Poems List

Remorse

Remorse


Remorse -- is Memory -- awake --
Her Parties all astir --
A Presence of Departed Acts --
At window -- and at Door --

Its Past -- set down before the Soul
And lighted with a Match --
Perusal -- to facilitate --
And help Belief to stretch --

Remorse is cureless -- the Disease
Not even God -- can heal --
For 'tis His institution -- and
The Adequate of Hell --
307

Read—Sweet—how others—strove

Read—Sweet—how others—strove

260

Read—Sweet—how others—strove—
Till we—are stouter—
What they—renounced—
Till we—are less afraid—
How many times they—bore the faithful witness—
Till we—are helped—
As if a Kingdom—cared!


Read then—of faith—
That shone above the fagot—
Clear strains of Hymn
The River could not drown—
Brave names of Men—
And Celestial Women—
Passed out—of Record
Into—Renown!
238

Publication

Publication


Publication -- is the Auction
Of the Mind of Man --
Poverty -- be justifying
For so foul a thing

Possibly -- but We -- would rather
From Our Garret go
White -- Unto the White Creator --
Than invest -- Our Snow --

Thought belong to Him who gave it --
Then -- to Him Who bear
Its Corporeal illustration -- Sell
The Royal Air --

In the Parcel -- Be the Merchant
Of the Heavenly Grace --
But reduce no Human Spirit
To Disgrace of Price --
290

Purple—is fashionable twice

Purple—is fashionable twice

980

Purple—is fashionable twice—
This season of the year,
And when a soul perceives itself
To be an Emperor.
237

Prayer is the little implement

Prayer is the little implement

437

Prayer is the little implement
Through which Men reach
Where Presence-is denied them.
They fling their Speech

By means of it-in God's Ear-
If then He hear-
This sums the Apparatus
Comprised in Prayer-
249

Presentiment is that long shadow on the lawn

Presentiment is that long shadow on the lawn

Presentiment is that long shadow on the lawn
Indicative that suns go down;
The notice to the startled grass
That darkness is about to pass.
248

Perhaps you'd like to buy a flower

Perhaps you'd like to buy a flower

134

Perhaps you'd like to buy a flower,
But I could never sell-
If you would like to borrow,
Until the Daffodil


Unties her yellow Bonnet
Beneath the village door,
Until the Bees, from Clover rows
Their Hock, and Sherry, draw,


Why, I will lend until just then,
But not an hour more!
271

Poor little Heart!

Poor little Heart!

192

Poor little Heart!
Did they forget thee?
Then dinna care! Then dinna care!


Proud little Heart!
Did they forsake thee?
Be debonnaire! Be debonnaire!


Frail little Heart!
I would not break theeCould'st
credit me? Could'st credit me?


Gay little Heart-
Like Morning Glory!
Wind and Sun-wilt thee array!
377

Patience—has a quiet Outer

Patience—has a quiet Outer

926

Patience—has a quiet Outer—
Patience—Look within—
Is an Insect's futile forces
Infinites—between—


'Scaping one—against the other
Fruitlesser to fling—
Patience—is the Smile's exertion
Through the quivering—
207

Perhaps I Asked Too Large

Perhaps I Asked Too Large

Perhaps I asked too large --
I take -- no less than skies --
For Earths, grow thick as
Berries, in my native town --


My Basked holds -- just -- Firmaments --
Those -- dangle easy -- on my arm,
But smaller bundles -- Cram.
268

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Identification and basic context

Emily Dickinson is one of America's most celebrated poets. She often wrote under her own name. She was born in Amherst, Massachusetts, and died there. Her family was prominent in Amherst society, and she came from a lineage of lawyers and politicians. She was an American national and wrote in English.

Childhood and education

Dickinson grew up in a devoutly religious household, which likely influenced her later theological explorations. She attended Amherst Academy and Mount Holyoke Female Seminary, receiving a rigorous education for the time. Her early readings included the Bible, works by Ralph Waldo Emerson, and classical literature, which undoubtedly shaped her intellectual and poetic development. Significant events in her youth included periods of intense religious engagement and growing introspection.

Literary trajectory

Dickinson began writing poetry at a young age, with her output increasing significantly in the 1860s. Her style evolved, becoming increasingly concise, introspective, and experimental. While she shared her poems with friends and family, she did not actively seek publication. A few poems were published anonymously during her lifetime, often altered by editors. She did not engage with literary magazines or anthologies in a conventional manner.

Works, style, and literary characteristics

Dickinson's major works are her nearly 1,800 poems, most of which were published posthumously. Dominant themes include nature, death, immortality, faith, doubt, love, and the self. Her poems are known for their radical compression, slant rhyme, unconventional capitalization, and use of dashes. Her poetic devices are striking, creating vivid imagery and a unique rhythm. The tone can range from ecstatic to despairing, often employing irony and a deeply personal voice that transcends to the universal. Her language is precise, often using domestic imagery to explore profound philosophical ideas. She is associated with no specific literary movement but is a precursor to modernism.

Cultural and historical context

Dickinson lived during a period of significant social and intellectual change in the United States, including the abolitionist movement and the Civil War, though these are not overt subjects in her poetry. She engaged intellectually with Transcendentalism, particularly through Emerson's writings, and her work reflects a broader cultural questioning of religious and social norms. Her isolation in Amherst created a unique space for her creative development, setting her apart from established literary circles.

Personal life

Dickinson's personal life was largely private and centered in Amherst. Her relationships with family, particularly her brother Austin and his wife Susan Gilbert, were complex and deeply influential. Friendships, such as with Thomas Wentworth Higginson, provided intellectual companionship and some encouragement. Her intense inner life, marked by periods of profound introspection and perhaps illness, is reflected in the depth and originality of her poetry. She did not pursue a parallel profession, dedicating herself to her inner world and writing.

Recognition and reception

During her lifetime, Dickinson received very little recognition, with only a handful of poems published in altered forms. Her major posthumous publication in 1890 by Mabel Loomis Todd and Thomas Wentworth Higginson marked the beginning of her rise to prominence. Over time, her work has achieved immense critical acclaim and immense academic recognition, establishing her as a central figure in American literature.

Influences and legacy

Dickinson was influenced by the Bible, hymnology, and writers like Ralph Waldo Emerson. Her legacy is immense; she profoundly influenced modern poetry with her innovative use of language, form, and thematic exploration. She is a cornerstone of the American literary canon, and her poems are widely translated, studied, and adapted into music and other art forms. Her work continues to inspire poets and readers worldwide.

Interpretation and critical analysis

Dickinson's poetry invites multiple interpretations, often focusing on her exploration of consciousness, spirituality, and the human condition. Critical analysis has delved into her complex relationship with faith and doubt, her unique perspective on death, and the psychological dimensions of her work. Debates often surround the dating and ordering of her poems and the extent of her engagement with social issues.

Curiosities and lesser-known aspects

Dickinson was known for her reclusive habits in her later years, often dressing in white. There is a fascinating tension between her seemingly quiet life and the radical, often explosive, nature of her poetry. Anecdotal evidence suggests her intense observational skills and a profound, sometimes unsettling, wit. She was known to bake and engage in household activities, which stood in contrast to her abstract poetic explorations.

Death and memory

Emily Dickinson died in Amherst, Massachusetts. Her memory is preserved through her extraordinary body of work, the preservation of her home as a museum, and ongoing critical and scholarly engagement with her life and poetry. Numerous posthumous collections and scholarly editions have ensured her enduring presence in literary history.