Poems List

Those who have been in the Grave the longest

Those who have been in the Grave the longest

922

Those who have been in the Grave the longest-
Those who begin Today-
Equally perish from our Practise-
Death is the other way-

Foot of the Bold did least attempt itIt-
is the White Exploit-
Once to achieve, annuls the power
Once to communicate-
254

Tho' my destiny be Fustian

Tho' my destiny be Fustian

163

Tho' my destiny be Fustian-
Hers be damask fine-
Tho' she wear a silver apron-
I, a less divine-


Still, my little Gypsy being
I would far prefer,
Still, my little sunburnt bosom
To her Rosier,


For, when Frosts, their punctual fingers
On her forehead lay,
You and I, and Dr. Holland,
Bloom Eternally!


Roses of a steadfast summer
In a steadfast land,
Where no Autumn lifts her pencil-
And no Reapers stand!
275

This was in the White of the Year

This was in the White of the Year

995

This was in the White of the YearThat-
was in the Green-
Drifts were as difficult then to think
As Daisies now to be seen-

Looking back is best that is left
Or if it be-before-
Retrospection is Prospect's half,
Sometimes, almost more.
392

This-is the land-the Sunset washes

This-is the land-the Sunset washes

266

This-is the land-the Sunset washesThese-
are the Banks of the Yellow Sea-
Where it rose-or whither it rushesThese-
are the Western Mystery!

Night after Night
Her purple traffic
Strews the landing with Opal BalesMerchantmen-
poise upon HorizonsDip-
and vanish like Orioles!
261

This that would greet-an hour ago

This that would greet-an hour ago

778

This that would greet-an hour ago-
Is quaintest Distance-now-
Had it a Guest from Paradise-
Nor glow, would it, nor bow-

Had it a notice from the Noon
Nor beam would it nor warm-
Match me the Silver Reticence-
Match me the Solid Calm-
260

This Merit hath the worst

This Merit hath the worst

979

This Merit hath the worst-
It cannot be again-
When Fate hath taunted last
And thrown Her furthest Stone-

The Maimed may pause, and breathe,
And glance securely round-
The Deer attracts no further
Than it resists-the Hound-
287

This heart that broke so long

This heart that broke so long

145

This heart that broke so long-
These feet that never flagged-
This faith that watched for star in vain,
Give gently to the dead-

Hound cannot overtake the Hare
That fluttered panting, here-
Nor any schoolboy rob the nest
Tenderness builded there.
316

This is my letter to the world,

This is my letter to the world,

This is my letter to the world,
That never wrote to me,--

The simple news that Nature told,
With tender majesty.

Her message is committed
To hands I cannot see;

For love of her, sweet countrymen,
Judge tenderly of me!
262

This Consciousness that is aware

This Consciousness that is aware

822

This Consciousness that is aware
Of Neighbors and the Sun
Will be the one aware of Death
And that itself alone

Is traversing the interval
Experience between
And most profound experiment
Appointed unto Men-

How adequate unto itself
Its properties shall be
Itself unto itself and none
Shall make discovery.

Adventure most unto itself
The Soul condemned to be-
Attended by a single Hound
Its own identity.
208

This Bauble was preferred of Bees

This Bauble was preferred of Bees

805

This Bauble was preferred of Bees-
By Butterflies admired
At Heavenly-Hopeless Distances-
Was justified of Bird-

Did Noon-enamel-in Herself
Was Summer to a Score
Who only knew of Universe-
It had created Her.
272

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Identification and basic context

Emily Dickinson is one of America's most celebrated poets. She often wrote under her own name. She was born in Amherst, Massachusetts, and died there. Her family was prominent in Amherst society, and she came from a lineage of lawyers and politicians. She was an American national and wrote in English.

Childhood and education

Dickinson grew up in a devoutly religious household, which likely influenced her later theological explorations. She attended Amherst Academy and Mount Holyoke Female Seminary, receiving a rigorous education for the time. Her early readings included the Bible, works by Ralph Waldo Emerson, and classical literature, which undoubtedly shaped her intellectual and poetic development. Significant events in her youth included periods of intense religious engagement and growing introspection.

Literary trajectory

Dickinson began writing poetry at a young age, with her output increasing significantly in the 1860s. Her style evolved, becoming increasingly concise, introspective, and experimental. While she shared her poems with friends and family, she did not actively seek publication. A few poems were published anonymously during her lifetime, often altered by editors. She did not engage with literary magazines or anthologies in a conventional manner.

Works, style, and literary characteristics

Dickinson's major works are her nearly 1,800 poems, most of which were published posthumously. Dominant themes include nature, death, immortality, faith, doubt, love, and the self. Her poems are known for their radical compression, slant rhyme, unconventional capitalization, and use of dashes. Her poetic devices are striking, creating vivid imagery and a unique rhythm. The tone can range from ecstatic to despairing, often employing irony and a deeply personal voice that transcends to the universal. Her language is precise, often using domestic imagery to explore profound philosophical ideas. She is associated with no specific literary movement but is a precursor to modernism.

Cultural and historical context

Dickinson lived during a period of significant social and intellectual change in the United States, including the abolitionist movement and the Civil War, though these are not overt subjects in her poetry. She engaged intellectually with Transcendentalism, particularly through Emerson's writings, and her work reflects a broader cultural questioning of religious and social norms. Her isolation in Amherst created a unique space for her creative development, setting her apart from established literary circles.

Personal life

Dickinson's personal life was largely private and centered in Amherst. Her relationships with family, particularly her brother Austin and his wife Susan Gilbert, were complex and deeply influential. Friendships, such as with Thomas Wentworth Higginson, provided intellectual companionship and some encouragement. Her intense inner life, marked by periods of profound introspection and perhaps illness, is reflected in the depth and originality of her poetry. She did not pursue a parallel profession, dedicating herself to her inner world and writing.

Recognition and reception

During her lifetime, Dickinson received very little recognition, with only a handful of poems published in altered forms. Her major posthumous publication in 1890 by Mabel Loomis Todd and Thomas Wentworth Higginson marked the beginning of her rise to prominence. Over time, her work has achieved immense critical acclaim and immense academic recognition, establishing her as a central figure in American literature.

Influences and legacy

Dickinson was influenced by the Bible, hymnology, and writers like Ralph Waldo Emerson. Her legacy is immense; she profoundly influenced modern poetry with her innovative use of language, form, and thematic exploration. She is a cornerstone of the American literary canon, and her poems are widely translated, studied, and adapted into music and other art forms. Her work continues to inspire poets and readers worldwide.

Interpretation and critical analysis

Dickinson's poetry invites multiple interpretations, often focusing on her exploration of consciousness, spirituality, and the human condition. Critical analysis has delved into her complex relationship with faith and doubt, her unique perspective on death, and the psychological dimensions of her work. Debates often surround the dating and ordering of her poems and the extent of her engagement with social issues.

Curiosities and lesser-known aspects

Dickinson was known for her reclusive habits in her later years, often dressing in white. There is a fascinating tension between her seemingly quiet life and the radical, often explosive, nature of her poetry. Anecdotal evidence suggests her intense observational skills and a profound, sometimes unsettling, wit. She was known to bake and engage in household activities, which stood in contrast to her abstract poetic explorations.

Death and memory

Emily Dickinson died in Amherst, Massachusetts. Her memory is preserved through her extraordinary body of work, the preservation of her home as a museum, and ongoing critical and scholarly engagement with her life and poetry. Numerous posthumous collections and scholarly editions have ensured her enduring presence in literary history.