Poems List

The Way of the World

The Way of the World

When fairer faces turn from me,
And gayer friends grow cold,
And I have lost through poverty
The friendship bought with gold;
When I have served the selfish turn
Of some all-worldly few,
And Folly’s lamps have ceased to burn,
Then I’ll come back to you.
When my admirers find I’m not
The rising star they thought,
And praise or blame is all forgot
My early promise brought;
When brighter rivals lead a host
Where once I led a few,
And kinder times reward their boast,
Then I’ll come back to you.


You loved me, not for what I had
Or what I might have been,
You saw the good, but not the bad,
Was kind, for that between.
I know that you’ll forgive again—
That you will judge me true;
I’ll be too tired to explain
When I come back to you.
250

The Waving of the Red

The Waving of the Red

It is a sad and cruel fate the country’s coming to,
And there’s no use in striking, ‘so what are we to do?’
“I know what we could do, but then, there might be traitors near,
And things are running in my head that only mates should hear!”
The world cannot go on like this, in spite of all that’s said,
And millions now are waiting for – the Waving of the Red.


“Last night as I lay slipping out a vision came to me;
A girl with face as fair and grand as ever man might see –
Her form was like the statues raised to Liberty in France,
And in her hand a blood-red flag was wrapped around a lance.
She shook the grand old colour loose, she smiled at me and said;
“Go bid your brothers gather for the Waving of the Red.”
234

The Water Lily

The Water Lily

A lonely young wife
In her dreaming discerns
A lily-decked pool
With a border of ferns,
And a beautiful child,
With butterfly wings,
Trips down to the edge of the water and sings:
‘Come, mamma! come!
‘Quick! follow me—
‘Step out on the leaves of the water-lily!’
And the lonely young wife,
Her heart beating wild,
Cries, ‘Wait till I come,
‘Till I reach you, my child!’
But the beautiful child
With butterfly wings
Steps out on the leaves of the lily and sings:
‘Come, mamma! come!
‘Quick! follow me!
‘And step on the leaves of the water-lily!


And the wife in her dreaming
Steps out on the stream,
But the lily leaves sink
And she wakes from her dream.
Ah, the waking is sad,
For the tears that it brings,
And she knows ’tis her dead baby’s spirit that sings:
‘Come, mamma! come!
‘Quick! follow me!
‘Step out on the leaves of the water-lily!’
260

The Watch on the Kerb

The Watch on the Kerb

Night-Lights are falling;
Girl of the street,
Go to your calling
If you would eat.
Lamplight and starlight
And moonlight superb,
Bright hope is a farlight,
So watch on the kerb.
Watch on the kerb,
Watch on the kerb;
Hope is a farlight;
Then watch on the kerb.


Comes a man: call him —
Gone! he is vext;
Curses befall him,
Wait for the next!
Fair world and bright world,
Life still is sweet —
Girl of the night-world,
Watch on the street.


Dreary the watch is:
Moon sinks from sight,
Gas only blotches
Darkness with light;
Never, Oh, never
Let courage go down;
Keep from the river,
Oh, Girl of the Town!
236

The Voice from Over Yonder

The Voice from Over Yonder

“Did she care as much as I did
When our paths of Fate divided?
Was the love, then, all onesided—
Did she understand or care?”
Slowly fall the moments leaden,
And the silence seems to deaden—
And a voice from over yonder answers sadly: “I’ve been there.”


“Have you tramped the streets of cities
Poor? And do you know what it is—
While no mortal cares or pities—
To have drifted past ambition;
To have sunk below despair?
Doomed to slave and stint and borrow;
Ever haunted in your sorrow
By the spectre of To-morrow?”
And the voice from over yonder answers sadly: “I’ve been there.”


“Surely in the wide Hereafter
There’s a land of love and laughter?
Say: Is this life all we live for—
Say it! think it, if you dare!
Have you ever thought or wondered
Why the Man and God were sundered?
Do you think the Maker blundered?”
And the voice, in mocking accents, answered only: “I’ve been there.”
274

The Wander-Light

The Wander-Light

And they heard the tent-poles clatter,
And the fly in twain was torn –
'Tis the soiled rag of a tatter
Of the tent where I was born.
And what matters it, I wonder?
Brick or stone or calico? –
Or a bush you were born under,
When it happened long ago?


And my beds were camp beds and tramp beds and damp beds,
And my beds were dry beds on drought-stricken ground,
Hard beds and soft beds, and wide beds and narrow –
For my beds were strange beds the wide world round.


And the old hag seemed to ponder
('Twas my mother told me so),
And she said that I would wander
Where but few would think to go.
"He will fly the haunts of tailors,
He will cross the ocean wide,
For his fathers, they were sailors
All on his good father's side."


Behind me, before me, Oh! my roads are stormy
The thunder of skies and the sea's sullen sound,
The coaster or liner, the English or foreign,
The state-room or steerage the wide world round.


And the old hag she seemed troubled
As she bent above the bed,
"He will dream things and he'll see things
To come true when he is dead.
He will see things all too plainly,
And his fellows will deride,
For his mothers they were gipsies
All on his good mother's side."


And my dreams are strange dreams, are day dreams, are grey dreams,
And my dreams are wild dreams, and old dreams and new;
They haunt me and daunt me with fears of the morrow –
My brothers they doubt me – but my dreams come true.


And so I was born of fathers
From where ice-bound harbours are
Men whose strong limbs never rested
And whose blue eyes saw afar.
Till, for gold, one left the ocean,
Seeking over plain and hill;
And so I was born of mothers
Whose deep minds were never still.


I rest not, 'tis best not, the world is a wide one



And, caged for an hour, I pace to and fro;
I see things and dree things and plan while I'm sleeping,
I wander for ever and dream as I go.


I have stood by Table Mountain
On the Lion at Capetown,
And I watched the sunset fading
From the roads that I marked down,
And I looked out with my brothers
From the heights behind Bombay,
Gazing north and west and eastward,
Over roads I'll tread some day.


For my ways are strange ways and new ways and old ways,
And deep ways and steep ways and high ways and low;
I'm at home and at ease on a track that I know not,
And restless and lost on a road that I know.
271

The Unknown God

The Unknown God

The President to Kingdoms,
As in the Days of Old;
The King to the Republic,
As it had been foretold.
They could not read the spelling,
They would not hear the call;
They would not brook the telling
Of Writing on the Wall.
I buy my Peace with Slaughter,
With Peace I fashion War;
I drown the land with water,
With land I build the shore.
I walk with Son and Daughter
Where Ocean rolled before.
I build a town where sea was
A tower where tempests roar.


From bays in distant islands,
And rocks in lonely seas,
With unseen Death in silence
I smite mine enemies!
The great Cathedral crashes
Where once a city stood;
I build again on ashes
And breed on clotted blood!


I link the seas together,
And at my sign and will
The train runs on the ocean bed,
The great ship climbs the hill!
For pastime I flood deserts
With water from the rill;
And in my tireless leisure hours
I empty lakes, and fill.


I plumb the seas beneath us
And fathom skies above,
Yet I make Peace for hatred
And I make War for love.
I race beneath the ranges
And sit where Mystery dwells—
Yet mankind sees no changes,
They ask for “miracles!”


I own the world and span its
Lone lands from Pole to Pole;
I live in other planets,
Yet do not know my soul—
The soul that none may fathom,
Whose secrets none may tell,
The soul that none may humble,
The Soul Unconquerable!



I am the God of Ages!
I am the Unknown God!
My life is written pages
Wherever man hath trod.
From bounds of Polar regions,
To where the Desert reigns,
I’ve left my myriad legions
On countless vanished plains.


And I shall reign for ever
On earth while oceans roll,
In shape of man, or woman,
Through my immortal soul;
Yet I can love and suffer,
Be angry, or be mild,
And I can bow me down and weep
Just like a mortal child.


I conquer Death and Living,
And Fiends in shape of men,
For I rejoice in giving
Not to receive again.
For I am Man!—and Mortal!
And Mammon’s Towers must fall,
Though Greed draws all his pencils through
The Writing on the Wall!
210

The Vanguard [1]

The Vanguard [1]

While the crippled cruisers stagger where the blind horizon dips,
And the ocean ooze is rising round the sunken battle-ships,
While the battered wrecks, unnoticed, with their mangled crews drift past—
Let me fire one gun for Russia, though that gun should be the last.
’Tis a struggle of the Ages, and the White Man’s star is dim,
There is little jubilation, for the game has got too grim;
But though Russia’s hope seems shattered, and the Russian star seems set,
It may mean the Dawn for Russia—and my hope’s in IVAN yet!


Let the Jingo in his blindness cant and cackle as he will;
But across the path from Asia run the Russian trenches still!
And the sahib in his rickshaw may loll back and smoke at ease,
While the haggard, ragged heroes man the battered batteries.


’Tis the first round of the struggle of the East against the West,
Of the fearful war of races—for the White Man could not rest.
Hold them, IVAN! staggering bravely underneath your gloomy sky;
Hold them, IVAN! we shall want you pretty badly by-and-bye!


Fighting for the Indian empire, when the British pay their debt;
Never Britain watched for BLUCHER as he’ll watch for IVAN yet!
It means all to young Australia—it means life or death to us,
For the vanguard of the White Man is the vanguard of the Russ!
255

The Two Samaritans and the Tramp

The Two Samaritans and the Tramp

A TRAMP was trampin’ on the road—
The afternoon was warm an’ muggy—
And by-and-by he chanced to meet
A parsin ridin’ in a buggy.
Said he: “As follerers ov the Loard,
To do good offices we oughter!”
An’ from a water-bag he poured,
An’ guv the tramp, a drink er water.


The parsin he went rattlin’ ’ome
To ware his fam-i-lee was thrivin’,
The tramp went on until he met
A bullick-driver, bullick drivin’—
“It’s bilin’ ’ot,” the driver sed
As soon’s the dirty tramp drawed nearer,
And from a little keg he poured,
And giv the tramp a pint of beer—“ah!”


(P.S.—The “ah” is meant to stand for the tramp a-drinking ov it.)


I ain’t agin the temperance cause,
Nor yet no advocate ov drinkin’—
I only tells the yarn because—
Well, at the time it somehow seemed
Ter kind ov set me thinkin’.
253

The Triumph of the People

The Triumph of the People

LO, the gods of Vice and Mammon from their pinnacles are hurled
By the workers’ new religion, which is oldest in the world;
And the earth will feel her children treading firmly on the sod,
For the triumph of the People is the victory of God.


Not the victory of Churches, nor of Punishment and Wrath,
Not the triumph of the sceptic, throwing shadows on the path,
But of Christ and love and mercy o’er the Monarch and the Rod,
For the harvest of the Saviour is the aftermath of God.


O the Light of Revelation, since the reign of Care began,
Has been shining through the ages on the darkened eyes of man.
And the willing slave of Error—he is senseless as a clod—
For the simple Book of Nature is the written scroll of God.


Who will dare to say the sunlight on the pregnant Earth was shed
That the few might rest and fatten, while the many fight for bread?
Lo, there springs a common garden, where the foot of Greed hath trod,
For the victory of Labour was the prophecy of God.


Mother Earth, in coming seasons, shall fulfil her motherhood;
Then the children of her bosom never more shall want for food,
And oppression shall no longer grind the people iron-shod;
For the lifted hand of Labour is the upraised hand of God.
281

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Identification and basic context

Henry Lawson was a highly influential Australian writer and poet. He is best known for his short stories and poems that vividly depicted Australian bush life, the lives of selectors, shearers, and swagmen, and the harsh realities of the Australian landscape.

Childhood and education

Born in the Blue Mountains, New South Wales, Lawson had a difficult childhood marked by poverty and his parents' strained relationship. He received little formal schooling and was largely self-educated, developing a passion for reading and writing.

Literary trajectory

Lawson began his writing career submitting poems and stories to magazines. His work gained popularity in the 1890s, particularly through 'The Bulletin' magazine. His early collections, such as 'Short Stories in Verse' (1894) and 'While the Billy Boils' (1896), established him as a major voice in Australian literature.

Works, style, and literary characteristics

Lawson's most famous works include 'The Drover's Wife', 'The Loaded Dog', 'The Union Buries Its Dead', and poems like 'The:]. He explored themes of hardship, mateship, the Australian identity, loneliness, drought, and the vastness of the outback. His style is characterized by realism, stark simplicity, direct language, and a profound understanding of the Australian character and environment. He often used colloquialisms and captured the authentic voice of the bush.

Cultural and historical context

Lawson wrote during a pivotal period in Australian history, the late 19th and early 20th centuries, a time of economic depression, burgeoning nationalism, and the formation of the Commonwealth of Australia. His work reflected the social and economic conditions of the time, particularly the struggles of rural workers and the mythos of the bushman.

Personal life

Lawson's life was marked by personal struggles, including alcoholism, financial difficulties, and mental health issues. His marriage to Bertha Bredon ended in separation. Despite his literary success, he often lived in poverty and faced periods of institutionalization.

Recognition and reception

Lawson is considered a national icon in Australia. His work was immediately popular with readers for its authentic portrayal of Australian life. He is widely regarded as Australia's 'bush poet' and a foundational figure in Australian literature.

Influences and legacy

He was influenced by American writers like Bret Harte and Mark Twain, as well as English poets. Lawson's legacy lies in his shaping of the Australian literary identity and his realistic portrayal of Australian life. He inspired generations of Australian writers to explore their own national themes and characters.

Interpretation and critical analysis

His work is often analyzed for its social commentary, its depiction of the Australian landscape as both beautiful and harsh, and its exploration of the 'masculine' Australian identity characterized by resilience and stoicism.

Curiosities and lesser-known aspects

He famously wrote a petition for a public holiday to commemorate the 'Day of the Shearer'. His relationship with 'The Bulletin' magazine was central to his career.

Death and memory

Henry Lawson died in Sydney. He is commemorated by statues, street names, and numerous studies of his life and work, solidifying his status as a cherished figure in Australian culture.