Poems List

Struck, was I, not yet by Lightning

Struck, was I, not yet by Lightning

925

Struck, was I, not yet by LightningLightning-
lets away
Power to perceive His Process
With Vitality.

Maimed-was I-yet not by Venture-
Stone of stolid Boy-
Nor a Sportsman's Peradventure-
Who mine Enemy?

Robbed-was I-intact to Bandit-
All my Mansion tornSun-
withdrawn to Recognition-
Furthest shining-done-

Yet was not the foe-of any-
Not the smallest Bird
In the nearest Orchard dwelling
Be of Me-afraid.

Most-I love the Cause that slew Me.
Often as I die
Its beloved Recognition
Holds a Sun on Me


Best-at Setting-as is Nature's-
Neither witnessed Rise
Till the infinite Aurora
In the other's eyes.
309

Such is the Force of Happiness

Such is the Force of Happiness

787

Such is the Force of Happiness-
The Least-can lift a Ton
Assisted by its stimulus-

Who Misery-sustain-
No Sinew can afford-
The Cargo of Themselves-
Too infinite for Consciousness'
Slow capabilities.
238

Spring is the Period

Spring is the Period

844

Spring is the Period
Express from God.
Among the other seasons
Himself abide,

But during March and April
None stir abroad
Without a cordial interview
With God.
337

Speech—is a prank of Parliament—

Speech—is a prank of Parliament—

"Speech"—is a prank of Parliament—
"Tears"—is a trick of the nerve—
But the Heart with the heaviest freight on—
Doesn't—always—move—
256

Soto! Explore thyself!

Soto! Explore thyself!

832

Soto! Explore thyself!
Therein thyself shalt find
The "Undiscovered Continent"-
No Settler had the Mind.
363

South Winds jostle them

South Winds jostle them

86

South Winds jostle them-
Bumblebees comeHover-
hesitate-
Drink, and are gone-


Butterflies pause
On their passage CashmereI-
softly plucking,
Present them here!
276

Some, too fragile for winter winds

Some, too fragile for winter winds

141

Some, too fragile for winter winds
The thoughtful grave encloses-
Tenderly tucking them in from frost
Before their feet are cold.


Never the treasures in her nest
The cautious grave exposes,
Building where schoolboy dare not look,
And sportsman is not bold.


This covert have all the children
Early aged, and often cold,
Sparrow, unnoticed by the Father-
Lambs for whom time had not a fold.
331

Some things that fly there be

Some things that fly there be

89

Some things that fly there beBirds-
Hours-the Bumblebee-
Of these no Elegy.

Some things that stay there beGrief-
Hills-Eternity-
Nor this behooveth me.

There are that resting, rise.
Can I expound the skies?
How still the Riddle lies!
315

Soil of Flint, if steady tilled

Soil of Flint, if steady tilled

681

Soil of Flint, if steady tilled-
Will refund by Hand-
Seed of Palm, by Libyan Sun
Fructified in Sand-
311

Some Rainbow—coming from the Fair!

Some Rainbow—coming from the Fair!

64

Some Rainbow—coming from the Fair!
Some Vision of the World Cashmere—
I confidently see!
Or else a Peacock's purple Train
Feather by feather—on the plain
Fritters itself away!


The dreamy Butterflies bestir!
Lethargic pools resume the whir
Of last year's sundered tune!
From some old Fortress on the sun
Baronial Bees—march—one by one—
In murmuring platoon!


The Robins stand as thick today
As flakes of snow stood yesterday—
On fence—and Roof—and Twig!
The Orchis binds her feather on
For her old lover - Don the Sun!
Revisiting the Bog!


Without Commander! Countless! Still!
The Regiments of Wood and Hill
In bright detachment stand!
Behold! Whose Multitudes are these?
The children of whose turbaned seas—
Or what Circassian Land?
240

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Identification and basic context

Emily Dickinson is one of America's most celebrated poets. She often wrote under her own name. She was born in Amherst, Massachusetts, and died there. Her family was prominent in Amherst society, and she came from a lineage of lawyers and politicians. She was an American national and wrote in English.

Childhood and education

Dickinson grew up in a devoutly religious household, which likely influenced her later theological explorations. She attended Amherst Academy and Mount Holyoke Female Seminary, receiving a rigorous education for the time. Her early readings included the Bible, works by Ralph Waldo Emerson, and classical literature, which undoubtedly shaped her intellectual and poetic development. Significant events in her youth included periods of intense religious engagement and growing introspection.

Literary trajectory

Dickinson began writing poetry at a young age, with her output increasing significantly in the 1860s. Her style evolved, becoming increasingly concise, introspective, and experimental. While she shared her poems with friends and family, she did not actively seek publication. A few poems were published anonymously during her lifetime, often altered by editors. She did not engage with literary magazines or anthologies in a conventional manner.

Works, style, and literary characteristics

Dickinson's major works are her nearly 1,800 poems, most of which were published posthumously. Dominant themes include nature, death, immortality, faith, doubt, love, and the self. Her poems are known for their radical compression, slant rhyme, unconventional capitalization, and use of dashes. Her poetic devices are striking, creating vivid imagery and a unique rhythm. The tone can range from ecstatic to despairing, often employing irony and a deeply personal voice that transcends to the universal. Her language is precise, often using domestic imagery to explore profound philosophical ideas. She is associated with no specific literary movement but is a precursor to modernism.

Cultural and historical context

Dickinson lived during a period of significant social and intellectual change in the United States, including the abolitionist movement and the Civil War, though these are not overt subjects in her poetry. She engaged intellectually with Transcendentalism, particularly through Emerson's writings, and her work reflects a broader cultural questioning of religious and social norms. Her isolation in Amherst created a unique space for her creative development, setting her apart from established literary circles.

Personal life

Dickinson's personal life was largely private and centered in Amherst. Her relationships with family, particularly her brother Austin and his wife Susan Gilbert, were complex and deeply influential. Friendships, such as with Thomas Wentworth Higginson, provided intellectual companionship and some encouragement. Her intense inner life, marked by periods of profound introspection and perhaps illness, is reflected in the depth and originality of her poetry. She did not pursue a parallel profession, dedicating herself to her inner world and writing.

Recognition and reception

During her lifetime, Dickinson received very little recognition, with only a handful of poems published in altered forms. Her major posthumous publication in 1890 by Mabel Loomis Todd and Thomas Wentworth Higginson marked the beginning of her rise to prominence. Over time, her work has achieved immense critical acclaim and immense academic recognition, establishing her as a central figure in American literature.

Influences and legacy

Dickinson was influenced by the Bible, hymnology, and writers like Ralph Waldo Emerson. Her legacy is immense; she profoundly influenced modern poetry with her innovative use of language, form, and thematic exploration. She is a cornerstone of the American literary canon, and her poems are widely translated, studied, and adapted into music and other art forms. Her work continues to inspire poets and readers worldwide.

Interpretation and critical analysis

Dickinson's poetry invites multiple interpretations, often focusing on her exploration of consciousness, spirituality, and the human condition. Critical analysis has delved into her complex relationship with faith and doubt, her unique perspective on death, and the psychological dimensions of her work. Debates often surround the dating and ordering of her poems and the extent of her engagement with social issues.

Curiosities and lesser-known aspects

Dickinson was known for her reclusive habits in her later years, often dressing in white. There is a fascinating tension between her seemingly quiet life and the radical, often explosive, nature of her poetry. Anecdotal evidence suggests her intense observational skills and a profound, sometimes unsettling, wit. She was known to bake and engage in household activities, which stood in contrast to her abstract poetic explorations.

Death and memory

Emily Dickinson died in Amherst, Massachusetts. Her memory is preserved through her extraordinary body of work, the preservation of her home as a museum, and ongoing critical and scholarly engagement with her life and poetry. Numerous posthumous collections and scholarly editions have ensured her enduring presence in literary history.