Poems List

The Soul that hath a Guest

The Soul that hath a Guest

674

The Soul that hath a Guest
Doth seldom go abroad-
Diviner Crowd at Home-
Obliterate the need-

And Courtesy forbid
A Host's departure when
Upon Himself be visiting
The Emperor of Men-
279

The Soul has Bandaged moments

The Soul has Bandaged moments

512

The Soul has Bandaged moments-
When too appalled to stir-
She feels some ghastly Fright come up
And stop to look at her-


Salute her-with long fingers-
Caress her freezing hair-
Sip, Goblin, from the very lips
The Lover-hovered-o'er-
Unworthy, that a thought so mean
Accost a Theme-so-fair-


The soul has moments of Escape-
When bursting all the doors-
She dances like a Bomb, abroad,
And swings upon the Hours,


As do the Bee-delirious borne-
Long Dungeoned from his Rose-
Touch Liberty-then know no more,
But Noon, and Paradise-


The Soul's retaken moments-
When, Felon led along,
With shackles on the plumed feet,
And staples, in the Song,


The Horror welcomes her, again,
These, are not brayed of Tongue-
293

The Service without Hope

The Service without Hope

779

The Service without Hope-
Is tenderest, I think-
Because 'tis unsustained
By stint-Rewarded Work-

Has impetus of Gain-
And impetus of Goal-
There is no Diligence like that
That knows not an Until-
241

The Skies can't keep their secret!

The Skies can't keep their secret!

191

The Skies can't keep their secret!
They tell it to the Hills-
The Hills just tell the Orchards-
And they-the Daffodils!


A Bird-by chance-that goes that way-
Soft overhears the whole-
If I should bribe the little Bird-
Who knows but she would tell?


I think I won't-howeverIt's
finer-not to know-
If Summer were an Axiom-
What sorcery had Snow?


So keep your secret-Father!
I would not-if I could,
Know what the Sapphire Fellows, do,
In your new-fashioned world!
298

The Robin's my Criterion for Tune

The Robin's my Criterion for Tune

285

The Robin's my Criterion for Tune-
Because I grow-where Robins do-
But, were I Cuckoo bornI'd
swear by him-
The ode familiar-rules the Noon-
The Buttercup's, my Whim for Bloom-
Because, we're Orchard sprung-
But, were I Britain born,
I'd Daisies spurn-
None but the Nut-October fit-
Because, through dropping it,
The Seasons flit-I'm taught-
Without the Snow's Tableau
Winter, were lie-to me-
Because I see-New Englandly-
The Queen, discerns like me-
Provincially-
301

The Robin for the Crumb

The Robin for the Crumb

864

The Robin for the Crumb
Returns no syllable
But long records the Lady's name
In Silver Chronicle.
258

The Province of the Saved

The Province of the Saved

539

The Province of the Saved
Should be the Art-To save-
Through Skill obtained in Themselves-
The Science of the Grave

No Man can understand
But He that hath endured
The Dissolution-in Himself-
That Man-be qualified

To qualify Despair
To Those who failing new-
Mistake Defeat for Death-Each time-
Till acclimated-to-
281

The rainbow never tells me

The rainbow never tells me

97

The rainbow never tells me
That gust and storm are by,
Yet is she more convincing
Than Philosophy.

My flowers turn from Forums-
Yet eloquent declare
What Cato couldn't prove me
Except the birds were here!
291

The Outer—from the Inner

The Outer—from the Inner

451

The Outer—from the Inner
Derives its Magnitude—
'Tis Duke, or Dwarf, according
As is the Central Mood—


The fine—unvarying Axis
That regulates the Wheel—
Though Spokes—spin—more conspicuous
And fling a dust—the while.


The Inner—paints the Outer—
The Brush without the Hand—
Its Picture publishes—precise—
As is the inner Brand—


On fine—Arterial Canvas—
A Cheek—perchance a Brow—
The Star's whole Secret—in the Lake—
Eyes were not meant to know.
303

The Poets light but Lamps

The Poets light but Lamps

883

The Poets light but LampsThemselves-
go out-
The Wicks they stimulate-
If vital Light

Inhere as do the Suns-
Each Age a Lens
Disseminating their
Circumference-
355

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Identification and basic context

Emily Dickinson is one of America's most celebrated poets. She often wrote under her own name. She was born in Amherst, Massachusetts, and died there. Her family was prominent in Amherst society, and she came from a lineage of lawyers and politicians. She was an American national and wrote in English.

Childhood and education

Dickinson grew up in a devoutly religious household, which likely influenced her later theological explorations. She attended Amherst Academy and Mount Holyoke Female Seminary, receiving a rigorous education for the time. Her early readings included the Bible, works by Ralph Waldo Emerson, and classical literature, which undoubtedly shaped her intellectual and poetic development. Significant events in her youth included periods of intense religious engagement and growing introspection.

Literary trajectory

Dickinson began writing poetry at a young age, with her output increasing significantly in the 1860s. Her style evolved, becoming increasingly concise, introspective, and experimental. While she shared her poems with friends and family, she did not actively seek publication. A few poems were published anonymously during her lifetime, often altered by editors. She did not engage with literary magazines or anthologies in a conventional manner.

Works, style, and literary characteristics

Dickinson's major works are her nearly 1,800 poems, most of which were published posthumously. Dominant themes include nature, death, immortality, faith, doubt, love, and the self. Her poems are known for their radical compression, slant rhyme, unconventional capitalization, and use of dashes. Her poetic devices are striking, creating vivid imagery and a unique rhythm. The tone can range from ecstatic to despairing, often employing irony and a deeply personal voice that transcends to the universal. Her language is precise, often using domestic imagery to explore profound philosophical ideas. She is associated with no specific literary movement but is a precursor to modernism.

Cultural and historical context

Dickinson lived during a period of significant social and intellectual change in the United States, including the abolitionist movement and the Civil War, though these are not overt subjects in her poetry. She engaged intellectually with Transcendentalism, particularly through Emerson's writings, and her work reflects a broader cultural questioning of religious and social norms. Her isolation in Amherst created a unique space for her creative development, setting her apart from established literary circles.

Personal life

Dickinson's personal life was largely private and centered in Amherst. Her relationships with family, particularly her brother Austin and his wife Susan Gilbert, were complex and deeply influential. Friendships, such as with Thomas Wentworth Higginson, provided intellectual companionship and some encouragement. Her intense inner life, marked by periods of profound introspection and perhaps illness, is reflected in the depth and originality of her poetry. She did not pursue a parallel profession, dedicating herself to her inner world and writing.

Recognition and reception

During her lifetime, Dickinson received very little recognition, with only a handful of poems published in altered forms. Her major posthumous publication in 1890 by Mabel Loomis Todd and Thomas Wentworth Higginson marked the beginning of her rise to prominence. Over time, her work has achieved immense critical acclaim and immense academic recognition, establishing her as a central figure in American literature.

Influences and legacy

Dickinson was influenced by the Bible, hymnology, and writers like Ralph Waldo Emerson. Her legacy is immense; she profoundly influenced modern poetry with her innovative use of language, form, and thematic exploration. She is a cornerstone of the American literary canon, and her poems are widely translated, studied, and adapted into music and other art forms. Her work continues to inspire poets and readers worldwide.

Interpretation and critical analysis

Dickinson's poetry invites multiple interpretations, often focusing on her exploration of consciousness, spirituality, and the human condition. Critical analysis has delved into her complex relationship with faith and doubt, her unique perspective on death, and the psychological dimensions of her work. Debates often surround the dating and ordering of her poems and the extent of her engagement with social issues.

Curiosities and lesser-known aspects

Dickinson was known for her reclusive habits in her later years, often dressing in white. There is a fascinating tension between her seemingly quiet life and the radical, often explosive, nature of her poetry. Anecdotal evidence suggests her intense observational skills and a profound, sometimes unsettling, wit. She was known to bake and engage in household activities, which stood in contrast to her abstract poetic explorations.

Death and memory

Emily Dickinson died in Amherst, Massachusetts. Her memory is preserved through her extraordinary body of work, the preservation of her home as a museum, and ongoing critical and scholarly engagement with her life and poetry. Numerous posthumous collections and scholarly editions have ensured her enduring presence in literary history.