Poems List

We dream—it is good we are dreaming

We dream—it is good we are dreaming

531

We dream—it is good we are dreaming—
It would hurt us—were we awake—
But since it is playing—kill us,
And we are playing—shriek—


What harm? Men die—externally—
It is a truth—of Blood—
But we—are dying in Drama—
And Drama—is never dead—


Cautious—We jar each other—
And either—open the eyes—
Lest the Phantasm—prove the Mistake—
And the livid Surprise


Cool us to Shafts of Granite—
With just an Age—and Name—
And perhaps a phrase in Egyptian—
It's prudenter—to dream—
153

We learned the Whole of Love

We learned the Whole of Love

568

We learned the Whole of Love-
The Alphabet-the Words-
A Chapter-then the mighty BookThen-
Revelation closed-

But in Each Other's eyes
An Ignorance beheld-
Diviner than the Childhood's-
And each to each, a Child-

Attempted to expound
What Neither-understood-
Alas, that Wisdom is so large-
And Truth-so manifold!
350

We can but follow to the Sun

We can but follow to the Sun

920

We can but follow to the Sun-
As oft as He go down
He leave Ourselves a Sphere behind'
Tis mostly-following-

We go no further with the Dust
Than to the Earthen Door-
And then the Panels are reversed-
And we behold-no more.
237

We do not play on Graves

We do not play on Graves

467

We do not play on Graves-
Because there isn't RoomBesides-
it isn't even-it slants
And People come-

And put a Flower on it-
And hang their faces soWe're
fearing that their Hearts will drop-
And crush our pretty play-

And so we move as far
As Enemies-away-
Just looking round to see how far
It is-Occasionally-
273

Wait till the Majesty of Death

Wait till the Majesty of Death

171

Wait till the Majesty of Death
Invests so mean a brow!
Almost a powdered Footman
Might dare to touch it now!


Wait till in Everlasting Robes
That Democrat is dressed,
Then prate about "Preferment"-
And "Station," and the rest!


Around this quiet Courtier
Obsequious Angels wait!
Full royal is his Retinue!
Full purple is his state!


A Lord, might dare to lift the Hat
To such a Modest Clay
Since that My Lord, "the Lord of Lords"
Receives unblushingly!
250

Upon Concluded Lives

Upon Concluded Lives

735

Upon Concluded Lives
There's nothing cooler falls-
Than Life's sweet Calculations-
The mixing Bells and Palls-

Make Lacerating Tune-
To Ears the Dying Side'
Tis Coronal-and FuneralSaluting-
in the Road-
238

Unto Me? I do not know you—

Unto Me? I do not know you—

"Unto Me?" I do not know you—
Where may be your House?


"I am Jesus—Late of Judea—
Now—of Paradise"—


Wagons—have you—to convey me?
This is far from Thence—


"Arms of Mine—sufficient Phaeton—
Trust Omnipotence"—


I am spotted—"I am Pardon"—
I am small—"The Least
Is esteemed in Heaven the Chiefest—
Occupy my House"—
222

Unit, like Death, for Whom?

Unit, like Death, for Whom?

408

Unit, like Death, for Whom?
True, like the Tomb,
Who tells no secret
Told to Him-
The Grave is strict-
Tickets admit
Just two-the Bearer-
And the Borne-
And seat-just One-
The Living-tell-
The Dying-but a Syllable-
The Coy Dead-None-
No Chatter-here-no tea-
So Babbler, and Bohea-stay there-
But Gravity-and Expectation-and Fear-
A tremor just, that All's not sure.
253

Undue Significance a starving man attaches

Undue Significance a starving man attaches

439

Undue Significance a starving man attaches
To Food-
Far off-He sighs-and therefore-Hopeless-
And therefore-Good


Partaken-it relieves-indeed-
But proves us
That Spices fly
In the Receipt-It was the Distance-
Was Savory-
190

Uncertain lease—develops lustre

Uncertain lease—develops lustre

857

Uncertain lease—develops lustre
On Time
Uncertain Grasp, appreciation
Of Sum—

The shorter Fate—is oftener the chiefest
Because
Inheritors upon a tenure
Prize—
253

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Identification and basic context

Emily Dickinson is one of America's most celebrated poets. She often wrote under her own name. She was born in Amherst, Massachusetts, and died there. Her family was prominent in Amherst society, and she came from a lineage of lawyers and politicians. She was an American national and wrote in English.

Childhood and education

Dickinson grew up in a devoutly religious household, which likely influenced her later theological explorations. She attended Amherst Academy and Mount Holyoke Female Seminary, receiving a rigorous education for the time. Her early readings included the Bible, works by Ralph Waldo Emerson, and classical literature, which undoubtedly shaped her intellectual and poetic development. Significant events in her youth included periods of intense religious engagement and growing introspection.

Literary trajectory

Dickinson began writing poetry at a young age, with her output increasing significantly in the 1860s. Her style evolved, becoming increasingly concise, introspective, and experimental. While she shared her poems with friends and family, she did not actively seek publication. A few poems were published anonymously during her lifetime, often altered by editors. She did not engage with literary magazines or anthologies in a conventional manner.

Works, style, and literary characteristics

Dickinson's major works are her nearly 1,800 poems, most of which were published posthumously. Dominant themes include nature, death, immortality, faith, doubt, love, and the self. Her poems are known for their radical compression, slant rhyme, unconventional capitalization, and use of dashes. Her poetic devices are striking, creating vivid imagery and a unique rhythm. The tone can range from ecstatic to despairing, often employing irony and a deeply personal voice that transcends to the universal. Her language is precise, often using domestic imagery to explore profound philosophical ideas. She is associated with no specific literary movement but is a precursor to modernism.

Cultural and historical context

Dickinson lived during a period of significant social and intellectual change in the United States, including the abolitionist movement and the Civil War, though these are not overt subjects in her poetry. She engaged intellectually with Transcendentalism, particularly through Emerson's writings, and her work reflects a broader cultural questioning of religious and social norms. Her isolation in Amherst created a unique space for her creative development, setting her apart from established literary circles.

Personal life

Dickinson's personal life was largely private and centered in Amherst. Her relationships with family, particularly her brother Austin and his wife Susan Gilbert, were complex and deeply influential. Friendships, such as with Thomas Wentworth Higginson, provided intellectual companionship and some encouragement. Her intense inner life, marked by periods of profound introspection and perhaps illness, is reflected in the depth and originality of her poetry. She did not pursue a parallel profession, dedicating herself to her inner world and writing.

Recognition and reception

During her lifetime, Dickinson received very little recognition, with only a handful of poems published in altered forms. Her major posthumous publication in 1890 by Mabel Loomis Todd and Thomas Wentworth Higginson marked the beginning of her rise to prominence. Over time, her work has achieved immense critical acclaim and immense academic recognition, establishing her as a central figure in American literature.

Influences and legacy

Dickinson was influenced by the Bible, hymnology, and writers like Ralph Waldo Emerson. Her legacy is immense; she profoundly influenced modern poetry with her innovative use of language, form, and thematic exploration. She is a cornerstone of the American literary canon, and her poems are widely translated, studied, and adapted into music and other art forms. Her work continues to inspire poets and readers worldwide.

Interpretation and critical analysis

Dickinson's poetry invites multiple interpretations, often focusing on her exploration of consciousness, spirituality, and the human condition. Critical analysis has delved into her complex relationship with faith and doubt, her unique perspective on death, and the psychological dimensions of her work. Debates often surround the dating and ordering of her poems and the extent of her engagement with social issues.

Curiosities and lesser-known aspects

Dickinson was known for her reclusive habits in her later years, often dressing in white. There is a fascinating tension between her seemingly quiet life and the radical, often explosive, nature of her poetry. Anecdotal evidence suggests her intense observational skills and a profound, sometimes unsettling, wit. She was known to bake and engage in household activities, which stood in contrast to her abstract poetic explorations.

Death and memory

Emily Dickinson died in Amherst, Massachusetts. Her memory is preserved through her extraordinary body of work, the preservation of her home as a museum, and ongoing critical and scholarly engagement with her life and poetry. Numerous posthumous collections and scholarly editions have ensured her enduring presence in literary history.