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A Hero

A Hero

Three times I had the lust to kill,
To clutch a throat so young and fair,
And squeeze with all my might until
No breath of being lingered there.
Three times I drove the demon out,
Though on my brow was evil sweat. . . .
And yet I know beyond a doubt
He'll get me yet, he'll get me yet.


I know I'm mad, I ought to tell
The doctors, let them care for me,
Confine me in a padded cell
And never, never set me free;
But Oh how cruel that would be!
For I am young - and comely too . . .
Yet dim my demon I can see,
And there is but one thing to do.


Three times I beat the foul fiend back;
The fourth, I know he will prevail,
And so I'll seek the railway track
And lay my head upon the rail,
And sight the dark and distant train,
And hear its thunder louder roll,
Coming to crush my cursed brain . . .
Oh God, have mercy on my soul!
240

A Cabbage Patch

A Cabbage Patch

Folk ask if I'm alive,
Most think I'm not;
Yet gaily I contrive
To till my plot.
The world its way can go,
I little heed,
So long as I can grow
The grub I need.

For though long overdue,
The years to me,
Have taught a lesson true,
--Humility.
Such better men than I
I've seen pass on;
Their pay-off when they die;
--Oblivion.

And so I mock at fame,
With books unread;
No monument I claim
When I am dead;
Contented as I see
My cottage thatch
That my last goal should be
--A cabbage patch.
219

A Casualty

A Casualty

That boy I took in the car last night,
With the body that awfully sagged away,
And the lips blood-crisped, and the eyes flame-bright,
And the poor hands folded and cold as clay --
Oh, I've thought and I've thought of him all the day.


For the weary old doctor says to me:
"He'll only last for an hour or so.
Both of his legs below the knee
Blown off by a bomb. . . . So, lad, go slow,


And please remember, he doesn't know."
So I tried to drive with never a jar;
And there was I cursing the road like mad,
When I hears a ghost of a voice from the car:
"Tell me, old chap, have I `copped it' bad?"
So I answers "No," and he says, "I'm glad."


"Glad," says he, "for at twenty-two
Life's so splendid, I hate to go.
There's so much good that a chap might do,
And I've fought from the start and I've suffered so.
'Twould be hard to get knocked out now, you know."


"Forget it," says I; then I drove awhile,
And I passed him a cheery word or two;
But he didn't answer for many a mile,
So just as the hospital hove in view,
Says I: "Is there nothing that I can do?"


Then he opens his eyes and he smiles at me;
And he takes my hand in his trembling hold;
"Thank you -- you're far too kind," says he:
"I'm awfully comfy -- stay . . . let's see:
I fancy my blanket's come unrolled --
My feet, please wrap 'em -- they're cold . . . they're cold."
323

A Bachelor

A Bachelor

'Why keep a cow when I can buy,'
Said he, 'the milk I need,'
I wanted to spit in his eye
Of selfishness and greed;
But did not, for the reason he
Was stronger than I be.

I told him: ''Tis our human fate,
For better or for worse,
That man and maid should love and mate,
And little children nurse.
Of course, if you are less than man
You can't do what we can.

'So many loving maids would wed,
And wondrous mothers be.'
'I'll buy the love I want,' he said,
'No squally brats for me.'
. . . I hope the devil stoketh well
For him a special hell.
210

Fighting Mac

"Fighting Mac"

A Life Tragedy

A pistol shot rings round and round the world;
In pitiful defeat a warrior lies.

A last defiance to dark Death is hurled,
A last wild challenge shocks the sunlit skies.
Alone he falls, with wide, wan, woeful eyes:

Eyes that could smile at death -- could not face shame.

Alone, alone he paced his narrow room,
In the bright sunshine of that Paris day;

Saw in his thought the awful hand of doom;
Saw in his dream his glory pass away;
Tried in his heart, his weary heart, to pray:

"O God! who made me, give me strength to face
The spectre of this bitter, black disgrace."

* * * * *

The burn brawls darkly down the shaggy glen;
The bee-kissed heather blooms around the door;

He sees himself a barefoot boy again,
Bending o'er page of legendary lore.
He hears the pibroch, grips the red claymore,

Runs with the Fiery Cross, a clansman true,
Sworn kinsman of Rob Roy and Roderick Dhu.

Eating his heart out with a wild desire,
One day, behind his counter trim and neat,

He hears a sound that sets his brain afire -The
Highlanders are marching down the street.
Oh, how the pipes shrill out, the mad drums beat!

"On to the gates of Hell, my Gordons gay!"
He flings his hated yardstick away.

He sees the sullen pass, high-crowned with snow,
Where Afghans cower with eyes of gleaming hate.

He hurls himself against the hidden foe.
They try to rally -- ah, too late, too late!
Again, defenseless, with fierce eyes that wait

For death, he stands, like baited bull at bay,
And flouts the Boers, that mad Majuba day.

He sees again the murderous Soudan,
Blood-slaked and rapine-swept. He seems to stand

Upon the gory plain of Omdurman.
Then Magersfontein, and supreme command
Over his Highlanders. To shake his hand

A King is proud, and princes call him friend.
And glory crowns his life -- and now the end,

The awful end. His eyes are dark with doom;


He hears the shrapnel shrieking overhead;

He sees the ravaged ranks, the flame-stabbed gloom.
Oh, to have fallen! -- the battle-field his bed,
With Wauchope and his glorious brother-dead.

Why was he saved for this, for this? And now
He raises the revolver to his brow.

* * * * *

In many a Highland home, framed with rude art,
You'll find his portrait, rough-hewn, stern and square;

It's graven in the Fuyam fellah's heart;
The Ghurka reads it at his evening prayer;
The raw lands know it, where the fierce suns glare;

The Dervish fears it. Honor to his name
Who holds aloft the shield of England's fame.


Mourn for our hero, men of Northern race!
We do not know his sin; we only know

His sword was keen. He laughed death in the face,
And struck, for Empire's sake, a giant blow.
His arm was strong. Ah! well they learnt, the foe

The echo of his deeds is ringing yet --
Will ring for aye. All else . . . let us forget.
231

?

"?"


If you had the choice of two women to wed,
(Though of course the idea is quite absurd)
And the first from her heels to her dainty head
Was charming in every sense of the word:
And yet in the past (I grieve to state),
She never had been exactly "straight".


And the second -- she was beyond all cavil,
A model of virtue, I must confess;
And yet, alas! she was dull as the devil,
And rather a dowd in the way of dress;
Though what she was lacking in wit and beauty,
She more than made up for in "sense of duty".


Now, suppose you must wed, and make no blunder,
And either would love you, and let you win her --
Which of the two would you choose, I wonder,
The stolid saint or the sparkling sinner?
29

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Identification and basic context

Robert William Service was born in Preston, Lancashire, England, and later became a Canadian citizen. He is most famous for his Yukon ballads, written during his time in the Canadian North. His writings often focused on the rugged and adventurous life experienced by prospectors and settlers.

Childhood and education

Service's early life was marked by a middle-class upbringing. He received a sound education, but his adventurous spirit led him to seek opportunities abroad rather than settling into a conventional life in England. He eventually traveled to Canada, working various jobs before finding his niche as a poet.

Literary trajectory

Service's literary career took off with the publication of "Songs of a Sourdough" (also known as "The Spell of the Yukon") in 1907, which achieved immediate success. His poetry chronicled the experiences and characters of the Yukon Gold Rush, becoming incredibly popular among both readers and critics. He continued to write prolifically throughout his life, producing novels and plays in addition to his famous ballads.

Works, style, and literary characteristics

Service's major works include "Songs of a Sourdough," "The Ballads of a Cheechako," and "Rhymes of a Rolling Stone." His poetry is characterized by its strong narrative quality, accessible language, and rhythmic meter, often employing rhyme schemes that enhance the storytelling. Dominant themes include adventure, hardship, love, loss, and the harsh beauty of the northern landscape. His style is often described as ballad-like, with a direct and engaging tone that appeals to a broad audience. He successfully captured the spirit and vernacular of the people he wrote about, creating memorable characters and situations.

Cultural and historical context

Service's work is deeply rooted in the historical context of the Klondike Gold Rush and the early 20th century. His poems reflect the era's spirit of adventure, the challenges faced by pioneers, and the unique subculture that developed in the Yukon. He belonged to no specific formal literary movement but his popular appeal placed him within the broader tradition of narrative poetry that resonated with the public during his time.

Personal life

Service led a life of considerable adventure. After working in the Yukon, he served as a war correspondent during World War I and lived in various locations, including France and Monaco. His personal experiences often informed the settings and characters in his poetry and prose, imbuing them with authenticity and a sense of lived experience. He married Germaine Cornulier and had a daughter.

Recognition and reception

Robert W. Service achieved immense popularity during his lifetime, earning the nickname "The Bard of the Yukon." His books sold millions of copies, and his poems were widely recited and known. While sometimes criticized by literary elites for being too sentimental or simplistic, his work maintained a strong connection with ordinary readers and continues to be celebrated for its storytelling and evocative portrayal of the North.

Influences and legacy

Service's work was influenced by popular ballad traditions and the real-life stories of the people he encountered. He, in turn, influenced countless readers and writers with his ability to capture the spirit of adventure and the human condition in challenging environments. His poems remain a significant cultural touchstone for understanding the Yukon Gold Rush era and continue to be read and enjoyed worldwide.

Interpretation and critical analysis

Critics often analyze Service's work for its portrayal of romanticized adventure versus the harsh realities of frontier life. His poems can be interpreted as both celebrating and critiquing the pursuit of fortune, as well as exploring themes of loneliness, companionship, and the resilience of the human spirit against nature's unforgiving backdrop.

Curiosities and lesser-known aspects

Despite his fame as a poet of the North, Service spent relatively little time in the Yukon compared to the duration of his life. His ability to capture the atmosphere and spirit of the region was a testament to his observational skills and imaginative writing. He was also known for his adventurous lifestyle outside of his writing career.

Death and memory

Robert W. Service passed away in 1958. His memory is kept alive through his enduringly popular poems, which continue to be published, recited, and celebrated, ensuring his place as a beloved chronicler of the Yukon's golden age.