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Fernando Pessoa
Why do I desire
Why do I desire
What I do not need?
Why does my soul, like fire,
Or a hot abstract greed,
Seek all that is higher?
Why, if not because
It is a soul? (...)
Who can know the cause
When it lies in its whole
Hidden in (...) laws?
Yet this matters not.
What matters is pining
And that stress of thought
That comes of divining
What to wish that may not be got.
What I do not need?
Why does my soul, like fire,
Or a hot abstract greed,
Seek all that is higher?
Why, if not because
It is a soul? (...)
Who can know the cause
When it lies in its whole
Hidden in (...) laws?
Yet this matters not.
What matters is pining
And that stress of thought
That comes of divining
What to wish that may not be got.
1 241
Fernando Pessoa
40 - ELEVATION
Before light was, light's bright idea lit
God's thought of it,
And, because through God's thought light's thought did pass,
Light ever was,
And from beyond eternity became
The living flame
That trembles into life and reddens with
Our life's soul‑width.
Before light was, when yet the night was queen
O'er what had been,
In God's realized prescience it could be
Light from eternity,
For no time enters into God's thoughts or
Their spaceless Hour.
Take thou therefore, my Song, from light the mood
Of being, and brood,
Like the Dove unbegot, over the abyss
Of consciousness,
Taking as thy true part that thought of God
Whence light issued.
Let my words burst into that divine flame
That lights its name
Of each thing from within with ultimate meaning.
Though earth be screening
With fixed appearance the Sun in each Thing,
Bear, on thy wing
High‑lifted, rays from the unrisen Sun
Whence life is spun.
Soar out, my Song, out of despair and night
And catch that light
Ere it appear, from neath the horizon
Of action,
Borne out of dreams by intuition bright
Of endless light.
Though none believe nor any understand,
Yet feel thee fanned
With those breeze‑breaths that come up with the morn
From the Unborn.
Soar like a lark into the coming day
And bear thy way
Into the possibility of noon
Hid in the dawn.
No matter that none know what thy words speak.
A day shall break
Out of eternity as each day bright
Out of each night.
Thy wings shall touch the slanting light of dawn
And, upwards drawn
By being light‑struck, shall to light be near
When light's yet far.
Hope is thy ready and high‑soaring flight
Out of the night,
Joy is thy touching of the first high rays
That day betrays,
Life is the course thy flight sequesters from
Earth and its nightly doom,
And these three things are one in thy belief
That pain is brief.
II
Thou, unseeen Bird, essence of spiritual light,
That yet art bright
With the epitome of the outer shine,
Thou that art mine
And yet not mine but general to the earth,
Wings of rebirth,
Whose song, though in me heard, participates
Of all that all elates,
Thou point of meeting of me with the wings
Hidden in all things,
Thou breath, thou vapour, seen and not seen, of
Some abstract love,
Thou exhalation of the prisoned flight
Of all things' weight,
Thou that in me art fear, mad splendour, all
To ache and enthral,
Attract me, take me, o pure flight, and rise
With me in thine eyes,
Lost, cast, unpetalled and divine, up to
What thou dost woo!
O Spirit‑Lark that wakest ere the morn
And art reborn
At each recoming of the sun, and art
The wiser part
Of all that message is to our low eyes
Of what shall rise!
Life‑weightless Bird that no meads can attract,
But that must act
Its fate in air, above our marshes sad
And meads low‑laid,
In free heights communing with the Great Horn
As yet unborn!
O sterile Bird that hast no nest nor home
But what shall come,
That hast no song save in the heights above
Nests, homes and love,
Nor any thought save for the coming day,
Though far away
It seem to those who measure yet thy flight
But by its height
And not by its intention, that is carried
From life and married
To those diviner hours that winged things
Find with their wings!
O Bird of ruthless song and untold wishes,
Whose high flight reaches
Heights not of earth, but of pure air, encumbered
With no joys weighed and numbered!
Take all my heart in thy purpose of going
And make the flowing
Down to earth of my song be like thy song,
Something strange, strong
With distance, eerily half‑perishing
From farness! Sing,
And let my heart be what thou meanst with singings
My life with winging.
My hopes and fears with th’tone wherewith thy note
To me doth float
And the great purpose hidden in my fate
With thy mere height!
My heart shall thus be happy even if pained,
Free even if strained
To keep that height of joy whence tremble down
Thy songs to our own.
My soul may thus be happy, full and free.
Oh, happily
Raise me from me and lift my life unto
That thou dost woo -
The light, the sky, the distance and the morn,
Till I be unborn
Again to pure dispersion in the seas
Of the high breeze
That speaks to thee, ere light be born, of light,
Till the delight
Of without being being shall make me
Song and sky be!
God's thought of it,
And, because through God's thought light's thought did pass,
Light ever was,
And from beyond eternity became
The living flame
That trembles into life and reddens with
Our life's soul‑width.
Before light was, when yet the night was queen
O'er what had been,
In God's realized prescience it could be
Light from eternity,
For no time enters into God's thoughts or
Their spaceless Hour.
Take thou therefore, my Song, from light the mood
Of being, and brood,
Like the Dove unbegot, over the abyss
Of consciousness,
Taking as thy true part that thought of God
Whence light issued.
Let my words burst into that divine flame
That lights its name
Of each thing from within with ultimate meaning.
Though earth be screening
With fixed appearance the Sun in each Thing,
Bear, on thy wing
High‑lifted, rays from the unrisen Sun
Whence life is spun.
Soar out, my Song, out of despair and night
And catch that light
Ere it appear, from neath the horizon
Of action,
Borne out of dreams by intuition bright
Of endless light.
Though none believe nor any understand,
Yet feel thee fanned
With those breeze‑breaths that come up with the morn
From the Unborn.
Soar like a lark into the coming day
And bear thy way
Into the possibility of noon
Hid in the dawn.
No matter that none know what thy words speak.
A day shall break
Out of eternity as each day bright
Out of each night.
Thy wings shall touch the slanting light of dawn
And, upwards drawn
By being light‑struck, shall to light be near
When light's yet far.
Hope is thy ready and high‑soaring flight
Out of the night,
Joy is thy touching of the first high rays
That day betrays,
Life is the course thy flight sequesters from
Earth and its nightly doom,
And these three things are one in thy belief
That pain is brief.
II
Thou, unseeen Bird, essence of spiritual light,
That yet art bright
With the epitome of the outer shine,
Thou that art mine
And yet not mine but general to the earth,
Wings of rebirth,
Whose song, though in me heard, participates
Of all that all elates,
Thou point of meeting of me with the wings
Hidden in all things,
Thou breath, thou vapour, seen and not seen, of
Some abstract love,
Thou exhalation of the prisoned flight
Of all things' weight,
Thou that in me art fear, mad splendour, all
To ache and enthral,
Attract me, take me, o pure flight, and rise
With me in thine eyes,
Lost, cast, unpetalled and divine, up to
What thou dost woo!
O Spirit‑Lark that wakest ere the morn
And art reborn
At each recoming of the sun, and art
The wiser part
Of all that message is to our low eyes
Of what shall rise!
Life‑weightless Bird that no meads can attract,
But that must act
Its fate in air, above our marshes sad
And meads low‑laid,
In free heights communing with the Great Horn
As yet unborn!
O sterile Bird that hast no nest nor home
But what shall come,
That hast no song save in the heights above
Nests, homes and love,
Nor any thought save for the coming day,
Though far away
It seem to those who measure yet thy flight
But by its height
And not by its intention, that is carried
From life and married
To those diviner hours that winged things
Find with their wings!
O Bird of ruthless song and untold wishes,
Whose high flight reaches
Heights not of earth, but of pure air, encumbered
With no joys weighed and numbered!
Take all my heart in thy purpose of going
And make the flowing
Down to earth of my song be like thy song,
Something strange, strong
With distance, eerily half‑perishing
From farness! Sing,
And let my heart be what thou meanst with singings
My life with winging.
My hopes and fears with th’tone wherewith thy note
To me doth float
And the great purpose hidden in my fate
With thy mere height!
My heart shall thus be happy even if pained,
Free even if strained
To keep that height of joy whence tremble down
Thy songs to our own.
My soul may thus be happy, full and free.
Oh, happily
Raise me from me and lift my life unto
That thou dost woo -
The light, the sky, the distance and the morn,
Till I be unborn
Again to pure dispersion in the seas
Of the high breeze
That speaks to thee, ere light be born, of light,
Till the delight
Of without being being shall make me
Song and sky be!
1 694
Fernando Pessoa
Onda que vens e que vais
Onda que vens e que vais
Mar que vais e depois vens,
Já não sei se tu me atrais,
E, se me atrais, se me tens.
Mar que vais e depois vens,
Já não sei se tu me atrais,
E, se me atrais, se me tens.
1 589
Fernando Pessoa
Even as great Macchiavel, shut fast from all,
Even as great Macchiavel, shut fast from all,
His court dress donned to visit his invention,
So I, when the commanding Muse doth call,
Give to the wide world sleep and inattention.
I close the door to all the man in me,
To friend, relation, countryman and self,
Closeting myself with eternity
And both the good and ill of me do shelf.
I strive to please Athena, not mankind.
No time shall call me out, or place seduce,
Nor ache to please, nor fear to offend me blind
To the great passion for true beauty's use.
Mine own self I displease, if it so fit
The claiming tyranny and press of wit.
His court dress donned to visit his invention,
So I, when the commanding Muse doth call,
Give to the wide world sleep and inattention.
I close the door to all the man in me,
To friend, relation, countryman and self,
Closeting myself with eternity
And both the good and ill of me do shelf.
I strive to please Athena, not mankind.
No time shall call me out, or place seduce,
Nor ache to please, nor fear to offend me blind
To the great passion for true beauty's use.
Mine own self I displease, if it so fit
The claiming tyranny and press of wit.
1 399
Fernando Pessoa
Even as great Macchiavel, shut fast from all,
Even as great Macchiavel, shut fast from all,
His court dress donned to visit his invention,
So I, when the commanding Muse doth call,
Give to the wide world sleep and inattention.
I close the door to all the man in me,
To friend, relation, countryman and self,
Closeting myself with eternity
And both the good and ill of me do shelf.
I strive to please Athena, not mankind.
No time shall call me out, or place seduce,
Nor ache to please, nor fear to offend me blind
To the great passion for true beauty's use.
Mine own self I displease, if it so fit
The claiming tyranny and press of wit.
His court dress donned to visit his invention,
So I, when the commanding Muse doth call,
Give to the wide world sleep and inattention.
I close the door to all the man in me,
To friend, relation, countryman and self,
Closeting myself with eternity
And both the good and ill of me do shelf.
I strive to please Athena, not mankind.
No time shall call me out, or place seduce,
Nor ache to please, nor fear to offend me blind
To the great passion for true beauty's use.
Mine own self I displease, if it so fit
The claiming tyranny and press of wit.
1 399
Fernando Pessoa
Even as great Macchiavel, shut fast from all,
Even as great Macchiavel, shut fast from all,
His court dress donned to visit his invention,
So I, when the commanding Muse doth call,
Give to the wide world sleep and inattention.
I close the door to all the man in me,
To friend, relation, countryman and self,
Closeting myself with eternity
And both the good and ill of me do shelf.
I strive to please Athena, not mankind.
No time shall call me out, or place seduce,
Nor ache to please, nor fear to offend me blind
To the great passion for true beauty's use.
Mine own self I displease, if it so fit
The claiming tyranny and press of wit.
His court dress donned to visit his invention,
So I, when the commanding Muse doth call,
Give to the wide world sleep and inattention.
I close the door to all the man in me,
To friend, relation, countryman and self,
Closeting myself with eternity
And both the good and ill of me do shelf.
I strive to please Athena, not mankind.
No time shall call me out, or place seduce,
Nor ache to please, nor fear to offend me blind
To the great passion for true beauty's use.
Mine own self I displease, if it so fit
The claiming tyranny and press of wit.
1 399
Fernando Pessoa
Even as great Macchiavel, shut fast from all,
Even as great Macchiavel, shut fast from all,
His court dress donned to visit his invention,
So I, when the commanding Muse doth call,
Give to the wide world sleep and inattention.
I close the door to all the man in me,
To friend, relation, countryman and self,
Closeting myself with eternity
And both the good and ill of me do shelf.
I strive to please Athena, not mankind.
No time shall call me out, or place seduce,
Nor ache to please, nor fear to offend me blind
To the great passion for true beauty's use.
Mine own self I displease, if it so fit
The claiming tyranny and press of wit.
His court dress donned to visit his invention,
So I, when the commanding Muse doth call,
Give to the wide world sleep and inattention.
I close the door to all the man in me,
To friend, relation, countryman and self,
Closeting myself with eternity
And both the good and ill of me do shelf.
I strive to please Athena, not mankind.
No time shall call me out, or place seduce,
Nor ache to please, nor fear to offend me blind
To the great passion for true beauty's use.
Mine own self I displease, if it so fit
The claiming tyranny and press of wit.
1 399
Fernando Pessoa
Even as great Macchiavel, shut fast from all,
Even as great Macchiavel, shut fast from all,
His court dress donned to visit his invention,
So I, when the commanding Muse doth call,
Give to the wide world sleep and inattention.
I close the door to all the man in me,
To friend, relation, countryman and self,
Closeting myself with eternity
And both the good and ill of me do shelf.
I strive to please Athena, not mankind.
No time shall call me out, or place seduce,
Nor ache to please, nor fear to offend me blind
To the great passion for true beauty's use.
Mine own self I displease, if it so fit
The claiming tyranny and press of wit.
His court dress donned to visit his invention,
So I, when the commanding Muse doth call,
Give to the wide world sleep and inattention.
I close the door to all the man in me,
To friend, relation, countryman and self,
Closeting myself with eternity
And both the good and ill of me do shelf.
I strive to please Athena, not mankind.
No time shall call me out, or place seduce,
Nor ache to please, nor fear to offend me blind
To the great passion for true beauty's use.
Mine own self I displease, if it so fit
The claiming tyranny and press of wit.
1 399
Fernando Pessoa
Compreender um ao outro
Compreender um ao outro
É um jogo complicado,
Pois quem engana não sabe
Se não estava enganado.
É um jogo complicado,
Pois quem engana não sabe
Se não estava enganado.
1 814
Fernando Pessoa
Quando há música, parece
Quando há música, parece
Que dormes, e assim te calas,
Mas se a música falece
Acordo, e não me falas.
Que dormes, e assim te calas,
Mas se a música falece
Acordo, e não me falas.
1 566
Fernando Pessoa
Quando há música, parece
Quando há música, parece
Que dormes, e assim te calas,
Mas se a música falece
Acordo, e não me falas.
Que dormes, e assim te calas,
Mas se a música falece
Acordo, e não me falas.
1 566
Fernando Pessoa
Quando há música, parece
Quando há música, parece
Que dormes, e assim te calas,
Mas se a música falece
Acordo, e não me falas.
Que dormes, e assim te calas,
Mas se a música falece
Acordo, e não me falas.
1 566
Fernando Pessoa
Do not think of me. Love me.
Do not think of me. Love me.
That shall somehow suffice.
……
……
Let us be purposeless
Sedately and for a task.
We can be nothing this
Dashes not with the mask
Of being anything...
Be we eer on the wing...
And towards nowhere flying,
Maybe we shall obtain
A thought of what our dying
May steal from life and pain...
That shall somehow suffice.
……
……
Let us be purposeless
Sedately and for a task.
We can be nothing this
Dashes not with the mask
Of being anything...
Be we eer on the wing...
And towards nowhere flying,
Maybe we shall obtain
A thought of what our dying
May steal from life and pain...
1 253
Fernando Pessoa
Todas as horas faço gaffes de civilidade e etiqueta,
Todas as horas faço gaffes de civilidade e etiqueta
(A vida social é complexa para a minha fraqueza de nervos)
Mas nunca existiu quem só tivesse vivido em alma
Numa eterna luta de Janus.
Arre, a humanidade é uma coisa muito complexa...
Tenho-a observado com os olhos e os
nervos, e ainda não percebi.
(Compreender é um navio ao longe)
Toda a gente que tenho conhecido
Estou farto de semi-deuses!
Onde é que há gente no mundo?
Não tenho um amigo, um conhecido, em quem batessem
Ninguém que eu conheça perdeu o amor de uma mulher.
Tenho feito muitas coisas más, muitas coisas reles, muitas infâmias.
Tenho sido cobarde, revoltante, sujo.
Não encontro ninguém assim.
Todos têm sido príncipes, os que têm andado comigo
(A vida social é complexa para a minha fraqueza de nervos)
Mas nunca existiu quem só tivesse vivido em alma
Numa eterna luta de Janus.
Arre, a humanidade é uma coisa muito complexa...
Tenho-a observado com os olhos e os
nervos, e ainda não percebi.
(Compreender é um navio ao longe)
Toda a gente que tenho conhecido
Estou farto de semi-deuses!
Onde é que há gente no mundo?
Não tenho um amigo, um conhecido, em quem batessem
Ninguém que eu conheça perdeu o amor de uma mulher.
Tenho feito muitas coisas más, muitas coisas reles, muitas infâmias.
Tenho sido cobarde, revoltante, sujo.
Não encontro ninguém assim.
Todos têm sido príncipes, os que têm andado comigo
1 265
Fernando Pessoa
D. T.
The other day indeed,
With my shoe, on the wall,
I killed a centipede
Which was not there at all.
How can that be?
It's very simple, you see -
Just the beginning of D. T.
When the pink alligator
And the tiger without a head
Begin to take stature
And demanded to be fed,
As I have no shoes
Fit to kill those,
I think I'll start thinking:
Should I stop drinking?
But it really doesn't matter...
Am I thinner or fatter
Because this is this?
Would I be wiser or better
If life were other than this is?
No, nothing is right.
Your love might
Make me better than I
Can be or can try.
But we never know
Darling, I don't know
If the sugar of your heart
Would not turn out candy...
So I let my heart smart
And I drink brandy.
Then the centipede come
Without trouble.
I can see them well.
Or even double.
I'll see them home
With my shoe,
And, when they all go to hell,
I'll go too.
Then, on a whole,
I shall be happy indeed,
Because, with a shoe
Real and true,
I shall kill the true centipede -
My lost soul!...
With my shoe, on the wall,
I killed a centipede
Which was not there at all.
How can that be?
It's very simple, you see -
Just the beginning of D. T.
When the pink alligator
And the tiger without a head
Begin to take stature
And demanded to be fed,
As I have no shoes
Fit to kill those,
I think I'll start thinking:
Should I stop drinking?
But it really doesn't matter...
Am I thinner or fatter
Because this is this?
Would I be wiser or better
If life were other than this is?
No, nothing is right.
Your love might
Make me better than I
Can be or can try.
But we never know
Darling, I don't know
If the sugar of your heart
Would not turn out candy...
So I let my heart smart
And I drink brandy.
Then the centipede come
Without trouble.
I can see them well.
Or even double.
I'll see them home
With my shoe,
And, when they all go to hell,
I'll go too.
Then, on a whole,
I shall be happy indeed,
Because, with a shoe
Real and true,
I shall kill the true centipede -
My lost soul!...
1 756
Fernando Pessoa
Out of a great nebula of Night and Storm
Out of a great nebula of Night and Storm
Borne upon a great void within our Space,
My soul was formed and stares God in the face
Out of that silence where there is no Form.
The empty carcase of Place
The silent ecstasy of Hours,
Life, like abandoned flowers,
Thought, like a forlorn grace.
Borne upon a great void within our Space,
My soul was formed and stares God in the face
Out of that silence where there is no Form.
The empty carcase of Place
The silent ecstasy of Hours,
Life, like abandoned flowers,
Thought, like a forlorn grace.
1 313
Fernando Pessoa
Tocam sinos a rebate
Tocam sinos a rebate
E levantaste-te logo.
Teu coração só não bate
Por a quem puseste fogo.
E levantaste-te logo.
Teu coração só não bate
Por a quem puseste fogo.
1 457
Fernando Pessoa
Thou needst not scorn me. All my praise of thee
Thou needst not scorn me. All my praise of thee
Though't be of that which opens men's desire
(Being of thy beauty), from desire is free.
My flame upon thine altars has no fire.
Beauty should beauty mate, lest by addition
It do subtraction suffer. So I name
Thy true mate beautiful. Thus my perdition
Myself desire and mine own love disclaim.
That this renouncement of the very thought
Of thy possible love, were't such or no,
Gives pain, is sure; yet the pain given does not
From the renouncement, but its reason, flow.
The gods that fated me not beautiful
Fated this just renouncement possible.
Though't be of that which opens men's desire
(Being of thy beauty), from desire is free.
My flame upon thine altars has no fire.
Beauty should beauty mate, lest by addition
It do subtraction suffer. So I name
Thy true mate beautiful. Thus my perdition
Myself desire and mine own love disclaim.
That this renouncement of the very thought
Of thy possible love, were't such or no,
Gives pain, is sure; yet the pain given does not
From the renouncement, but its reason, flow.
The gods that fated me not beautiful
Fated this just renouncement possible.
1 395
Fernando Pessoa
Chamam-te boa, e o sentido
Chamam-te boa, e o sentido
Não é bem o que eu supunha.
Boa não é apelido:
É, quando muito, alcunha.
Não é bem o que eu supunha.
Boa não é apelido:
É, quando muito, alcunha.
1 406
Fernando Pessoa
SECOND SIGHT
Whene'er thou dost undo
Thy dark, strange hair before the wind
And the wind takes it up and makes it woo
Tumult and violence in the way it sweeps
Along the air, mingling, unmingling, undefined
In the snake‑like madness it keeps.
Then I do know
That somewhere whence dreams come
And passions go,
Somewhere in that world contrary to this,
Yet landscaped, peopled as this is,
In a great southern sea
There is a storm and a hurled wreck
On rising rocks that cannot reck
For human misery.
The two things are but one.
Thy floating hair is that great ship undone
In a tossed, turbulent, dashed ocean.
Neither precedeth nor doth cause the other
Nor are the two as brother and brother,
But absolutely one, samely the same,
They have somehow an equal name
Where speech is of the essence of what is.
A real sight, like God's, should see the kiss
Of the wind through thy hair and the far storm
One thing, - yet two things because we see two
When we conceive them one, the double form
Coming to oneness in what we construe.
Therefore I grieve when thou letst thy hair take
The wind upon its long, thin, changing fingers,
For that sight of me that translates that to
The sterner meaning in what world I know
Only through what in me is not here awake, -
That sight of that mad wreck visibly lingers
And does in my imagination ache.
Alas! all things are linked, and we know not
Half the contents of our each casual thought.
We never see save one little dreamed bit
Of each feeling we have; we pass through it
Like rapid travellers that scarce can see
What they pass by and what they see see erringly.
What is the meaning of my writing this?
Nothing, save that this is,
I know not why, something I know and must
Utter, the purpose of it being with
That secret Being that made my body of dust
Bear my soul's ignored presence, and that breath
Of life that survives my each moment's death.
Thy dark, strange hair before the wind
And the wind takes it up and makes it woo
Tumult and violence in the way it sweeps
Along the air, mingling, unmingling, undefined
In the snake‑like madness it keeps.
Then I do know
That somewhere whence dreams come
And passions go,
Somewhere in that world contrary to this,
Yet landscaped, peopled as this is,
In a great southern sea
There is a storm and a hurled wreck
On rising rocks that cannot reck
For human misery.
The two things are but one.
Thy floating hair is that great ship undone
In a tossed, turbulent, dashed ocean.
Neither precedeth nor doth cause the other
Nor are the two as brother and brother,
But absolutely one, samely the same,
They have somehow an equal name
Where speech is of the essence of what is.
A real sight, like God's, should see the kiss
Of the wind through thy hair and the far storm
One thing, - yet two things because we see two
When we conceive them one, the double form
Coming to oneness in what we construe.
Therefore I grieve when thou letst thy hair take
The wind upon its long, thin, changing fingers,
For that sight of me that translates that to
The sterner meaning in what world I know
Only through what in me is not here awake, -
That sight of that mad wreck visibly lingers
And does in my imagination ache.
Alas! all things are linked, and we know not
Half the contents of our each casual thought.
We never see save one little dreamed bit
Of each feeling we have; we pass through it
Like rapid travellers that scarce can see
What they pass by and what they see see erringly.
What is the meaning of my writing this?
Nothing, save that this is,
I know not why, something I know and must
Utter, the purpose of it being with
That secret Being that made my body of dust
Bear my soul's ignored presence, and that breath
Of life that survives my each moment's death.
1 564
Fernando Pessoa
Morena dos olhos baços
Morena dos olhos baços
Velados de não sei quê,
No mundo há falta de braços
Para o que o teu olhar vê.
Velados de não sei quê,
No mundo há falta de braços
Para o que o teu olhar vê.
2 009
Fernando Pessoa
Morena dos olhos baços
Morena dos olhos baços
Velados de não sei quê,
No mundo há falta de braços
Para o que o teu olhar vê.
Velados de não sei quê,
No mundo há falta de braços
Para o que o teu olhar vê.
2 009