Poems List

She sped as Petals of a Rose

She sped as Petals of a Rose

991

She sped as Petals of a Rose
Offended by the Wind-
A frail Aristocrat of Time
Indemnity to find-
Leaving on nature-a Default
As Cricket or as Bee-
But Andes in the Bosoms where
She had begun to lie-
234

She rose to His Requirement

She rose to His Requirement

732

She rose to His Requirement-dropt
The Playthings of Her Life
To take the honorable Work
Of Woman, and of Wife-


If ought She missed in Her new Day,
Of Amplitude, or Awe-
Or first Prospective-Or the Gold
In using, wear away,


It lay unmentioned-as the Sea
Develop Pearl, and Weed,
But only to Himself-be known
The Fathoms they abide-
786

She died—this was the way she died

She died—this was the way she died

150

She died—this was the way she died.
And when her breath was done
Took up her simple wardrobe
And started for the sun.
Her little figure at the gate
The Angels must have spied,
Since I could never find her
Upon the mortal side.
247

She hideth Her the last

She hideth Her the last

557

She hideth Her the last-
And is the first, to rise-
Her Night doth hardly recompense
The Closing of Her eyes-

She doth Her Purple Work-
And putteth Her away
In low Apartments in the Sod -
As worthily as We.

To imitate her life
As impotent would be
As make of Our imperfect Mints,
The Julep-of the Bee-
267

She dealt her pretty words like Blades

She dealt her pretty words like Blades

479

She dealt her pretty words like Blades-
How glittering they shone-
And every One unbared a Nerve
Or wantoned with a Bone-

She never deemed-she hurtThat-
is not Steel's Affair-
A vulgar grimace in the Flesh-
How ill the Creatures bear-

To Ache is human-not polite-
The Film upon the eye
Mortality's old Custom-
Just locking up-to Die.
260

Sexton! My Master's sleeping here

Sexton! My Master's sleeping here

96

Sexton! My Master's sleeping here.
Pray lead me to his bed!
I came to build the Bird's nest,
And sow the Early seed-


That when the snow creeps slowly
From off his chamber door-
Daisies point the way there-
And the Troubadour.
274

Savior! I've no one else to tell

Savior! I've no one else to tell

217

Savior! I've no one else to tell-
And so I trouble thee.
I am the one forgot thee so-
Dost thou remember me?
Nor, for myself, I came so far-
That were the little load-
I brought thee the imperial Heart
I had not strength to hold-
The Heart I carried in my own-
Till mine too heavy grewYet-
strangest-heavier since it went-
Is it too large for you?
247

Robbed by Death—but that was easy

Robbed by Death—but that was easy

971

Robbed by Death—but that was easy—
To the failing Eye
I could hold the latest Glowing—
Robbed by Liberty


For Her Jugular Defences—
This, too, I endured—
Hint of Glory—it afforded—
For the Brave Beloved—


Fraud of Distance—Fraud of Danger,
Fraud of Death—to bear—
It is Bounty—to Suspense's
Vague Calamity—


Stalking our entire Possession
On a Hair's result—
Then—seesawing—coolly—on it—
Trying if it split—
140

Renunciation

Renunciation


Renunciation -- is a piercing Virtue --
The letting go
A Presence -- for an Expectation --
Not now --
The putting out of Eyes --
Just Sunrise --
Lest Day -Day's
Great Progenitor --
Outvie
Renunciation -- is the Choosing
Against itself --
Itself to justify
Unto itself --
When larger function --
Make that appear --
Smaller -- that Covered Vision -- Here --
285

Reverse cannot befall

Reverse cannot befall

395

Reverse cannot befall
That fine Prosperity
Whose Sources are interior-
As soon-Adversity

A Diamond-overtake
In far-Bolivian Ground-
Misfortune hath no implement
Could mar it-if it found-
262

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Identification and basic context

Emily Dickinson is one of America's most celebrated poets. She often wrote under her own name. She was born in Amherst, Massachusetts, and died there. Her family was prominent in Amherst society, and she came from a lineage of lawyers and politicians. She was an American national and wrote in English.

Childhood and education

Dickinson grew up in a devoutly religious household, which likely influenced her later theological explorations. She attended Amherst Academy and Mount Holyoke Female Seminary, receiving a rigorous education for the time. Her early readings included the Bible, works by Ralph Waldo Emerson, and classical literature, which undoubtedly shaped her intellectual and poetic development. Significant events in her youth included periods of intense religious engagement and growing introspection.

Literary trajectory

Dickinson began writing poetry at a young age, with her output increasing significantly in the 1860s. Her style evolved, becoming increasingly concise, introspective, and experimental. While she shared her poems with friends and family, she did not actively seek publication. A few poems were published anonymously during her lifetime, often altered by editors. She did not engage with literary magazines or anthologies in a conventional manner.

Works, style, and literary characteristics

Dickinson's major works are her nearly 1,800 poems, most of which were published posthumously. Dominant themes include nature, death, immortality, faith, doubt, love, and the self. Her poems are known for their radical compression, slant rhyme, unconventional capitalization, and use of dashes. Her poetic devices are striking, creating vivid imagery and a unique rhythm. The tone can range from ecstatic to despairing, often employing irony and a deeply personal voice that transcends to the universal. Her language is precise, often using domestic imagery to explore profound philosophical ideas. She is associated with no specific literary movement but is a precursor to modernism.

Cultural and historical context

Dickinson lived during a period of significant social and intellectual change in the United States, including the abolitionist movement and the Civil War, though these are not overt subjects in her poetry. She engaged intellectually with Transcendentalism, particularly through Emerson's writings, and her work reflects a broader cultural questioning of religious and social norms. Her isolation in Amherst created a unique space for her creative development, setting her apart from established literary circles.

Personal life

Dickinson's personal life was largely private and centered in Amherst. Her relationships with family, particularly her brother Austin and his wife Susan Gilbert, were complex and deeply influential. Friendships, such as with Thomas Wentworth Higginson, provided intellectual companionship and some encouragement. Her intense inner life, marked by periods of profound introspection and perhaps illness, is reflected in the depth and originality of her poetry. She did not pursue a parallel profession, dedicating herself to her inner world and writing.

Recognition and reception

During her lifetime, Dickinson received very little recognition, with only a handful of poems published in altered forms. Her major posthumous publication in 1890 by Mabel Loomis Todd and Thomas Wentworth Higginson marked the beginning of her rise to prominence. Over time, her work has achieved immense critical acclaim and immense academic recognition, establishing her as a central figure in American literature.

Influences and legacy

Dickinson was influenced by the Bible, hymnology, and writers like Ralph Waldo Emerson. Her legacy is immense; she profoundly influenced modern poetry with her innovative use of language, form, and thematic exploration. She is a cornerstone of the American literary canon, and her poems are widely translated, studied, and adapted into music and other art forms. Her work continues to inspire poets and readers worldwide.

Interpretation and critical analysis

Dickinson's poetry invites multiple interpretations, often focusing on her exploration of consciousness, spirituality, and the human condition. Critical analysis has delved into her complex relationship with faith and doubt, her unique perspective on death, and the psychological dimensions of her work. Debates often surround the dating and ordering of her poems and the extent of her engagement with social issues.

Curiosities and lesser-known aspects

Dickinson was known for her reclusive habits in her later years, often dressing in white. There is a fascinating tension between her seemingly quiet life and the radical, often explosive, nature of her poetry. Anecdotal evidence suggests her intense observational skills and a profound, sometimes unsettling, wit. She was known to bake and engage in household activities, which stood in contrast to her abstract poetic explorations.

Death and memory

Emily Dickinson died in Amherst, Massachusetts. Her memory is preserved through her extraordinary body of work, the preservation of her home as a museum, and ongoing critical and scholarly engagement with her life and poetry. Numerous posthumous collections and scholarly editions have ensured her enduring presence in literary history.