Poems List

With vine leaves in his hair.

The New Yale Book of Quotations

4

[ “Last words,” responding to a nurse’s remark that he “seemed to be a little better” :] On the contrary.

The New Yale Book of Quotations

2

Our common lust for life.

The New Yale Book of Quotations

3

Always do that, wild ducks do. Go plunging right to the bottom . . . as deep as they can get . . . hold on with their beaks to the weeds and stuff—and all the other mess you find down there. Then they never come up again.

The New Yale Book of Quotations

2

I love this town so much that I’d rather destroy it than see it prosper on a lie.

The New Yale Book of Quotations

3

The party programs grab hold of every young and promising idea and wring its neck.

The New Yale Book of Quotations

3

Who are the people that make up the biggest proportion of the population—the intelligent ones or the fools? I think we can agree it’s the fools, no matter where you go in this world, it’s the fools that form the overwhelming majority. But I’ll be damned if that means it’s right that the fools should dominate the intelligent.

The New Yale Book of Quotations

3

The life of a normally constituted truth is generally, say, about seventeen or eighteen years, at most twenty; rarely longer. But truths as elderly as that have always worn terribly thin. But it’s only then that the majority will have anything to do with them; then it will recommend them as wholesome food for thought. But there’s no great food-value in that sort of diet.

The New Yale Book of Quotations

2

This meeting declares that it considers Dr. Thomas Stockmann, Medical Officer to the Baths, to be an enemy of the people.

The New Yale Book of Quotations

5

The majority is never right.

The New Yale Book of Quotations

3

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Henrik Johan Ibsen was born in Skien, Norway. He began his career as a pharmacist and later as a theatre director and playwright. His early plays were often based on Norwegian sagas, but over time he developed a more realistic and psychological style. Plays such as 'A Doll's House', 'Ghosts', 'An Enemy of the People', and 'Hedda Gabler' examine the hypocrisies of bourgeois society, the conflicts between the individual and society, and the pressures faced by women. Ibsen is celebrated for his mastery of dialogue construction and his ability to create complex and multifaceted characters. He died in Kristiania (present-day Oslo), Norway.