Poems List

Frequently the wood are pink

Frequently the wood are pink

6

Frequently the wood are pink-
Frequently are brown.
Frequently the hills undress
Behind my native town.
Oft a head is crested
I was wont to see-
And as oft a cranny
Where it used to be-
And the Earth- they tell me-
On its Axis turned!
Wonderful Rotation!
By but twelve performed!
253

Forget! The lady with the Amulet

Forget! The lady with the Amulet

438

Forget! The lady with the Amulet
Forget she wore it at her Heart
Because she breathed against
Was Treason twixt?

Deny! Did Rose her Bee-
For Privilege of Play
Or Wile of Butterfly
Or Opportunity-Her Lord away?

The lady with the Amulet-will face-
The Bee-in Mausoleum laid-
Discard his Bride-
But longer than the little Rill-
That cooled the Forehead of the Hill-
While Other-went the Sea to fill-
And Other-went to turn the MillI'll
do thy Will-
361

Forever at His side to walk

Forever at His side to walk

246

Forever at His side to walk-
The smaller of the two!
Brain of His Brain-
Blood of His Blood-
Two lives-One Being-now-

Forever of His fate to taste-
If grief-the largest part-
If joy-to put my piece away
For that beloved Heart-

All life-to know each other-
Whom we can never learn-
And bye and bye-a Change-
Called Heaven-
Rapt Neighborhoods of Men-
Just finding out-what puzzled us-
Without the lexicon!
220

For largest Woman's Hearth I knew

For largest Woman's Hearth I knew

309

For largest Woman's Hearth I knew'
Tis little I can do-
And yet the largest Woman's Heart
Could hold an Arrow-too-
And so, instructed by my own,
I tenderer, turn Me to.
281

For each ecstatic instant

For each ecstatic instant

For each ecstatic instant
We must an anguish pay
In keen and quivering ratio
To the ectasty.


For each beloved hour
Sharp pittances of years,
Bitter contested farthings
And coffers heaped with tears.
323

Flowers—Well—if anybody

Flowers—Well—if anybody

137

Flowers—Well—if anybody
Can the ecstasy define—
Half a transport—half a trouble—
With which flowers humble men:
Anybody find the fountain
From which floods so contra flow—
I will give him all the Daisies
Which upon the hillside blow.


Too much pathos in their faces
For a simple breast like mine—
Butterflies from St. Domingo
Cruising round the purple line—
Have a system of aesthetics—
Far superior to mine.
216

First Robin

First Robin

I dreaded that first robin so,
But he is mastered now,
And I'm accustomed to him grown,--
He hurts a little, though.


I thought if I could only live
Till that first shout got by,
Not all pianos in the woods
Had power to mangle me.


I dared not meet the daffodils,
For fear their yellow gown
Would pierce me with a fashion
So foreign to my own.


I wished the grass would hurry,
So when 't was time to see,
He'd be too tall, the tallest one
Could stretch to look at me.


I could not bear the bees should come,
I wished they'd stay away
In those dim countries where they go:
What word had they for me?


They're here, though; not a creature failed,
No blossom stayed away
In gentle deference to me,
The Queen of Calvary.


Each one salutes me as he goes,
And I my childish plumes
Lift, in bereaved acknowledgment
Of their unthinking drums.
318

Finding is the first Act

Finding is the first Act

870

Finding is the first Act
The second, loss,
Third, Expedition for
The "Golden Fleece"

Fourth, no Discovery-
Fifth, no Crew-
Finally, no Golden FleeceJason-
sham-too.
308

Fame is a bee

Fame is a bee

1763

Fame is a bee.
It has a song-
It has a sting-
Ah, too, it has a wing.
343

Fame is the tine that Scholars leave

Fame is the tine that Scholars leave

866

Fame is the tine that Scholars leave
Upon their Setting Names-
The Iris not of Occident
That disappears as comes-
271

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Identification and basic context

Emily Dickinson is one of America's most celebrated poets. She often wrote under her own name. She was born in Amherst, Massachusetts, and died there. Her family was prominent in Amherst society, and she came from a lineage of lawyers and politicians. She was an American national and wrote in English.

Childhood and education

Dickinson grew up in a devoutly religious household, which likely influenced her later theological explorations. She attended Amherst Academy and Mount Holyoke Female Seminary, receiving a rigorous education for the time. Her early readings included the Bible, works by Ralph Waldo Emerson, and classical literature, which undoubtedly shaped her intellectual and poetic development. Significant events in her youth included periods of intense religious engagement and growing introspection.

Literary trajectory

Dickinson began writing poetry at a young age, with her output increasing significantly in the 1860s. Her style evolved, becoming increasingly concise, introspective, and experimental. While she shared her poems with friends and family, she did not actively seek publication. A few poems were published anonymously during her lifetime, often altered by editors. She did not engage with literary magazines or anthologies in a conventional manner.

Works, style, and literary characteristics

Dickinson's major works are her nearly 1,800 poems, most of which were published posthumously. Dominant themes include nature, death, immortality, faith, doubt, love, and the self. Her poems are known for their radical compression, slant rhyme, unconventional capitalization, and use of dashes. Her poetic devices are striking, creating vivid imagery and a unique rhythm. The tone can range from ecstatic to despairing, often employing irony and a deeply personal voice that transcends to the universal. Her language is precise, often using domestic imagery to explore profound philosophical ideas. She is associated with no specific literary movement but is a precursor to modernism.

Cultural and historical context

Dickinson lived during a period of significant social and intellectual change in the United States, including the abolitionist movement and the Civil War, though these are not overt subjects in her poetry. She engaged intellectually with Transcendentalism, particularly through Emerson's writings, and her work reflects a broader cultural questioning of religious and social norms. Her isolation in Amherst created a unique space for her creative development, setting her apart from established literary circles.

Personal life

Dickinson's personal life was largely private and centered in Amherst. Her relationships with family, particularly her brother Austin and his wife Susan Gilbert, were complex and deeply influential. Friendships, such as with Thomas Wentworth Higginson, provided intellectual companionship and some encouragement. Her intense inner life, marked by periods of profound introspection and perhaps illness, is reflected in the depth and originality of her poetry. She did not pursue a parallel profession, dedicating herself to her inner world and writing.

Recognition and reception

During her lifetime, Dickinson received very little recognition, with only a handful of poems published in altered forms. Her major posthumous publication in 1890 by Mabel Loomis Todd and Thomas Wentworth Higginson marked the beginning of her rise to prominence. Over time, her work has achieved immense critical acclaim and immense academic recognition, establishing her as a central figure in American literature.

Influences and legacy

Dickinson was influenced by the Bible, hymnology, and writers like Ralph Waldo Emerson. Her legacy is immense; she profoundly influenced modern poetry with her innovative use of language, form, and thematic exploration. She is a cornerstone of the American literary canon, and her poems are widely translated, studied, and adapted into music and other art forms. Her work continues to inspire poets and readers worldwide.

Interpretation and critical analysis

Dickinson's poetry invites multiple interpretations, often focusing on her exploration of consciousness, spirituality, and the human condition. Critical analysis has delved into her complex relationship with faith and doubt, her unique perspective on death, and the psychological dimensions of her work. Debates often surround the dating and ordering of her poems and the extent of her engagement with social issues.

Curiosities and lesser-known aspects

Dickinson was known for her reclusive habits in her later years, often dressing in white. There is a fascinating tension between her seemingly quiet life and the radical, often explosive, nature of her poetry. Anecdotal evidence suggests her intense observational skills and a profound, sometimes unsettling, wit. She was known to bake and engage in household activities, which stood in contrast to her abstract poetic explorations.

Death and memory

Emily Dickinson died in Amherst, Massachusetts. Her memory is preserved through her extraordinary body of work, the preservation of her home as a museum, and ongoing critical and scholarly engagement with her life and poetry. Numerous posthumous collections and scholarly editions have ensured her enduring presence in literary history.