Poems List

You will put on a dress of guilt and shoes with broken high ideals.

Comeclose and Sleepnow (1967)

5

It’s a joy to be old.

Kids through school, The dog dead and the car sold. A Joy to Be Old (1986)

6

Let me die a youngman’s death

Not a clean & in-between-

6

The Time I Like Best

The Time I Like Best
The time I like best is am
when the snow is inches deep
which I'm yet to discover
'cause I'm under the covers
fast, fast asleep.
602

Survivor

Survivor
Everyday,
I think about dying.
About disease, starvation,
violence, terrorism, war,
the end of the world.
It helps
keep my mind off things.
574

The Leader

The Leader
I wanna be the leader
I wanna be the leader
Can I be the leader?
Can I? I can?
Promise? Promise?
Yippee I'm the leader
I'm the leader
OK what shall we do?
538

Let Me Die a Youngman's Death

Let Me Die a Youngman's Death
Let me die a youngman's death
not a clean and inbetween
the sheets holywater death
not a famous-last-words
peaceful out of breath death
When I'm
and in constant good tumour
may I be mown down at dawn
by a bright red sports car
on my way home
from an allnight party
Or when I'm
with silver hair
and sitting in a barber's chair
may rival gangsters
with hamfisted tommyguns burst in
and give me a short back and insides
Or when I'm
and banned from the Cavern
may my mistress
catching me in bed with her daughter
and fearing for her son
cut me up into little pieces
and throw away every piece but one
Let me die a youngman's death
not a free from sin tiptoe in
candle wax and waning death
not a curtains drawn by angels borne
'what a nice way to go' death
843

Q

Q
I join the queue
We move up nicely.
I ask the lady in front
What are we queuing for.
'To join another queue,'
She explains.
'How pointless,' I say,
'I'm leaving.' She points
To another long queue.
'Then you must get in line.'
I join the queue.
We move up nicely.
693

Cake

Cake
i wanted one life
you wanted another
we couldn't have our cake
so we ate eachother.
567

Goodbat Nightman

Goodbat Nightman
God bless all policemen
and fighters of crime,
May thieves go to jail
for a very long time.
They've had a hard day
helping clean up the town,
Now they hang from the mantelpiece
both upside down.
A glass of warm blood
and then straight up the stairs,
Batman and Robin
are saying their prayers.
* * *
They've locked all the doors
and they've put out the bat,
Put on their batjamas
(They like doing that)
They've filled their batwater-bottles
made their batbeds,
With two springy battresses
for sleepy batheads.
They're closing red eyes
and they're counting black sheep,
Batman and Robin
are falling asleep.
675

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Identification and basic context

Roger McGough is an English poet, broadcaster, and playwright. He is one of the UK's best-known contemporary poets, particularly for his accessible, witty, and often humorous verse. He was a key figure in the "Mersey Beat" poetry scene of the 1960s. His nationality is English, and he writes in English.

Childhood and education

McGough was born in Liverpool, England. He was educated at St. Mary's College, Strawberry Hill, and then studied at the University of Hull, where he obtained a degree in English and Drama. His early life and education in Liverpool would later influence his literary output, particularly during the Mersey Beat era.

Literary trajectory

McGough rose to prominence in the 1960s as part of The Liverpool Scene, alongside poets like Adrian Henri and Brian Patten. This group was known for its accessible, popular, and often performance-oriented poetry, frequently set to music. McGough's first collection, "The Mersey Sound" (1967), co-authored with Henri and Patten, was a bestseller. He continued to publish prolifically, developing his distinctive style and branching out into radio and television.

Works, style, and literary characteristics

Major works include "The Mersey Sound" (1967), "Watch the Skies" (1971), "Penny Arcade" (1975), "Selected Poems" (1980), "Love Poems" (1988), and "That Night Everything Changed" (2003). His poetry often tackles everyday subjects with a playful and imaginative approach. Themes include love, loss, the mundane, and the absurd. His style is characterized by its clarity, wit, rhythm, and wordplay. He frequently uses rhyme and meter but in a fresh, modern way. His tone can range from lighthearted and comical to poignant and reflective. He is also known for his children's poetry.

Cultural and historical context

McGough emerged during a period of significant cultural change in Britain, particularly the explosion of youth culture and music in the 1960s, exemplified by The Beatles, who also hailed from Liverpool. The Mersey Beat poets sought to make poetry more relevant and accessible to a wider audience, moving away from perceived elitism. His work reflects a post-war sensibility that embraces popular culture and everyday experience.

Personal life

McGough has been married and has children. He has had a long and successful career in broadcasting, particularly with the BBC, where he has presented programs like "Poetry Please!" and "The World of Roger McGough." His personal life, while not extensively detailed in public, likely informs the relatable and humanistic aspects of his poetry.

Recognition and reception

Roger McGough is one of the most popular and widely read contemporary poets in the UK. His books have consistently appeared on bestseller lists, and he is a familiar figure on radio and television. He has received numerous accolades and is respected for his ability to connect with a broad readership. His work is often studied in schools.

Influences and legacy

He was influenced by poets who embraced accessible language and performance, and by the general cultural energy of Liverpool in the 1960s. McGough himself has influenced many younger poets by demonstrating that poetry can be engaging, funny, and relevant to contemporary life. He has helped to demystify poetry for many people.

Interpretation and critical analysis

Critics often praise McGough for his linguistic dexterity, his ability to find the extraordinary in the ordinary, and his skill in crafting memorable lines. His work is seen as a significant contribution to accessible contemporary poetry, bridging the gap between literary verse and popular appeal.

Curiosities and lesser-known aspects

Beyond his poetry and broadcasting, McGough has also been involved in theatre, writing plays and contributing lyrics for musicals. His lifelong connection to Liverpool remains a strong element of his identity and often surfaces in his work.

Death and memory

Roger McGough is still living and actively publishing and performing his work.