Above Lavender Bay

’Tis glorious morning everywhere
Save where the alleys lie—
I see the fleecy steam jets bid
“Good morning” to the sky.
The gullies of the waratah
Are near, with fall and pool,
And by the shadowed western rocks
The bays are fresh and cool.
To “points” that hint of Italy—
Of Italy and Spain—
I see the busy ferry boats
Come nosing round again.
To the toy station down below
I see the toy trains run—
(I wonder when those ferry boats
Will get their business done?)


Above the Bay called Lavender
This bard is domiciled,
Where up through rich, dark greenery
The red-tiled roofs are piled—
(At least some are—I hope that soon
They all shall be red-tiled)—
A moonlight night in middle-age
That makes one feel a child.


Close over, to the nearer left—
That feels the ocean breeze—
A full moon in a dim blue sky
A church spire and dark trees.
And, further right, the harsher heights
Of Mosman, Double Bay,
And Rose Bay, with their scattered lights,
Have softened with the day.


And fair across to where we know
The shelving sea cliffs are—
The lighthouse, with a still faint glow,
Beneath a twinkling star.
Across the harbour from the right,
And fairly in a line,
The Clock-tower on the City Hall,
A ship-mast and a pine.


The pale and bright, yet dusky blue,
And crossed by fleecy bars,
Flings out the brilliant city lights,
The moonlight and the stars—
And like a transformation scene,
On sheet glass down below,
The fairy-lighted ferry boats
Are gliding to and fro.

Above Crow's Nest [Sydney]

A BLANKET low and leaden,
Though rent across the west,
Whose darkness seems to deaden
The brightest and the best;
A sunset white and staring
On cloud-wrecks far away—
And haggard house-walls glaring
A farewell to the day.


A light on tower and steeple,
Where sun no longer shines—
My people, Oh my people!
Rise up and read the signs!
Low looms the nearer high-line
(No sign of star or moon),
The horseman on the skyline
Rode hard this afternoon!


(Is he—and who shall know it?—
The spectre of a scout?
The spirit of a poet,
Whose truths were met with doubt?
Who sought and who succeeded
In marking danger’s track—
Whose warnings were unheeded
Till all the sky was black?)


It is a shameful story
For our young, generous home—
Without the rise and glory
We’d go as Greece and Rome.
Without the sacrifices
That make a nation’s name,
The elder nation’s vices
And luxuries we claim.


Grown vain without a conquest,
And sure without a fort,
And maddened in the one quest
For pleasure or for sport.
Self-blinded to our starkness
We’d fling the time away
To fight, half-armed, in darkness
Who should be armed to-day.


This song is for the city,
The city in its pride—
The coming time shall pity
And shield the countryside.
Shall we live in the present
Till fearful war-clouds loom,
And till the sullen peasant



Shall leave us to our doom?


Cloud-fortresses titanic
Along the western sky—
The tired, bowed mechanic
And pallid clerk flit by.
Lit by a light unhealthy—
The ghastly after-glare—
The veiled and goggled wealthy
Drive fast—they know not where.


Night’s sullen spirit rouses,
The darkening gables lour
From ugly four-roomed houses
Verandah’d windows glower;
The last long day-stare dies on
The scrub-ridged western side,
And round the near horizon
The spectral horsemen ride.

A Word from the Bards

IT IS New Year’s Day and I rise to state that here on the Sydney side
The Bards have commenced to fill out of late and they’re showing their binjies with
pride
They’re patting their binjies with pride, old man, and I want you to understand,
That a binjied bard is a bard indeed when he sings in the Southern Land,
Old chaps,
When he sings in the Southern Land.


For the Southern Land is the Poet’s Home, and over the world’s wide roam,
There was never till now a binjied bard that lived in a poet’s home, old man;
For the poet’s home was a hell on earth, and I want you to understand,
That it isn’t exactly a paradise down here in the Southern Land,
Old chap,
Down here in the Southern Land.


The Beer and the Bailiff were gone last night and the “temple” doorstep clean,
And our heads are clear and our hearts are light with wine from the Riverine—
With wine from the Riverine, old man, and I want you to understand
That Bard, Beer and Bailiff too long were kin down here in the Southern Land,
Old man,
Down here in the Southern Land.


It is not because of a larger fee, nor yet that the bards are free,
For the bards I know and the bards I see are married enough for three;
Are married enough for three, old man, and I want you to understand,
They’ve a right to be married enough for four, down here in the Southern Land,
My girl,
Down here in the Southern Land.


But I think it’s because a bird went round and twittered in ears of men
That bards have care and the world seems bare as seen from the rhyming den,
And twittered in ears of men, old chaps, and got folks to understand
That a poet is something more than a joke down here in the Southern Land,
Old man,
Down here in the Southern Land.

A Study in the 'Nood'

He was bare—we don’t want to be rude—
(His condition was owing to drink)
They say his condition was nood,
Which amounts to the same thing, we think
(We mean his condition, we think,
’Twas a naked condition, or nood,
Which amounts to the same thing, we think)
Uncovered he lay on the grass
That shrivelled and shrunk; and he stayed
Three hot summer days, while the glass
Was one hundred and ten in the shade.
(We nearly remarked that he laid,
But that was bad grammar we thought—
It does sound bucolic, we think
It smacks of the barnyard—
Of farming—of pullets in short.)


Unheeded he lay on the dirt;
Beside him a part of his dress,
A tattered and threadbare old shirt
Was raised as a flag of distress.
(On a stick, like a flag of distress—
Reversed—we mean that the tail-end was up
half-mast—on a stick—an evident flag of distress.)


Perhaps in his dreams he persood
Bright visions of heav’nly bliss;
And artists who study the nood
Never saw such a study as this.
The ‘luggage’ went by and the guard
Looked out and his eyes fell on Grice—
We fancy he looked at him hard,
We think that he looked at him twice.


They say (if the telegram’s true)
When he woke up he wondered (good Lord!)
‘Why the engine-man didn’t heave to—
‘Why the train didn’t take him aboard.’
And now, by the case of poor Grice,
We think that a daily express
Should travel with sunshades and ice,
And a lookout for flags of distress.

A Prouder Man Than You

If you fancy that your people came of better stock than mine,
If you hint of higher breeding by a word or by a sign,
If you're proud because of fortune or the clever things you do --
Then I'll play no second fiddle: I'm a prouder man than you!


If you think that your profession has the more gentility,
And that you are condescending to be seen along with me;
If you notice that I'm shabby while your clothes are spruce and new --
You have only got to hint it: I'm a prouder man than you!


If you have a swell companion when you see me on the street,
And you think that I'm too common for your toney friend to meet,
So that I, in passing closely, fail to come within your view --
Then be blind to me for ever: I'm a prouder man than you!


If your character be blameless, if your outward past be clean,
While 'tis known my antecedents are not what they should have been,
Do not risk contamination, save your name whate'er you do -`
Birds o' feather fly together': I'm a prouder bird than you!


Keep your patronage for others! Gold and station cannot hide
Friendship that can laugh at fortune, friendship that can conquer pride!
Offer this as to an equal -- let me see that you are true,
And my wall of pride is shattered: I am not so proud as you!

A Song of Brave Men

Man, is the Sea your master? Sea, and is man your slave? –
This is the song of brave men who never know they are brave:
Ceaselessly watching to save you, stranger from foreign lands,
Soundly asleep in your state room, full sail for the Goodwin Sands!
Life is a dream, they tell us, but life seems very real,
When the lifeboat puts out from Ramsgate, and the buggers put out from Deal!


A gun from the lightship! – a rocket! – a cry of, "Turn out, me lad!"
"Ship on the Sands!" they're shouting, and a rush of the oilskin-clad.
The lifeboat leaping and swooping, in the wake of the fighting tug,
And the luggers afloat in Hell's water – Oh, "tourist", with cushion and rug! –
Think of the freezing fury, without one minute's relief,
When they stood all night in the blackness by the wreck of the Indian Chief!


Lashed to their seats, and crouching, to the spray that froze as it flew,
Twenty-six hours in midwinter! That was the lifeboat's crew.
Twice she was swamped, and she righted, in the rush of the heavy seas,
And her tug was mostly buried; but these were common things, these.
And the luggers go out whenever there's a hope to get them afloat,
And these things they do for nothing, and those fishermen say, "Oh! it's nowt!"


(Enemy, Friend or Stranger! In every sea or land,
And across the lives of most men run stretches of Goodwin Sand;
And across the life of a nation, as across the track of a ship,
Lies the hidden rock, or the iceberg, within the horizon dip.
And wise men know them, and warn us, with lightship, or voice, or pen;
But we strike, and the fool survivors sail on to strike again.)


But this is a song of brave men, wherever is aught to save,
Christian or Jew or Wowser – and I knew one who was brave;
British or French or German, Dane or Latin or Dutch:
"Scandies" that ignorant British reckon with "Dagoes and such" –
(Where'er, on a wreck titanic, in a scene of wild despair,
The officers call for assistance, a Swede or a Norse is there.)


Tale of a wreck titanic, with the last boat over the side,
And a brave young husband fighting his clinging, hysterical bride;
He strikes her fair on the temple, while the decks are scarce afloat,
And he kisses her once on the forehead, and he drops her into the boat.
So he goes to his death to save her; and she lives to remember and lie –
Or be true to his love and courage. But that's how brave men die.


(I hate the slander: "Be British" – and I don't believe it, that's flat:
No British sailor and captain would stoop to such cant as that.
What – in the rush of cowards – of the help from before the mast –
Of the two big Swedes and the Norse, who stood by the mate to the last? –
In every mining disaster, in a New-World mining town,
In one of the rescue parties an Olsen or Hans goes down.)


Men who fought for their village, away on their country's edge:
The priest with his cross – and a musket, and the blacksmith with his sledge;
The butcher with cleaver and pistols, and the notary with his pike.



And the clerk with what he laid hands on; but all were ready to strike.
And – Tennyson notwithstanding – when the hour of danger was come,
The shopman has struck full often with his "cheating yard-wand" home!


This is a song of brave men, ever, the wide world o'er –
Starved and crippled and murdered by the land they are fighting for.
Left to freeze in the trenches, sent to drown by the Cape,
Throttled by army contractors, and strangled bv old red-tape.
Fighting for "Home" and "Country", or "Glory", or what you choose –
Sacrificed for the Syndicates, and a monarch "in" with the Jews.


Australia! your trial is coming! Down with the party strife:
Send Your cackling, lying women back to the old Home Life.
Brush trom your Parliament benches the legal chaff and dust:
Make Federation perfect, as sooner or later you must.
Scatter your crowded cities, cut up your States – and so
Give your brave sons of the future the ghost of a White Man's show.

A Mate can do no Wrong

We learnt the creed at Hungerford,
We learnt the creed at Bourke;
We learnt it in the good times
And learnt it out of work.
We learnt it by the harbour-side
And on the billabong:
'No matter what a mate may do,
A mate can do no wrong!'
He’s like a king in this respect
(No matter what they do),
And, king-like, shares in storm and shine
The Throne of Life with you.
We learnt it when we were in gaol
And put it in a song:
' No matter what a mate may do,
A mate can do no wrong!'
They’ll say he said a bitter word
When he’s away or dead.
We’re loyal to his memory,
No matter what he said.
And we should never hesitate,
But strike out good and strong,
And jolt the slanderer on the jaw –
A mate can do no wrong !

A Mixed Battle Song

Lo! the Boar’s tail is salted, and the Kangaroo’s exalted,
And his right eye is extinguished by a man-o’-warsman’s cap;
He is flying round the fences where the Southern Sea commences,
And he’s very much excited for a quiet sort of chap.
For his ships have had a scrap and they’ve marked it on the map
Where the H.M.A.S. Sydney dropped across a German trap.
So the Kangaroo’s a-chasing of his Blessed Self, and racing
From Cape York right round to Leeuwin, from the coast to Nevertire;
And of him need be no more said, save that to the tail aforesaid
Is the Blue Australian Ensign firmly fixed with copper wire.
(When he’s filled the map with white men there’ll be little to desire.)
I was sulky, I was moody (I’m inclined to being broody)
When the news appeared in Sydney, bringing joy and bringing tears,
(There’s an undertone of sorrow that you’ll understand to-morrow)
And I felt a something in me that had not been there for years.
Though I lean in the direction of most absolute Protection
(And of wheat on the selection)
And, considering Congestion and the hopeless unemployed,
I’d a notion (but I hid it) that, the way the Emden did it,
’Twould be better for Australia if her “commerce” was destroyed.


You may say that war’s a curse, but the peace curse may be worse,
When it’s lasted till it’s rotten—rotten from the inmost core,
To the mouldy skin which we are, in the land we call the freer—
And I almost feel inclined to call for “Three Cheers for the War!”
For I think, when all is over, from Magellan’s Straits to Dover,
Things will be a great deal better than they ever were before.
But, since “Peace” and “Right” are squalling, I’ll content myself with calling
For three rousers—like the ringing cheers we used to give of yore—
For the Emden!
For the Sydney!
And their gallant crews and captains—both of whom we’ve met before!
And, for Kaiser William’s nevvy, we shall venture three cheers more!
Cheers that go to end a war.

A Fantasy of War

From Australia
.
OH, tell me, God of Battles! Oh, say what is to come!
The King is in his trenches, the millionaire at home;
The Kaiser with his toiling troops, the Czar is at the front.
Oh! Tell me, God of Battles! Who bears the battle’s brunt?
The Queen knits socks for soldiers, the Empress does the same,
And know no more than peasant girls which nation is to blame.
The wounded live to fight again, or live to slave for bread;
The Slain have graves above the Slain—the Dead are with the Dead.
The widowed young shall wed or not, the widowed old remain—
And all the nations of the world prepare for war again!
But ere that time shall be, O God, say what shall here befall!
Ten millions at the battle fronts, and we’re five millions all!
The world You made was wide, O God, the world we made is small.
We toiled not as our fathers toiled, for
Sport was all our boast;
And so we built our cities, Lord, like warts, upon the coast.


From Europe
.
The seer stood on the mountain side, the witch was in her cave;
The gipsy with his caravan, the sailor on the wave;
The sophist in his easy chair, with ne’er a soul to save,
The factory slaves went forth to slave, the peasant to the field;
The women worked in winter there for one-tenth of the yield;
The village Granny nursed their babes to give them time to slave;
The child was in the cradle, and the grandsire in his grave.
The rich man slumbered in his chair, full fed with wine and meat;
The lady in her carriage sat, the harlot walked the street
With paint upon her cheek and neck, through winter’s snow and sleet.
We saw the pride of Wealth go mad, and Misery increase—
And still the God of Gods was dumb and all the world was Peace!


The wizard on the mountain side, he drew a rasping breath,
For he was old and near to life, as he was near to death;
And he looked out and saw the star they saw at Nazareth.
“Two thousand years have passed,” he said. “A thousand years,” he said.
“A hundred years have passed,” he said, “and, lo! the star is red!
The time has come at last,” he said, and bowed his hoary head.
He laid him on the mountain-side—and so the seer was dead.
And so the Eastern Star was red, and it was red indeed—
We saw the Red Star in the South, but we took little heed.
(The Prophet in his garret starved or drank himself to death.)


The witch was mumbling in her hole before the dawn was grey;
The witch she took a crooked stick and prodded in the clay;
She doddered round and mumbled round as is the beldame’s way.
“Four children shall be born,” she said, “four children at a birth;
Four children of a peasant brood—and what shall come on earth?
Four of the poorest peasantry that Europe knows,” she said,



“And all the nations of the world shall count their gory dead!”
The babes are born in Italy—and all the world is red!


The Ship


The world You gave was wide, O Lord, and wars were far away!
The goal was just as near, O Lord, to-morrow or to-day!
The tree You grew was stout and sound to carve the plank and keel.
(And when the darkness hid the sky Your hand was on the wheel.)
The pine You grew was straight and tall to fashion spar and mast.
Our sails and gear from flax and hemp were stout and firm and fast.
You gave the metal from the mine and taught the carpenter
To fasten plank and rib and beam, and sheath and iron her.
The world You made was wide, O Lord, with signs on sea and sky;
And all the stars were true, O Lord, you gave to steer her by.
More graceful than the albatross upon the morning breeze.
Ah me! she was the fairest thing that ever sailed the seas;
And when the madness of mankind burns out at last in war,
The world may yet behold the day she’ll sail the seas once more.
We were not satisfied, O Lord, we were not satisfied;
We stole Your electricity to fortify our pride!
You gave the horse to draw our loads, You gave the horse to ride;
But we must fly above the Alps and race beneath the tide.
We searched in sacred places for the things we did not need;
Your anger shook our cities down—and yet we took no heed.
We robbed the water and the air to give us “energy,”
As we’d exhaust Thy secret store of electricity.
The day may come—and such a day!—when we shall need all three.


And lest Thou shouldst not understand our various ways and whys,
We cut Thy trees for paper, Lord, where-on to print our lies.
We sent the grand Titanic forth, for pleasure, gold and show;
And all her skeletons of wealth and jewels lie below.
For fame or curiosity, for pride, and greed, or trade,
We sought to know all things and make all things that Thou hast made!
From Pole to Pole we sought to speak, and Heaven’s powers employ—
Our cruisers feverishly seek such language to destroy.
We shaped all things for war, and now the Sister Nations wade
Knee-deep in white man’s blood to wreck all things that we have made!
For in the rottenness of Peace—worse than this bitter strife!—
We murdered the Humanity and Poetry of Life.


The Bells and the Child
.
The gongs are in the temple—the bells are in the tower;
The “tom-tom” in the jungle and the town clock tells the hour;
And all Thy feathered kind at morn have testified Thy power.



Did ever statesman save a land or science save a soul?—
Did ever Tower of Babel stand or war-drums cease to roll?—
Or wedding-bells to ring, O Lord—or requiems to toll?


Did ever child in cradle laid—born of a healthy race—
Cease for an hour, all unafraid, to testify Thy grace?
That shook its rattle from its bed in its proud father’s face?


Cathedral bells must cease awhile, because of Pride and Sin,
That never failed a wedding-morn that hailed a king and queen,
Or failed to peal for victory that brave men died to win.
(Or failed to ring the Old Year out and ring the New Year in.)


The world You made was wide, O God!—O God, ’tis narrow now—
And all its ways must run with blood, for we knew more than Thou!
And millions perish at the guns or rot beside the plough,
For we knew more than Thou.

A Derry on a Cove

’Twas in the felon’s dock he stood, his eyes were black and blue;
His voice with grief was broken, and his nose was broken, too;
He muttered, as that broken nose he wiped upon his cap—
‘It’s orfal when the p’leece has got a derry on a chap.
‘I am a honest workin’ cove, as any bloke can see,
‘It’s just because the p’leece has got a derry, sir, on me;
‘Oh, yes, the legal gents can grin, I say it ain’t no joke—
‘It’s cruel when the p’leece has got a derry on a bloke.’


‘Why don’t you go to work?’ he said (he muttered, ‘Why don’t you?’).
‘Yer honer knows as well as me there ain’t no work to do.
‘And when I try to find a job I’m shaddered by a trap—
‘It’s awful when the p’leece has got a derry on a chap.’


I sigh’d and shed a tearlet for that noble nature marred,
But, ah! the Bench was rough on him, and gave him six months’ hard.
He only said, ‘Beyond the grave you’ll cop it hot, by Jove!
‘There ain’t no angel p’leece to get a derry on a cove.’