go back to / everything's gone / only my idea
that's disappearing / even in dreams / gray dust piles / instant annihilation
of World War II and all its stainless steel shining-mouthed cannons
much less me and my grammar school kisses / I never kissed in time /
and go on kissing in dream and out on the street / as if it were for ever.
No forever left! Even my oldest forever gone, in Bangkok, in Benares,
swept up with words and bodies / all into the brown Ganges /
passing the burning grounds and / into the police state.
My mind, my mind / you had six feet of Earth to hoe /
Why didn't you remember and plant the seed of Law and gather the sprouts
of What?
the golden blossoms of what idea? If I dream that I dream / what dream
should I dream next? Motorcycle rickshaws / parting lamp shine / little
taxis / horses hoofs
on this Saigon midnight street. Angkor Wat ahead and the ruined city's old
Hindu faces
and there was a dream about Eternity. What should I dream when I wake?
What's left to dream, more Chinese meat? More magic Spells? More youths
to love before I change & disappear?
More dream words? For now that I know that I am dreaming /
What next for you Allen? Run down to the Presidents Palace full of Morphine /
The cocks crowing / in the street / Dawn trucks / What is the question?
Do I need sleep, now that there's light in the window?
I'll go to sleep. Signing off until / the next idea / the moving van arrives
empty
at the Doctor's house full of Chinese furniture.
Real as a dream
What shall I do with this great opportunity to fly?
What is the interpretation of this planet, this moon?
if I can dream that I dream / and dream anything dreamable / can I dream
I am awake / and why do that?
When I dream in a dream that I wake / up what
happens when I try to move?
I dream that I move
and the effort moves and moves
till I move / and my arm hurts
Then I wake up / dismayed / I was dreaming / I was waking
when I was dreaming still / just now.
and try to remember next time in dreams
that I am in dreaming.
And dream anything I want when I'm awaken.
When I'm in awakeness what do I desire?
I desire to fulfill my emotional belly.
My whole body my heart in my fingertops thrill with some old fulfillments.
Pages of celestial rhymes burning fire-words
unconsumable but disappear.
Arcane parchments my own and the universe the answer.
Belly to Belly and knee to knee.
The hot spurt of my body to thee and thee
old boy / dreamy Earl / you Prince of Paterson / now king of me / lost
Haledon
first dream that made me take down my pants
urgently to show the cars / auto tracks / rolling down avenue hill.
That far back what do I remember / but the face of the leader of the gang
was blond / that loved me / one day on the steps of his house blocks away
all afternoon I told him about my magic Spell
I can do anything I want / palaces millions / chemistry sets / chicken
coops / white horses
stables and torture basements / I inspect my naked victims
chained upside down / my fingertips thrill approval on their thighs
white hairless cheeks I may kiss all I want
at my mercy. on the racks.
I pass with my strong attendants / I am myself naked
bending down with my buttocks out
for their smacks of reproval / o the heat of desire
liek shit in my asshole. The strange gang
across the street / thru the grocerystore / in the wood alley / out in the open
on the corner
Because I lied to the Dentist about that chickencoop roofing / slate stolen off
his garage
by me and the boy I loved who would punish me if he knew
what I loved him.
That now I have had that boy back in another blond form
Peter Orlovsky a Chinese teenager in Bangkok ten years twenty years
Jo Army on the campus / white blond loins / my mouth hath kisses /
full of his cock / my ass burning / full of his cock
all that I do desire. In dream and awake
this handsome body mine / answered
all I desired / intimate loves / open eyed / revealed at last / clothes on the
floor
Underwear the most revealing stripped off below the belly button in bed.
That's that / yes yes / the flat cocks the red pricks the gentle public hair /
alone with me
my magic spell. My power / what I desire alone / what after thirty years /
I got forever / after thirty years / satisfied enough with Peter / with all I
wanted /
with many men I knew one generation / our sperm passing
into our mouths and bellies / beautiful when I love / given.
Now the dream oldens / I olden / my hair a year long / my thirtyeight
birthday approaching.
I dream I
am bald / am disappearing / the campus unrecognizable / Haledon Avenue
will be covered with neon / motels / Supermarkets / iron
the porches and woods changed when i go back / to see Earl again
He'll be bald / fleshy father / I could pursie him further in the garage
If there's still a garage on the hill / on the planet / when I get back.
From Asia.
If I could even remember his name or his face / or find him /
When I was ten / perhaps he exists in some form.
With a belly and a belt and an auto
Whatever his last name / I never knew / in the phonebook / the Akashic
records.
I'll write my Inspiration for all Mankind to remember,
My Idea, the secret cave / in the clothes closet / that house probably down /
Nothing to go back to / everything's gone / only my idea
that's disappearing / even in dreams / gray dust piles / instant annihilation
of World War II and all its stainless steel shining-mouthed cannons
much less me and my grammar school kisses / I never kissed in time /
and go on kissing in dream and out on the street / as if it were for ever.
No forever left! Even my oldest forever gone, in Bangkok, in Benares,
swept up with words and bodies / all into the brown Ganges /
passing the burning grounds and / into the police state.
My mind, my mind / you had six feet of Earth to hoe /
Why didn't you remember and plant the seed of Law and gather the sprouts
of What?
the golden blossoms of what idea? If I dream that I dream / what dream
should I dream next? Motorcycle rickshaws / parting lamp shine / little
taxis / horses hoofs
on this Saigon midnight street. Angkor Wat ahead and the ruined city's old
Hindu faces
and there was a dream about Eternity. What should I dream when I wake?
What's left to dream, more Chinese meat? More magic Spells? More youths
to love before I change & disappear?
More dream words? For now that I know that I am dreaming /
What next for you Allen? Run down to the Presidents Palace full of Morphine /
The cocks crowing / in the street / Dawn trucks / What is the question?
Do I need sleep, now that there's light in the window?
I'll go to sleep. Signing off until / the next idea / the moving van arrives
empty
at the Doctor's house full of Chinese furniture.
645
Allen Ginsberg
Wales Visitation
Wales Visitation
White fog lifting & falling on mountain-brow
Trees moving in rivers of wind
The clouds arise
as on a wave, gigantic eddy lifting mist
above teeming ferns exquisitely swayed
along a green crag
glimpsed thru mullioned glass in valley raine—
Bardic, O Self, Visitacione, tell naught
but what seen by one man in a vale in Albion,
of the folk, whose physical sciences end in Ecology,
the wisdom of earthly relations,
of mouths & eyes interknit ten centuries visible
orchards of mind language manifest human,
of the satanic thistle that raises its horned symmetry
flowering above sister grass-daisies’ pink tiny
bloomlets angelic as lightbulbs—
Remember 160 miles from London’s symmetrical thorned tower
& network of TV pictures flashing bearded your Self
the lambs on the tree-nooked hillside this day bleating
heard in Blake’s old ear, & the silent thought of Wordsworth in eld Stillness
clouds passing through skeleton arches of Tintern Abbey—
Bard Nameless as the Vast, babble to Vastness!
All the Valley quivered, one extended motion, wind
undulating on mossy hills
a giant wash that sank white fog delicately down red runnels
on the mountainside
whose leaf-branch tendrils moved asway
in granitic undertow down—
and lifted the floating Nebulous upward, and lifted the arms of the trees
and lifted the grasses an instant in balance
and lifted the lambs to hold still
and lifted the green of the hill, in one solemn wave
A solid mass of Heaven, mist-infused, ebbs thru the vale,
a wavelet of Immensity, lapping gigantic through Llanthony Valley,
the length of all England, valley upon valley under Heaven’s ocean
tonned with cloud-hang,
—Heaven balanced on a grassblade.
Roar of the mountain wind slow, sigh of the body,
One Being on the mountainside stirring gently
Exquisite scales trembling everywhere in balance,
one motion thru the cloudy sky-floor shifting on the million feet of daisies,
one Majesty the motion that stirred wet grass quivering
to the farthest tendril of white fog poured down
through shivering flowers on the mountain’s head—
No imperfection in the budded mountain,
Valleys breathe, heaven and earth move together,
daisies push inches of yellow air, vegetables tremble,
grass shimmers green
sheep speckle the mountainside, revolving their jaws with empty eyes,
horses dance in the warm rain,
tree-lined canals network live farmland,
blueberries fringe stone walls on hawthorn’d hills,
pheasants croak on meadows haired with fern—
Out, out on the hillside, into the ocean sound, into delicate gusts of wet air,
Fall on the ground, O great Wetness, O Mother, No harm on your body!
Stare close, no imperfection in the grass,
each flower Buddha-eye, repeating the story,
myriad-formed—
Kneel before the foxglove raising green buds, mauve bells dropped
doubled down the stem trembling antennae,
& look in the eyes of the branded lambs that stare
breathing stockstill under dripping hawthorn—
I lay down mixing my beard with the wet hair of the mountainside,
smelling the brown vagina-moist ground, harmless,
tasting the violet thistle-hair, sweetness—
One being so balanced, so vast, that its softest breath
moves every floweret in the stillness on the valley floor,
trembles lamb-hair hung gossamer rain-beaded in the grass,
lifts trees on their roots, birds in the great draught
hiding their strength in the rain, bearing same weight,
Groan thru breast and neck, a great Oh! to earth heart
Calling our Presence together
The great secret is no secret
Senses fit the winds,
Visible is visible,
rain-mist curtains wave through the bearded vale,
gray atoms wet the wind’s kabbala
Crosslegged on a rock in dusk rain,
rubber booted in soft grass, mind moveless,
breath trembles in white daisies by the roadside,
Heaven breath and my own symmetric
Airs wavering thru antlered green fern
drawn in my navel, same breath as breathes thru Capel-Y-Ffn,
Sounds of Aleph and Aum
through forests of gristle,
my skull and Lord Hereford’s Knob equal,
All Albion one.
What did I notice? Particulars! The
vision of the great One is myriad—
smoke curls upward from ashtray,
house fire burned low,
The night, still wet & moody black heaven
starless
upward in motion with wet wind.
White fog lifting & falling on mountain-brow
Trees moving in rivers of wind
The clouds arise
as on a wave, gigantic eddy lifting mist
above teeming ferns exquisitely swayed
along a green crag
glimpsed thru mullioned glass in valley raine—
Bardic, O Self, Visitacione, tell naught
but what seen by one man in a vale in Albion,
of the folk, whose physical sciences end in Ecology,
the wisdom of earthly relations,
of mouths & eyes interknit ten centuries visible
orchards of mind language manifest human,
of the satanic thistle that raises its horned symmetry
flowering above sister grass-daisies’ pink tiny
bloomlets angelic as lightbulbs—
Remember 160 miles from London’s symmetrical thorned tower
& network of TV pictures flashing bearded your Self
the lambs on the tree-nooked hillside this day bleating
heard in Blake’s old ear, & the silent thought of Wordsworth in eld Stillness
clouds passing through skeleton arches of Tintern Abbey—
Bard Nameless as the Vast, babble to Vastness!
All the Valley quivered, one extended motion, wind
undulating on mossy hills
a giant wash that sank white fog delicately down red runnels
on the mountainside
whose leaf-branch tendrils moved asway
in granitic undertow down—
and lifted the floating Nebulous upward, and lifted the arms of the trees
and lifted the grasses an instant in balance
and lifted the lambs to hold still
and lifted the green of the hill, in one solemn wave
A solid mass of Heaven, mist-infused, ebbs thru the vale,
a wavelet of Immensity, lapping gigantic through Llanthony Valley,
the length of all England, valley upon valley under Heaven’s ocean
tonned with cloud-hang,
—Heaven balanced on a grassblade.
Roar of the mountain wind slow, sigh of the body,
One Being on the mountainside stirring gently
Exquisite scales trembling everywhere in balance,
one motion thru the cloudy sky-floor shifting on the million feet of daisies,
one Majesty the motion that stirred wet grass quivering
to the farthest tendril of white fog poured down
through shivering flowers on the mountain’s head—
No imperfection in the budded mountain,
Valleys breathe, heaven and earth move together,
daisies push inches of yellow air, vegetables tremble,
grass shimmers green
sheep speckle the mountainside, revolving their jaws with empty eyes,
horses dance in the warm rain,
tree-lined canals network live farmland,
blueberries fringe stone walls on hawthorn’d hills,
pheasants croak on meadows haired with fern—
Out, out on the hillside, into the ocean sound, into delicate gusts of wet air,
Fall on the ground, O great Wetness, O Mother, No harm on your body!
Stare close, no imperfection in the grass,
each flower Buddha-eye, repeating the story,
myriad-formed—
Kneel before the foxglove raising green buds, mauve bells dropped
doubled down the stem trembling antennae,
& look in the eyes of the branded lambs that stare
breathing stockstill under dripping hawthorn—
I lay down mixing my beard with the wet hair of the mountainside,
smelling the brown vagina-moist ground, harmless,
tasting the violet thistle-hair, sweetness—
One being so balanced, so vast, that its softest breath
moves every floweret in the stillness on the valley floor,
trembles lamb-hair hung gossamer rain-beaded in the grass,
lifts trees on their roots, birds in the great draught
hiding their strength in the rain, bearing same weight,
Groan thru breast and neck, a great Oh! to earth heart
Calling our Presence together
The great secret is no secret
Senses fit the winds,
Visible is visible,
rain-mist curtains wave through the bearded vale,
gray atoms wet the wind’s kabbala
Crosslegged on a rock in dusk rain,
rubber booted in soft grass, mind moveless,
breath trembles in white daisies by the roadside,
Heaven breath and my own symmetric
Airs wavering thru antlered green fern
drawn in my navel, same breath as breathes thru Capel-Y-Ffn,
Sounds of Aleph and Aum
through forests of gristle,
my skull and Lord Hereford’s Knob equal,
All Albion one.
What did I notice? Particulars! The
vision of the great One is myriad—
smoke curls upward from ashtray,
house fire burned low,
The night, still wet & moody black heaven
starless
upward in motion with wet wind.
736
Allen Ginsberg
Song
Song
The weight of the world
is love.
Under the burden
of solitude,
under the burden
of dissatisfaction
the weight,
the weight we carry
is love.
Who can deny?
In dreams
it touches
the body,
in thought
constructs
a miracle,
in imagination
anguishes
till born
in human-looks
out of the heart
burning with purity-for
the burden of life
is love,
but we carry the weight
wearily,
and so must rest
in the arms of love
at last,
must rest in the arms
of love.
No rest
without love,
no sleep
without dreams
of love-be
mad or chill
obsessed with angels
or machines,
the final wish
is love
--cannot be bitter,
cannot deny,
cannot withhold
if denied:
the weight is too heavy
--must give
for no return
as thought
is given
in solitude
in all the excellence
of its excess.
The warm bodies
shine together
in the darkness,
the hand moves
to the center
of the flesh,
the skin trembles
in happiness
and the soul comes
joyful to the eye-
yes, yes,
that's what
I wanted,
I always wanted,
I always wanted,
to return
to the body
where I was born.
The weight of the world
is love.
Under the burden
of solitude,
under the burden
of dissatisfaction
the weight,
the weight we carry
is love.
Who can deny?
In dreams
it touches
the body,
in thought
constructs
a miracle,
in imagination
anguishes
till born
in human-looks
out of the heart
burning with purity-for
the burden of life
is love,
but we carry the weight
wearily,
and so must rest
in the arms of love
at last,
must rest in the arms
of love.
No rest
without love,
no sleep
without dreams
of love-be
mad or chill
obsessed with angels
or machines,
the final wish
is love
--cannot be bitter,
cannot deny,
cannot withhold
if denied:
the weight is too heavy
--must give
for no return
as thought
is given
in solitude
in all the excellence
of its excess.
The warm bodies
shine together
in the darkness,
the hand moves
to the center
of the flesh,
the skin trembles
in happiness
and the soul comes
joyful to the eye-
yes, yes,
that's what
I wanted,
I always wanted,
I always wanted,
to return
to the body
where I was born.
631
Allen Ginsberg
Sunflower Sutra
Sunflower Sutra
I walked on the banks of the tincan banana dock and sat down under the huge shade
of a Southern Pacific locomotive to look for the sunset over the box house hills and cry.
Jack Kerouac sat beside me on a busted rusty iron pole, companion, we thought the
same thoughts of the soul, bleak and blue and sad-eyed, surrounded by the gnarled
steel roots of trees of machinery.
The only water on the river mirrored the red sky, sun sank on top of final Frisco peaks,
no fish in that stream, no hermit in those mounts, just ourselves rheumy-eyed and
hung-over like old bums on the riverbank, tired and wily.
Look at the Sunflower, he said, there was a dead gray shadow against the sky, big as a
man, sitting dry on top of a pile of ancient sawdust-
--I rushed up enchanted--it was my first sunflower, memories of Blake--my
visions--Harlem
and Hells of the Eastern rivers, bridges clanking Joes greasy Sandwiches, dead baby
carriages, black treadless tires forgotten and unretreaded, the poem of the riverbank,
condoms & pots, steel knives, nothing stainless, only the dank muck and the
razor-sharp artifacts passing into the past-
and the gray Sunflower poised against the sunset, crackly bleak and dusty with the
smut and smog and smoke of olden locomotives in its eye-
corolla of bleary spikes pushed down and broken like a battered crown, seeds fallen out
of its face, soon-to-be-toothless mouth of sunny air, sunrays obliterated on its hairy
head like a dried wire spiderweb,
leaves stuck out like arms out of the stem, gestures from the sawdust root, broke
pieces of plaster fallen out of the black twigs, a dead fly in its ear,
Unholy battered old thing you were, my sunflower O my soul, I loved you then!
The grime was no man's grime but death and human locomotives,
all that dress of dust, that veil of darkened railroad skin, that smog of cheek, that
eyelid of black mis'ry, that sooty hand or phallus or protuberance of artificial
worse-than-dirt--industrial--modern--all that civilization spotting your crazy golden
crown-
and those blear thoughts of death and dusty loveless eyes and ends and withered roots
below, in the home-pile of sand and sawdust, rubber dollar bills, skin of machinery, the
guts and innards of the weeping coughing car, the empty lonely tincans with their rusty
tongues alack, what more could I name, the smoked ashes of some cock cigar, the
cunts of wheelbarrows and the milky breasts of cars, wornout asses out of chairs &
sphincters of dynamos--all these
entangled in your mummied roots--and you standing before me in the sunset, all your
glory in your form!
A perfect beauty of a sunflower! a perfect excellent lovely sunflower existence! a sweet
natural eye to the new hip moon, woke up alive and excited grasping in the sunset
shadow sunrise golden monthly breeze!
How many flies buzzed round you innocent of your grime, while you cursed the
heavens of your railroad and your flower soul?
Poor dead flower? when did you forget you were a flower? when did you look at your
skin and decide you were an impotent dirty old locomotive? the ghost of a locomotive?
the specter and shade of a once powerful mad American locomotive?
You were never no locomotive, Sunflower, you were a sunflower!
And you Locomotive, you are a locomotive, forget me not!
So I grabbed up the skeleton thick sunflower and stuck it at my side like a scepter,
and deliver my sermon to my soul, and Jack's soul too, and anyone who'll listen,
--We're not our skin of grime, we're not our dread bleak dusty imageless locomotive,
we're all golden sunflowers inside, blessed by our own seed & hairy naked
accomplishment-bodies growing into mad black formal sunflowers in the sunset, spied
on by our eyes under the shadow of the mad locomotive riverbank sunset Frisco hilly
tincan evening sitdown vision.
I walked on the banks of the tincan banana dock and sat down under the huge shade
of a Southern Pacific locomotive to look for the sunset over the box house hills and cry.
Jack Kerouac sat beside me on a busted rusty iron pole, companion, we thought the
same thoughts of the soul, bleak and blue and sad-eyed, surrounded by the gnarled
steel roots of trees of machinery.
The only water on the river mirrored the red sky, sun sank on top of final Frisco peaks,
no fish in that stream, no hermit in those mounts, just ourselves rheumy-eyed and
hung-over like old bums on the riverbank, tired and wily.
Look at the Sunflower, he said, there was a dead gray shadow against the sky, big as a
man, sitting dry on top of a pile of ancient sawdust-
--I rushed up enchanted--it was my first sunflower, memories of Blake--my
visions--Harlem
and Hells of the Eastern rivers, bridges clanking Joes greasy Sandwiches, dead baby
carriages, black treadless tires forgotten and unretreaded, the poem of the riverbank,
condoms & pots, steel knives, nothing stainless, only the dank muck and the
razor-sharp artifacts passing into the past-
and the gray Sunflower poised against the sunset, crackly bleak and dusty with the
smut and smog and smoke of olden locomotives in its eye-
corolla of bleary spikes pushed down and broken like a battered crown, seeds fallen out
of its face, soon-to-be-toothless mouth of sunny air, sunrays obliterated on its hairy
head like a dried wire spiderweb,
leaves stuck out like arms out of the stem, gestures from the sawdust root, broke
pieces of plaster fallen out of the black twigs, a dead fly in its ear,
Unholy battered old thing you were, my sunflower O my soul, I loved you then!
The grime was no man's grime but death and human locomotives,
all that dress of dust, that veil of darkened railroad skin, that smog of cheek, that
eyelid of black mis'ry, that sooty hand or phallus or protuberance of artificial
worse-than-dirt--industrial--modern--all that civilization spotting your crazy golden
crown-
and those blear thoughts of death and dusty loveless eyes and ends and withered roots
below, in the home-pile of sand and sawdust, rubber dollar bills, skin of machinery, the
guts and innards of the weeping coughing car, the empty lonely tincans with their rusty
tongues alack, what more could I name, the smoked ashes of some cock cigar, the
cunts of wheelbarrows and the milky breasts of cars, wornout asses out of chairs &
sphincters of dynamos--all these
entangled in your mummied roots--and you standing before me in the sunset, all your
glory in your form!
A perfect beauty of a sunflower! a perfect excellent lovely sunflower existence! a sweet
natural eye to the new hip moon, woke up alive and excited grasping in the sunset
shadow sunrise golden monthly breeze!
How many flies buzzed round you innocent of your grime, while you cursed the
heavens of your railroad and your flower soul?
Poor dead flower? when did you forget you were a flower? when did you look at your
skin and decide you were an impotent dirty old locomotive? the ghost of a locomotive?
the specter and shade of a once powerful mad American locomotive?
You were never no locomotive, Sunflower, you were a sunflower!
And you Locomotive, you are a locomotive, forget me not!
So I grabbed up the skeleton thick sunflower and stuck it at my side like a scepter,
and deliver my sermon to my soul, and Jack's soul too, and anyone who'll listen,
--We're not our skin of grime, we're not our dread bleak dusty imageless locomotive,
we're all golden sunflowers inside, blessed by our own seed & hairy naked
accomplishment-bodies growing into mad black formal sunflowers in the sunset, spied
on by our eyes under the shadow of the mad locomotive riverbank sunset Frisco hilly
tincan evening sitdown vision.
863
Allen Ginsberg
Psalm IV
Psalm IV
Now I'll record my secret vision, impossible sight of the face of God:
It was no dream, I lay broad waking on a fabulous couch in Harlem
having masturbated for no love, and read half naked an open book of Blake
on my lap
Lo & behold! I was thoughtless and turned a page and gazed on the living
Sun-flower
and heard a voice, it was Blake's, reciting in earthen measure:
the voice rose out of the page to my secret ear never heard before-
I lifted my eyes to the window, red walls of buildings flashed outside,
endless sky sad Eternity
sunlight gazing on the world, apartments of Harlem standing in the
universe-each
brick and cornice stained with intelligence like a vast living face-the
great brain unfolding and brooding in wilderness!--Now speaking
aloud with Blake's voice--
Love! thou patient presence & bone of the body! Father! thy careful
watching and waiting over my soul!
My son! My son! the endless ages have remembered me! My son! My son!
Time howled in anguish in my ear!
My son! My son! my father wept and held me in his dead arms.
Now I'll record my secret vision, impossible sight of the face of God:
It was no dream, I lay broad waking on a fabulous couch in Harlem
having masturbated for no love, and read half naked an open book of Blake
on my lap
Lo & behold! I was thoughtless and turned a page and gazed on the living
Sun-flower
and heard a voice, it was Blake's, reciting in earthen measure:
the voice rose out of the page to my secret ear never heard before-
I lifted my eyes to the window, red walls of buildings flashed outside,
endless sky sad Eternity
sunlight gazing on the world, apartments of Harlem standing in the
universe-each
brick and cornice stained with intelligence like a vast living face-the
great brain unfolding and brooding in wilderness!--Now speaking
aloud with Blake's voice--
Love! thou patient presence & bone of the body! Father! thy careful
watching and waiting over my soul!
My son! My son! the endless ages have remembered me! My son! My son!
Time howled in anguish in my ear!
My son! My son! my father wept and held me in his dead arms.
645
Allen Ginsberg
Kaddish, Part I
Kaddish, Part I
Strange now to think of you, gone without corsets & eyes, while I walk on
the sunny pavement of Greenwich Village.
downtown Manhattan, clear winter noon, and I've been up all night, talking,
talking, reading the Kaddish aloud, listening to Ray Charles blues
shout blind on the phonograph
the rhythm the rhythm--and your memory in my head three years after-And
read Adonais' last triumphant stanzas aloud--wept, realizing
how we suffer--
And how Death is that remedy all singers dream of, sing, remember,
prophesy as in the Hebrew Anthem, or the Buddhist Book of Answers--
and my own imagination of a withered leaf--at dawn--
Dreaming back thru life, Your time--and mine accelerating toward Apocalypse,
the final moment--the flower burning in the Day--and what comes after,
looking back on the mind itself that saw an American city
a flash away, and the great dream of Me or China, or you and a phantom
Russia, or a crumpled bed that never existed-
like a poem in the dark--escaped back to Oblivion--
No more to say, and nothing to weep for but the Beings in the Dream,
trapped in its disappearance,
sighing, screaming with it, buying and selling pieces of phantom, worshipping
each other,
worshipping the God included in it all--longing or inevitability?--while it
lasts, a Vision--anything more?
It leaps about me, as I go out and walk the street, look back over my shoulder,
Seventh Avenue, the battlements of window office buildings shouldering
each other high, under a cloud, tall as the sky an instant--and
the sky above--an old blue place.
or down the Avenue to the south, to--as I walk toward the Lower East Side
--where you walked 50 years ago, little girl--from Russia, eating the
first poisonous tomatoes of America frightened on the dock
then struggling in the crowds of Orchard Street toward what?--toward
Newark-
toward candy store, first home-made sodas of the century, hand-churned ice
cream in backroom on musty brownfloor boards--
Toward education marriage nervous breakdown, operation, teaching school,
and learning to be mad, in a dream--what is this life?
Toward the Key in the window--and the great Key lays its head of light
on top of Manhattan, and over the floor, and lays down on the
sidewalk--in a single vast beam, moving, as I walk down First toward
the Yiddish Theater--and the place of poverty
you knew, and I know, but without caring now--Strange to have moved
thru Paterson, and the West, and Europe and here again,
with the cries of Spaniards now in the doorstops doors and dark boys on
the street, firs escapes old as you
--Tho you're not old now, that's left here with me--
Myself, anyhow, maybe as old as the universe--and I guess that dies with
us--enough to cancel all that comes--What came is gone forever
every time-
That's good!That leaves it open for no regret--no fear radiators, lacklove,
torture even toothache in the end--
Though while it comes it is a lion that eats the soul--and the lamb, the soul,
in us, alas, offering itself in sacrifice to change's fierce hunger--hair
and teeth--and the roar of bonepain, skull bare, break rib, rot-skin,
braintricked Implacability.
Ai! ai!we do worse! We are in a fix!And you're out, Death let you out,
Death had the Mercy, you're done with your century, done with
God, done with the path thru it--Done with yourself at last--Pure
--Back to the Babe dark before your Father, before us all--before the
world--
There, rest.No more suffering for you.I know where you've gone, it's good.
No more flowers in the summer fields of New York, no joy now, no more
fear of Louis,
and no more of his sweetness and glasses, his high school decades, debts,
loves, frightened telephone calls, conception beds, relatives, hands--
No more of sister Elanor,--she gone before you--we kept it secret you
killed her--or she killed herself to bear with you--an arthritic heart
--But Death's killed you both--No matter--
Nor your memory of your mother, 1915 tears in silent movies weeks and
weeks--forgetting, agrieve watching Marie Dressler address humanity,
Chaplin dance in youth,
or Boris Godunov, Chaliapin's at the Met, halling his voice of a weeping Czar
--by standing room with Elanor & Max--watching also the Capital
ists take seats in Orchestra, white furs, diamonds,
with the YPSL's hitch-hiking thru Pennsylvania, in black baggy gym skirts
pants, photograph of 4 girls holding each other round the waste, and
laughing eye, too coy, virginal solitude of 1920
all girls grown old, or dead now, and that long hair in the grave--lucky to
have husbands later--
You made it--I came too--Eugene my brother before (still grieving now and
will gream on to his last stiff hand, as he goes thru his cancer--or kill
--later perhaps--soon he will think--)
And it's the last moment I remember, which I see them all, thru myself, now
--tho not you
I didn't foresee what you felt--what more hideous gape of bad mouth came
first--to you--and were you prepared?
To go where?In that Dark--that--in that God? a radiance? A Lord in the
Void?Like an eye in the black cloud in a dream?Adonoi at last, with
you?
Beyond my remembrance! Incapable to guess! Not merely the yellow skull
in the grave, or a box of worm dust, and a stained ribbon--Deathshead
with Halo?can you believe it?
Is it only the sun that shines once for the mind, only the flash of existence,
than none ever was?
Nothing beyond what we have--what you had--that so pitiful--yet Triumph,
to have been here, and changed, like a tree, broken, or flower--fed to the
ground--but made, with its petals, colored, thinking Great Universe,
shaken, cut in the head, leaf stript, hid in an egg crate hospital, cloth
wrapped, sore--freaked in the moon brain, Naughtless.
No flower like that flower, which knew itself in the garden, and fought the
knife--lost
Cut down by an idiot Snowman's icy--even in the Spring--strange ghost
thought some--Death--Sharp icicle in his hand--crowned with old
roses--a dog for his eyes--cock of a sweatshop--heart of electric
irons.
All the accumulations of life, that wear us out--clocks, bodies, consciousness,
shoes, breasts--begotten sons--your Communism--'Paranoia' into
hospitals.
You once kicked Elanor in the leg, she died of heart failure later.You of
stroke.Asleep?within a year, the two of you, sisters in death.Is
Elanor happy?
Max grieves alive in an office on Lower Broadway, lone large mustache over
midnight Accountings, not sure.His life passes--as he sees--and
what does he doubt now?Still dream of making money, or that might
have made money, hired nurse, had children, found even your Immortality,
Naomi?
I'll see him soon.Now I've got to cut through to talk to you as I didn't
when you had a mouth.
Forever.And we're bound for that, Forever like Emily Dickinson's horses
--headed to the End.
They know the way--These Steeds--run faster than we think--it's our own
life they cross--and take with them.
Magnificent, mourned no more, marred of heart, mind behind, married
dreamed, mortal changed--Ass and face done with murder.
In the world, given, flower maddened, made no Utopia, shut under
pine, almed in Earth, blamed in Lone, Jehovah, accept.
Nameless, One Faced, Forever beyond me, beginningless, endless,
Father in death.Tho I am not there for this Prophecy, I am unmarried, I'm
hymnless, I'm Heavenless, headless in blisshood I would still adore
Thee, Heaven, after Death, only One blessed in Nothingness, not
light or darkness, Dayless Eternity-Take
this, this Psalm, from me, burst from my hand in a day, some
of my Time, now given to Nothing--to praise Thee--But Death
This is the end, the redemption from Wilderness, way for the Wonderer,
House sought for All, black handkerchief washed clean by weeping
--page beyond Psalm--Last change of mine and Naomi--to God's perfect
Darkness--Death, stay thy phantoms!
II
Over and over--refrain--of the Hospitals--still haven't written your
history--leave it abstract--a few images
run thru the mind--like the saxophone chorus of houses and years-remembrance
of electrical shocks.
By long nites as a child in Paterson apartment, watching over your
nervousness--you were fat--your next move-
By that afternoon I stayed home from school to take care of you-once
and for all--when I vowed forever that once man disagreed with my
opinion of the cosmos, I was lost-
By my later burden--vow to illuminate mankind--this is release of
particulars--(mad as you)--(sanity a trick of agreement)-But
you stared out the window on the Broadway Church corner, and
spied a mystical assassin from Newark,
So phoned the Doctor--'OK go way for a rest'--so I put on my coat
and walked you downstreet--On the way a grammarschool boy screamed,
unaccountably--'Where you goin Lady to Death'? I shuddered-
and you covered your nose with motheaten fur collar, gas mask
against poison sneaked into downtown atmosphere, sprayed by Grandma-
And was the driver of the cheesebox Public Service bus a member of
the gang?You shuddered at his face, I could hardly get you on--to New
York, very Times Square, to grab another Greyhound--
Strange now to think of you, gone without corsets & eyes, while I walk on
the sunny pavement of Greenwich Village.
downtown Manhattan, clear winter noon, and I've been up all night, talking,
talking, reading the Kaddish aloud, listening to Ray Charles blues
shout blind on the phonograph
the rhythm the rhythm--and your memory in my head three years after-And
read Adonais' last triumphant stanzas aloud--wept, realizing
how we suffer--
And how Death is that remedy all singers dream of, sing, remember,
prophesy as in the Hebrew Anthem, or the Buddhist Book of Answers--
and my own imagination of a withered leaf--at dawn--
Dreaming back thru life, Your time--and mine accelerating toward Apocalypse,
the final moment--the flower burning in the Day--and what comes after,
looking back on the mind itself that saw an American city
a flash away, and the great dream of Me or China, or you and a phantom
Russia, or a crumpled bed that never existed-
like a poem in the dark--escaped back to Oblivion--
No more to say, and nothing to weep for but the Beings in the Dream,
trapped in its disappearance,
sighing, screaming with it, buying and selling pieces of phantom, worshipping
each other,
worshipping the God included in it all--longing or inevitability?--while it
lasts, a Vision--anything more?
It leaps about me, as I go out and walk the street, look back over my shoulder,
Seventh Avenue, the battlements of window office buildings shouldering
each other high, under a cloud, tall as the sky an instant--and
the sky above--an old blue place.
or down the Avenue to the south, to--as I walk toward the Lower East Side
--where you walked 50 years ago, little girl--from Russia, eating the
first poisonous tomatoes of America frightened on the dock
then struggling in the crowds of Orchard Street toward what?--toward
Newark-
toward candy store, first home-made sodas of the century, hand-churned ice
cream in backroom on musty brownfloor boards--
Toward education marriage nervous breakdown, operation, teaching school,
and learning to be mad, in a dream--what is this life?
Toward the Key in the window--and the great Key lays its head of light
on top of Manhattan, and over the floor, and lays down on the
sidewalk--in a single vast beam, moving, as I walk down First toward
the Yiddish Theater--and the place of poverty
you knew, and I know, but without caring now--Strange to have moved
thru Paterson, and the West, and Europe and here again,
with the cries of Spaniards now in the doorstops doors and dark boys on
the street, firs escapes old as you
--Tho you're not old now, that's left here with me--
Myself, anyhow, maybe as old as the universe--and I guess that dies with
us--enough to cancel all that comes--What came is gone forever
every time-
That's good!That leaves it open for no regret--no fear radiators, lacklove,
torture even toothache in the end--
Though while it comes it is a lion that eats the soul--and the lamb, the soul,
in us, alas, offering itself in sacrifice to change's fierce hunger--hair
and teeth--and the roar of bonepain, skull bare, break rib, rot-skin,
braintricked Implacability.
Ai! ai!we do worse! We are in a fix!And you're out, Death let you out,
Death had the Mercy, you're done with your century, done with
God, done with the path thru it--Done with yourself at last--Pure
--Back to the Babe dark before your Father, before us all--before the
world--
There, rest.No more suffering for you.I know where you've gone, it's good.
No more flowers in the summer fields of New York, no joy now, no more
fear of Louis,
and no more of his sweetness and glasses, his high school decades, debts,
loves, frightened telephone calls, conception beds, relatives, hands--
No more of sister Elanor,--she gone before you--we kept it secret you
killed her--or she killed herself to bear with you--an arthritic heart
--But Death's killed you both--No matter--
Nor your memory of your mother, 1915 tears in silent movies weeks and
weeks--forgetting, agrieve watching Marie Dressler address humanity,
Chaplin dance in youth,
or Boris Godunov, Chaliapin's at the Met, halling his voice of a weeping Czar
--by standing room with Elanor & Max--watching also the Capital
ists take seats in Orchestra, white furs, diamonds,
with the YPSL's hitch-hiking thru Pennsylvania, in black baggy gym skirts
pants, photograph of 4 girls holding each other round the waste, and
laughing eye, too coy, virginal solitude of 1920
all girls grown old, or dead now, and that long hair in the grave--lucky to
have husbands later--
You made it--I came too--Eugene my brother before (still grieving now and
will gream on to his last stiff hand, as he goes thru his cancer--or kill
--later perhaps--soon he will think--)
And it's the last moment I remember, which I see them all, thru myself, now
--tho not you
I didn't foresee what you felt--what more hideous gape of bad mouth came
first--to you--and were you prepared?
To go where?In that Dark--that--in that God? a radiance? A Lord in the
Void?Like an eye in the black cloud in a dream?Adonoi at last, with
you?
Beyond my remembrance! Incapable to guess! Not merely the yellow skull
in the grave, or a box of worm dust, and a stained ribbon--Deathshead
with Halo?can you believe it?
Is it only the sun that shines once for the mind, only the flash of existence,
than none ever was?
Nothing beyond what we have--what you had--that so pitiful--yet Triumph,
to have been here, and changed, like a tree, broken, or flower--fed to the
ground--but made, with its petals, colored, thinking Great Universe,
shaken, cut in the head, leaf stript, hid in an egg crate hospital, cloth
wrapped, sore--freaked in the moon brain, Naughtless.
No flower like that flower, which knew itself in the garden, and fought the
knife--lost
Cut down by an idiot Snowman's icy--even in the Spring--strange ghost
thought some--Death--Sharp icicle in his hand--crowned with old
roses--a dog for his eyes--cock of a sweatshop--heart of electric
irons.
All the accumulations of life, that wear us out--clocks, bodies, consciousness,
shoes, breasts--begotten sons--your Communism--'Paranoia' into
hospitals.
You once kicked Elanor in the leg, she died of heart failure later.You of
stroke.Asleep?within a year, the two of you, sisters in death.Is
Elanor happy?
Max grieves alive in an office on Lower Broadway, lone large mustache over
midnight Accountings, not sure.His life passes--as he sees--and
what does he doubt now?Still dream of making money, or that might
have made money, hired nurse, had children, found even your Immortality,
Naomi?
I'll see him soon.Now I've got to cut through to talk to you as I didn't
when you had a mouth.
Forever.And we're bound for that, Forever like Emily Dickinson's horses
--headed to the End.
They know the way--These Steeds--run faster than we think--it's our own
life they cross--and take with them.
Magnificent, mourned no more, marred of heart, mind behind, married
dreamed, mortal changed--Ass and face done with murder.
In the world, given, flower maddened, made no Utopia, shut under
pine, almed in Earth, blamed in Lone, Jehovah, accept.
Nameless, One Faced, Forever beyond me, beginningless, endless,
Father in death.Tho I am not there for this Prophecy, I am unmarried, I'm
hymnless, I'm Heavenless, headless in blisshood I would still adore
Thee, Heaven, after Death, only One blessed in Nothingness, not
light or darkness, Dayless Eternity-Take
this, this Psalm, from me, burst from my hand in a day, some
of my Time, now given to Nothing--to praise Thee--But Death
This is the end, the redemption from Wilderness, way for the Wonderer,
House sought for All, black handkerchief washed clean by weeping
--page beyond Psalm--Last change of mine and Naomi--to God's perfect
Darkness--Death, stay thy phantoms!
II
Over and over--refrain--of the Hospitals--still haven't written your
history--leave it abstract--a few images
run thru the mind--like the saxophone chorus of houses and years-remembrance
of electrical shocks.
By long nites as a child in Paterson apartment, watching over your
nervousness--you were fat--your next move-
By that afternoon I stayed home from school to take care of you-once
and for all--when I vowed forever that once man disagreed with my
opinion of the cosmos, I was lost-
By my later burden--vow to illuminate mankind--this is release of
particulars--(mad as you)--(sanity a trick of agreement)-But
you stared out the window on the Broadway Church corner, and
spied a mystical assassin from Newark,
So phoned the Doctor--'OK go way for a rest'--so I put on my coat
and walked you downstreet--On the way a grammarschool boy screamed,
unaccountably--'Where you goin Lady to Death'? I shuddered-
and you covered your nose with motheaten fur collar, gas mask
against poison sneaked into downtown atmosphere, sprayed by Grandma-
And was the driver of the cheesebox Public Service bus a member of
the gang?You shuddered at his face, I could hardly get you on--to New
York, very Times Square, to grab another Greyhound--
770
Allen Ginsberg
Hospital Window
Hospital Window
At gauzy dusk, thin haze like cigarette smoke
ribbons past Chrysler Building's silver fins
tapering delicately needletopped, Empire State's
taller antenna filmed milky lit amid blocks
black and white apartmenting veil'd sky over Manhattan,
offices new built dark glassed in blueish heaven--The East
50's & 60's covered with castles & watertowers, seven storied
tar-topped house-banks over York Avenue, late may-green trees
surrounding Rockefellers' blue domed medical arbor--
Geodesic science at the waters edge--Cars running up
East River Drive, & parked at N.Y. Hospital's oval door
where perfect tulips flower the health of a thousand sick souls
trembling inside hospital rooms. Triboro bridge steel-spiked
penthouse orange roofs, sunset tinges the river and in a few
Bronx windows, some magnesium vapor brilliances're
spotted five floors above E 59th St under grey painted bridge
trestles. Way downstream along the river, as Monet saw Thames
100 years ago, Con Edison smokestacks 14th street,
& Brooklyn Bridge's skeined dim in modern mists--
Pipes sticking up to sky nine smokestacks huge visible--
U.N. Building hangs under an orange crane, & red lights on
vertical avenues below the trees turn green at the nod
of a skull with a mild nerve ache. Dim dharma, I return
to this spectacle after weeks of poisoned lassitude, my thighs
belly chest & arms covered with poxied welts,
head pains fading back of the neck, right eyebrow cheek
mouth paralyzed--from taking the wrong medicine, sweated
too much in the forehead helpless, covered my rage from
gorge to prostate with grinding jaw and tightening anus
not released the weeping scream of horror at robot Mayaguez
World self ton billions metal grief unloaded
Pnom Penh to Nakon Thanom, Santiago & Tehran.
Fresh warm breeze in the window, day's release
>from pain, cars float downside the bridge trestle
and uncounted building-wall windows multiplied a mile
deep into ash-delicate sky beguile
my empty mind. A seagull passes alone wings
spread silent over roofs.
At gauzy dusk, thin haze like cigarette smoke
ribbons past Chrysler Building's silver fins
tapering delicately needletopped, Empire State's
taller antenna filmed milky lit amid blocks
black and white apartmenting veil'd sky over Manhattan,
offices new built dark glassed in blueish heaven--The East
50's & 60's covered with castles & watertowers, seven storied
tar-topped house-banks over York Avenue, late may-green trees
surrounding Rockefellers' blue domed medical arbor--
Geodesic science at the waters edge--Cars running up
East River Drive, & parked at N.Y. Hospital's oval door
where perfect tulips flower the health of a thousand sick souls
trembling inside hospital rooms. Triboro bridge steel-spiked
penthouse orange roofs, sunset tinges the river and in a few
Bronx windows, some magnesium vapor brilliances're
spotted five floors above E 59th St under grey painted bridge
trestles. Way downstream along the river, as Monet saw Thames
100 years ago, Con Edison smokestacks 14th street,
& Brooklyn Bridge's skeined dim in modern mists--
Pipes sticking up to sky nine smokestacks huge visible--
U.N. Building hangs under an orange crane, & red lights on
vertical avenues below the trees turn green at the nod
of a skull with a mild nerve ache. Dim dharma, I return
to this spectacle after weeks of poisoned lassitude, my thighs
belly chest & arms covered with poxied welts,
head pains fading back of the neck, right eyebrow cheek
mouth paralyzed--from taking the wrong medicine, sweated
too much in the forehead helpless, covered my rage from
gorge to prostate with grinding jaw and tightening anus
not released the weeping scream of horror at robot Mayaguez
World self ton billions metal grief unloaded
Pnom Penh to Nakon Thanom, Santiago & Tehran.
Fresh warm breeze in the window, day's release
>from pain, cars float downside the bridge trestle
and uncounted building-wall windows multiplied a mile
deep into ash-delicate sky beguile
my empty mind. A seagull passes alone wings
spread silent over roofs.
658
Allen Ginsberg
Five A.M.
Five A.M.
Elan that lifts me above the clouds
into pure space, timeless, yea eternal
Breath transmuted into words
Transmuted back to breath
in one hundred two hundred years
nearly Immortal, Sappho's 26 centuries
of cadenced breathing -- beyond time, clocks, empires, bodies, cars,
chariots, rocket ships skyscrapers, Nation empires
brass walls, polished marble, Inca Artwork
of the mind -- but where's it come from?
Inspiration? The muses drawing breath for you? God?
Nah, don't believe it, you'll get entangled in Heaven or Hell --
Guilt power, that makes the heart beat wake all night
flooding mind with space, echoing through future cities, Megalopolis or
Cretan village, Zeus' birth cave Lassithi Plains -- Otsego County
farmhouse, Kansas front porch?
Buddha's a help, promises ordinary mind no nirvana -coffee,
alcohol, cocaine, mushrooms, marijuana, laughing gas?
Nope, too heavy for this lightness lifts the brain into blue sky
at May dawn when birds start singing on East 12th street --
Where does it come from, where does it go forever?
Elan that lifts me above the clouds
into pure space, timeless, yea eternal
Breath transmuted into words
Transmuted back to breath
in one hundred two hundred years
nearly Immortal, Sappho's 26 centuries
of cadenced breathing -- beyond time, clocks, empires, bodies, cars,
chariots, rocket ships skyscrapers, Nation empires
brass walls, polished marble, Inca Artwork
of the mind -- but where's it come from?
Inspiration? The muses drawing breath for you? God?
Nah, don't believe it, you'll get entangled in Heaven or Hell --
Guilt power, that makes the heart beat wake all night
flooding mind with space, echoing through future cities, Megalopolis or
Cretan village, Zeus' birth cave Lassithi Plains -- Otsego County
farmhouse, Kansas front porch?
Buddha's a help, promises ordinary mind no nirvana -coffee,
alcohol, cocaine, mushrooms, marijuana, laughing gas?
Nope, too heavy for this lightness lifts the brain into blue sky
at May dawn when birds start singing on East 12th street --
Where does it come from, where does it go forever?
666
Allen Ginsberg
Cezanne's Ports
Cezanne's Ports
In the foreground we see time and life
swept in a race
toward the left hand side of the picture
where shore meets shore.
But that meeting place
isn't represented;
it doesn't occur on the canvas.
For the other side of the bay
is Heaven and Eternity,
with a bleak white haze over its mountains.
And the immense water of L'Estaque is a go-between
for minute rowboats.
In the foreground we see time and life
swept in a race
toward the left hand side of the picture
where shore meets shore.
But that meeting place
isn't represented;
it doesn't occur on the canvas.
For the other side of the bay
is Heaven and Eternity,
with a bleak white haze over its mountains.
And the immense water of L'Estaque is a go-between
for minute rowboats.
547
Allen Ginsberg
An Asphodel
An Asphodel
O dear sweet rosy
unattainable desire
...how sad, no way
to change the mad
cultivated asphodel, the
visible reality...
and skin's appalling
petals--how inspired
to be so Iying in the living
room drunk naked
and dreaming, in the absence
of electricity...
over and over eating the low root
of the asphodel,
gray fate...
rolling in generation
on the flowery couch
as on a bank in Arden-my
only rose tonite's the treat
of my own nudity.
O dear sweet rosy
unattainable desire
...how sad, no way
to change the mad
cultivated asphodel, the
visible reality...
and skin's appalling
petals--how inspired
to be so Iying in the living
room drunk naked
and dreaming, in the absence
of electricity...
over and over eating the low root
of the asphodel,
gray fate...
rolling in generation
on the flowery couch
as on a bank in Arden-my
only rose tonite's the treat
of my own nudity.
535
Muhammad Iqbal
The Sun
The Sun
O Sun! The world's essence and motivator you are
The organizer of the book of the world you are
The splendor of existence has been created by you
The verdure of the garden of existence depends on you
The spectacle of elements is maintained by you
The exigency of life in all is maintained by you
Your appearance confers stability on everything
Your illumination and concord is completion of life
You are the sun which establishes light in the world
Which establishes heart, intellect, essence and wisdom
O Sun! Bestow on us the light of wisdom
Bestow your luster's light on the intellect's eye
You are the decorator of necessaries of existence' assemblage
You are the Yazdan of the denizens of the high and the low
Your excellence is reflected from every living thing
The mountain range also shows your elegance
You are the sustainer of the life of all
You are the king of the light's children
There is no beginning and no end of yours
Free of limits of time is the light of yours
O Sun! The world's essence and motivator you are
The organizer of the book of the world you are
The splendor of existence has been created by you
The verdure of the garden of existence depends on you
The spectacle of elements is maintained by you
The exigency of life in all is maintained by you
Your appearance confers stability on everything
Your illumination and concord is completion of life
You are the sun which establishes light in the world
Which establishes heart, intellect, essence and wisdom
O Sun! Bestow on us the light of wisdom
Bestow your luster's light on the intellect's eye
You are the decorator of necessaries of existence' assemblage
You are the Yazdan of the denizens of the high and the low
Your excellence is reflected from every living thing
The mountain range also shows your elegance
You are the sustainer of the life of all
You are the king of the light's children
There is no beginning and no end of yours
Free of limits of time is the light of yours
349
Muhammad Iqbal
The One I Was Searching For On the Earth and in Heaven
The One I Was Searching For On the Earth and in Heaven
The one I was searching for on the earth and in heaven
Appeared residing in the recesses of my own heart
When the reality of the self became evident to my eyes
The house appeared among residents of my own heart
If it were somewhat familiar with taste of rubbing foreheads
The stone of Ka’ba’s threshold would have joined the foreheads
O Majnun! Have you ever glanced at yourself
That like Layla you are also sitting in the litter
The months of the union continue flying like moments
But the moments of separation linger for months!
O seaman, how will you protect me from being drowned
As those destined to drowning get drowned in the boats also
The one who concealed His Beauty from Kalim Allah
The same Beloved is manifest among beloveds
The breath of Lovers can light up the extinguished candle
O God! What is kept concealed in the breast of the Lovers?
Serve the fakirs if you have the longing for Love
This pearl is not available in the treasures of kings
Do not ask of these Devotees, if you have faith, you should look at them
They have the illuminated palm up their sleeves
The insightful eye for whose spectacle is tantalized
That elegance of congregation is in these very recluses
Burn the produce of your heart with some such spark
That the Last Day’s sun may also be among your gleaners
For Love search for some heart which would become mortified
This is the wine which is not kept in delicate wine glasses
The Beauty itself becomes the Lover of whose Beauty
O Heart! Does someone among the beautiful has that beauty?
Someone became highly excited at your grace of Ma’arafna
Your rank remained among the most elegant of all the Lovers
Manifest Thyself and show them Thy Beauty some time
Talks have continued among the sagacious since long time
Silent, O Heart! Crying in the full assembly is not good
Decorum is the most important etiquette among the ways of Love
It is not possible for me to deem my critics bad
Because Iqbal, I am myself among my critics
The one I was searching for on the earth and in heaven
Appeared residing in the recesses of my own heart
When the reality of the self became evident to my eyes
The house appeared among residents of my own heart
If it were somewhat familiar with taste of rubbing foreheads
The stone of Ka’ba’s threshold would have joined the foreheads
O Majnun! Have you ever glanced at yourself
That like Layla you are also sitting in the litter
The months of the union continue flying like moments
But the moments of separation linger for months!
O seaman, how will you protect me from being drowned
As those destined to drowning get drowned in the boats also
The one who concealed His Beauty from Kalim Allah
The same Beloved is manifest among beloveds
The breath of Lovers can light up the extinguished candle
O God! What is kept concealed in the breast of the Lovers?
Serve the fakirs if you have the longing for Love
This pearl is not available in the treasures of kings
Do not ask of these Devotees, if you have faith, you should look at them
They have the illuminated palm up their sleeves
The insightful eye for whose spectacle is tantalized
That elegance of congregation is in these very recluses
Burn the produce of your heart with some such spark
That the Last Day’s sun may also be among your gleaners
For Love search for some heart which would become mortified
This is the wine which is not kept in delicate wine glasses
The Beauty itself becomes the Lover of whose Beauty
O Heart! Does someone among the beautiful has that beauty?
Someone became highly excited at your grace of Ma’arafna
Your rank remained among the most elegant of all the Lovers
Manifest Thyself and show them Thy Beauty some time
Talks have continued among the sagacious since long time
Silent, O Heart! Crying in the full assembly is not good
Decorum is the most important etiquette among the ways of Love
It is not possible for me to deem my critics bad
Because Iqbal, I am myself among my critics
334
Muhammad Iqbal
The Morning Sun
The Morning Sun
Far from the ignoble strife of Man's tavern you are
The wine-cup adorning the sky's assemblage you are
The jewel which should be the pearl of the morning's bride's ear you are
The ornament which would be the pride of horizon's forehead you are
The blot of night's ink from time's page has been removed!
The star from sky like a spurious picture has been removed!
When from the roof of the sky your beauty appears
Effect of sleep's wine suddenly from eyes disappears
Perception's expanse gets filled with light
Though opens only the material eye your light
The spectacle which the eyes seek is desired
The effulgence which would open the insight is desired
The desires for freedom were not fulfilled in this life
We remained imprisoned in chains of dependence all life
The high and the low are alike for your eye
I too have longing for such a discerning eye
May my eye shedding tears in sympathy for others' woes be!
May my heart free from the prejudice of nation and customs be!
May my tongue be not bound with discrimination of color
May mankind be my nation, the whole world my country be
May secret of Nature's organization clear to my insight be
May smoke of my imagination's candle rising to the sky be
May search for secrets of opposites not make me restless!
May the Love-creating Beauty in everything appear to me!
If the rose petals get damaged by the breeze
May its pain dropping from my eye as a tear be
May the heart contain that little spark of Love's fire
The light of which may contain the secret of the Truth
May my heart not mine but the Beloved's mirror be!
May no thought in my mind except human sympathy be!
If you cannot endure the hardships of the tumultuous world
O the Great Luminary that is not the mark of greatness!
As you are not aware of your world-decorating beauty
You cannot be equal to a speck of dust at the Man's door!
The light of Man eager for the Spectacle ever remained
And you obligated to the tomorrow's morning ever remained
Longing for the Light of the Truth is only in our hearts
Abode of Lailah of desire for search is only in this litter
Opening of the difficult knot, Oh what a pleasure it is!
The pleasure of universal gain in our endless effort is!
Your bosom is unacquainted with the pain of investigation
You are not familiar with searching of the secrets of Nature
Far from the ignoble strife of Man's tavern you are
The wine-cup adorning the sky's assemblage you are
The jewel which should be the pearl of the morning's bride's ear you are
The ornament which would be the pride of horizon's forehead you are
The blot of night's ink from time's page has been removed!
The star from sky like a spurious picture has been removed!
When from the roof of the sky your beauty appears
Effect of sleep's wine suddenly from eyes disappears
Perception's expanse gets filled with light
Though opens only the material eye your light
The spectacle which the eyes seek is desired
The effulgence which would open the insight is desired
The desires for freedom were not fulfilled in this life
We remained imprisoned in chains of dependence all life
The high and the low are alike for your eye
I too have longing for such a discerning eye
May my eye shedding tears in sympathy for others' woes be!
May my heart free from the prejudice of nation and customs be!
May my tongue be not bound with discrimination of color
May mankind be my nation, the whole world my country be
May secret of Nature's organization clear to my insight be
May smoke of my imagination's candle rising to the sky be
May search for secrets of opposites not make me restless!
May the Love-creating Beauty in everything appear to me!
If the rose petals get damaged by the breeze
May its pain dropping from my eye as a tear be
May the heart contain that little spark of Love's fire
The light of which may contain the secret of the Truth
May my heart not mine but the Beloved's mirror be!
May no thought in my mind except human sympathy be!
If you cannot endure the hardships of the tumultuous world
O the Great Luminary that is not the mark of greatness!
As you are not aware of your world-decorating beauty
You cannot be equal to a speck of dust at the Man's door!
The light of Man eager for the Spectacle ever remained
And you obligated to the tomorrow's morning ever remained
Longing for the Light of the Truth is only in our hearts
Abode of Lailah of desire for search is only in this litter
Opening of the difficult knot, Oh what a pleasure it is!
The pleasure of universal gain in our endless effort is!
Your bosom is unacquainted with the pain of investigation
You are not familiar with searching of the secrets of Nature
506
Muhammad Iqbal
The Intellect And The Heart
The Intellect And The Heart
One day Intellect said to the heart
'A guide to the misguided ones I am
Being on the earth I reach up to the sky
Look, how deep in comprehension I am
Guidance on earth is my sole occupation
Like the auspicious Khidr 1 in character I am
Interpreter of the book of life I am
The Manifestation of God's Glory I am
You are only a dropp of blood, but
The invaluable ruby's envy I am'
Hearing this the heart said, 'All this is true
But look at me as well, what I am
You understand the secrets of life
But seeing them with my own eyes I am
Concerned with the manifest order you are
And acquainted with the inward I am
Learning is from you, but Divine Knowledge is from me
You only seek Divinity, but showing Divinity I am
Restlessness is the end of Knowledge 2
But the remedy for that malady I am
You are the candle of the assembly of Truth
The lamp of the Divine Beauty's assemblage I am
You are related to time and space
The bird recognizing the Sidrah 3 I am
Look at the grandeur of my station
The throne of the God of Majesty I am
One day Intellect said to the heart
'A guide to the misguided ones I am
Being on the earth I reach up to the sky
Look, how deep in comprehension I am
Guidance on earth is my sole occupation
Like the auspicious Khidr 1 in character I am
Interpreter of the book of life I am
The Manifestation of God's Glory I am
You are only a dropp of blood, but
The invaluable ruby's envy I am'
Hearing this the heart said, 'All this is true
But look at me as well, what I am
You understand the secrets of life
But seeing them with my own eyes I am
Concerned with the manifest order you are
And acquainted with the inward I am
Learning is from you, but Divine Knowledge is from me
You only seek Divinity, but showing Divinity I am
Restlessness is the end of Knowledge 2
But the remedy for that malady I am
You are the candle of the assembly of Truth
The lamp of the Divine Beauty's assemblage I am
You are related to time and space
The bird recognizing the Sidrah 3 I am
Look at the grandeur of my station
The throne of the God of Majesty I am
285
Muhammad Iqbal
The Crescent
The Crescent
The sun's boat is broken and drowned in the Nile
But a piece is floating about on the water of the Nile
The twilight's pure blood drips into the sky's basin
Has the lancet of Nature drawn the sun's blood?
Has the sky stolen the ear ring of the evening's bride?
Or has the fragile cord in the Nile's waters strolling?
Your caravan is afoot without help of bell's call
The human ear cannot hear your foot-steps' sound
You show the spectacle of rise and fall to the eyes
Where is your home? To which country are you going?
O star-like planet take me with yourself
The prick of Longing's thorn keeps me restless
I am seeking light, I am weary in this habitation
I am the restless child in the existence's school…
The sun's boat is broken and drowned in the Nile
But a piece is floating about on the water of the Nile
The twilight's pure blood drips into the sky's basin
Has the lancet of Nature drawn the sun's blood?
Has the sky stolen the ear ring of the evening's bride?
Or has the fragile cord in the Nile's waters strolling?
Your caravan is afoot without help of bell's call
The human ear cannot hear your foot-steps' sound
You show the spectacle of rise and fall to the eyes
Where is your home? To which country are you going?
O star-like planet take me with yourself
The prick of Longing's thorn keeps me restless
I am seeking light, I am weary in this habitation
I am the restless child in the existence's school…
276
Muhammad Iqbal
The Cloud On The Mountain
The Cloud On The Mountain
Elevation bestows the sky's nearness to my abode
I am the mountain's cloud, my skirt sprinkles roses
Now the wilderness, now the rose garden is my abode
City and wilderness are mine, ocean is mine, forest is mine
If I want to return to some valley for the night
The mountain's verdure is my carpet of velvet
Nature has taught me to be a pearl spreader
To chant the camel song for the camel of the Beloved of Mercy
To be the comforter of the dispirited farmer's heart
To be the elegance of the assembly of the garden's trees
I spread out over the face of the earth like the locks
I get arranged and adorned by the breeze's
I tantalize the expecting eye from a distance
As I pass silently over some habitation
As I approach strolling towards a brook's bank
I endow the brook with ear rings of whirlpools
I am the hope of the freshly grown field's verdure
I am the ocean's offspring, I am nourished by the sun
I gave ocean's tumult to the mountain spring
I charmed the birds into thrilling chants
I pronounced 'Rise' standing by the verdure's head
I conferred the taste for smile to the rose-bud
By my benevolence farmers' huts on the mountain side
Are converted into bed chambers of the opulent.
Elevation bestows the sky's nearness to my abode
I am the mountain's cloud, my skirt sprinkles roses
Now the wilderness, now the rose garden is my abode
City and wilderness are mine, ocean is mine, forest is mine
If I want to return to some valley for the night
The mountain's verdure is my carpet of velvet
Nature has taught me to be a pearl spreader
To chant the camel song for the camel of the Beloved of Mercy
To be the comforter of the dispirited farmer's heart
To be the elegance of the assembly of the garden's trees
I spread out over the face of the earth like the locks
I get arranged and adorned by the breeze's
I tantalize the expecting eye from a distance
As I pass silently over some habitation
As I approach strolling towards a brook's bank
I endow the brook with ear rings of whirlpools
I am the hope of the freshly grown field's verdure
I am the ocean's offspring, I am nourished by the sun
I gave ocean's tumult to the mountain spring
I charmed the birds into thrilling chants
I pronounced 'Rise' standing by the verdure's head
I conferred the taste for smile to the rose-bud
By my benevolence farmers' huts on the mountain side
Are converted into bed chambers of the opulent.
291
Muhammad Iqbal
The Candle
The Candle
O Candle! I am also an afflicted person in the world assembly
Constant complaint is my lot in the manner of the rue
Love gave the warmth of internal pathos to you
It made me the florist selling blood-mixed tears
Whether you be the candle of a celebrating assembly or one at the grave
In every condition associated with the tears of sorrow you remain
Your eye views all with equity like the Secret's Lovers
My eye is the pride of the tumult of discrimination
Your illumination is alike in the Ka'bah and the temple
I am entangled in the temple and the Haram's discrimination
Your black smoke contains the sigh's elegance
Is some heart hidden in the place of your manifestation?
You burn with pathos due to distance from Tajalli's Light
Your pathos the callous ones consider your light
Though you are burning you are unaware of it all
You see but do not encompass the internal pathos
I quiver like mercury with the excitement of vexation
As well I am aware of vexations of the restless heart
This was also the elegance of some Beloved
Which gave me perception of my own pathos
This cognition of mine keeps me restless
Innumerable fire temples are asleep in this spark
Discrimination between high and low is created by this alone!
Fragrance in flower, ecstasy in wine is created by this alone!
Garden, nightingale, flower, fragrance this Cognition is
Root of the struggle of ‘I and you' this Cognition is
At creation's dawn as Beauty became the abode of Love
The sound of "Kun" taught warmth to the spirit of Love
The command came Beauty of Kun's garden to witness
With one eye a thousand dreadful dreams to witness
Do not ask me of the nature of the veil of being
The eve of separation was the dawn of my being
Gone are the days when unaware of imprisonment I was
That my abode the adornment of the tree of Tur was
I am a prisoner but consider the cage to be a garden
This exile's hovel of sorrow I consider the homeland
Memories of the homeland a needless melancholy became
Now the desire for sight, now Longing for search became
O Candle! Look at the excessive illusion of thought
Look at the end of the one worshipped by celestial denizens
Theme of separation I am, the exalted one I am
Design of the Will of the Universe's Lord I am
He desired my display as He designed me
When at the head of Existence' Divan He wrote me
The pearl likes living in a handful of dust
Style may be dull the subject is excellent
Not seeing it rightly is the fault of shortsighted perception
The universe is the show of effulgence of taste for Cognizance
This network of time and space is the scaling ladder of the Universe
It is the necklace of the neck of Eternal BeautyI
have lost the way, Longing for the goal I am
O Candle! Captive of perception's illusion I am
I am the hunter as well as the circle of tyranny's net!
I am the Haram's roof as well as the bird on Haram's roofAm I the Beauty or head to
foot the melting love am I?
It is not clear whether the beloved or the Lover am I?
am afraid the old secret may come up to my lips again
Lest story of suffering on the Cross may come up again.
O Candle! I am also an afflicted person in the world assembly
Constant complaint is my lot in the manner of the rue
Love gave the warmth of internal pathos to you
It made me the florist selling blood-mixed tears
Whether you be the candle of a celebrating assembly or one at the grave
In every condition associated with the tears of sorrow you remain
Your eye views all with equity like the Secret's Lovers
My eye is the pride of the tumult of discrimination
Your illumination is alike in the Ka'bah and the temple
I am entangled in the temple and the Haram's discrimination
Your black smoke contains the sigh's elegance
Is some heart hidden in the place of your manifestation?
You burn with pathos due to distance from Tajalli's Light
Your pathos the callous ones consider your light
Though you are burning you are unaware of it all
You see but do not encompass the internal pathos
I quiver like mercury with the excitement of vexation
As well I am aware of vexations of the restless heart
This was also the elegance of some Beloved
Which gave me perception of my own pathos
This cognition of mine keeps me restless
Innumerable fire temples are asleep in this spark
Discrimination between high and low is created by this alone!
Fragrance in flower, ecstasy in wine is created by this alone!
Garden, nightingale, flower, fragrance this Cognition is
Root of the struggle of ‘I and you' this Cognition is
At creation's dawn as Beauty became the abode of Love
The sound of "Kun" taught warmth to the spirit of Love
The command came Beauty of Kun's garden to witness
With one eye a thousand dreadful dreams to witness
Do not ask me of the nature of the veil of being
The eve of separation was the dawn of my being
Gone are the days when unaware of imprisonment I was
That my abode the adornment of the tree of Tur was
I am a prisoner but consider the cage to be a garden
This exile's hovel of sorrow I consider the homeland
Memories of the homeland a needless melancholy became
Now the desire for sight, now Longing for search became
O Candle! Look at the excessive illusion of thought
Look at the end of the one worshipped by celestial denizens
Theme of separation I am, the exalted one I am
Design of the Will of the Universe's Lord I am
He desired my display as He designed me
When at the head of Existence' Divan He wrote me
The pearl likes living in a handful of dust
Style may be dull the subject is excellent
Not seeing it rightly is the fault of shortsighted perception
The universe is the show of effulgence of taste for Cognizance
This network of time and space is the scaling ladder of the Universe
It is the necklace of the neck of Eternal BeautyI
have lost the way, Longing for the goal I am
O Candle! Captive of perception's illusion I am
I am the hunter as well as the circle of tyranny's net!
I am the Haram's roof as well as the bird on Haram's roofAm I the Beauty or head to
foot the melting love am I?
It is not clear whether the beloved or the Lover am I?
am afraid the old secret may come up to my lips again
Lest story of suffering on the Cross may come up again.
368
Muhammad Iqbal
Mirza Ghalib
Mirza Ghalib
Through you the secret was revealed to the human intellect
That innumerable enigmas are solved by human intellect
You were the complete soul, literary assembly was your body
You adorned as well as remained veiled from the assembly
Your eye is longing to witness that veiled Beauty
Which is veiled in everything as the pathos of life
The assemblage of existence is rich with your harp
As mountain's silence by the brook's melodious harp
The garden of your imagination bestows glory on the universe
From the field of your thought worlds grow like meadows
Life is concealed in the humor of your verse
Picture's lips move with your command of language
Speech is very proud of the elegance of your miraculous lips
Thurayyah is astonished at your style's elegance
Beloved of literature itself loves your style
Delhi's bud is mocking at the rose of Shiraz
Ah! You are resting in the midst of Delhi's ruins
Your counterpart is resting in the Weimar's garden
Matching you in literary elegance is not possible
Till maturity of thought and imagination are combined
Ah! What has befallen the land of India!
Ah! The inspirer of the super-critical eye!
The lock of Urdu's hair still craves for combing
This candle still craves for moth's heart-felt pathos
O Jahanabad! O cradle of learning and art
Your entire super-structure is a silent lament
The sun and the moon are asleep in every speck of your dust
Though innumerable other gems are also hidden in your dust
Does another world-famous person like him also lie buried in you?
Does another gem like him also lie concealed in you?
Through you the secret was revealed to the human intellect
That innumerable enigmas are solved by human intellect
You were the complete soul, literary assembly was your body
You adorned as well as remained veiled from the assembly
Your eye is longing to witness that veiled Beauty
Which is veiled in everything as the pathos of life
The assemblage of existence is rich with your harp
As mountain's silence by the brook's melodious harp
The garden of your imagination bestows glory on the universe
From the field of your thought worlds grow like meadows
Life is concealed in the humor of your verse
Picture's lips move with your command of language
Speech is very proud of the elegance of your miraculous lips
Thurayyah is astonished at your style's elegance
Beloved of literature itself loves your style
Delhi's bud is mocking at the rose of Shiraz
Ah! You are resting in the midst of Delhi's ruins
Your counterpart is resting in the Weimar's garden
Matching you in literary elegance is not possible
Till maturity of thought and imagination are combined
Ah! What has befallen the land of India!
Ah! The inspirer of the super-critical eye!
The lock of Urdu's hair still craves for combing
This candle still craves for moth's heart-felt pathos
O Jahanabad! O cradle of learning and art
Your entire super-structure is a silent lament
The sun and the moon are asleep in every speck of your dust
Though innumerable other gems are also hidden in your dust
Does another world-famous person like him also lie buried in you?
Does another gem like him also lie concealed in you?
261
Muhammad Iqbal
Pathos Of Love
Pathos Of Love
O Pathos of Love! You are a glossy pearl
Beware, you should not appear among strangers
The theatre of your display is concealed under the veil
The modern audience' eye accepts only the visible display
New breeze has arrived in the Existence' garden
O Pathos of Love! Now there is no pleasure in display
Beware! You should not be striving for ostentation!
You should not be obligated to the nightingale's lament!
The tulip's wine-cup should be devoid of wine
The dew's tear should be a mere dropp of water
Your secret should be hidden in the bosom somewhere
Your heart-melting tear should not be your betrayer
The flowery-styled poet's tongue should not be talking
Separation's complaint should not be concealed in flute's music
This age is a critic, go and somewhere conceal yourself
In the heart in which you are residing conceal yourself
The learning's surprise is neglecting you, beware!
Your immature eye is not the seeker of Truth, beware
Let the elegant thought remain in search of Truth
Let your wisdom-loving eye remain in astonishment
This is not the garden whose spring you may be
This is not the audience worthy of your appearance
This audience is the lover of the material sights
The purpose of your sight is the closet of secrecy
Every heart is intoxicated with the wine of thinking
Something different is the Tur of the Kalims of this age
O Pathos of Love! You are a glossy pearl
Beware, you should not appear among strangers
The theatre of your display is concealed under the veil
The modern audience' eye accepts only the visible display
New breeze has arrived in the Existence' garden
O Pathos of Love! Now there is no pleasure in display
Beware! You should not be striving for ostentation!
You should not be obligated to the nightingale's lament!
The tulip's wine-cup should be devoid of wine
The dew's tear should be a mere dropp of water
Your secret should be hidden in the bosom somewhere
Your heart-melting tear should not be your betrayer
The flowery-styled poet's tongue should not be talking
Separation's complaint should not be concealed in flute's music
This age is a critic, go and somewhere conceal yourself
In the heart in which you are residing conceal yourself
The learning's surprise is neglecting you, beware!
Your immature eye is not the seeker of Truth, beware
Let the elegant thought remain in search of Truth
Let your wisdom-loving eye remain in astonishment
This is not the garden whose spring you may be
This is not the audience worthy of your appearance
This audience is the lover of the material sights
The purpose of your sight is the closet of secrecy
Every heart is intoxicated with the wine of thinking
Something different is the Tur of the Kalims of this age
549
Muhammad Iqbal
First Date Tree Saeeded By Abdul Rahman The Firs
First Date Tree Saeeded By Abdul Rahman The Firs
You are the apple of my eye,
My heart's delight:
I am remote from my valley,
To me you are the Burning Bush of Sinai!
You are a houri of the Arabian Desert,
Nursed by the Western breeze.
I feel homesick in exile,
You feel homesick in exile:
Prosper in this strange land!
May the morning dew quench your thirst!
The world presents a strange sight:
The vision's mantle is torn apart—
May valour struggle with the waves if it must,
The other side of the river is not to be seen!
Life owes itself to the heat of one's soul:
Flame does not rise from dust.
The Syrian evening's fallen star
Shined brighter in the exile's dawn.
There are no frontiers for the Man of Faith,
He is at home everywhere.
[Translated by the Editors]
*
That blood of pristine vigour is no more;
That yearning heart's power is no more;
Prayer, fasting, hajj, sacrifice survive,
But in thee nature's old dower is no more.
[Translated by Naim Siddiqui]
Not: These verses from Abdul Rahman the First
are quoted in Tarikh al Muqqari. The
following Urdu poem is a liberal
translation (the tree mentioned here was
planted in Madinatut Zahra)
You are the apple of my eye,
My heart's delight:
I am remote from my valley,
To me you are the Burning Bush of Sinai!
You are a houri of the Arabian Desert,
Nursed by the Western breeze.
I feel homesick in exile,
You feel homesick in exile:
Prosper in this strange land!
May the morning dew quench your thirst!
The world presents a strange sight:
The vision's mantle is torn apart—
May valour struggle with the waves if it must,
The other side of the river is not to be seen!
Life owes itself to the heat of one's soul:
Flame does not rise from dust.
The Syrian evening's fallen star
Shined brighter in the exile's dawn.
There are no frontiers for the Man of Faith,
He is at home everywhere.
[Translated by the Editors]
*
That blood of pristine vigour is no more;
That yearning heart's power is no more;
Prayer, fasting, hajj, sacrifice survive,
But in thee nature's old dower is no more.
[Translated by Naim Siddiqui]
Not: These verses from Abdul Rahman the First
are quoted in Tarikh al Muqqari. The
following Urdu poem is a liberal
translation (the tree mentioned here was
planted in Madinatut Zahra)
440