Poems List

At The Green Inn, Five In The Evening (Au Cabaret-Vert, Cinq Heures Du Soir)

At The Green Inn, Five In The Evening (Au Cabaret-Vert, Cinq Heures Du Soir)

For a whole week I had ripped up my boots
on the stones of the roads.
I walked into Charleroi. -Into the Green Inn:
I asked for some slices of bread and butter,
and some half-cooked ham. Happy, I stuck out my legs under
the green table: I studied the artless patterns of the wallpaper


-and it was charming when the girl with the huge breasts
and lively eyes, - a kiss wouldn't scare that one!
-smilingly brought me some bread and butter and lukewarm ham,
on a coloured plate; - pink and white ham,
scented with a clove of garlic - and filled my huge beer mug,
whose froth was turned into gold
by a ray of late sunshine.
Original French

Au Cabaret-Vert, cinq heures du soir.

Depuis huit jours, j'avais déchiré mes bottines
Aux cailloux des chemins. J'entrais à Charleroi.

-Au Cabaret-Vert : je demandai des tartines
Du beurre et du jambon qui fût à moitié froid.
Bienheureux, j'allongeai les jambes sous la table
Verte : je contemplai les sujets très naïfs
De la tapisserie. - Et ce fut adorable,
Quand la fille aux tétons énormes, aux yeux vifs,


- Celle-là, ce n'est pas un baiser qui l'épeure ! -
Rieuse, m'apporta des tartines de beurre,
Du jambon tiède, dans un plat colorié,


Du jambon rose et blanc parfumé d'une gousse
D'ail, - et m'emplit la chope immense, avec sa mousse
Que dorait un rayon de soleil arriéré.
670

After The Flood

After The Flood

As soon as the idea of the Deluge had subsided,
A hare stopped in the clover and swaying flowerbells,
and said a prayer to the rainbow,
through the spider's web.


Oh! the precious stones that began to hide,-and
the flowers that already looked around.
In the dirty main street, stalls were set up
and boats were hauled toward the sea,
high tiered as in old prints.


Blood flowed at Blue Beard's,-through
slaughterhouses, in circuses,
where the windows were blanched by God's seal.
Blood and milk flowed. Beavers built.


'Mazagrans' smoked in the little bars.
In the big glass house, still dripping,
children in mourning looked
at the marvelous pictures.


A door banged; and in the village square
the little boy waved his arms,
understood by weather vanes
and cocks on steeples everywhere,
in the bursting shower.


Madame *** installed a piano in the Alps.
Mass and first communions were celebrated
at the hundred thousand altars of the cathedral.
Caravans set out. And Hotel Splendid was built
in the chaos of ice and of the polar night.


Ever after the moon heard jackals howling
across the deserts of thyme,
and eclogues in wooden shoes growling in the orchard.
Then in the violet and budding forest,
Eucharis told me it was spring.


Gush, pond,-- Foam, roll on the bridge and over the woods;-black
palls and organs, lightening and thunder, rise and roll;-waters
and sorrows rise and launch the Floods again.
For since they have been dissipated-oh!
the precious stones being buried and the opened flowers!-it's
unbearable! and the Queen, the Witch who lights her fire
in the earthen pot will never tell us what she knows,
and what we do not know.
561

A Winter Dream

A Winter Dream

In winter we’ll travel in a little pink carriage
With cushions of blue.
We’ll be fine. A nest of mad kisses waits
In each corner too.


You’ll shut your eyes, not to see, through the glass,
Grimacing shadows of evening,
Those snarling monsters, a crowd going past
Of black wolves and black demons.


Then you’ll feel your cheek tickled quite hard…
A little kiss, like a maddened spider,
Will run over your neck…


And you’ll say: “Catch it!” bowing your head,


– And we’ll take our time finding that creature
– Who travels so far…
553

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Identification and basic context

Arthur Rimbaud was a French poet, widely regarded as a major figure of Symbolism and a precursor to Surrealism. He was born in Charleville, France, and died in Marseille. His nationality was French, and he wrote exclusively in French. His work emerged during a period of significant social and political upheaval in France, following the Franco-Prussian War and the Paris Commune.

Childhood and education

Rimbaud had a turbulent childhood. His father, an army captain, abandoned the family when Arthur was young, leaving him and his siblings to be raised by their devout and strict mother. He received a classical education at the Collège de Charleville, where he excelled academically and discovered a passion for literature, particularly the works of Victor Hugo and Alfred de Vigny. He was a precocious and rebellious student, often clashing with his teachers.

Literary trajectory

Rimbaud began writing poetry at a very young age, showing remarkable talent and a radical departure from established poetic norms. He ran away from home multiple times, seeking literary circles in Paris and Brussels. His most intense period of writing occurred between the ages of 15 and 20. During this short but explosive period, he produced his most celebrated works, including *A Season in Hell* and *Illuminations*. He collaborated with Paul Verlaine, which led to both creative inspiration and significant personal conflict. By the age of 20, Rimbaud had largely ceased writing poetry, embarking on a life of travel and various unconventional occupations.

Works, style, and literary characteristics

Rimbaud's major works include *A Season in Hell* (1873), a prose poem detailing his spiritual and artistic crisis, and *Illuminations* (published posthumously, c. 1886), a collection of prose poems and verse characterized by surreal imagery and innovative language. His poetry often explores themes of rebellion against bourgeois society, the pursuit of the unknown, altered states of consciousness, and the concept of the seer (le voyant) who can access hidden realities. His style is revolutionary: he experimented with free verse, prose poems, and a visionary, often hallucinatory, imagery. He employed a rich, often jarring, vocabulary and syntax, pushing the boundaries of poetic expression. His tone can be ecstatic, despairing, prophetic, or intensely personal.

Cultural and historical context

Rimbaud's work is deeply intertwined with the Symbolist movement, which sought to express subjective experiences and emotions through suggestive symbols and imagery, moving away from the direct representation of reality favored by Realism. He was a contemporary and acquaintance of other major Symbolists like Verlaine and Mallarmé. His life and work challenged the conventions of late 19th-century French society, embodying a spirit of bohemianism and artistic revolt.

Personal life

Rimbaud's personal life was marked by intense relationships, most notably his passionate and destructive affair with fellow poet Paul Verlaine. This relationship involved significant conflict, including Verlaine shooting Rimbaud. After abandoning poetry, Rimbaud traveled extensively, working as a merchant, explorer, and gun-runner in Africa and the Middle East. His experiences in these regions profoundly shaped his later life, though he rarely wrote about them.

Recognition and reception

While Rimbaud achieved some notoriety during his lifetime, especially for his association with Verlaine and his scandalous behavior, his true literary significance was only fully recognized posthumously. *Illuminations* and *A Season in Hell* were published after he had stopped writing, and their profound influence on subsequent generations of poets and artists only grew over time.

Influences and legacy

Rimbaud was influenced by poets like Baudelaire and the Parnassian movement, but he rapidly surpassed them with his radical innovations. His legacy is immense. He is considered a foundational figure for Surrealism, and his ideas about the poet as a seer and the liberation of language have inspired countless writers, artists, and musicians. His concept of deliberately deranging the senses ("dérèglement de tous les sens") to achieve the unknown has been particularly influential.

Interpretation and critical analysis

Interpretations of Rimbaud's work often focus on his exploration of the self, his critique of societal norms, and his attempts to transcend ordinary reality through language and experience. His life story, the legend of the poet-wanderer, often intersects with interpretations of his demanding and elusive poetry. Debates continue regarding the extent to which his later life as an adventurer represented a rejection or a fulfillment of his early poetic visions.

Curiosities and lesser-known aspects

Rimbaud's abrupt abandonment of poetry at such a young age is one of the most compelling mysteries of his life. His later career as a merchant and explorer in Africa is a stark contrast to his earlier life as a poet, leading to much speculation about his motivations and experiences. He was known for his fierce independence and disdain for literary conventions.

Death and memory

Arthur Rimbaud died of cancer in Marseille. His death at a relatively young age only added to his mythic status. His works are now considered cornerstones of modern literature, studied and celebrated worldwide, and his image as the archetypal rebellious poet continues to captivate the imagination.