Lista de Poemas

Oración A La Belleza

El mundo está llorando RECIÉN nacido, oh! divinidad del sueño,
y tú arrullas maternalmente, maternalmente al pequeño idiota
RUBIO, con el problema azul de las últimas canciones...

* * *
A compas del minuto evolucionas, y eres eterna e INMUTABLE; tu actitud
asciende al PULPITO ideal de las estrellas y SANTIFICA los excrementos
del asno, nivela los fenómenos, el bien y el mal; y tus pies, llenos
de claridad, caminan sobre el dolor mineral de los pueblos colmando de
verdades la milenaria y vil, errante voz «del animal HUMANO»

* * *
Conmoción religiosa, trágica, dyonisiaca de la substancia
INNUMERABLE, espíritu del universo y pan del TRISTE, pan del TRISTE,
belleza, raíz de Dios, —el temblor de su dedo enorme, la nocturna
luz MUERTA de sus pupilas inexistentes—, mujer que enloqueciste con tus
caricias al mas GRANDE de los poetas: Satanás.

* * *
Lo verdadero es múltiple y tú UNA y MUCHAS, MUCHAS; tus
axiomas son absolutos frente a la vanidad del conocimiento, floreces por
encima de la verdad y constituyes, sollozando, la VERDADERA sensación
del COSMOS.

* * *
Ha treinta épocas, ha treinta épocas, tu ilusión
temblaba en los ELEMENTOS del orbe. —ERES anterior a la materia,—hoy, iluminas
el capullo irremediable de sus consecuencias, sus resultados conclusiones:
el automovil A LA LUNA, la pálida locomotora hija de metales grises,
la hulla y las aguas eximias y egregias, los aeroplanos errantes, y las
oscuras multitudes, las oscuras multitudes, las oscuras multitudes revolucionarias
conmoviendo LA SOCIEDAD con su ideal grandilocuente.

* * *
Belleza, prolongación de LO INFINITO y COSA inútil, belleza,
belleza, madre de LA SABIDURIA, colosal lirio de aguas y humo, aguas y
humo sobre un ATARDECER, extraordinario como el NACIMIENTO de un HOMBRE...
—¿Qué quieres conmigo, belleza qué quieres conmigo?..

655

Genio Y Figura

Yo soy como el fracaso total del mundo, ¡oh, Pueblos!
El canto frente a frente al mismo Satanás,
dialoga con la ciencia tremenda de los muertos,
y mi dolor chorrea de sangre la ciudad.

Aún mis días son restos de enormes muebles viejos,
anoche «Dios» llevaba entre mundos que van
así, mi niña, solos, y tú dices: «te quiero»
cuando hablas con «tu» Pablo, sin oírle jamás.

El hombre y la mujer tienen olor a tumba,
El cuerpo se me cae sobre la tierra bruta
Lo mismo que el ataúd rojo del infeliz.

Enemigo total, aúllo por los barrios,
un espanto más bárbaro, más bárbaro, más bárbaro
que el hipo de cien perros botados a morir.
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Identificación y contexto básico

Pablo de Rokha is the pseudonym of Carlos Díaz Loyola, born in Chile. His work is part of the Chilean and Latin American literary avant-garde of the 20th century.

Infancia y formación

Born into a rural environment, his childhood was marked by the land and traditions. Formal education was complemented by intense self-study, drawing from diverse readings that shaped his worldview and poetic language.

Trayectoria literaria

De Rokha began his poetic journey with overwhelming force, publishing his first books in the 1920s. His career was characterized by constant experimentation and an evolution marked by the deepening of his themes and the radicalization of his style, always faithful to an uncompromising vital and expressive impulse. He collaborated in various literary publications of the time, consolidating his voice within the avant-garde.

Obra, estilo y características literarias

Among his major works are "Cosmogonia Mitológica" (1932), "El Canto a la Madre y el Regreso a la Patria" (1942), and "La Obra Gruesa" (1961). His poetry is distinguished by its torrential language, powerful imagery, and a deep connection to Chilean reality and universal human experience. He addressed themes such as excessive love, unavoidable death, the condition of being, social injustice, and the search for the transcendent. Formally, he experimented with free verse and structure, creating a unique, dense, and often epic style that broke with traditional forms. His poetic voice is both telluric and cosmic, intimate and universal. He is associated with surrealism and the Latin American avant-garde for his formal audacity and his exploration of the irrational and the dreamlike.

Contexto cultural e histórico

De Rokha's work is imbued with the social and political context of Chile in the 20th century, marked by social upheavals and transformations. He belonged to a generation of writers who sought to renew Chilean and Latin American literature, engaging with and sometimes clashing with the aesthetic and political currents of his time.

Vida personal

His life was marked by intense passions, both personally and literarily. Life experiences, love, and loss undoubtedly shaped the depth of his work. His social and political commitment is known, although his main focus lay in the poetic exploration of existence.

Reconocimiento y recepción

Although he was recognized in literary circles during his lifetime, his work achieved greater posthumous recognition, being considered one of the most important poets in Chile and Hispano-America. His influence has been felt in subsequent generations of poets.

Influencias y legado

De Rokha was influenced by the universal poetic tradition and by the avant-garde movements of his time. His legacy lies in his poetic radicalism, his ability to create his own language, and his profound humanity, influencing poets who sought originality and the uncompromising expression of vital experience. His work has been the subject of international study and dissemination.

Interpretación y análisis crítico

De Rokha's work has been the subject of multiple interpretations, highlighting his exploration of the human condition, his telluric worldview, and his innovative language. Critics often point to the telluric and cosmic force of his poetry, as well as its profound existential and social charge.

Infancia y formación

It is said that his creative process was passionate and unique, deeply tied to his life experiences and his environment. His real name, Carlos Díaz Loyola, contrasts with the telluric force of his pseudonym, Pablo de Rokha.

Muerte y memoria

The exact circumstances of his death and the details of his posthumous memory are part of the construction of his figure as an essential poet of Chilean literature.