Henry Lawson

Henry Lawson

1867–1922 · lived 55 years -- --

Henry Lawson was an Australian writer and poet, celebrated for his vivid portrayals of Australian bush life, identity, and the struggles of ordinary people. He is considered one of Australia's greatest literary figures, known for his realistic and often melancholic depiction of the Australian landscape and its inhabitants. His work frequently captures the hardship, mateship, and resilience of the Australian spirit.

n. 1867-06-17, Grenfell · m. 1922-09-02, Sydney

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Years After the War In Australia

Years After the War In Australia

The Big rough boys from the runs out back were first where the balls flew free,
And yelled in the slang of the Outside Track: ‘By God, it’s a Christmas spree!’
‘It’s not too rusty’—and ‘Wool away!’—‘stand clear of the blazing shoots!’—
‘Sheep O! Sheep O!’—‘We’ll cut out to-day’—‘Look out for the boss’s boots!’
‘What price the tally in camp to-night!’—‘What price the boys Out Back!’
‘Go it, you tigers, for Right or Might and the pride of the Outside Track!’
‘Needle and thread!’—‘I have broke my comb!’—‘Now ride, you flour-bags, ride!’
‘Fight for your mates and the folk at home!’—‘Here’s for the Lachlan side!’
Those men of the West would sneer and scoff at the gates of hell ajar,
And oft the sight of a head cut off was hailed by a yell for ‘Tar!’


I heard the push in the Red Redoubt, irate at a luckless shot:
‘Look out for the blooming shell, look out!’—‘Gor’ bli’me, but that’s red-hot!’
‘It’s Bill the Slogger—poor bloke—he’s done. A chunk of the shell was his;
‘I wish the beggar that fired that gun could get within reach of Liz.’
‘Those foreign gunners will give us rats, but I wish it was Bill they missed.’
‘I’d like to get at their bleeding hats with a rock in my (something) fist.’
‘Hold up, Billy; I’ll stick to you; they’ve hit you under the belt;
‘If we get the waddle I’ll swag you through, if the blazing mountains melt;
‘You remember the night when the traps got me for stoushing a bleeding Chow,
‘And you went for ’em proper and laid out three, and I won’t forget it now.’
And, groaning and swearing, the pug replied: ‘I’m done . . . they’ve knocked me out!
‘I’d fight them all for a pound a-side, from the boss to the rouseabout.
‘My nut is cracked and my legs is broke, and it gives me worse than hell;
‘I trained for a scrap with a twelve-stone bloke, and not with a bursting shell.
‘You needn’t mag, for I knowed, old chum, I knowed, old pal, you’d stick;
‘But you can’t hold out till the reg’lars come, and you’d best be nowhere quick.
‘They’ve got a force and a gun ashore, both of our wings is broke;
‘They’ll storm the ridge in a minute more, and the best you can do is smoke.’


And Jim exclaimed: ‘You can smoke, you chaps, but me—Gor’ bli’me, no!
‘The push that ran from the George-street traps won’t run from a foreign foe.
‘I’ll stick to the gun while she makes them sick, and I’ll stick to what’s left of Bill.’
And they hiss through their blackened teeth: ‘We’ll stick! by the blazing flame, we will!’
And long years after the war was past, they told in the town and bush
How the ridge of death to the bloody last was held by a Sydney push;
How they fought to the end in a sheet of flame, how they fought with their rifle-stocks,
And earned, in a nobler sense, the name of their ancient weapons—‘rocks.’


In the western camps it was ever our boast, when ’twas bad for the kangaroo:
If the enemy’s forces take the coast, they must take the mountains, too;
‘They may force their way by the western line or round by a northern track,
But they won’t run short of a decent spree with the men who are left out back!’
When we burst the enemy’s ironclads and won by a run of luck,
We whooped as loudly as Nelson’s lads when a French three-decker struck—
And when the enemy’s troops prevailed the truth was never heard—
We lied like heroes who never failed explaining how that occurred.
You bushmen sneer in the old bush way at the new-chum jackeroo,
But ‘cuffs-’n’-collers’ were out that day, and they stuck to their posts like glue;
I never believed that a dude could fight till a Johnny led us then;
We buried his bits in the rear that night for the honour of George-street men.



And Jim the Ringer—he fought, he did. The regiment nicknamed Jim,
‘Old Heads a Caser’ and ‘Heads a Quid,’ but it never was ‘tails’ with him.
The way that he rode was a racing rhyme, and the way that he finished grand;
He backed the enemy every time, and died in a hand-to-hand!


I’ll never forget when the ringer and I were first in the Bush Brigade,
With Warrego Bill, from the Live-till-you-Die, in the last grand charge we made.
And Billy died—he was full of sand—he said, as I raised his head:
‘I’m full of love for my native land, but a lot too full of lead.
‘Tell ’em,’ said Billy, ‘and tell old dad, to look after the cattle pup;’
But his eyes grew bright, though his voice was sad, and he said, as I held him up:
‘I have been happy on western farms. And once, when I first went wrong,
‘Around my neck were the trembling arms of the girl I’d loved so long.
‘Far out on the southern seas I’ve sailed, and ridden where brumbies roam,
‘And oft, when all on the station failed, I’ve driven the outlaw home.
‘I’ve spent a cheque in a day and night, and I’ve made a cheque as quick;
‘I struck a nugget when times were tight, and the stores had stopped our tick.
‘I’ve led the field on the old bay mare, and I hear the cheering still,
‘When mother and sister and she were there, and the old man yelled for Bill;
‘But, save for her, could I live my while again in the old bush way,
‘I’d give it all for the last half-mile in the race we rode to-day!’
And he passed away as the stars came out—he died as old heroes die—
I heard the sound of the distant rout, and the Southern Cross was high.
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Bio

Identification and basic context

Henry Lawson was a highly influential Australian writer and poet. He is best known for his short stories and poems that vividly depicted Australian bush life, the lives of selectors, shearers, and swagmen, and the harsh realities of the Australian landscape.

Childhood and education

Born in the Blue Mountains, New South Wales, Lawson had a difficult childhood marked by poverty and his parents' strained relationship. He received little formal schooling and was largely self-educated, developing a passion for reading and writing.

Literary trajectory

Lawson began his writing career submitting poems and stories to magazines. His work gained popularity in the 1890s, particularly through 'The Bulletin' magazine. His early collections, such as 'Short Stories in Verse' (1894) and 'While the Billy Boils' (1896), established him as a major voice in Australian literature.

Works, style, and literary characteristics

Lawson's most famous works include 'The Drover's Wife', 'The Loaded Dog', 'The Union Buries Its Dead', and poems like 'The:]. He explored themes of hardship, mateship, the Australian identity, loneliness, drought, and the vastness of the outback. His style is characterized by realism, stark simplicity, direct language, and a profound understanding of the Australian character and environment. He often used colloquialisms and captured the authentic voice of the bush.

Cultural and historical context

Lawson wrote during a pivotal period in Australian history, the late 19th and early 20th centuries, a time of economic depression, burgeoning nationalism, and the formation of the Commonwealth of Australia. His work reflected the social and economic conditions of the time, particularly the struggles of rural workers and the mythos of the bushman.

Personal life

Lawson's life was marked by personal struggles, including alcoholism, financial difficulties, and mental health issues. His marriage to Bertha Bredon ended in separation. Despite his literary success, he often lived in poverty and faced periods of institutionalization.

Recognition and reception

Lawson is considered a national icon in Australia. His work was immediately popular with readers for its authentic portrayal of Australian life. He is widely regarded as Australia's 'bush poet' and a foundational figure in Australian literature.

Influences and legacy

He was influenced by American writers like Bret Harte and Mark Twain, as well as English poets. Lawson's legacy lies in his shaping of the Australian literary identity and his realistic portrayal of Australian life. He inspired generations of Australian writers to explore their own national themes and characters.

Interpretation and critical analysis

His work is often analyzed for its social commentary, its depiction of the Australian landscape as both beautiful and harsh, and its exploration of the 'masculine' Australian identity characterized by resilience and stoicism.

Curiosities and lesser-known aspects

He famously wrote a petition for a public holiday to commemorate the 'Day of the Shearer'. His relationship with 'The Bulletin' magazine was central to his career.

Death and memory

Henry Lawson died in Sydney. He is commemorated by statues, street names, and numerous studies of his life and work, solidifying his status as a cherished figure in Australian culture.

Poems

251

The Sleeping Beauty

The Sleeping Beauty

“Call that a yarn!” said old Tom Pugh,
“What rot! I’ll lay my hat
I’ll sling you a yarn worth more nor two
Such pumped-up yarns as that.”
And thereupon old Tommy “slew”
A yarn of Lambing Flat.


“When Lambing Flat broke out,” he said,
“’Mongst others there I knew
A lanky, orkard, Lunnon-bred
Young chap named Johnny Drew,
And nicknamed for his love of bed,
The ‘Sleeping Beauty’ too.


“He sunk a duffer on the Flat,
In comp’ny with three more,
And makin’ room for this and that
They was a tidy four,
Save when the eldest, Dublin Pat,
Got drunk and raved for gore.


“This Jack at yarnin’ licked a book,
And half the night he’d spout.
But when he once turned in, it took
Old Nick to get him out.
And that is how they came to cook
The joke I tell about.


“A duffer-rush broke out one day,
I quite forget where at
(It doesn’t matter, anyway,
It didn’t feed a cat)—
And Johnnie’s party said they’d say
Good-bye to Lambing Flat.


“Next mom rose Johnnie’s mates to pack
And make an early shunt,
But all they could get out of Jack
Was ‘All right,’ or a grunt,
By pourin’ water down his back
And—when he turned—his front.


“The billy biled, the tea was made,
They sat and ate their fill,
But Jack upon his broad back laid,
Snored like a fog-horn still;
‘We’ll save some tea to scald him,’ said
The peaceful Corney Bill.


“As they their beef and damper ate
And swilled their pints of tea
A bully notion all at wonst



Dawned on that rowdy three.
And Dublin Pat, in frantic mirth,
Said, ‘Now we’ll have a spree!’


“Well, arter that, I’m safe to swear,
The beggars didn’t lag,
But packed their togs with haste and care,
And each one made his swag
With Johnnie’s moleskins, ev’ry pair,
Included in the bag.


“With nimble fingers from the pegs
They soon the strings unbent,
And off its frame as sure as eggs
They drew the blessed tent,
And rolled it up and stretched their legs,
And packed the lot—and went.


“And scarcely p’r’aps a thing to love,
The ‘Beauty’ slumbered sound,
With nought but Heaven’s blue above
And Lambing Flat around,
Until in sight some diggers hove—
Some diggers out’ard bound.


“They sez as twelve o’clock was nigh—
We’ll say for sure elev’n—
When Johnnie ope’d his right-hand eye
And looked straight up to Heav’n:
I reckon he got more surprise
Than struck the fabled Sev’n.


“Clean off his bunk he made a bound,
And when he rubbed his eyes
I’m safe to swear poor Johnnie found
His dander ’gin to rise.
For there were diggers standin’ round—
Their missuses likewise.


“O Lor’! the joke—it wasn’t lost,
Though it did well-nigh tear
The sides of them as came acrost
The flat to hear Jack swear,
They sez as how old Grimshaw tossed
His grey wig in the air.


“Some minutes on the ground Jack lay,
And bore their screamin’ jeers,
And every bloke that passed that way
Contributed his sneers;
Jack cursed aloud, that cursed day
Seemed lengthened into years.



“Then in a fury up he sprung—
A pretty sight, you bet—
And laid about him with his tongue
Advising us ‘to get’,
And praying we might all be hung—
I think I hear him yet.


“Then on a sudden, down he bent,
And grabbed a chunk of rock,
And into Grimshaw’s stomach sent
The fossil, with a shock,
And Grimshaw doubled up and went
To pieces with the knock.


“And in the sun that day Jack stood
Clad only in his shirt,
And fired with stones and bits of wood,
And with his tongue threw dirt;
He fought as long as e’er he could—
But very few were hurt.


“He stooped to tear a lump of schist
Out of the clinging soil,
By thunder, you should hear him jist,
And see the way he’d coil
Upon the ground, and hug his fist,
And scratch and dig and toil!


“’Tis very plain he’d struck it fat,
The dufferin’ Lunnon muff;
The scoff and butt of Lambing Flat,
Who always got it rough,
Could strike his fortune where he sat;
The joker held the stuff.


“Well, that’s the yarn, it ain’t so poor;
Them golden days is o’er,
And Dublin Pat was drowned, and sure
It quenched his thirst for gore;
Old Corney Bill and Dave the Cure
I never heard on more.


“The Sleepin’ Beauty’s wealthy, too,
And wears a shiny hat,
But often comes to old Tom Pugh
To have a quiet chat;
I lent him pants to get him through
His fix on Lambing Flat.”
255

The Soldier Birds

The Soldier Birds

I mind the river from Mount Frome
To Ballanshantie’s Bridge,
The Mudgee Hills, and Buckaroo,
Lowe’s Peak, and Granite Ridge.
The “tailers” in the creek beneath,
The rugged she-oak boles,
The river cod where shallows linked,
The willowed water-holes.
I mind the blacksoil river flats,
The red soil levels, too,
The sidings where below the scrub
The golden wattles grew;
The track that ran by Tierney’s Gap,
The dusk and ghost alarms,
The glorious morning on the hills,
And all the German farms.


I mind the blue-grey gully bush,
The slab-and-shingle school,
The “soldier birds” that picked the crumbs
Beneath the infants’ stool.
(Ah! did those little soldier birds,
That whispered, ever know
That one of us should rise so high
And sadly sink so low?)


I mind the lessons that we droned
In books from Irish schools,
The canings and the keepings-in
For breaking bounds and rules.
Ah! little did the teacher dream
That one of us, perchance,
Might write in London to be read
In Germany and France.


I mind the days we played at camp
With billy-can and swag,
I mind the notes sent home by girls
When someone “played the wag.”
Ah! little did the master think
(Who’d lost the roving star)
What truants in their after years
Would play the wag so far.


I mind when first he gave to me
A pen and ink to write,
And, last, the “Fourth Class Forms” he made
I shared with Lucy White.
The other boys were other boys,
With cricket ball and bat,
They had a fine contempt for girls,
But they got over that.



The “rounders” where the girls came in—
The Tomboy and the rest—
The earnest game of Pris’ners’ Base—
The game that I liked best.
The kangarooing on the ridge,
And in the brown moonlight,
The “possuming” across the flats,
With dogs and gun at night.


The “specking” in old diggers’ heaps
For “colours” after rain,
The horse-shoes saved against the time
The circus came again,
And sold to Jimmy Siver-right—
The blacksmith on the flat;
The five-corners, the swimming hole—
Oh! I remember that!


I mind the holland “dinner bags”—
A book bag of green baize—
The bread and dripping, bread and meat,
And bread and treacle days.
The bread and butter swopped for meat,
The crumb we swopped for crust—
We’ve married—and divorced—since then,
And most old homes are dust.


It was the time, it was the place—
Australia’s hardest page—
When boys were cast for farming work
At fourteen years of age.
It was the time, it was the place,
The latter “Early Day,”
When boys ride home from old bark schools
And to the world away.


I’ve drifted through Port Said since then,
Naples and Leicester Square,
And Collins and Macquarie Streets—
I know the secrets there.
Ah me! The country boy and girl,
The country lass and lad,
As innocent as soldier birds,
Though we thought we were bad!


But, spite of all their daring truth,
And some work that shall last,
The bitter years of my brave youth
Are better in the past.
This does not call for bitterness,
Nor does it call for tears,



The purest little thing perhaps
I’ve printed here for years.


The railway runs by Mudgee Hills,
Old farms are lost or lone,
And children’s children sadly go
To schools of brick and stone.
Yet are the same. The Mudgee Hills
And Mudgee skies as fair—
And the little grey-clad soldier birds
Are just as busy there.
265

The Ships that Won't Go Down

The Ships that Won't Go Down

We hear a great commotion
'Bout the ship that comes to grief,
That founders in mid-ocean,
Or is driven on a reef;
Because it's cheap and brittle
A score of sinners drown.
But we hear but mighty little
Of the ships that won't go down.


Here's honour to the builders –
The builders of the past;
Here's honour to the builders
That builded ships to last;
Here's honour to the captain,
And honour to the crew;
Here's double-column headlines
To the ships that battle through.


They make a great sensation
About famous men that fail,
That sink a world of chances
In the city morgue or gaol,
Who drink, or blow their brains out,
Because of "Fortune's frown".
But we hear far too little
Of the men who won't go down.


The world is full of trouble,
And the world is full of wrong,
But the heart of man is noble,
And the heart of man is strong!
They say the sea sings dirges,
But I would say to you
That the wild wave's song's a paean
For the men that battle through.
283

The Shearers

The Shearers

No church-bell rings them from the Track,
No pulpit lights theirblindness-'
Tis hardship, drought, and homelessness
That teach those Bushmen kindness:
The mateship born, in barren lands,
Of toil and thirst and danger,
The camp-fare for the wanderer set,
The first place to the stranger.
They do the best they can to-day--
Take no thought of the morrow;
Their way is not the old-world way--
They live to lend and borrow.
When shearing's done and cheques gone wrong,
They call it "time to slither"--
They saddle up and say "So-long!"
And ride the Lord knows whither.


And though he may be brown or black,
Or wrong man there, or right man,
The mate that's steadfast to his mates
They call that man a "white man!"
They tramp in mateship side by side--
The Protestant and Roman--
They call no biped lord or sir,
And touch their hat to no man!


They carry in their swags perhaps,
A portrait and a letter--
And, maybe, deep down in their hearts,
The hope of "something better."
Where lonely miles are long to ride,
And long, hot days recurrent,
There's lots of time to think of men
They might have been--but weren't.


They turn their faces to the west
And leave the world behind them
(Their drought-dry graves are seldom set
Where even mates can find them).
They know too little of the world
To rise to wealth or greatness;
But in these lines I gladly pay
My tribute to their greatness.
264

The Separation

The Separation

We knew too little of the world,
And you and I were good—
’Twas paltry things that wrecked our lives
As well I knew they would.
The people said our love was dead,
But how were they to know?
Ah! had we loved each other less
We’d not have quarrelled so.
We knew too little of the world,
And you and I were kind,
We listened to what others said
And both of us were blind.
The people said ’twas selfishness,
But how were they to know?
Ah! had we both more selfish been
We’d not have parted so.


But still when all seems lost on earth
Then heaven sets a sign—
Kneel down beside your lonely bed,
And I will kneel by mine,
And let us pray for happy days—
Like those of long ago.
Ah! had we knelt together then
We’d not have parted so.
262

The Shame of Going Back

The Shame of Going Back

When you've come to make a fortune and you haven't made your salt,
And the reason of your failure isn't anybody's fault -
When you haven't got a billet, and the times are very slack,
There is nothing that can spur you like the shame of going back;
Crawling home with empty pockets,
Going back hard-up;
Oh! it's then you learn the meaning of humiliation's cup.


When the place and you are strangers and you struggle all alone,
And you have a mighty longing for the town where you are known;
When your clothes are very shabby and the future's very black,
There is nothing that can hurt you like the shame of going back.


When we've fought the battle bravely and are beaten to the wall,
'Tis the sneers of men, not conscience, that make cowards of us all;
And the while you are returning, oh! your brain is on the rack,
And your heart is in the shadow of the shame of going back.


When a beaten man's discovered with a bullet in his brain,
They POST-MORTEM him, and try him, and they say he was insane;
But it very often happens that he'd lately got the sack,
And his onward move was owing to the shame of going back.


Ah! my friend, you call it nonsense, and your upper lip is curled,
I can see that you have never worked your passage through the world;
But when fortune rounds upon you and the rain is on the track,
You will learn the bitter meaning of the shame of going back;
Going home with empty pockets,
Going home hard-up;
Oh, you'll taste the bitter poison in humiliation's cup.
265

The Seabolt's Volunteers

The Seabolt's Volunteers

They towed the Seabolt down the stream,
And through the harbour’s mouth;
She spread her wings and sailed away
To seek the sunny South.


But, ah! she met with storm on storm
Ere half her course had run;
And all her masts were torn away,
And all her boats save one.


The good old ship had settled far
Beneath her cargo line,
Her riven sides were drinking deep
The draughts of ocean brine.


There gathered round the only boat
The women pale with fear,
And trembling little ones, who clung
To those who held them dear.


Then spoke the captain, brave and true,
His voice rose o’er the roar;
“The boat will save us all but five,
She cannot float with more!”


And backward from the side he stepped—
(He had been born at sea)
“Now who will seek in ocean’s depths
A sailor’s grave with me?”


Then up there stepped a merchant stout,
His face was brown and tan:
“I’ll volunteer to stay on board,
For I’m an Englishman!”


Then spoke a gallant gentleman,
A lover of romance:
“Remain I for the ladies’ sake,
For I’m a son of France!”


And next there spoke a Highlander:
“Go search the wide world round,
You’ll find no spot where on the earth
A Scotsman is not found!”


And then there spoke a lad to whom
Killarney’s lakes were dear:
“It won’t be said that Ireland found
No place of honour here!”


The boat pushed from the vessel’s side
Amid the ringing cheers;



And now beneath Old Ocean sleep
The Seabolt’s volunteers.
275

The Secret Whisky Cure

The Secret Whisky Cure

’Tis no tale of heroism, ’tis no tale of storm and strife,
But of ordinary boozing, and of dull domestic life—
Of the everlasting friction that most husbands must endure—
Tale of nagging and of drinking—and a secret whisky cure.
Name of Jones—perhaps you know him—small house-agent here in town—
(Friend of Smith, you know him also—likewise Robinson and Brown),
Just a hopeless little husband, whose deep sorrows were obscure,
And a bitter nagging Missis—and death seemed the only cure.


’Twas a common sordid marriage, and there’s little new to tell—
Save the pub to him was Heaven and his own home was a hell:
With the office in between them—purgatory to be sure—
And, as far as Jones could make out—well, there wasn’t any cure.


’Twas drink and nag—or nag and drink—whichever you prefer—
Till at last she couldn’t stand him any more than he could her.
Friends and relatives assisted, telling her (with motives pure)
That a legal separation was the only earthly cure.


So she went and saw a lawyer, who, in accents soft and low,
Asked her firstly if her husband had a bank account or no;
But he hadn’t and she hadn’t, they in fact were very poor,
So he bowed her out suggesting she should try some liquor cure.


She saw a drink cure advertised in the Sydney Bulletin—
Cure for brandy, cure for whisky, cure for rum and beer and gin,
And it could be given secret, it was tasteless, swift and sure—
So she purchased half a gallon of that Secret Whisky Cure.


And she put some in his coffee, smiling sweetly all the while,
And he started for the office rather puzzled by the smile—
Smile or frown he’d have a whisky, and you’ll say he was a boor—
But perhaps his wife had given him an overdose of Cure.


And he met a friend he hadn’t seen for seven years or more—
It was just upon the threshold of a private bar-room door—
And they coalised and entered straight away, you may be sure—
But of course they hadn’t reckoned with a Secret Whisky Cure.


Jones, he drank, turned pale, and, gasping, hurried out the back way quick,
Where, to his old chum’s amazement, he was violently sick;
Then they interviewed the landlord, but he swore the drink was pure—
It was only the beginning of the Secret Whisky Cure.


For Jones couldn’t stand the smell of even special whisky blends,
And shunned bar-rooms to the sorrow of his trusty drinking friends:
And they wondered, too, what evil genius had chanced to lure
Him from paths of booze and friendship—never dreaming of a Cure.


He had noticed, too, with terror that a something turned his feet,
When a pub was near, and swung him to the other side the street,



Till he thought the devils had him, and his person they’d immure
In a lunatic asylum where there wasn’t any Cure.


He consulted several doctors who were puzzled by the case—
As they mostly are, but never tell the patient to his face—
Some advised him ‘Try the Mountains for this malady obscure:’
But there wasn’t one could diagnose a Secret Whisky Cure.


And his wife, when he was sober?—Well, she nagged him all the more!
And he couldn’t drown his sorrow in the pewter as of yore:
So he shot himself at Manly and was sat upon by Woore,
And found rest amongst the spirits from the Secret Whisky Cure.


And the moral?—well, ’tis funny—or ’tis woman’s way with men—
She’s remarried to a publican who whacks her now and then,
And they get on fairly happy, he’s a brute and he’s a boor,
But she’s never tried her second with a Secret Whisky Cure.
315

The Rovers

The Rovers

Some born of homely parents
For ages settled down—
The steady generations
Of village, farm, and town:
And some of dusky fathers
Who wandered since the flood—
The fairest skin or darkest
Might hold the roving blood—
Some born of brutish peasants,
And some of dainty peers,
In poverty or plenty
They pass their early years;
But, born in pride of purple,
Or straw and squalid sin,
In all the far world corners
The wanderers are kin.


A rover or a rebel,
Conceived and born to roam,
As babies they will toddle
With faces turned from home;
They’ve fought beyond the vanguard
Wherever storm has raged,
And home is but a prison
They pace like lions caged.


They smile and are not happy;
They sing and are not gay;
They weary, yet they wander;
They love, and cannot stay;
They marry, and are single
Who watch the roving star,
For, by the family fireside,
Oh, lonely men they are!


They die of peace and quiet—
The deadly ease of life;
They die of home and comfort;
They live in storm and strife;
No poverty can tie them,
Nor wealth nor place restrain—
Girl, wife, or child might draw them,
But they’ll be gone again!


Across the glowing desert;
Through naked trees and snow;
Across the rolling prairies
The skies have seen them go;
They fought to where the ocean
Receives the setting sun;—
But where shall fight the rovers
When all the lands are won?



They thirst on Greenland snowfields,
On Never-Never sands;
Where man is not to conquer
They conquer barren lands;
They feel that most are cowards,
That all depends on ‘nerve,’
They lead who cannot follow,
They rule who cannot serve.


Across the plains and ranges,
Away across the seas,
On blue and green horizons
They camp by twos and threes;
They hold on stormy borders
Of states that trouble earth
The honour of the country
That only gave them birth.


Unlisted, uncommissioned,
Untaught of any school,
In far-away world corners
Unconquered tribes they rule;
The lone hand and revolver—
Sad eyes that never quail—
The lone hand and the rifle
That win where armies fail.


They slumber sound where murder
And treachery are bare—
The pluck of self-reliance,
The pluck of past despair;
Thin brown men in pyjamas—
The thin brown wiry men!—
The helmet and revolver
That lie beside the pen.


Through drought and desolation
They won the way Out Back;
The commonplace and selfish
Have followed on their track;
They conquer lands for others,
For others find the gold,
But where shall go the rovers
When all the lands are old?


A rover and a rebel—
And so the worlds commence!
Their hearts shall beat as wildly
Ten generations hence;
And when the world is crowded—
’Tis signed and sealed by Fate—



The roving blood will rise to make
The countries desolate.
203

The Scamps

The Scamps

Of home, name and wealth and ambition bereft—
We are children of fortune and luck:
They deny there’s a shred of our characters left,
But they cannot deny us the pluck!
We are vagabond scamps, we are kings over all—
There is little on earth we desire—
We are devils who stand with our backs to the wall,
And who call on the cowards to fire!


There are some of us here who were noble and good,
And who learnt in ingratitude’s schools—
They were born of the selfish and misunderstood,
They were soft, they were ‘smoodgers’ or fools.
With their hands in their pockets to help every friend
In a fix—and they never asked how:
Beware of them you who have money to lend,
For it’s little you’d get from them now.


There are some of us here who were lovers of old—
In the days that were nearer to God;
The girl was more precious than honour or gold,
And they worshipped the ground where she trod;
But she trampled their hearts and they suffered and knew
How the soul of a woman to read—
They will never again to a woman be true;
Let the girls who may meet them take heed!


There are some of us here who were devils from birth,
Who would steal the eye out of a friend—
But we judge not or blame not the worst on the earth,
For it comes to the same in the end.
There are some of us here who were ruined by wrong—
To whom justice and love came too late—
And they threw them aside and go singing a song,
And they know that their mistress is fate.


We were some of us failures at suicide, too—
We are most of us back from the dead—
But we’ve all found the courage to battle it through,
Till the strength of our bodies is sped:
With a flag that is dyed with our hearts’-blood unfurled,
We are marching and marching afar—
We are comrades of all who are fighting the world,
For the world made us all what we are.
269

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