Poems List

Papa above!

Papa above!

61

Papa above!
Regard a Mouse
O'erpowered by the Cat!
Reserve within thy kingdom
A "Mansion" for the Rat!


Snug in seraphic Cupboards
To nibble all the day
While unsuspecting Cycles
Wheel solemnly away!
277

Pain-expands the Time

Pain-expands the Time

967

Pain-expands the Time-
Ages coil within
The minute Circumference
Of a single Brain-

Pain contracts-the Time-
Occupied with Shot
Gamuts of Eternities
Are as they were not-
303

Over the fence

Over the fence

251

Over the fenceStrawberries-
grow-
Over the fence-
I could climb-if I tried, I know-
Berries are nice!


But-if I stained my Apron-
God would certainly scold!
Oh, dear,-I guess if He were a BoyHe'd-
climb-if He could!
430

Pain Has An Element

Pain Has An Element

Pain has an element of blank;
It cannot recollect
When it began, or if there were
A day when it was not.


It has no future but itself,
Its infinite realms contain
Its past, enlightened to perceive
New periods of pain.
244

Our share of night to bear

Our share of night to bear

113

Our share of night to bear-
Our share of morning-
Our blank in bliss to fill
Our blank in scorning-


Here a star, and there a star,
Some lose their way!
Here a mist, and there a mist,
Afterwards-Day!
387

Out of sight? What of that?

Out of sight? What of that?

703

Out of sight? What of that?
See the Bird-reach it!
Curve by Curve-Sweep by Sweep-
Round the Steep Air-
Danger! What is that to Her?
Better 'tis to fail-there-
Than debate-here-

Blue is Blue-the World throughAmber-
Amber-Dew-DewSeek-
Friend-and see-
Heaven is shy of Earth-that's all-
Bashful Heaven-thy Lovers smallHide-
too-from thee-
265

Our little Kinsmen—after Rain

Our little Kinsmen—after Rain

885

Our little Kinsmen—after Rain
In plenty may be seen,
A Pink and Pulpy multitude
The tepid Ground upon.


A needless life, it seemed to me
Until a little Bird
As to a Hospitality
Advanced and breakfasted.


As I of He, so God of Me
I pondered, may have judged,
And left the little Angle Worm
With Modesties enlarged.
264

Only God—detect the Sorrow

Only God—detect the Sorrow

626

Only God—detect the Sorrow—
Only God—
The Jehovahs—are no Babblers—
Unto God—
God the Son—Confide it—
Still secure—
God the Spirit's Honor—
Just as sure—
218

One need not be a chamber to be haunted,

One need not be a chamber to be haunted,

One need not be a chamber to be haunted,
One need not be a house;
The brain has corridors surpassing
Material place.


Far safer, of a midnight meeting
External ghost,
Than an interior confronting
That whiter host.


Far safer through an Abbey gallop,
The stones achase,
Than, moonless, one's own self encounter
In lonesome place.


Ourself, behind ourself concealed,
Should startle most;
Assassin, hid in our apartment,
Be horror's least.


The prudent carries a revolver,
He bolts the door,
O'erlooking a superior spectre
More near.
290

One Year ago—jots what?

One Year ago—jots what?

296

One Year ago—jots what?
God—spell the word! I—can't—
Was't Grace? Not that—
Was't Glory? That—will do—
Spell slower—Glory—


Such Anniversary shall be—
Sometimes—not often—in Eternity—
When farther Parted, than the Common Woe—
Look—feed upon each other's faces—so—
In doubtful meal, if it be possible
Their Banquet's true—


I tasted—careless—then—
I did not know the Wine
Came once a World—Did you?
Oh, had you told me so—
This Thirst would blister—easier—now—
You said it hurt you—most—
Mine—was an Acorn's Breast—
And could not know how fondness grew
In Shaggier Vest—
Perhaps—I couldn't—
But, had you looked in—
A Giant—eye to eye with you, had been—
No Acorn—then—


So—Twelve months ago—
We breathed—
Then dropped the Air—
Which bore it best?
Was this—the patientest—
Because it was a Child, you know—
And could not value—Air?


If to be "Elder"—mean most pain—
I'm old enough, today, I'm certain—then—
As old as thee—how soon?
One—Birthday more—or Ten?
Let me—choose!
Ah, Sir, None!
276

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Identification and basic context

Emily Dickinson is one of America's most celebrated poets. She often wrote under her own name. She was born in Amherst, Massachusetts, and died there. Her family was prominent in Amherst society, and she came from a lineage of lawyers and politicians. She was an American national and wrote in English.

Childhood and education

Dickinson grew up in a devoutly religious household, which likely influenced her later theological explorations. She attended Amherst Academy and Mount Holyoke Female Seminary, receiving a rigorous education for the time. Her early readings included the Bible, works by Ralph Waldo Emerson, and classical literature, which undoubtedly shaped her intellectual and poetic development. Significant events in her youth included periods of intense religious engagement and growing introspection.

Literary trajectory

Dickinson began writing poetry at a young age, with her output increasing significantly in the 1860s. Her style evolved, becoming increasingly concise, introspective, and experimental. While she shared her poems with friends and family, she did not actively seek publication. A few poems were published anonymously during her lifetime, often altered by editors. She did not engage with literary magazines or anthologies in a conventional manner.

Works, style, and literary characteristics

Dickinson's major works are her nearly 1,800 poems, most of which were published posthumously. Dominant themes include nature, death, immortality, faith, doubt, love, and the self. Her poems are known for their radical compression, slant rhyme, unconventional capitalization, and use of dashes. Her poetic devices are striking, creating vivid imagery and a unique rhythm. The tone can range from ecstatic to despairing, often employing irony and a deeply personal voice that transcends to the universal. Her language is precise, often using domestic imagery to explore profound philosophical ideas. She is associated with no specific literary movement but is a precursor to modernism.

Cultural and historical context

Dickinson lived during a period of significant social and intellectual change in the United States, including the abolitionist movement and the Civil War, though these are not overt subjects in her poetry. She engaged intellectually with Transcendentalism, particularly through Emerson's writings, and her work reflects a broader cultural questioning of religious and social norms. Her isolation in Amherst created a unique space for her creative development, setting her apart from established literary circles.

Personal life

Dickinson's personal life was largely private and centered in Amherst. Her relationships with family, particularly her brother Austin and his wife Susan Gilbert, were complex and deeply influential. Friendships, such as with Thomas Wentworth Higginson, provided intellectual companionship and some encouragement. Her intense inner life, marked by periods of profound introspection and perhaps illness, is reflected in the depth and originality of her poetry. She did not pursue a parallel profession, dedicating herself to her inner world and writing.

Recognition and reception

During her lifetime, Dickinson received very little recognition, with only a handful of poems published in altered forms. Her major posthumous publication in 1890 by Mabel Loomis Todd and Thomas Wentworth Higginson marked the beginning of her rise to prominence. Over time, her work has achieved immense critical acclaim and immense academic recognition, establishing her as a central figure in American literature.

Influences and legacy

Dickinson was influenced by the Bible, hymnology, and writers like Ralph Waldo Emerson. Her legacy is immense; she profoundly influenced modern poetry with her innovative use of language, form, and thematic exploration. She is a cornerstone of the American literary canon, and her poems are widely translated, studied, and adapted into music and other art forms. Her work continues to inspire poets and readers worldwide.

Interpretation and critical analysis

Dickinson's poetry invites multiple interpretations, often focusing on her exploration of consciousness, spirituality, and the human condition. Critical analysis has delved into her complex relationship with faith and doubt, her unique perspective on death, and the psychological dimensions of her work. Debates often surround the dating and ordering of her poems and the extent of her engagement with social issues.

Curiosities and lesser-known aspects

Dickinson was known for her reclusive habits in her later years, often dressing in white. There is a fascinating tension between her seemingly quiet life and the radical, often explosive, nature of her poetry. Anecdotal evidence suggests her intense observational skills and a profound, sometimes unsettling, wit. She was known to bake and engage in household activities, which stood in contrast to her abstract poetic explorations.

Death and memory

Emily Dickinson died in Amherst, Massachusetts. Her memory is preserved through her extraordinary body of work, the preservation of her home as a museum, and ongoing critical and scholarly engagement with her life and poetry. Numerous posthumous collections and scholarly editions have ensured her enduring presence in literary history.