Poems List

The Veteran

The Veteran

When I was young and bold and strong,
Oh, right was right, and wrong was wrong!
My plume on high, my flag unfurled,
I rode away to right the world.
"Come out, you dogs, and fight!" said I,
And wept there was but once to die.


But I am old; and good and bad
Are woven in a crazy plaid.
I sit and say, "The world is so;
And he is wise who lets it go.
A battle lost, a battle won-
The difference is small, my son."


Inertia rides and riddles me;
The which is called Philosophy.
453

The Trifler

The Trifler

Death's the lover that I'd be taking;
Wild and fickle and fierce is he.
Small's his care if my heart be breaking-
Gay young Death would have none of me.


Hear them clack of my haste to greet him!
No one other my mouth had kissed.
I had dressed me in silk to meet him-
False young Death would not hold the tryst.


Slow's the blood that was quick and stormy,
Smooth and cold is the bridal bed;
I must wait till he whistles for me-
Proud young Death would not turn his head.


I must wait till my breast is wilted.
I must wait till my back is bowed,
I must rock in the corner, jilted-
Death went galloping down the road.


Gone's my heart with a trifling rover.
Fine he was in the game he played-
Kissed, and promised, and threw me over,
And rode away with a prettier maid.
337

The Small Hours

The Small Hours

No more my little song comes back;
And now of nights I lay

My head on down, to watch the black
And wait the unfailing gray.

Oh, sad are winter nights, and slow;
And sad's a song that's dumb;

And sad it is to lie and know
Another dawn will come.
282

The Satin Dress

The Satin Dress

Needle, needle, dip and dart,
Thrusting up and down,
Where's the man could ease a heart
Like a satin gown?


See the stitches curve and crawl
Round the cunning seams-
Patterns thin and sweet and small
As a lady's dreams.


Wantons go in bright brocade;
Brides in organdie;
Gingham's for the plighted maid;
Satin's for the free!


Wool's to line a miser's chest;
Crepe's to calm the old;
Velvet hides an empty breast
Satin's for the bold!


Lawn is for a bishop's yoke;
Linen's for a nun;
Satin is for wiser folk-
Would the dress were done!


Satin glows in candlelightSatin's
for the proud!
They will say who watch at night,
"What a fine shroud!"
407

The Searched Soul

The Searched Soul

When I consider, pro and con,
What things my love is built upon --
A curly mouth; a sinewed wrist;
A questioning brow; a pretty twist
Of words as old and tried as sin;
A pointed ear; a cloven chin;
Long, tapered limbs; and slanted eyes
Not cold nor kind nor darkly wise --
When so I ponder, here apart,
What shallow boons suffice my heart,
What dust-bound trivia capture me,
I marvel at my normalcy.
372

The Little Old Lady in Lavender Silk

The Little Old Lady in Lavender Silk

I was seventy-seven, come August,
I shall shortly be losing my bloom;
I've experienced zephyr and raw gust
And (symbolical) flood and simoom.


When you come to this time of abatement,
To this passing from Summer to Fall,
It is manners to issue a statement
As to what you got out of it all.


So I'll say, though reflection unnerves me
And pronouncements I dodge as I can,
That I think (if my memory serves me)
There was nothing more fun than a man!


In my youth, when the crescent was too wan
To embarrass with beams from above,
By the aid of some local Don Juan
I fell into the habit of love.


And I learned how to kiss and be merry- an
Education left better unsung.
My neglect of the waters Pierian
Was a scandal, when Grandma was young.


Though the shabby unbalanced the splendid,
And the bitter outmeasured the sweet,
I should certainly do as I then did,
Were I given the chance to repeat.


For contrition is hollow and wraithful,
And regret is no part of my plan,
And I think (if my memory's faithful)
There was nothing more fun than a man!
359

The New Love

The New Love

If it shine or if it rain,
Little will I care or know.
Days, like drops upon a pane,
Slip, and join, and go.

At my door's another lad;
Here's his flower in my hair.
If he see me pale and sad,
Will he see me fair?

I sit looking at the floor.
Little will I think or say
If he seek another door;
Even if he stay.
339

The Last Question

The Last Question

New love, new love, where are you to lead me?
All along a narrow way that marks a crooked line.
How are you to slake me, and how are you to feed me?
With bitter yellow berries, and a sharp new wine.

New love, new love, shall I be forsaken?
One shall go a-wandering, and one of us must sigh.
Sweet it is to slumber, but how shall we awakenWhose
will be the broken heart, when dawn comes by?
264

The Immortals

The Immortals

If you should sail for Trebizond, or die,
Or cry another name in your first sleep,
Or see me board a train, and fail to sigh,
Appropriately, I'd clutch my breast and weep.
And you, if I should wander through the door,
Or sin, or seek a nunnery, or save
My lips and give my cheek, would tread the floor
And aptly mention poison and the grave.


Therefore the mooning world is gratified,
Quoting how prettily we sigh and swear;
And you and I, correctly side by side,
Shall live as lovers when our bones are bare
And though we lie forever enemies,
Shall rank with Abelard and Heloise.
297

The Gentlest Lady

The Gentlest Lady

They say He was a serious child,
And quiet in His ways;
They say the gentlest lady smiled
To hear the neighbors' praise.


The coffers of her heart would close
Upon their smaliest word.
Yet did they say, "How tall He grows!"
They thought she had not heard.


They say upon His birthday eve
She'd rock Him to His rest
As if she could not have Him leave
The shelter of her breast.


The poor must go in bitter thrift,
The poor must give in pain,
But ever did she get a gift
To greet His day again.


They say she'd kiss the Boy awake,
And hail Him gay and clear,
But oh, her heart was like to break
To count another year.
379

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Identification and basic context

Dorothy Parker, born Dorothy Rothschild, was a renowned American poet, short story writer, critic, and satirist. She is best known for her acerbic wit, her incisive social commentary, and her masterful use of the epigram. Parker was a central figure in the literary scene of New York City during the 1920s and 1930s, particularly associated with the famous Algonquin Round Table. Her work often reflected a disillusionment with conventional societal norms and explored themes of love, loss, and the absurdities of modern life. She was a significant voice of her time, known for her independent spirit and sharp intellect.

Childhood and education

Dorothy Parker's early life was marked by a sense of isolation and a precocious intellect. She received a formal education at the Convent of Mount St. Ursula and the Blessed Sacrament Academy. However, she was largely self-taught, devouring books and developing a keen observational eye from a young age. Her experiences with loss, including the early death of her mother and a difficult relationship with her father and stepmother, contributed to a certain cynicism and independence that would later permeate her writing. She possessed a natural talent for language and a dry sense of humor that set her apart.

Literary trajectory

Parker began her literary career in the advertising world before finding her voice in journalism and poetry. She worked for Vanity Fair and later contributed to The New Yorker, where her reviews and short pieces gained widespread attention. Her first collection of poems, "Enough Rope," published in 1926, was a critical and commercial success, establishing her as a significant literary figure. She continued to publish poetry collections, short stories, and plays throughout her career. Her trajectory saw her evolve from a young writer finding her way to a celebrated, albeit often controversial, literary personality.

Works, style, and literary characteristics

Parker's major works include the poetry collections "Enough Rope" (1926), "Sunset Gun" (1928), and "Death and Taxes" (1931), as well as numerous short stories and essays. Her dominant themes include the disappointments of love, the superficiality of society, disillusionment, and the search for meaning in a seemingly absurd world. Her style is characterized by its brevity, precision, and devastating wit. She was a master of the epigram, crafting memorable lines that often delivered a sharp, ironic punch. Her tone is typically cynical, satirical, and world-weary, though often laced with a profound underlying sadness. Her poetic voice is confessional yet detached, offering keen observations on the human condition. Parker's language is deceptively simple, but her word choices are always deliberate, creating a potent impact. She injected a modern, urban sensibility into her verse, capturing the zeitgeist of her era.

Cultural and historical context

Parker was deeply embedded in the vibrant cultural milieu of New York City during the Roaring Twenties and the Great Depression. She was a central figure in the Algonquin Round Table, a group of writers, critics, and actors who met regularly at the Algonquin Hotel, engaging in witty banter and intellectual sparring. This period fostered a climate of artistic experimentation and social liberation. Parker's work often critiqued the societal conventions and hypocrisies of the time, particularly concerning gender roles and the pressures faced by women. She was also politically active, often aligning with progressive causes, which sometimes led to controversy and blacklisting during the McCarthy era.

Personal life

Dorothy Parker's personal life was often tumultuous, marked by two marriages to Edwin Pond Parker II, and later to Alan Campbell, with whom she shared a complex relationship. Her romantic relationships often served as inspiration for her poignant and often sorrowful poems about love and heartbreak. She struggled with alcoholism and bouts of depression, issues that sometimes surfaced in her writing. Despite her public persona as a sophisticated wit, she harbored a deep sensitivity and a profound empathy for the marginalized. Her friendships within the literary circle were significant, but her sharp tongue also led to rivalries.

Recognition and reception

During her lifetime, Dorothy Parker achieved considerable fame and recognition for her wit and literary contributions. She was a beloved figure for her sharp observations and her ability to articulate the anxieties and ironies of modern life. However, her critical reception was sometimes divided; while admired for her skill, some found her cynicism too pervasive. Posthumously, her reputation as a literary icon has grown, with her works being anthologized and studied for their enduring relevance and stylistic brilliance. She is particularly celebrated for her contributions to the short story and her influence on conversational and ironic modes of writing.

Influences and legacy

Parker was influenced by classical poets and her contemporaries, but she forged a unique style. Her legacy lies in her mastery of wit and irony, and her ability to capture the nuances of human relationships and societal critique with remarkable brevity. She influenced generations of writers who sought to emulate her sharp, epigrammatic style. Her contributions to feminist literature and her outspokenness on social issues have also cemented her place as a significant cultural figure. Her works continue to be read and appreciated for their timeless insights into the human condition.

Interpretation and critical analysis

Parker's work is frequently analyzed for its sophisticated use of irony, its exploration of existential themes, and its critique of social norms. Her poems often reveal a profound sadness beneath the witty surface, exploring the anxieties of modern womanhood and the complexities of love. Critics have debated the extent to which her cynicism reflects genuine despair or a form of protective detachment. Her ability to distill complex emotions into concise, memorable lines continues to fascinate readers and scholars.

Curiosities and lesser-known aspects

Parker was famously known for her sharp retorts and her often-cynical outlook, but she also possessed a deep well of compassion, particularly for social justice causes. She was an ardent supporter of civil rights and a staunch opponent of fascism, actively participating in political activism. Her personal life was often more complex and melancholic than her public persona suggested, marked by struggles with addiction and depression. She was also known for her love of animals, particularly her dogs.

Death and memory

Dorothy Parker died in 1967. In accordance with her wishes, her ashes were sent to the Garden of Remembrance at the All Faiths Cemetery in Queens, New York. Her memory is kept alive through her enduring literary works, which continue to be read, quoted, and admired for their wit, intelligence, and poignant observations on life.