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Fernando Pessoa
The master said you must not heed
The Master said you must not heed
What others talk of at their need.
Under the happy trees they sit
That talk of nothing and of wit.
Under the silent trees they stand
That talk of mist and no man's land.
Under the sulky trees they lie
That wonder of the earth and sky.
This was the matter of the song
No one could sing or well or long.
This was the substance of the tale
No one could tell unless it fail.
This was the subject of the verse
The last one made, lest earth be worse.
So that the collateral nightingale
Forgot its music and its tale.
So the lark rose and found but air
And false dominion everywhere.
So the dropt eagle, loosing prey,
Swept by and owned but the void day.
Yet what the secret of all this
May be or was none now can guess.
Perhaps beyond what thought defines,
Like wine some chance that some one may
Make shade and sleep of yesterday.
But wether this be sense or nought,
Surely it was a careful thought
To have the lawn so nicely laid
Out and the critics all gainsaid,
It was the reason and the home.
The rest is why tis right to roam.
02/02/1917
What others talk of at their need.
Under the happy trees they sit
That talk of nothing and of wit.
Under the silent trees they stand
That talk of mist and no man's land.
Under the sulky trees they lie
That wonder of the earth and sky.
This was the matter of the song
No one could sing or well or long.
This was the substance of the tale
No one could tell unless it fail.
This was the subject of the verse
The last one made, lest earth be worse.
So that the collateral nightingale
Forgot its music and its tale.
So the lark rose and found but air
And false dominion everywhere.
So the dropt eagle, loosing prey,
Swept by and owned but the void day.
Yet what the secret of all this
May be or was none now can guess.
Perhaps beyond what thought defines,
Like wine some chance that some one may
Make shade and sleep of yesterday.
But wether this be sense or nought,
Surely it was a careful thought
To have the lawn so nicely laid
Out and the critics all gainsaid,
It was the reason and the home.
The rest is why tis right to roam.
02/02/1917
4 275
João Airas
Toda-las cousas eu vejo partir
Toda-las cousas eu vejo partir
do modo en como soiam seer,
e vejo as gentes partir de fazer
ben que soiam (tal tempo non ven!)
mais non se pode o coraçon partir
do meu amigo de mi querer ben.
Pero que ome parte o coraçon
das cousas que ama, per bõa fé,
e parte-se ome da terra onde é,
e parte-se ome du [mui] gran prol ten,
non se pode parti-lo coraçon
do meu amigo de mi querer ben.
Toda-las cousas eu vejo mudar:
mudam-se os tempos e muda-se o al,
muda-se a gente en fazer ben ou mal,
mudam-se os ventos e toda outra ren,
mais non se pode o coraçon mudar
do meu amigo de mi querer ben.
do modo en como soiam seer,
e vejo as gentes partir de fazer
ben que soiam (tal tempo non ven!)
mais non se pode o coraçon partir
do meu amigo de mi querer ben.
Pero que ome parte o coraçon
das cousas que ama, per bõa fé,
e parte-se ome da terra onde é,
e parte-se ome du [mui] gran prol ten,
non se pode parti-lo coraçon
do meu amigo de mi querer ben.
Toda-las cousas eu vejo mudar:
mudam-se os tempos e muda-se o al,
muda-se a gente en fazer ben ou mal,
mudam-se os ventos e toda outra ren,
mais non se pode o coraçon mudar
do meu amigo de mi querer ben.
1 473
Celso Emilio Ferreiro
Tempo de chorar
Hei de chorar sin bágoas duro pranto
polas pombas de luz aferrolladas,
polo esprito vencido baixo a noite
da libertá prostituída.
As espadas penduran silandeiras
coma unha chuvia fría diante os ollos
e teño que chorar na sombra fuxidía
diste pútrido vento
que arromba a lealtá e pon cadeas
no corazón dos homes xenerosos.
Pois que somente os ollos me deixaron
para chorar por iles longos ríos,
hei navegar periplos, descubertas
por tempos que han de vir cheos de escumas,
por onde o día nasce,
alí onde xermola o mundo novo.
Pois que o que chora vive, iremos indo;
indo, chorando, andando,
salvaxe voz que ha de trocarse en ira,
en coitelo de berros e alboradas
para rubir ao cumio dos aldraxes.
E pois que cada tempo ten seu tempo,
iste é o tempo de chorar.
polas pombas de luz aferrolladas,
polo esprito vencido baixo a noite
da libertá prostituída.
As espadas penduran silandeiras
coma unha chuvia fría diante os ollos
e teño que chorar na sombra fuxidía
diste pútrido vento
que arromba a lealtá e pon cadeas
no corazón dos homes xenerosos.
Pois que somente os ollos me deixaron
para chorar por iles longos ríos,
hei navegar periplos, descubertas
por tempos que han de vir cheos de escumas,
por onde o día nasce,
alí onde xermola o mundo novo.
Pois que o que chora vive, iremos indo;
indo, chorando, andando,
salvaxe voz que ha de trocarse en ira,
en coitelo de berros e alboradas
para rubir ao cumio dos aldraxes.
E pois que cada tempo ten seu tempo,
iste é o tempo de chorar.
2 357
Fernando Pessoa
II - If that apparent part of life's delight
If that apparent part of life's delight
Our tingled flesh-sense circumscribes were seen
By aught save reflex and co-carnal sight,
Joy, flesh and life might prove but a gross screen.
Haply Truth's body is no eyable being,
Appearance even as appearance lies,
Haply our close, dark, vague, warm sense of seeing
Is the choked vision of blindfolded eyes.
Where from what comes to thought's sense of life? Nought.
All is either the irrational world we see
Or some aught-else whose being-unknown doth rot
Its use for our thought's use. Whence taketh me
A qualm-like ache of life, a body-deep
Soul-hate of what we seek and what we, weep.
Our tingled flesh-sense circumscribes were seen
By aught save reflex and co-carnal sight,
Joy, flesh and life might prove but a gross screen.
Haply Truth's body is no eyable being,
Appearance even as appearance lies,
Haply our close, dark, vague, warm sense of seeing
Is the choked vision of blindfolded eyes.
Where from what comes to thought's sense of life? Nought.
All is either the irrational world we see
Or some aught-else whose being-unknown doth rot
Its use for our thought's use. Whence taketh me
A qualm-like ache of life, a body-deep
Soul-hate of what we seek and what we, weep.
4 190
Fernando Pessoa
II - If that apparent part of life's delight
If that apparent part of life's delight
Our tingled flesh-sense circumscribes were seen
By aught save reflex and co-carnal sight,
Joy, flesh and life might prove but a gross screen.
Haply Truth's body is no eyable being,
Appearance even as appearance lies,
Haply our close, dark, vague, warm sense of seeing
Is the choked vision of blindfolded eyes.
Where from what comes to thought's sense of life? Nought.
All is either the irrational world we see
Or some aught-else whose being-unknown doth rot
Its use for our thought's use. Whence taketh me
A qualm-like ache of life, a body-deep
Soul-hate of what we seek and what we, weep.
Our tingled flesh-sense circumscribes were seen
By aught save reflex and co-carnal sight,
Joy, flesh and life might prove but a gross screen.
Haply Truth's body is no eyable being,
Appearance even as appearance lies,
Haply our close, dark, vague, warm sense of seeing
Is the choked vision of blindfolded eyes.
Where from what comes to thought's sense of life? Nought.
All is either the irrational world we see
Or some aught-else whose being-unknown doth rot
Its use for our thought's use. Whence taketh me
A qualm-like ache of life, a body-deep
Soul-hate of what we seek and what we, weep.
4 190
Fernando Pessoa
XXXII - When I have sense of what to sense appears,
When I have sense of what to sense appears,
Sense is sense ere 'tis mine or mine in me is.
When I hear, Hearing, ere I do hear, hears.
When I see, before me abstract Seeing sees.
I am part Soul part I in all I touch –
Soul by that part I hold in common with all,
And I the spoiled part, that doth make sense such
As I can err by it and my sense mine call.
The rest is wondering what these thoughts may mean,
That come to explain and suddenly are gone,
Like messengers that mock the message' mien,
Explaining all but the explanation;
As if we a ciphered letter's cipher hit
And find it in an unknown language writ.
Sense is sense ere 'tis mine or mine in me is.
When I hear, Hearing, ere I do hear, hears.
When I see, before me abstract Seeing sees.
I am part Soul part I in all I touch –
Soul by that part I hold in common with all,
And I the spoiled part, that doth make sense such
As I can err by it and my sense mine call.
The rest is wondering what these thoughts may mean,
That come to explain and suddenly are gone,
Like messengers that mock the message' mien,
Explaining all but the explanation;
As if we a ciphered letter's cipher hit
And find it in an unknown language writ.
4 300
Fernando Pessoa
XXXII - When I have sense of what to sense appears,
When I have sense of what to sense appears,
Sense is sense ere 'tis mine or mine in me is.
When I hear, Hearing, ere I do hear, hears.
When I see, before me abstract Seeing sees.
I am part Soul part I in all I touch –
Soul by that part I hold in common with all,
And I the spoiled part, that doth make sense such
As I can err by it and my sense mine call.
The rest is wondering what these thoughts may mean,
That come to explain and suddenly are gone,
Like messengers that mock the message' mien,
Explaining all but the explanation;
As if we a ciphered letter's cipher hit
And find it in an unknown language writ.
Sense is sense ere 'tis mine or mine in me is.
When I hear, Hearing, ere I do hear, hears.
When I see, before me abstract Seeing sees.
I am part Soul part I in all I touch –
Soul by that part I hold in common with all,
And I the spoiled part, that doth make sense such
As I can err by it and my sense mine call.
The rest is wondering what these thoughts may mean,
That come to explain and suddenly are gone,
Like messengers that mock the message' mien,
Explaining all but the explanation;
As if we a ciphered letter's cipher hit
And find it in an unknown language writ.
4 300
Fernando Pessoa
XXXII - When I have sense of what to sense appears,
When I have sense of what to sense appears,
Sense is sense ere 'tis mine or mine in me is.
When I hear, Hearing, ere I do hear, hears.
When I see, before me abstract Seeing sees.
I am part Soul part I in all I touch –
Soul by that part I hold in common with all,
And I the spoiled part, that doth make sense such
As I can err by it and my sense mine call.
The rest is wondering what these thoughts may mean,
That come to explain and suddenly are gone,
Like messengers that mock the message' mien,
Explaining all but the explanation;
As if we a ciphered letter's cipher hit
And find it in an unknown language writ.
Sense is sense ere 'tis mine or mine in me is.
When I hear, Hearing, ere I do hear, hears.
When I see, before me abstract Seeing sees.
I am part Soul part I in all I touch –
Soul by that part I hold in common with all,
And I the spoiled part, that doth make sense such
As I can err by it and my sense mine call.
The rest is wondering what these thoughts may mean,
That come to explain and suddenly are gone,
Like messengers that mock the message' mien,
Explaining all but the explanation;
As if we a ciphered letter's cipher hit
And find it in an unknown language writ.
4 300
Fernando Pessoa
XXXV - Good. I have done. My heart weighs. I am sad.
Good. I have done. My heart weighs. I am sad.
The outer day, void statue of lit blue,
Is altogether outward, other, glad
At mere being not-I (so my aches construe).
I, that have failed in everything, bewail
Nothing this hour but that I have bewailed,
For in the general fate what is't to fail?
Why, fate being past for Fate, 'tis but to have failed.
Whatever hap or stop, what matters it,
Sith to the mattering our will bringeth nought?
With the higher trifling let us world our wit,
Conscious that, if we do t, that was the lot
The regular stars bound us to, when they stood
Godfathers to our birth and to our blood.
The outer day, void statue of lit blue,
Is altogether outward, other, glad
At mere being not-I (so my aches construe).
I, that have failed in everything, bewail
Nothing this hour but that I have bewailed,
For in the general fate what is't to fail?
Why, fate being past for Fate, 'tis but to have failed.
Whatever hap or stop, what matters it,
Sith to the mattering our will bringeth nought?
With the higher trifling let us world our wit,
Conscious that, if we do t, that was the lot
The regular stars bound us to, when they stood
Godfathers to our birth and to our blood.
4 218
Fernando Pessoa
10 - THE POEM
THE POEM
There sleeps a poem in my mind
That shall my entire soul express.
I feel it vague as sound and wind
Yet sculptured in full definiteness.
It has no stanza, verse or word.
Ev'n as I dream it, it is not.
'Tis a mere feeling of it, blurred,
And but a happy mist round thought.
Day and night in my mystery
I dream and read and spell it over,
And ever round words' brink in me
Its vague completeness seems to hover.
I know it never shall be writ.
I know I know not what it is.
But I am happy dreaming it,
And false bliss, although false, is bliss.
There sleeps a poem in my mind
That shall my entire soul express.
I feel it vague as sound and wind
Yet sculptured in full definiteness.
It has no stanza, verse or word.
Ev'n as I dream it, it is not.
'Tis a mere feeling of it, blurred,
And but a happy mist round thought.
Day and night in my mystery
I dream and read and spell it over,
And ever round words' brink in me
Its vague completeness seems to hover.
I know it never shall be writ.
I know I know not what it is.
But I am happy dreaming it,
And false bliss, although false, is bliss.
4 486
Fernando Pessoa
10 - THE POEM
THE POEM
There sleeps a poem in my mind
That shall my entire soul express.
I feel it vague as sound and wind
Yet sculptured in full definiteness.
It has no stanza, verse or word.
Ev'n as I dream it, it is not.
'Tis a mere feeling of it, blurred,
And but a happy mist round thought.
Day and night in my mystery
I dream and read and spell it over,
And ever round words' brink in me
Its vague completeness seems to hover.
I know it never shall be writ.
I know I know not what it is.
But I am happy dreaming it,
And false bliss, although false, is bliss.
There sleeps a poem in my mind
That shall my entire soul express.
I feel it vague as sound and wind
Yet sculptured in full definiteness.
It has no stanza, verse or word.
Ev'n as I dream it, it is not.
'Tis a mere feeling of it, blurred,
And but a happy mist round thought.
Day and night in my mystery
I dream and read and spell it over,
And ever round words' brink in me
Its vague completeness seems to hover.
I know it never shall be writ.
I know I know not what it is.
But I am happy dreaming it,
And false bliss, although false, is bliss.
4 486
Fernando Pessoa
10 - THE POEM
THE POEM
There sleeps a poem in my mind
That shall my entire soul express.
I feel it vague as sound and wind
Yet sculptured in full definiteness.
It has no stanza, verse or word.
Ev'n as I dream it, it is not.
'Tis a mere feeling of it, blurred,
And but a happy mist round thought.
Day and night in my mystery
I dream and read and spell it over,
And ever round words' brink in me
Its vague completeness seems to hover.
I know it never shall be writ.
I know I know not what it is.
But I am happy dreaming it,
And false bliss, although false, is bliss.
There sleeps a poem in my mind
That shall my entire soul express.
I feel it vague as sound and wind
Yet sculptured in full definiteness.
It has no stanza, verse or word.
Ev'n as I dream it, it is not.
'Tis a mere feeling of it, blurred,
And but a happy mist round thought.
Day and night in my mystery
I dream and read and spell it over,
And ever round words' brink in me
Its vague completeness seems to hover.
I know it never shall be writ.
I know I know not what it is.
But I am happy dreaming it,
And false bliss, although false, is bliss.
4 486
Fernando Pessoa
I - Whether we write or speak or do but look
35 SONETS
I
Whether we write or speak or do but look
We are ever unapparent. What we are
Cannot be transfused into word or book.
Our soul from us is infinitely far.
However much we give our thoughts the will
To be our soul and gesture it abroad,
Our hearts are incommunicable still.
In what we show ourselves we are ignored.
The abyss from soul to soul cannot be bridged
By any skill of thought or trick of seeming.
Unto our very selves we are abridged
When we would utter to our thought our being.
We are our dreams of ourselves, souls by gleams,
And each to each other dreams of others' dreams.
I
Whether we write or speak or do but look
We are ever unapparent. What we are
Cannot be transfused into word or book.
Our soul from us is infinitely far.
However much we give our thoughts the will
To be our soul and gesture it abroad,
Our hearts are incommunicable still.
In what we show ourselves we are ignored.
The abyss from soul to soul cannot be bridged
By any skill of thought or trick of seeming.
Unto our very selves we are abridged
When we would utter to our thought our being.
We are our dreams of ourselves, souls by gleams,
And each to each other dreams of others' dreams.
4 747
Fernando Pessoa
I - Whether we write or speak or do but look
35 SONETS
I
Whether we write or speak or do but look
We are ever unapparent. What we are
Cannot be transfused into word or book.
Our soul from us is infinitely far.
However much we give our thoughts the will
To be our soul and gesture it abroad,
Our hearts are incommunicable still.
In what we show ourselves we are ignored.
The abyss from soul to soul cannot be bridged
By any skill of thought or trick of seeming.
Unto our very selves we are abridged
When we would utter to our thought our being.
We are our dreams of ourselves, souls by gleams,
And each to each other dreams of others' dreams.
I
Whether we write or speak or do but look
We are ever unapparent. What we are
Cannot be transfused into word or book.
Our soul from us is infinitely far.
However much we give our thoughts the will
To be our soul and gesture it abroad,
Our hearts are incommunicable still.
In what we show ourselves we are ignored.
The abyss from soul to soul cannot be bridged
By any skill of thought or trick of seeming.
Unto our very selves we are abridged
When we would utter to our thought our being.
We are our dreams of ourselves, souls by gleams,
And each to each other dreams of others' dreams.
4 747
Fernando Pessoa
XIX - Beauty and love let no one separate,
Beauty and love let no one separate,
Whom exact Nature did to each other fit,
Giving to Beauty love as finishing fate
And to Love beauty as true colour of it.
Let he but friend be who the soul finds fair,
But let none love outside the body's thought,
So the seen couple's togetherness shall bear
Truth to the beauty each in the other sought.
I could but love thee out of mockery
Of love and thee and mine own ugliness;
Therefore thy beauty I sing and wish not thee,
Thanking the Gods I long not out of place,
Lest, like a slave that for kings' robes doth long,
Obtained, shall with mere wearing do them wrong.
Whom exact Nature did to each other fit,
Giving to Beauty love as finishing fate
And to Love beauty as true colour of it.
Let he but friend be who the soul finds fair,
But let none love outside the body's thought,
So the seen couple's togetherness shall bear
Truth to the beauty each in the other sought.
I could but love thee out of mockery
Of love and thee and mine own ugliness;
Therefore thy beauty I sing and wish not thee,
Thanking the Gods I long not out of place,
Lest, like a slave that for kings' robes doth long,
Obtained, shall with mere wearing do them wrong.
4 319
Fernando Pessoa
XIX - Beauty and love let no one separate,
Beauty and love let no one separate,
Whom exact Nature did to each other fit,
Giving to Beauty love as finishing fate
And to Love beauty as true colour of it.
Let he but friend be who the soul finds fair,
But let none love outside the body's thought,
So the seen couple's togetherness shall bear
Truth to the beauty each in the other sought.
I could but love thee out of mockery
Of love and thee and mine own ugliness;
Therefore thy beauty I sing and wish not thee,
Thanking the Gods I long not out of place,
Lest, like a slave that for kings' robes doth long,
Obtained, shall with mere wearing do them wrong.
Whom exact Nature did to each other fit,
Giving to Beauty love as finishing fate
And to Love beauty as true colour of it.
Let he but friend be who the soul finds fair,
But let none love outside the body's thought,
So the seen couple's togetherness shall bear
Truth to the beauty each in the other sought.
I could but love thee out of mockery
Of love and thee and mine own ugliness;
Therefore thy beauty I sing and wish not thee,
Thanking the Gods I long not out of place,
Lest, like a slave that for kings' robes doth long,
Obtained, shall with mere wearing do them wrong.
4 319
Fernando Pessoa
XVIII - Io! Io! There runs a juice of pleasure's rage
Io! Io! There runs a juice of pleasure's rage
Through these frames' mesh,
That now do really ache to strip and wage
Upon each others' flesh
The war that fills the womb and puts milk in
The teats a man did win,
The battle fought with rage to join and fit
And not to hurt or hit!
Io! Io! Be drunken like the day and hour!
Shout, laugh and overpower
With clamour your own thoughts, lest they a breath
Utter of age or death!
Now is all absolute youth, and the small pains
That thrill the filled veins
Themselves are edged in a great tickling joy
That halts ever ere it cloy.
Put out of mind all things save flesh and giving
The male milk that makes living!
Rake out great peals of joy like grass from ground
In your o'ergrown soul found!
Make your great rut dispersedly rejoice
With laugh or voice,
As if all earth, hot sky and tremulous air
A mighty cymbal were!
Through these frames' mesh,
That now do really ache to strip and wage
Upon each others' flesh
The war that fills the womb and puts milk in
The teats a man did win,
The battle fought with rage to join and fit
And not to hurt or hit!
Io! Io! Be drunken like the day and hour!
Shout, laugh and overpower
With clamour your own thoughts, lest they a breath
Utter of age or death!
Now is all absolute youth, and the small pains
That thrill the filled veins
Themselves are edged in a great tickling joy
That halts ever ere it cloy.
Put out of mind all things save flesh and giving
The male milk that makes living!
Rake out great peals of joy like grass from ground
In your o'ergrown soul found!
Make your great rut dispersedly rejoice
With laugh or voice,
As if all earth, hot sky and tremulous air
A mighty cymbal were!
4 653
Fernando Pessoa
XXXIV - Happy the maimed, the halt, the mad, the blind —
Happy the maimed, the halt, the mad, the blind –
All who, stamped separate by curtailing birth,
Owe no duty's allegiance to mankind
Nor stand a valuing in their scheme of worth!
But I, whom Fate, not Nature, did curtail,
By no exterior voidness being exempt,
Must bear accusing glances where I fail,
Fixed in the general orbit of contempt.
Fate, less than Nature in being kind to lacking,
Giving the ill, shows not as outer cause,
Making our mock-free will the mirror's backing
Which Fate s own acts as if in itself shows;
And men, like children, seeing the image there,
Take place for cause and make our will Fate bear.
All who, stamped separate by curtailing birth,
Owe no duty's allegiance to mankind
Nor stand a valuing in their scheme of worth!
But I, whom Fate, not Nature, did curtail,
By no exterior voidness being exempt,
Must bear accusing glances where I fail,
Fixed in the general orbit of contempt.
Fate, less than Nature in being kind to lacking,
Giving the ill, shows not as outer cause,
Making our mock-free will the mirror's backing
Which Fate s own acts as if in itself shows;
And men, like children, seeing the image there,
Take place for cause and make our will Fate bear.
4 222
Fernando Pessoa
XIII - No more, no more of church or feast, for these
No more, no more of church or feast, for these
Are outward to the day, like the green trees
That flank the road to church and the same road
Back from the church, under a higher sun trod.
These have no more part than a floor or wall
In the great day's true ceremonial.
The guests themselves, no less than they that wed,
Hold these as nought but corridors to bed.
So are all things, that between this and dark
Will be passed, a dim work
Of minutes, hours seen in a sleep, and dreamed
Untimed and wrongly deemed.
The bridal and the walk back and the feast
Are all for each a mist
Where he sees others through a blurred hot notion
Of drunk and veined emotion,
And a red race runs through his seeing and hearing,
A great carouse of dreams seen each on each,
Till their importunate careering
A stopped, half-hurting point of mad joy reach.
Are outward to the day, like the green trees
That flank the road to church and the same road
Back from the church, under a higher sun trod.
These have no more part than a floor or wall
In the great day's true ceremonial.
The guests themselves, no less than they that wed,
Hold these as nought but corridors to bed.
So are all things, that between this and dark
Will be passed, a dim work
Of minutes, hours seen in a sleep, and dreamed
Untimed and wrongly deemed.
The bridal and the walk back and the feast
Are all for each a mist
Where he sees others through a blurred hot notion
Of drunk and veined emotion,
And a red race runs through his seeing and hearing,
A great carouse of dreams seen each on each,
Till their importunate careering
A stopped, half-hurting point of mad joy reach.
4 371
Fernando Pessoa
VII - Thy words are torture to me, that scarce grieve thee —
Thy words are torture to me, that scarce grieve thee –
That entire death shall null my entire thought;
And I feel torture, not that I believe thee,
But that I cannot disbelieve thee not.
Shall that of me that now contains the stars
Be by the very contained stars survived?
Thus were Fate all unjust. Yet what truth bars
An all unjust Fate's truth from being believed?
Conjecture cannot fit to the seen world
A garment of its thought untorn or covering,
Or with its stuffed garb forge an otherworld
Without itself its dead deceit discovering;
So, all being possible, an idle thought may
Less idle thoughts, self-known no truer, dismay.
That entire death shall null my entire thought;
And I feel torture, not that I believe thee,
But that I cannot disbelieve thee not.
Shall that of me that now contains the stars
Be by the very contained stars survived?
Thus were Fate all unjust. Yet what truth bars
An all unjust Fate's truth from being believed?
Conjecture cannot fit to the seen world
A garment of its thought untorn or covering,
Or with its stuffed garb forge an otherworld
Without itself its dead deceit discovering;
So, all being possible, an idle thought may
Less idle thoughts, self-known no truer, dismay.
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15 - THE NIGHT‑LIGHT
THE WRONG CHOICE
THE NIGHT LIGHT
Nurse, I known now
That love is vain.
When I was small
You used to sing
And soothe my brow
Till calm seemed pain.
That song recall
And to me bring.
I wish to feel
Again that child
That you made sleep
Singing so low,
So low that real
Things were beguiled
To make me weep
At seeing them go.
Nurse, by my bed
Sing me again
That song. I love
Hoping for't now.
My heart has bled
Till joy seems pain.
Sing softly above
My caressed brow
O regions lost
In dreams and sleep!
O fairy tales
You did not tell,
But that were tossed
Out of the deep
Of your song's waves
And surge and spell!
Sing as if you
Were listening.
Sing as if I
Had no more world
Than all night through
Hearing you sing,
While my breath sly
On my breast curled.
Why did I live
Beyond those hours
When you sung songs
Perhaps of queens
My dream believes,
Perhaps of flowers,
Whose lost scent throngs
Through my sense-screens?
Why did I lose
What I had not
But was your voice,
My heart and night?
Why did I choose
Life, love and thought,
With a wrong choice
And a false right?
Lullaby nurse,
Again for me.
Sing 'till I find
My heart less lone,
And life, life's hearse,
Leaving dreams free,
Shrink undefined
Into the Unknown.
You are no more
My nurse that sings,
My childhood een
Made me again.
No: you are the hour
Of sleep, that brings
That scene no-scene,
That pain no-pain;
Hallowed and dim,
Brotherly night,
Wherein my soul
Is haunted past
The hollow rim
Of my delight
And the low dole
Of pain and haste;
Merged in the dark,
Sunk past the bed
Into a peace
Of being nought,
Shadowy bark
Abandoned,
Abstract release
From self and thought.
THE NIGHT LIGHT
Nurse, I known now
That love is vain.
When I was small
You used to sing
And soothe my brow
Till calm seemed pain.
That song recall
And to me bring.
I wish to feel
Again that child
That you made sleep
Singing so low,
So low that real
Things were beguiled
To make me weep
At seeing them go.
Nurse, by my bed
Sing me again
That song. I love
Hoping for't now.
My heart has bled
Till joy seems pain.
Sing softly above
My caressed brow
O regions lost
In dreams and sleep!
O fairy tales
You did not tell,
But that were tossed
Out of the deep
Of your song's waves
And surge and spell!
Sing as if you
Were listening.
Sing as if I
Had no more world
Than all night through
Hearing you sing,
While my breath sly
On my breast curled.
Why did I live
Beyond those hours
When you sung songs
Perhaps of queens
My dream believes,
Perhaps of flowers,
Whose lost scent throngs
Through my sense-screens?
Why did I lose
What I had not
But was your voice,
My heart and night?
Why did I choose
Life, love and thought,
With a wrong choice
And a false right?
Lullaby nurse,
Again for me.
Sing 'till I find
My heart less lone,
And life, life's hearse,
Leaving dreams free,
Shrink undefined
Into the Unknown.
You are no more
My nurse that sings,
My childhood een
Made me again.
No: you are the hour
Of sleep, that brings
That scene no-scene,
That pain no-pain;
Hallowed and dim,
Brotherly night,
Wherein my soul
Is haunted past
The hollow rim
Of my delight
And the low dole
Of pain and haste;
Merged in the dark,
Sunk past the bed
Into a peace
Of being nought,
Shadowy bark
Abandoned,
Abstract release
From self and thought.
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XXII - My soul is a stiff pageant, man by man,
My soul is a stiff pageant, man by man,
Of some Egyptian art than Egypt older,
Found in some tomb whose rite no guess can scan,
Where all things else to coloured dust did moulder.
Whate'er its sense may mean, its age is twin
To that of priesthoods whose feet stood near God,
When knowledge was so great that 'twas a sin
And man's mere soul too man for its abode.
But when I ask what means that pageant I
And would look at it suddenly, I lose
The sense I had of seeing it, nor can try
Again to look, nor hath my memory a use
That seems recalling, save that it recalls
An emptiness of having seen those walls.
Of some Egyptian art than Egypt older,
Found in some tomb whose rite no guess can scan,
Where all things else to coloured dust did moulder.
Whate'er its sense may mean, its age is twin
To that of priesthoods whose feet stood near God,
When knowledge was so great that 'twas a sin
And man's mere soul too man for its abode.
But when I ask what means that pageant I
And would look at it suddenly, I lose
The sense I had of seeing it, nor can try
Again to look, nor hath my memory a use
That seems recalling, save that it recalls
An emptiness of having seen those walls.
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Fernando Pessoa
XXII - My soul is a stiff pageant, man by man,
My soul is a stiff pageant, man by man,
Of some Egyptian art than Egypt older,
Found in some tomb whose rite no guess can scan,
Where all things else to coloured dust did moulder.
Whate'er its sense may mean, its age is twin
To that of priesthoods whose feet stood near God,
When knowledge was so great that 'twas a sin
And man's mere soul too man for its abode.
But when I ask what means that pageant I
And would look at it suddenly, I lose
The sense I had of seeing it, nor can try
Again to look, nor hath my memory a use
That seems recalling, save that it recalls
An emptiness of having seen those walls.
Of some Egyptian art than Egypt older,
Found in some tomb whose rite no guess can scan,
Where all things else to coloured dust did moulder.
Whate'er its sense may mean, its age is twin
To that of priesthoods whose feet stood near God,
When knowledge was so great that 'twas a sin
And man's mere soul too man for its abode.
But when I ask what means that pageant I
And would look at it suddenly, I lose
The sense I had of seeing it, nor can try
Again to look, nor hath my memory a use
That seems recalling, save that it recalls
An emptiness of having seen those walls.
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11 - LOOKING AT THE TAGUS
LOOKING AT THE TAGUS
She led her flocks beyond the hills,
Her voice backs to me in the wind,
And a thirst for her sorrow fills
All that in me is undefined.
Spiritual lakes walled round with crags
Sleep in the hollows of her song.
There her unbathing nudeness lags
And looks on its pooled shadow long.
But what is real in all this is
Only my soul, the eve, the quay
And, shadow of my dream of this,
An ache for a new ache in me.
She led her flocks beyond the hills,
Her voice backs to me in the wind,
And a thirst for her sorrow fills
All that in me is undefined.
Spiritual lakes walled round with crags
Sleep in the hollows of her song.
There her unbathing nudeness lags
And looks on its pooled shadow long.
But what is real in all this is
Only my soul, the eve, the quay
And, shadow of my dream of this,
An ache for a new ache in me.
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