Poems List

By The Sea

By The Sea

I started early, took my dog,
And visited the sea;
The mermaids in the basement
Came out to look at me.


And frigates in the upper floor
Extended hempen hands,
Presuming me to be a mouse
Aground, upon the sands.


But no man moved me till the tide
Went past my simple shoe,
And past my apron and my belt,
And past my bodice too,


And made as he would eat me up
As wholly as a dew
Upon a dandelion's sleeve -
And then I started too.


And he - he followed close behind;
I felt his silver heel
Upon my ankle, - then my shoes
Would overflow with pearl.


Until we met the solid town,
No man he seemed to know;
And bowing with a mighty look
At me, the sea withdrew.
341

Civilization-spurns-the Leopard!

Civilization-spurns-the Leopard!

492

Civilization-spurns-the Leopard!
Was the Leopard-bold?
Deserts-never rebuked her SatinEthiop-
her GoldTawny-
her Customs-
She was ConsciousSpotted-
her Dun Gown-
This was the Leopard's nature-SignorNeed-
a keeper-frown?

Pity-the Pard-that left her AsiaMemories-
of Palm-
Cannot be stifled-with Narcotic-
Nor suppressed-with Balm-
313

By a flower—By a letter

By a flower—By a letter

109

By a flower—By a letter—
By a nimble love—
If I weld the Rivet faster—
Final fast—above—


Never mind my breathless Anvil!
Never mind Repose!
Never mind the sooty faces
Tugging at the Forge!
190

By my Window have I for Scenery

By my Window have I for Scenery

797

By my Window have I for Scenery
Just a Sea-with a Stem-
If the Bird and the Farmer-deem it a "Pine"-
The Opinion will serve-for them-

It has no Port, nor a "Line"-but the Jays-
That split their route to the Sky-
Or a Squirrel, whose giddy Peninsula
May be easier reached-this way-

For Inlands-the Earth is the under side-
And the upper side-is the Sun-
And its Commerce-if Commerce it have-
Of Spice-I infer from the Odors borne-

Of its Voice-to affirm-when the Wind is within-
Can the Dumb-define the Divine?
The Definition of Melody-is-
That Definition is none


It-suggests to our FaithThey-
suggest to our Sight-
When the latter-is put away
I shall meet with Conviction I somewhere met
That Immortality-

Was the Pine at my Window a "Fellow
Of the Royal" Infinity?
Apprehensions-are God's introductions-
To be hallowed-accordingly-
264

Bring me the sunset in a cup

Bring me the sunset in a cup

128

Bring me the sunset in a cup,
Reckon the morning's flagons up
And say how many Dew,
Tell me how far the morning leaps-
Tell me what time the weaver sleeps
Who spun the breadth of blue!


Write me how many notes there be
In the new Robin's ecstasy
Among astonished boughs-
How many trips the Tortoise makes-
How many cups the Bee partakes,
The Debauchee of Dews!


Also, who laid the Rainbow's piers,
Also, who leads the docile spheres
By withes of supple blue?
Whose fingers string the stalactite-
Who counts the wampum of the night
To see that none is due?


Who built this little Alban House
And shut the windows down so close
My spirit cannot see?
Who'll let me out some gala day
With implements to fly away,
Passing Pomposity?
335

Bound-a trouble

Bound-a trouble

269

Bound-a trouble-
And lives can bear it!
Limit-how deep a bleeding go!
So-many-drops-of vital scarlet-
Deal with the soul
As with Algebra!


Tell it the Ages-to a cypher-
And it will ache-contented-onSing-
at its pain-as any Workman-
Notching the fall of the Even Sun!
257

Bird

Bird


A bird came down the walk:
He did not know I saw;
He bit an angle-worm in halves
And ate the fellow, raw.


And then he drank a dew
From a convenient grass,
And the hopped sideways to the wall
To let a beetle pass.


He glanced with rapid eyes
That hurried all abroad, -
They looked like frightened beads, I thought
He stirred his velvet head.


Like one in danger; cautious,
I offered him a crumb,
And he unrolled his feathers
And rolled him softer home


Then oars divide the ocean,
Too silver for a seam,
Or butterflies, off banks of noon,
Leap, plashless, as they swim.
370

Bless God, he went as soldiers

Bless God, he went as soldiers

147

Bless God, he went as soldiers,
His musket on his breast-
Grant God, he charge the bravest
Of all the martial blest!


Please God, might I behold him
In epauletted white-
I should not fear the foe then-
I should not fear the fight!
249

Best Gains—must have the Losses' Test

Best Gains—must have the Losses' Test

684

Best Gains—must have the Losses' Test—
To constitute them—Gains—
257

Better—than Music! For I—who heard it

Better—than Music! For I—who heard it

503

Better—than Music! For I—who heard it—
I was used—to the Birds—before—
This—was different—'Twas Translation—
Of all tunes I knew—and more—


'Twasn't contained—like other stanza—
No one could play it—the second time—
But the Composer—perfect Mozart—
Perish with him—that Keyless Rhyme!


So—Children—told how Brooks in Eden—
Bubbled a better—Melody—
Quaintly infer—Eve's great surrender—
Urging the feet—that would—not—fly—


Children—matured—are wiser—mostly—
Eden—a legend—dimly told—
Eve—and the Anguish—Grandame's story—
But—I was telling a tune—I heard—


Not such a strain—the Church—baptizes—
When the last Saint—goes up the Aisles—
Not such a stanza splits the silence—
When the Redemption strikes her Bells—


Let me not spill—its smallest cadence—
Humming—for promise—when alone—
Humming—until my faint Rehearsal—
Drop into tune—around the Throne—
267

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Identification and basic context

Emily Dickinson is one of America's most celebrated poets. She often wrote under her own name. She was born in Amherst, Massachusetts, and died there. Her family was prominent in Amherst society, and she came from a lineage of lawyers and politicians. She was an American national and wrote in English.

Childhood and education

Dickinson grew up in a devoutly religious household, which likely influenced her later theological explorations. She attended Amherst Academy and Mount Holyoke Female Seminary, receiving a rigorous education for the time. Her early readings included the Bible, works by Ralph Waldo Emerson, and classical literature, which undoubtedly shaped her intellectual and poetic development. Significant events in her youth included periods of intense religious engagement and growing introspection.

Literary trajectory

Dickinson began writing poetry at a young age, with her output increasing significantly in the 1860s. Her style evolved, becoming increasingly concise, introspective, and experimental. While she shared her poems with friends and family, she did not actively seek publication. A few poems were published anonymously during her lifetime, often altered by editors. She did not engage with literary magazines or anthologies in a conventional manner.

Works, style, and literary characteristics

Dickinson's major works are her nearly 1,800 poems, most of which were published posthumously. Dominant themes include nature, death, immortality, faith, doubt, love, and the self. Her poems are known for their radical compression, slant rhyme, unconventional capitalization, and use of dashes. Her poetic devices are striking, creating vivid imagery and a unique rhythm. The tone can range from ecstatic to despairing, often employing irony and a deeply personal voice that transcends to the universal. Her language is precise, often using domestic imagery to explore profound philosophical ideas. She is associated with no specific literary movement but is a precursor to modernism.

Cultural and historical context

Dickinson lived during a period of significant social and intellectual change in the United States, including the abolitionist movement and the Civil War, though these are not overt subjects in her poetry. She engaged intellectually with Transcendentalism, particularly through Emerson's writings, and her work reflects a broader cultural questioning of religious and social norms. Her isolation in Amherst created a unique space for her creative development, setting her apart from established literary circles.

Personal life

Dickinson's personal life was largely private and centered in Amherst. Her relationships with family, particularly her brother Austin and his wife Susan Gilbert, were complex and deeply influential. Friendships, such as with Thomas Wentworth Higginson, provided intellectual companionship and some encouragement. Her intense inner life, marked by periods of profound introspection and perhaps illness, is reflected in the depth and originality of her poetry. She did not pursue a parallel profession, dedicating herself to her inner world and writing.

Recognition and reception

During her lifetime, Dickinson received very little recognition, with only a handful of poems published in altered forms. Her major posthumous publication in 1890 by Mabel Loomis Todd and Thomas Wentworth Higginson marked the beginning of her rise to prominence. Over time, her work has achieved immense critical acclaim and immense academic recognition, establishing her as a central figure in American literature.

Influences and legacy

Dickinson was influenced by the Bible, hymnology, and writers like Ralph Waldo Emerson. Her legacy is immense; she profoundly influenced modern poetry with her innovative use of language, form, and thematic exploration. She is a cornerstone of the American literary canon, and her poems are widely translated, studied, and adapted into music and other art forms. Her work continues to inspire poets and readers worldwide.

Interpretation and critical analysis

Dickinson's poetry invites multiple interpretations, often focusing on her exploration of consciousness, spirituality, and the human condition. Critical analysis has delved into her complex relationship with faith and doubt, her unique perspective on death, and the psychological dimensions of her work. Debates often surround the dating and ordering of her poems and the extent of her engagement with social issues.

Curiosities and lesser-known aspects

Dickinson was known for her reclusive habits in her later years, often dressing in white. There is a fascinating tension between her seemingly quiet life and the radical, often explosive, nature of her poetry. Anecdotal evidence suggests her intense observational skills and a profound, sometimes unsettling, wit. She was known to bake and engage in household activities, which stood in contrast to her abstract poetic explorations.

Death and memory

Emily Dickinson died in Amherst, Massachusetts. Her memory is preserved through her extraordinary body of work, the preservation of her home as a museum, and ongoing critical and scholarly engagement with her life and poetry. Numerous posthumous collections and scholarly editions have ensured her enduring presence in literary history.