Poems List

Dropped into the Ether Acre

Dropped into the Ether Acre

665

Dropped into the Ether Acre-
Wearing the Sod Gown-
Bonnet of Everlasting LacesBrooch-
frozen on-

Horses of Blonde-and Coach of Silver-
Baggage a strapped Pearl-
Journey of Down-and Whip of Diamond-
Riding to meet the Earl-
287

Dying (I heard a fly buzz when I died)

Dying (I heard a fly buzz when I died)

I heard a fly buzz when I died;
The stillness round my form
Was like the stillness in the air
Between the heaves of storm.
The eyes beside had wrung them dry,
And breaths were gathering sure
For that last onset, when the king
Be witnessed in his power.
I willed my keepsakes, signed away

What portion of me I
Could make assignable, -- and then
There interposed a fly,


With blue, uncertain, stumbling buzz,
Between the light and me;
And then the windows failed, and then
I could not see to see.
190

Doubt Me! My Dim Companion!

Doubt Me! My Dim Companion!

275

Doubt Me! My Dim Companion!
Why, God, would be content
With but a fraction of the Life-
Poured thee, without a stint-
The whole of me-forever-
What more the Woman can,
Say quick, that I may dower thee
With last Delight I own!

It cannot be my Spirit-
For that was thine, before-
I ceded all of Dust I knew-
What Opulence the more
Had I-a freckled Maiden,
Whose farthest of Degree,
Was-that she might-
Some distant Heaven,
Dwell timidly, with thee!

Sift her, from Brow to Barefoot!
Strain till your last Surmise-
Drop, like a Tapestry, away,
Before the Fire's Eyes-
Winnow her finest fondness-
But hallow just the snow
Intact, in Everlasting flake-
Oh, Caviler, for you!
343

Drama's Vitallest Expression is the Common Day

Drama's Vitallest Expression is the Common Day

741

Drama's Vitallest Expression is the Common Day
That arise and set about Us-
Other Tragedy

Perish in the RecitationThis-
the best enact
When the Audience is scattered
And the Boxes shut


"Hamlet" to Himself were Hamlet-
Had not Shakespeare wrote-
Though the "Romeo" left no Record
Of his Juliet,

It were infinite enacted
In the Human Heart-
Only Theatre recorded
Owner cannot shut-
317

Don't put up my Thread and Needle

Don't put up my Thread and Needle

617

Don't put up my Thread and NeedleI'll
begin to Sew
When the Birds begin to whistle-
Better Stitches-so-

These were bent-my sight got crooked-
When my mind-is plain
I'll do seams-a Queen's endeavor
Would not blush to own


Hems-too fine for Lady's tracing
To the sightless KnotTucks-
of dainty interspersion-
Like a dotted Dot-

Leave my Needle in the furrow-
Where I put it down-
I can make the zigzag stitches
Straight-when I am strong-

Till then-dreaming I am sewing
Fetch the seam I missedCloser-
so I-at my sleeping-
Still surmise I stitch-
285

Distrustful of the Gentian

Distrustful of the Gentian

20

Distrustful of the Gentian-
And just to turn away,
The fluttering of her fringes
Child my perfidy-
Weary for my-----
I will singing go-
I shall not feel the sleet-then-
I shall not fear the snow.

Flees so the phantom meadow
Before the breathless Bee-
So bubble brooks in deserts
On Ears that dying lie-
Burn so the Evening Spires
To Eyes that Closing go-
Hangs so distant Heaven-
To a hand below.
298

Did we disobey Him?

Did we disobey Him?

267

Did we disobey Him?
Just one time!
Charged us to forget Him-
But we couldn't learn!


Were Himself-such a Dunce-
What would we-do?
Love the dull lad-best-
Oh, wouldn't you?
259

Did Our Best Moment last

Did Our Best Moment last

393

Did Our Best Moment last'
Twould supersede the Heaven-
A few-and they by Risk-procure-
So this Sort-are not given-

Except as stimulants-in
Cases of Despair-
Or Stupor-The Reserve-
These Heavenly Moments are-

A Grant of the Divine-
That Certain as it ComesWithdraws-
and leaves the dazzled Soul
In her unfurnished Rooms
280

Deprived of other Banquet

Deprived of other Banquet

773

Deprived of other Banquet,
I entertained Myself-
At first-a scant nutrition-
An insufficient Loaf-

But grown by slender addings
To so esteemed a size
'Tis sumptuous enough for me-
And almost to suffice

A Robin's famine able-
Red Pilgrim, He and I-
A Berry from our table
Reserve-for charity-
348

Denial-is the only fact

Denial-is the only fact

965

Denial-is the only fact
Perceived by the Denied-
Whose Will-a numb significance-
The Day the Heaven died-

And all the Earth strove common round-
Without Delight, or Beam-
What Comfort was it Wisdom-was-
The spoiler of Our Home?
291

Comments (0)

Log in to post a comment.

NoComments

Identification and basic context

Emily Dickinson is one of America's most celebrated poets. She often wrote under her own name. She was born in Amherst, Massachusetts, and died there. Her family was prominent in Amherst society, and she came from a lineage of lawyers and politicians. She was an American national and wrote in English.

Childhood and education

Dickinson grew up in a devoutly religious household, which likely influenced her later theological explorations. She attended Amherst Academy and Mount Holyoke Female Seminary, receiving a rigorous education for the time. Her early readings included the Bible, works by Ralph Waldo Emerson, and classical literature, which undoubtedly shaped her intellectual and poetic development. Significant events in her youth included periods of intense religious engagement and growing introspection.

Literary trajectory

Dickinson began writing poetry at a young age, with her output increasing significantly in the 1860s. Her style evolved, becoming increasingly concise, introspective, and experimental. While she shared her poems with friends and family, she did not actively seek publication. A few poems were published anonymously during her lifetime, often altered by editors. She did not engage with literary magazines or anthologies in a conventional manner.

Works, style, and literary characteristics

Dickinson's major works are her nearly 1,800 poems, most of which were published posthumously. Dominant themes include nature, death, immortality, faith, doubt, love, and the self. Her poems are known for their radical compression, slant rhyme, unconventional capitalization, and use of dashes. Her poetic devices are striking, creating vivid imagery and a unique rhythm. The tone can range from ecstatic to despairing, often employing irony and a deeply personal voice that transcends to the universal. Her language is precise, often using domestic imagery to explore profound philosophical ideas. She is associated with no specific literary movement but is a precursor to modernism.

Cultural and historical context

Dickinson lived during a period of significant social and intellectual change in the United States, including the abolitionist movement and the Civil War, though these are not overt subjects in her poetry. She engaged intellectually with Transcendentalism, particularly through Emerson's writings, and her work reflects a broader cultural questioning of religious and social norms. Her isolation in Amherst created a unique space for her creative development, setting her apart from established literary circles.

Personal life

Dickinson's personal life was largely private and centered in Amherst. Her relationships with family, particularly her brother Austin and his wife Susan Gilbert, were complex and deeply influential. Friendships, such as with Thomas Wentworth Higginson, provided intellectual companionship and some encouragement. Her intense inner life, marked by periods of profound introspection and perhaps illness, is reflected in the depth and originality of her poetry. She did not pursue a parallel profession, dedicating herself to her inner world and writing.

Recognition and reception

During her lifetime, Dickinson received very little recognition, with only a handful of poems published in altered forms. Her major posthumous publication in 1890 by Mabel Loomis Todd and Thomas Wentworth Higginson marked the beginning of her rise to prominence. Over time, her work has achieved immense critical acclaim and immense academic recognition, establishing her as a central figure in American literature.

Influences and legacy

Dickinson was influenced by the Bible, hymnology, and writers like Ralph Waldo Emerson. Her legacy is immense; she profoundly influenced modern poetry with her innovative use of language, form, and thematic exploration. She is a cornerstone of the American literary canon, and her poems are widely translated, studied, and adapted into music and other art forms. Her work continues to inspire poets and readers worldwide.

Interpretation and critical analysis

Dickinson's poetry invites multiple interpretations, often focusing on her exploration of consciousness, spirituality, and the human condition. Critical analysis has delved into her complex relationship with faith and doubt, her unique perspective on death, and the psychological dimensions of her work. Debates often surround the dating and ordering of her poems and the extent of her engagement with social issues.

Curiosities and lesser-known aspects

Dickinson was known for her reclusive habits in her later years, often dressing in white. There is a fascinating tension between her seemingly quiet life and the radical, often explosive, nature of her poetry. Anecdotal evidence suggests her intense observational skills and a profound, sometimes unsettling, wit. She was known to bake and engage in household activities, which stood in contrast to her abstract poetic explorations.

Death and memory

Emily Dickinson died in Amherst, Massachusetts. Her memory is preserved through her extraordinary body of work, the preservation of her home as a museum, and ongoing critical and scholarly engagement with her life and poetry. Numerous posthumous collections and scholarly editions have ensured her enduring presence in literary history.