Nostalgia
Nostalgia
Remember the 1340's? We were doing a dance called the Catapult.
You always wore brown, the color craze of the decade,
and I was draped in one of those capes that were popular,
the ones with unicorns and pomegranates in needlework.
Everyone would pause for beer and onions in the afternoon,
and at night we would play a game called "Find the Cow."
Everything was hand-lettered then, not like today.
Where has the summer of 1572 gone? Brocade and sonnet
marathons were the rage. We used to dress up in the flags
of rival baronies and conquer one another in cold rooms of stone.
Out on the dance floor we were all doing the Struggle
while your sister practiced the Daphne all alone in her room.
We borrowed the jargon of farriers for our slang.
These days language seems transparent a badly broken code.
The 1790's will never come again. Childhood was big.
People would take walks to the very tops of hills
and write down what they saw in their journals without speaking.
Our collars were high and our hats were extremely soft.
We would surprise each other with alphabets made of twigs.
It was a wonderful time to be alive, or even dead.
I am very fond of the period between 1815 and 1821.
Europe trembled while we sat still for our portraits.
And I would love to return to 1901 if only for a moment,
time enough to wind up a music box and do a few dance steps,
or shoot me back to 1922 or 1941, or at least let me
recapture the serenity of last month when we picked
berries and glided through afternoons in a canoe.
Even this morning would be an improvement over the present.
I was in the garden then, surrounded by the hum of bees
and the Latin names of flowers, watching the early light
flash off the slanted windows of the greenhouse
and silver the limbs on the rows of dark hemlocks.
As usual, I was thinking about the moments of the past,
letting my memory rush over them like water
rushing over the stones on the bottom of a stream.
I was even thinking a little about the future, that place
where people are doing a dance we cannot imagine,
a dance whose name we can only guess.
Man Listening To Disc
Man Listening To Disc
This is not bad -ambling
along 44th Street
with Sonny Rollins for company,
his music flowing through the soft calipers
of these earphones,
as if he were right beside me
on this clear day in March,
the pavement sparkling with sunlight,
pigeons fluttering off the curb,
nodding over a profusion of bread crumbs.
In fact, I would say
my delight at being suffused
with phrases from his saxophone -some
like honey, some like vinegar -is
surpassed only by my gratitude
to Tommy Potter for taking the time
to join us on this breezy afternoon
with his most unwieldy bass
and to the esteemed Arthur Taylor
who is somehow managing to navigate
this crowd with his cumbersome drums.
And I bow deeply to Thelonious Monk
for figuring out a way
to motorize -- or whatever -- his huge piano
so he could be with us today.
This music is loud yet so confidential.
I cannot help feeling even more
like the center of the universe
than usual as I walk along to a rapid
little version of "The Way You Look Tonight,"
and all I can say to my fellow pedestrians,
to the woman in the white sweater,
the man in the tan raincoat and the heavy glasses,
who mistake themselves for the center of the universe -all
I can say is watch your step,
because the five of us, instruments and all,
are about to angle over
to the south side of the street
and then, in our own tightly knit way,
turn the corner at Sixth Avenue.
And if any of you are curious
about where this aggregation,
this whole battery-powered crew,
is headed, let us just say
that the real center of the universe,
the only true point of view,
is full of hope that he,
the hub of the cosmos
with his hair blown sideways,
will eventually make it all the way downtown.
Litany
Litany
You are the bread and the knife,
The crystal goblet and the wine...
-Jacques Crickillon
You are the bread and the knife,
the crystal goblet and the wine.
You are the dew on the morning grass
and the burning wheel of the sun.
You are the white apron of the baker,
and the marsh birds suddenly in flight.
However, you are not the wind in the orchard,
the plums on the counter,
or the house of cards.
And you are certainly not the pine-scented air.
There is just no way that you are the pine-scented air.
It is possible that you are the fish under the bridge,
maybe even the pigeon on the general's head,
but you are not even close
to being the field of cornflowers at dusk.
And a quick look in the mirror will show
that you are neither the boots in the corner
nor the boat asleep in its boathouse.
It might interest you to know,
speaking of the plentiful imagery of the world,
that I am the sound of rain on the roof.
I also happen to be the shooting star,
the evening paper blowing down an alley
and the basket of chestnuts on the kitchen table.
I am also the moon in the trees
and the blind woman's tea cup.
But don't worry, I'm not the bread and the knife.
You are still the bread and the knife.
You will always be the bread and the knife,
not to mention the crystal goblet and--somehow--the wine.
Invention
Invention
Tonight the moon is a cracker,
with a bite out of it
floating in the night,
and in a week or so
according to the calendar
it will probably look
like a silver football,
and nine, maybe ten days ago
it reminded me of a thin bright claw.
But eventually -by
the end of the month,
I reckon -
it will waste away
to nothing,
nothing but stars in the sky,
and I will have a few nights
to myself,
a little time to rest my jittery pen.
I Go Back To The House For A Book
I Go Back To The House For A Book
I turn around on the gravel and go back to the house for a book, something to read at
the doctor's office, and while I am inside, running the finger of inquisition along a shelf,
another me that did not bother to go back to the house for a book heads out on his
own, rolls down the driveway, and swings left toward town, a ghost in his ghost car,
another knot in the string of time, a good three minutes ahead of me — a spacing
that will now continue for the rest of my life.
I Ask You
I Ask You
What scene would I want to be enveloped in
more than this one,
an ordinary night at the kitchen table,
floral wallpaper pressing in,
white cabinets full of glass,
the telephone silent,
a pen tilted back in my hand?
It gives me time to think
about all that is going on outside-leaves
gathering in corners,
lichen greening the high grey rocks,
while over the dunes the world sails on,
huge, ocean-going, history bubbling in its wake.
But beyond this table
there is nothing that I need,
not even a job that would allow me to row to work,
or a coffee-colored Aston Martin DB4
with cracked green leather seats.
No, it's all here,
the clear ovals of a glass of water,
a small crate of oranges, a book on Stalin,
not to mention the odd snarling fish
in a frame on the wall,
and the way these three candles-each
a different height-are
singing in perfect harmony.
So forgive me
if I lower my head now and listen
to the short bass candle as he takes a solo
while my heart
thrums under my shirt-frog
at the edge of a pond-and
my thoughts fly off to a province
made of one enormous sky
and about a million empty branches.
For Bartleby The Scrivener
For Bartleby The Scrivener
"Every time we get a big gale around here
some people just refuse to batten down."
we estimate that
ice skating into a sixty
mile an hour wind, fully exerting
the legs and swinging arms
you will be pushed backward
an inch every twenty minutes.
in a few days, depending on
the size of the lake,
the backs of your skates
will touch land.
you will then fall on your ass
and be blown into the forest.
if you gather enough speed
by flapping your arms
and keeping your skates pointed
you will catch up to other
flying people who refused to batten down.
you will exchange knowing waves
as you ride the great wind north.
Dear Reader
Dear Reader
Baudelaire considers you his brother, and Fielding calls out to you every few
paragraphs as if to make sure you have not closed the book, and now I am
summoning you up again, attentive ghost, dark silent figure standing in the doorway
of these words.
Fishing On The Susquehanna In July
Fishing On The Susquehanna In July
I have never been fishing on the Susquehanna
or on any river for that matter
to be perfectly honest.
Not in July or any month
have I had the pleasure -- if it is a pleasure -of
fishing on the Susquehanna.
I am more likely to be found
in a quiet room like this one -a
painting of a woman on the wall,
a bowl of tangerines on the table -trying
to manufacture the sensation
of fishing on the Susquehanna.
There is little doubt
that others have been fishing
on the Susquehanna,
rowing upstream in a wooden boat,
sliding the oars under the water
then raising them to drip in the light.
But the nearest I have ever come to
fishing on the Susquehanna
was one afternoon in a museum in Philadelphia,
when I balanced a little egg of time
in front of a painting
in which that river curled around a bend
under a blue cloud-ruffled sky,
dense trees along the banks,
and a fellow with a red bandana
sitting in a small, green
flat-bottom boat
holding the thin whip of a pole.
That is something I am unlikely
ever to do, I remember
saying to myself and the person next to me.
Then I blinked and moved on
to other American scenes
of haystacks, water whitening over rocks,
even one of a brown hare
who seemed so wired with alertness
I imagined him springing right out of the frame.
Child Development
Child Development
As sure as prehistoric fish grew legs
and sauntered off the beaches into forests
working up some irregular verbs for their
first conversation, so three-year-old children
enter the phase of name-calling.
Every day a new one arrives and is added
to the repertoire. You Dumb Goopyhead,
You Big Sewerface, You Poop-on-the-Floor
(a kind of Navaho ring to that one)
they yell from knee level, their little mugs
flushed with challenge.
Nothing Samuel Johnson would bother tossing out
in a pub, but then the toddlers are not trying
to devastate some fatuous Enlightenment hack.
They are just tormenting their fellow squirts
or going after the attention of the giants
way up there with their cocktails and bad breath
talking baritone nonsense to other giants,
waiting to call them names after thanking
them for the lovely party and hearing the door close.
The mature save their hothead invective
for things: an errant hammer, tire chains,
or receding trains missed by seconds,
though they know in their adult hearts,
even as they threaten to banish Timmy to bed
for his appalling behavior,
that their bosses are Big Fatty Stupids,
their wives are Dopey Dopeheads
and that they themselves are Mr. Sillypants.
