Poems List

I send Two Sunsets

I send Two Sunsets

308

I send Two Sunsets-
Day and I-in competition ran-
I finished Two-and several Stars-
While He-was making One-

His own was ampler-but as I
Was saying to a friendMine-
is the more convenient
To Carry in the Hand-
305

I saw no Way—The Heavens were stitched

I saw no Way—The Heavens were stitched

378

I saw no Way—The Heavens were stitched—
I felt the Columns close—
The Earth reversed her Hemispheres—
I touched the Universe—


And back it slid—and I alone—
A Speck upon a Ball—
Went out upon Circumference—
Beyond the Dip of Bell—
194

I reason, Earth is short

I reason, Earth is short

301

I reason, Earth is short-
And Anguish-absolute-
And many hurt,
But, what of that?


I reason, we could die-
The best Vitality
Cannot excel Decay,
But, what of that?


I reason, that in Heaven-
Somehow, it will be even-
Some new Equation, given-
But, what of that?
339

I robbed the Woods

I robbed the Woods

41

I robbed the Woods-
The trusting Woods.
The unsuspecting Trees
Brought out their Burs and mosses
My fantasy to please.
I scanned their trinkets curious-I grasped-I bore away-
What will the solemn Hemlock-
What will the Oak tree say?
392

I prayed, at first, a little Girl

I prayed, at first, a little Girl

576

I prayed, at first, a little Girl,
Because they told me to-
But stopped, when qualified to guess
How prayer would feel-to me-

If I believed God looked around,
Each time my Childish eye
Fixed full, and steady, on his own
In Childish honesty-

And told him what I'd like, today,
And parts of his far plan
That baffled me-
The mingled side
Of his Divinity-

And often since, in Danger,
I count the force 'twould be
To have a God so strong as that
To hold my life for me

Till I could take the Balance
That tips so frequent, now,
It takes me all the while to poise-
And then-it doesn't stay-
335

I pay—in Satin Cash

I pay—in Satin Cash

402

I pay—in Satin Cash—
You did not state—your price—
A Petal, for a Paragraph
It near as I can guess—
414

I never lost as much but twice

I never lost as much but twice

49

I never lost as much but twice,
And that was in the sod.
Twice have I stood a beggar
Before the door of God!


Angels-twice descending
Reimbursed my store-
Burglar! Banker-Father!
I am poor once more!
242

I never told the buried gold

I never told the buried gold

11

I never told the buried gold
Upon the hill-that lies-
I saw the sun-his plunder done
Crouch low to guard his prize.

He stood as near
As stood you here-
A pace had been between-
Did but a snake bisect the brake
My life had forfeit been.

That was a wondrous booty-
I hope 'twas honest gained.
Those were the fairest ingots
That ever kissed the spade!

Whether to keep the secret-
Whether to reveal-
Whether as I ponder
Kidd will sudden sail-

Could a shrewd advise me
We might e'en divide-
Should a shrewd betray me-
Atropos decide!
309

I never felt at Home—Below

I never felt at Home—Below

413

I never felt at Home—Below—-
And in the Handsome Skies
I shall not feel at Home—I know—
I don't like Paradise—


Because it's Sunday—all the time—
And Recess—never comes—
And Eden'll be so lonesome
Bright Wednesday Afternoons—


If God could make a visit—
Or ever took a Nap—
So not to see us—but they say
Himself—a Telescope


Perennial beholds us—
Myself would run away
From Him—and Holy Ghost—and All—
But there's the "Judgement Day"!
287

I ment to find her when I came;

I ment to find her when I came;

I meant to find her when I came;
Death had the same design;
But the success was his, it seems,
And the discomfit mine.

I meant to tell her how I longed
For just this single time;
But Death had told her so the first,
And she had hearkened him.

To wander now is my abode;
To rest,--to rest would be
A privilege of hurricane
To memory and me.
323

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Identification and basic context

Emily Dickinson is one of America's most celebrated poets. She often wrote under her own name. She was born in Amherst, Massachusetts, and died there. Her family was prominent in Amherst society, and she came from a lineage of lawyers and politicians. She was an American national and wrote in English.

Childhood and education

Dickinson grew up in a devoutly religious household, which likely influenced her later theological explorations. She attended Amherst Academy and Mount Holyoke Female Seminary, receiving a rigorous education for the time. Her early readings included the Bible, works by Ralph Waldo Emerson, and classical literature, which undoubtedly shaped her intellectual and poetic development. Significant events in her youth included periods of intense religious engagement and growing introspection.

Literary trajectory

Dickinson began writing poetry at a young age, with her output increasing significantly in the 1860s. Her style evolved, becoming increasingly concise, introspective, and experimental. While she shared her poems with friends and family, she did not actively seek publication. A few poems were published anonymously during her lifetime, often altered by editors. She did not engage with literary magazines or anthologies in a conventional manner.

Works, style, and literary characteristics

Dickinson's major works are her nearly 1,800 poems, most of which were published posthumously. Dominant themes include nature, death, immortality, faith, doubt, love, and the self. Her poems are known for their radical compression, slant rhyme, unconventional capitalization, and use of dashes. Her poetic devices are striking, creating vivid imagery and a unique rhythm. The tone can range from ecstatic to despairing, often employing irony and a deeply personal voice that transcends to the universal. Her language is precise, often using domestic imagery to explore profound philosophical ideas. She is associated with no specific literary movement but is a precursor to modernism.

Cultural and historical context

Dickinson lived during a period of significant social and intellectual change in the United States, including the abolitionist movement and the Civil War, though these are not overt subjects in her poetry. She engaged intellectually with Transcendentalism, particularly through Emerson's writings, and her work reflects a broader cultural questioning of religious and social norms. Her isolation in Amherst created a unique space for her creative development, setting her apart from established literary circles.

Personal life

Dickinson's personal life was largely private and centered in Amherst. Her relationships with family, particularly her brother Austin and his wife Susan Gilbert, were complex and deeply influential. Friendships, such as with Thomas Wentworth Higginson, provided intellectual companionship and some encouragement. Her intense inner life, marked by periods of profound introspection and perhaps illness, is reflected in the depth and originality of her poetry. She did not pursue a parallel profession, dedicating herself to her inner world and writing.

Recognition and reception

During her lifetime, Dickinson received very little recognition, with only a handful of poems published in altered forms. Her major posthumous publication in 1890 by Mabel Loomis Todd and Thomas Wentworth Higginson marked the beginning of her rise to prominence. Over time, her work has achieved immense critical acclaim and immense academic recognition, establishing her as a central figure in American literature.

Influences and legacy

Dickinson was influenced by the Bible, hymnology, and writers like Ralph Waldo Emerson. Her legacy is immense; she profoundly influenced modern poetry with her innovative use of language, form, and thematic exploration. She is a cornerstone of the American literary canon, and her poems are widely translated, studied, and adapted into music and other art forms. Her work continues to inspire poets and readers worldwide.

Interpretation and critical analysis

Dickinson's poetry invites multiple interpretations, often focusing on her exploration of consciousness, spirituality, and the human condition. Critical analysis has delved into her complex relationship with faith and doubt, her unique perspective on death, and the psychological dimensions of her work. Debates often surround the dating and ordering of her poems and the extent of her engagement with social issues.

Curiosities and lesser-known aspects

Dickinson was known for her reclusive habits in her later years, often dressing in white. There is a fascinating tension between her seemingly quiet life and the radical, often explosive, nature of her poetry. Anecdotal evidence suggests her intense observational skills and a profound, sometimes unsettling, wit. She was known to bake and engage in household activities, which stood in contrast to her abstract poetic explorations.

Death and memory

Emily Dickinson died in Amherst, Massachusetts. Her memory is preserved through her extraordinary body of work, the preservation of her home as a museum, and ongoing critical and scholarly engagement with her life and poetry. Numerous posthumous collections and scholarly editions have ensured her enduring presence in literary history.