Poems List

Out of the Cradle Endlessly Rocking

Out of the Cradle Endlessly Rocking

Out of the cradle endlessly rocking,
Out of the mocking-bird's throat, the musical shuttle,
Out of the Ninth-month midnight,
Over the sterile sands and the fields beyond, where the child


leaving his bed wander'd alone, bareheaded, barefoot,
Down from the shower'd halo,
Up from the mystic play of shadows twining and twisting as


if they were alive,
Out from the patches of briers and blackberries,
From the memories of the bird that chanted to me,
From your memories sad brother, from the fitful risings and


fallings I heard,
From under that yellow half-moon late-risen and swollen as
if with tears,
From those beginning notes of yearning and love there in

the mist,
From the thousand responses of my heart never to cease,
From the myriad thence-arous'd words,
From the word stronger and more delicious than any,
From such as now they start the scene revisiting,
As a flock, twittering, rising, or overhead passing,
Borne hither, ere all eludes me, hurriedly,
A man, yet by these tears a little boy again,
Throwing myself on the sand, confronting the waves,
I, chanter of pains and joys, uniter of here and hereafter,
Taking all hints to use them, but swiftly leaping beyond them,
A reminiscence sing.


Once Paumanok,
When the lilac-scent was in the air and Fifth-month grass


was growing,
Up this seashore in some briers,
Two feather'd guests from Alabama, two together,
And their nest, and four light-green eggs spotted with brown,
And every day the he-bird to and fro near at hand,
And every day the she-bird crouch'd on her nest, silent, with


bright eyes,
And every day I, a curious boy, never too close, never
disturbing them,
Cautiously peering, absorbing, translating.

Shine! shine! shine!
Pour down your warmth, great sun!
While we bask, we two together.


Two together!
Winds blow south, or winds blow north,
Day come white, or niqht come black,
Home, or rivers and mountains from home,
Singing all time, minding no time,
While we two keep together.



Till of a sudden,
May-be kill'd, unknown to her mate,
One forenoon the she-bird crouch'd not on the nest,
Nor return'd that afternoon, nor the next,
Nor ever appear'd again.


And thenceforward all summer in the sound of the sea,
And at night under the full of the moon in calmer weather,
Over the hoarse surging of the sea,
Or flitting from brier to brier by day,
I saw, I heard at intervals the remaining one, the he-bird,
The solitary guest from Alabama.


Blow! blow! blow!
Blow up sea-winds along Paumanok's shore;
I wait and I wait till you blow my mate to me.


Yes, when the stars glisten'd,
All night long on the prong of a moss-scallop'd stake,
Down almost amid the slapping waves,
Sat the lone singer wonderful causing tears.


He call'd on his mate,
He pour'd forth the meanings which I of all men know.
Yes my brother I know,
The rest might not, but I have treasur'd every note,
For more than once dimly down to the beach gliding,
Silent, avoiding the moonbeams, blending myself with the


shadows,
Recalling now the obscure shapes, the echoes, the sounds


and sights after their sorts,
The white arms out in the breakers tirelessly tossing,
I, with bare feet, a child, the wind wafting my hair,
Listen'd long and long.


Listen'd to keep, to sing, now translating the notes,
Following you my brother.


Soothe! soothe! soothe!
Close on its wave soothes the wave behind,
And again another behind embracing and lapping, every one close,
But my love soothes not me, not me.


Low hangs the moon, it rose late,
It is lagging--O I think it is heavy with love, with love.


O madly the sea pushes upon the land,
With love, with love.


O night! do I not see my love fluttering out among the breakers?
What is that little black thing I see there in the white?



Loud! loud! loud!
Loud I call to you, my love!


Hiqh and clear I shoot my voice over the waves,
Surely you must know who is here, is here,
You must know who I am, my love.


Low-hanging moon!
What is that dusky spot in your brown yellow?
O it is the shape, the shape of my mate!
O moon do not keep her from me any longer.


Land! land! O land!


Whichever way I turn, 0 I think you could give me my mate
back again if you only would,


For I am almost sure I see her dimly whichever way I look.


O rising stars!
Perhaps the one I want so much will rise, will rise with some of you.


O throat! 0 trembling throat!
Sound clearer through the atmosphere!
Pierce the woods, the earth,
Somewhere listening to catch you must be the one I want.


Shake out carols!
Solitary here, the niqht's carols!
Carols of lonesome love! death's carols!
Carols under that lagging, yellow, waning moon!
O under that moon where she droops almost down into the sea!
O reckless despairing carols.


But soft! sink low!


Soft! let me just murmur,


And do you wait a moment you husky-nois'd sea,


For somewhere I believe I heard my mate responding to me,


So faint, I must be still, be still to listen,


But not altogether still, for then she miqht not come immediately
to me.


Hither my love!
Here I am! here!
With this just-sustain'd note I announce myself to you,
This gentle call is for you my love, for you.


Do not be decoy'd elsewhere,
That is the whistle of the wind, it is not my voice,
That is the fluttering, the fluttering of the spray,
Those are the shadows of leaves.


O darkness! 0 in vain!
0 I am very sick and sorrowful.



O brown halo in the sky near the moon, drooping upon the sea!
O troubled reflection in the sea!
O throat! 0 throbbing heart!
And I singing uselessly, uselessly all the niqht.


0 past! 0 happy life! 0 songs of joy!
In the air, in the woods, over fields,
Loved! loved! loved! loved! loved!
But my mate no more, no more with me!
We two together no more.


The aria sinking,
All else continuing, the stars shining,
The winds blowing, the notes of the bird continuous echoing,
With angry moans the fierce old mother incessantly moaning,
On the sands of Paumanok's shore gray and rustling,
The yellow half-moon enlarged, sagging down, drooping,


the face of the sea almost touching,
The boy ecstatic, with his bare feet the waves, with his hair
the atmosphere dallying,
The love in the heart long pent, now loose, now at last

tumultuously bursting,
The aria's meaning, the ears, the soul, swiftly depositing,
The strange tears down the cheeks coursing,
The colloquy there, the trio, each uttering,
The undertone, the savage old mother incessantly crying,
To the boy's soul's questions sullenly timing, some drown'd


secret hissing,
To the outsetting bard.


Demon or bird! (said the boy's soul,)
Is it indeed toward your mate you sing? or is it really to me?
For I, that was a child, my tongue's use sleeping, now I


have heard you,
Now in a moment I know what I am for, I awake,
And already a thousand singers, a thousand songs, clearer,


louder and more sorrowful than yours,
A thousand warbling echoes have started to life within me,


never to die.
O you singer solitary, singing by yourself, projecting me,
O solitary me listening, never more shall I cease


perpetuating you,
Never more shall I escape, never more the reverberations,
Never more the cries of unsatisfied love be absent from me,
Never again leave me to be the peaceful child I was before


what there in the night,
By the sea under the yellow and sagging moon,
The messenger there arous'd, the fire, the sweet hell within,
The unknown want, the destiny of me.


O give me the clew! (it lurks in the night here somewhere,)
O if I am to have so much, let me have more!



A word then, (for I will conquer it,)

The word final, superior to all,

Subtle, sent up--what is it?--I listen;

Are you whispering it, and have been all the time, you seawaves?


Is that it from your liquid rims and wet sands?

Whereto answering, the sea,

Delaying not, hurrying not,

Whisper'd me through the night, and very plainly before
daybreak,

Lisp'd to me the low and delicious word death,

And again death, death, death, death,

Hissing melodious, neither like the bird nor like my arous'd
child's heart,

But edging near as privately for me rustling at my feet,

Creeping thence steadily up to my ears and laving me softly
all over,

Death, death, death, death, death.

Which I do not forget,

But fuse the song of my dusky demon and brother,

That he sang to me in the moonlight on Paumanok's gray
beach,

With the thousand responsive songs at random,

My own songs awaked from that hour,

And with them the key, the word up from the waves,

The word of the sweetest song and all songs,

That strong and delicious word which, creeping to my feet,

(Or like some old crone rocking the cradle, swathed in sweet
garments, bending aside,)

The sea whisper'd me.
652

Over The Carnage

Over The Carnage

OVER the carnage rose prophetic a voice,
Be not dishearten'd--Affection shall solve the problems of Freedom
yet;
Those who love each other shall become invincible--they shall yet
make Columbia victorious.


Sons of the Mother of All! you shall yet be victorious!
You shall yet laugh to scorn the attacks of all the remainder of the
earth.


No danger shall balk Columbia's lovers;
If need be, a thousand shall sternly immolate themselves for one.


One from Massachusetts shall be a Missourian's comrade;
From Maine and from hot Carolina, and another, an Oregonese, shall be
friends triune,
More precious to each other than all the riches of the earth. 10

To Michigan, Florida perfumes shall tenderly come;
Not the perfumes of flowers, but sweeter, and wafted beyond death.


It shall be customary in the houses and streets to see manly


affection;
The most dauntless and rude shall touch face to face lightly;
The dependence of Liberty shall be lovers,
The continuance of Equality shall be comrades.


These shall tie you and band you stronger than hoops of iron;
I, extatic, O partners! O lands! with the love of lovers tie you.


(Were you looking to be held together by the lawyers?
Or by an agreement on a paper? or by arms? 20
--Nay--nor the world, nor any living thing, will so cohere.)
477

Other May Praise What They Like

Other May Praise What They Like

OTHERS may praise what they like;
But I, from the banks of the running Missouri, praise nothing, in
art, or aught else,
Till it has well inhaled the atmosphere of this river--also the
western prairie-scent,
And fully exudes it again.
320

One's Self I Sing

One's Self I Sing

ONE'S-SELF I sing--a simple, separate Person;
Yet utter the word Democratic, the word En-masse.


Of Physiology from top to toe I sing;
Not physiognomy alone, nor brain alone, is worthy for the muse--I say
the Form complete is worthier far;
The Female equally with the male I sing.

Of Life immense in passion, pulse, and power,
Cheerful--for freest action form'd, under the laws divine,
The Modern Man I sing.
304

One Song, America, Before I Go

One Song, America, Before I Go

ONE song, America, before I go,
I'd sing, o'er all the rest, with trumpet sound,
For thee--the Future.


I'd sow a seed for thee of endless Nationality;
I'd fashion thy Ensemble, including Body and Soul;
I'd show, away ahead, thy real Union, and how it may be accomplish'd.


(The paths to the House I seek to make,
But leave to those to come, the House itself.)


Belief I sing--and Preparation;
As Life and Nature are not great with reference to the Present


only, 10
But greater still from what is yet to come,
Out of that formula for Thee I sing.
472

Once I Pass'd Through A Populous City

Once I Pass'd Through A Populous City

ONCE I pass'd through a populous city, imprinting my brain, for
future use, with its shows, architecture, customs, and
traditions;

Yet now, of all that city, I remember only a woman I casually met
there, who detain'd me for love of me;
Day by day and night by night we were together,--All else has long

been forgotten by me;
I remember, I say, only that woman who passionately clung to me;
Again we wander--we love--we separate again;
Again she holds me by the hand--I must not go!
I see her close beside me, with silent lips, sad and tremulous.
381

On The Beach At Night

On The Beach At Night

ON the beach, at night,
Stands a child, with her father,
Watching the east, the autumn sky.


Up through the darkness,
While ravening clouds, the burial clouds, in black masses spreading,
Lower, sullen and fast, athwart and down the sky,
Amid a transparent clear belt of ether yet left in the east,
Ascends, large and calm, the lord-star Jupiter;
And nigh at hand, only a very little above,
Swim the delicate brothers, the Pleiades. 10


From the beach, the child, holding the hand of her father,
Those burial-clouds that lower, victorious, soon to devour all,
Watching, silently weeps.


Weep not, child,
Weep not, my darling,
With these kisses let me remove your tears;
The ravening clouds shall not long be victorious,
They shall not long possess the sky--shall devour the stars only in


apparition:
Jupiter shall emerge--be patient--watch again another night--the
Pleiades shall emerge,
They are immortal--all those stars, both silvery and golden, shall
shine out again, 20
The great stars and the little ones shall shine out again--they
endure;
The vast immortal suns, and the long-enduring pensive moons, shall
again shine.

Then, dearest child, mournest thou only for Jupiter?
Considerest thou alone the burial of the stars?


Something there is,
(With my lips soothing thee, adding, I whisper,
I give thee the first suggestion, the problem and indirection,)
Something there is more immortal even than the stars,
(Many the burials, many the days and nights, passing away,)
Something that shall endure longer even than lustrous Jupiter, 30
Longer than sun, or any revolving satellite,
Or the radiant brothers, the Pleiades.
502

On Journeys Through The States

On Journeys Through The States

ON journeys through the States we start,
(Ay, through the world--urged by these songs,
Sailing henceforth to every land--to every sea;)
We, willing learners of all, teachers of all, and lovers of all.


We have watch'd the seasons dispensing themselves, and passing on,
We have said, Why should not a man or woman do as much as the
seasons, and effuse as much?

We dwell a while in every city and town;
We pass through Kanada, the north-east, the vast valley of the


Mississippi, and the Southern States;
We confer on equal terms with each of The States,
We make trial of ourselves, and invite men and women to hear; 10
We say to ourselves, Remember, fear not, be candid, promulge the body

and the Soul;
Dwell a while and pass on--Be copious, temperate, chaste, magnetic,
And what you effuse may then return as the seasons return,
And may be just as much as the seasons.
422

Of The Terrible Doubt Of Apperarances

Of The Terrible Doubt Of Apperarances

OF the terrible doubt of appearances,
Of the uncertainty after all--that we may be deluded,
That may-be reliance and hope are but speculations after all,
That may-be identity beyond the grave is a beautiful fable only,
May-be the things I perceive--the animals, plants, men, hills,


shining and flowing waters,

The skies of day and night--colors, densities, forms--May-be these
are, (as doubtless they are,) only apparitions, and the real
something has yet to be known;


(How often they dart out of themselves, as if to confound me and mock

me!
How often I think neither I know, nor any man knows, aught of them;)
May-be seeming to me what they are, (as doubtless they indeed but

seem,) as from my present point of view--And might prove, (as
of course they would,) naught of what they appear, or naught
any how, from entirely changed points of view;

--To me, these, and the like of these, are curiously answer'd by my
lovers, my dear friends; 10
When he whom I love travels with me, or sits a long while holding me
by the hand,
When the subtle air, the impalpable, the sense that words and reason
hold not, surround us and pervade us,
Then I am charged with untold and untellable wisdom--I am silent--I
require nothing further,
I cannot answer the question of appearances, or that of identity

beyond the grave;
But I walk or sit indifferent--I am satisfied,
He ahold of my hand has completely satisfied me.
366

Offerings

Offerings

A THOUSAND perfect men and women appear,
Around each gathers a cluster of friends, and gay children and
youths, with offerings.
358

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Identification and basic context

Walt Whitman was an American poet, essayist, journalist, and humanist. Born on Long Island, New York, he is considered one of the most influential figures in American literature. He wrote in English.

Childhood and education

Whitman's formal schooling was limited; he left school at the age of eleven to work. He became a printer and later worked as a journalist, editor, and teacher. This practical experience exposed him to a wide range of society and ideas, which deeply informed his writing. He was largely self-educated, voraciously reading literature, philosophy, and the Bible, and absorbing the democratic ideals of his time.

Literary trajectory

Whitman began his literary career as a journalist and editor, writing essays, short stories, and editorials. His major turning point was the publication of the first edition of 'Leaves of Grass' in 1855, a collection of poems that he would revise and expand throughout his life. This work was controversial but also groundbreaking, establishing his unique voice and style. He continued to write and publish new poems and editions of 'Leaves of Grass' for the rest of his life, self-publishing some editions and revising extensively.

Works, style, and literary characteristics

Whitman's magnum opus is 'Leaves of Grass,' first published in 1855 and issued in numerous expanded editions until his death. Other notable works include 'Democratic Vistas' (prose essays) and 'Specimen Days' (autobiographical sketches). Whitman's poetry is characterized by its radical use of free verse, lengthy, incantatory lines, and an expansive, catalogues approach to imagery. He celebrated the "self" as a microcosm of humanity and the cosmos, championing democracy, equality, the physical body, sensuality, nature, and the spiritual interconnectedness of all things. His tone is often prophetic, embracing, and deeply democratic. His language is robust, colloquial, and American, incorporating a vast vocabulary and a direct, unadorned style that sought to capture the essence of American experience.

Cultural and historical context

Whitman lived and wrote during a period of immense national transformation in the United States, including westward expansion, industrialization, and the tumultuous lead-up to and aftermath of the Civil War. He was a staunch advocate for democracy and envisioned a uniquely American poetry that reflected the diverse peoples and landscapes of the nation. His work was informed by Transcendentalist ideas, particularly the writings of Emerson, and he engaged with the social and political issues of his day, notably abolitionism.

Personal life

Whitman's personal life was complex and somewhat elusive. He never married and had no children. He served as a volunteer nurse in army hospitals during the Civil War, an experience that deeply affected him and led to poems like "The Wound-Dresser." His intense friendships, often with men, were significant, and he celebrated physical and spiritual connection. He lived a relatively simple life, often in poverty, but remained committed to his poetic vision.

Recognition and reception

Whitman's work was met with both fierce criticism and enthusiastic praise during his lifetime. While initially seen as scandalous and incomprehensible by many, he gradually gained recognition from literary figures like Emerson and was eventually hailed as a major American poet. His reputation grew posthumously, and he is now considered a cornerstone of American literature.

Influences and legacy

Whitman was influenced by Emerson, the Bible, and classical literature, but he forged a completely new poetic voice. He profoundly influenced the development of American poetry, paving the way for free verse and modern poetic sensibilities. His celebration of the individual, democracy, and the body continues to inspire poets and thinkers worldwide.

Interpretation and critical analysis

Critical interpretations of Whitman's poetry often center on his innovative use of free verse, his democratic ideals, his embrace of the body and sexuality, and his complex exploration of American identity. Debates have occurred regarding the sincerity of his democratic vision and the autobiographical elements within his work.

Curiosities and lesser-known aspects

Whitman was known for his distinctive appearance, often sporting a beard and informal clothing. He was also a skilled carpenter and builder in his youth. His extensive revisions of 'Leaves of Grass' show his meticulous attention to craft, despite his unconventional style.

Death and memory

Whitman died in Camden, New Jersey. He is remembered as one of America's most important and original poets, a visionary voice who captured the spirit of a nation in transformation and celebrated the inherent dignity of all human beings.