Poems List

The Loneliness One dare not sound

The Loneliness One dare not sound

777

The Loneliness One dare not sound-
And would as soon surmise
As in its Grave go plumbing
To ascertain the size-

The Loneliness whose worst alarm
Is lest itself should see-
And perish from before itself
For just a scrutiny-

The Horror not to be surveyed-
But skirted in the Dark-
With Consciousness suspended-
And Being under Lock-

I fear me this-is Loneliness-
The Maker of the soul
Its Caverns and its Corridors
Illuminate-or seal-
275

The last Night that She lived

The last Night that She lived

1100

The last Night that She lived
It was a Common Night
Except the Dying-this to Us
Made Nature different

We noticed smallest things-
Things overlooked before
By this great light upon our Minds
Italicized-as 'twere.

As We went out and in
Between Her final Room
And Rooms where Those to be alive
Tomorrow were, a Blame

That Others could exist
While She must finish quite
A Jealousy for Her arose
So nearly infinite-

We waited while She passed-
It was a narrow time-
Too jostled were Our Souls to speak
At length the notice came.

She mentioned, and forgot-
Then lightly as a Reed
Bent to the Water, struggled scarce-
Consented, and was dead-

And We-We placed the Hair-
And drew the Head erect-
And then an awful leisure was
Belief to regulate-
464

The Judge is like the Owl

The Judge is like the Owl

699

The Judge is like the OwlI've
heard my Father tell-
And Owls do build in Oaks-
So here's an Amber Sill-

That slanted in my Path-
When going to the Barn-
And if it serve You for a House-
Itself is not in vain-

About the price-'tis small-
I only ask a Tune
At Midnight-Let the Owl select
His favorite Refrain.
263

The Lady feeds Her little Bird

The Lady feeds Her little Bird

941

The Lady feeds Her little Bird
At rarer intervals-
The little Bird would not dissent
But meekly recognize

The Gulf between the Hand and Her
And crumbless and afar
And fainting, on Her yellow Knee
Fall softly, and adore-
321

The Heart has narrow Banks

The Heart has narrow Banks

928

The Heart has narrow Banks
It measures like the Sea
In mighty-unremitting Bass
And Blue Monotony

Till Hurricane bisect
And as itself discerns
Its sufficient Area
The Heart convulsive learns

That Calm is but a Wall
Of unattempted Gauze
An instant's Push demolishes
A Questioning-dissolves.
289

The Himmaleh was known to stoop

The Himmaleh was known to stoop

481

The Himmaleh was known to stoop
Unto the Daisy low-
Transported with Compassion
That such a Doll should grow
Where Tent by Tent-Her Universe
Hung out its Flags of Snow-
296

The hallowing of Pain

The hallowing of Pain

772

The hallowing of Pain
Like hallowing of Heaven,
Obtains at a corporeal cost-
The Summit is not given

To Him who strives severe
At middle of the Hill-
But He who has achieved the TopAll-
is the price of All-
265

The Grass so little has to do

The Grass so little has to do

The Grass so little has to do –
A Sphere of simple Green –
With only Butterflies to brood
And Bees to entertain –
And stir all day to pretty Tunes
The Breezes fetch along –
And hold the Sunshine in its lap
And bow to everything –


And thread the Dews, all night, like Pearls –
And make itself so fine
A Duchess were too common
For such a noticing –


And even when it dies – to pass
In Odors so divine –
Like Lowly spices, lain to sleep –
Or Spikenards, perishing –


And then, in Sovereign Barns to dwell –
And dream the Days away,
The Grass so little has to do
I wish I were a Hay –
199

The good Will of a Flower

The good Will of a Flower

849

The good Will of a Flower
The Man who would possess
Must first present
Certificate
Of minted Holiness.
292

The Future—never spoke

The Future—never spoke

672

The Future—never spoke—
Nor will He—like the Dumb—
Reveal by sign—a syllable
Of His Profound To Come—


But when the News be ripe—
Presents it—in the Act—
Forestalling Preparation—
Escape—or Substitute—


Indifference to Him—
The Dower—as the Doom—
His Office—but to execute
Fate's—Telegram—to Him—
226

Comments (0)

Log in to post a comment.

NoComments

Identification and basic context

Emily Dickinson is one of America's most celebrated poets. She often wrote under her own name. She was born in Amherst, Massachusetts, and died there. Her family was prominent in Amherst society, and she came from a lineage of lawyers and politicians. She was an American national and wrote in English.

Childhood and education

Dickinson grew up in a devoutly religious household, which likely influenced her later theological explorations. She attended Amherst Academy and Mount Holyoke Female Seminary, receiving a rigorous education for the time. Her early readings included the Bible, works by Ralph Waldo Emerson, and classical literature, which undoubtedly shaped her intellectual and poetic development. Significant events in her youth included periods of intense religious engagement and growing introspection.

Literary trajectory

Dickinson began writing poetry at a young age, with her output increasing significantly in the 1860s. Her style evolved, becoming increasingly concise, introspective, and experimental. While she shared her poems with friends and family, she did not actively seek publication. A few poems were published anonymously during her lifetime, often altered by editors. She did not engage with literary magazines or anthologies in a conventional manner.

Works, style, and literary characteristics

Dickinson's major works are her nearly 1,800 poems, most of which were published posthumously. Dominant themes include nature, death, immortality, faith, doubt, love, and the self. Her poems are known for their radical compression, slant rhyme, unconventional capitalization, and use of dashes. Her poetic devices are striking, creating vivid imagery and a unique rhythm. The tone can range from ecstatic to despairing, often employing irony and a deeply personal voice that transcends to the universal. Her language is precise, often using domestic imagery to explore profound philosophical ideas. She is associated with no specific literary movement but is a precursor to modernism.

Cultural and historical context

Dickinson lived during a period of significant social and intellectual change in the United States, including the abolitionist movement and the Civil War, though these are not overt subjects in her poetry. She engaged intellectually with Transcendentalism, particularly through Emerson's writings, and her work reflects a broader cultural questioning of religious and social norms. Her isolation in Amherst created a unique space for her creative development, setting her apart from established literary circles.

Personal life

Dickinson's personal life was largely private and centered in Amherst. Her relationships with family, particularly her brother Austin and his wife Susan Gilbert, were complex and deeply influential. Friendships, such as with Thomas Wentworth Higginson, provided intellectual companionship and some encouragement. Her intense inner life, marked by periods of profound introspection and perhaps illness, is reflected in the depth and originality of her poetry. She did not pursue a parallel profession, dedicating herself to her inner world and writing.

Recognition and reception

During her lifetime, Dickinson received very little recognition, with only a handful of poems published in altered forms. Her major posthumous publication in 1890 by Mabel Loomis Todd and Thomas Wentworth Higginson marked the beginning of her rise to prominence. Over time, her work has achieved immense critical acclaim and immense academic recognition, establishing her as a central figure in American literature.

Influences and legacy

Dickinson was influenced by the Bible, hymnology, and writers like Ralph Waldo Emerson. Her legacy is immense; she profoundly influenced modern poetry with her innovative use of language, form, and thematic exploration. She is a cornerstone of the American literary canon, and her poems are widely translated, studied, and adapted into music and other art forms. Her work continues to inspire poets and readers worldwide.

Interpretation and critical analysis

Dickinson's poetry invites multiple interpretations, often focusing on her exploration of consciousness, spirituality, and the human condition. Critical analysis has delved into her complex relationship with faith and doubt, her unique perspective on death, and the psychological dimensions of her work. Debates often surround the dating and ordering of her poems and the extent of her engagement with social issues.

Curiosities and lesser-known aspects

Dickinson was known for her reclusive habits in her later years, often dressing in white. There is a fascinating tension between her seemingly quiet life and the radical, often explosive, nature of her poetry. Anecdotal evidence suggests her intense observational skills and a profound, sometimes unsettling, wit. She was known to bake and engage in household activities, which stood in contrast to her abstract poetic explorations.

Death and memory

Emily Dickinson died in Amherst, Massachusetts. Her memory is preserved through her extraordinary body of work, the preservation of her home as a museum, and ongoing critical and scholarly engagement with her life and poetry. Numerous posthumous collections and scholarly editions have ensured her enduring presence in literary history.