Poems List

The Scamps

The Scamps

Of home, name and wealth and ambition bereft—
We are children of fortune and luck:
They deny there’s a shred of our characters left,
But they cannot deny us the pluck!
We are vagabond scamps, we are kings over all—
There is little on earth we desire—
We are devils who stand with our backs to the wall,
And who call on the cowards to fire!


There are some of us here who were noble and good,
And who learnt in ingratitude’s schools—
They were born of the selfish and misunderstood,
They were soft, they were ‘smoodgers’ or fools.
With their hands in their pockets to help every friend
In a fix—and they never asked how:
Beware of them you who have money to lend,
For it’s little you’d get from them now.


There are some of us here who were lovers of old—
In the days that were nearer to God;
The girl was more precious than honour or gold,
And they worshipped the ground where she trod;
But she trampled their hearts and they suffered and knew
How the soul of a woman to read—
They will never again to a woman be true;
Let the girls who may meet them take heed!


There are some of us here who were devils from birth,
Who would steal the eye out of a friend—
But we judge not or blame not the worst on the earth,
For it comes to the same in the end.
There are some of us here who were ruined by wrong—
To whom justice and love came too late—
And they threw them aside and go singing a song,
And they know that their mistress is fate.


We were some of us failures at suicide, too—
We are most of us back from the dead—
But we’ve all found the courage to battle it through,
Till the strength of our bodies is sped:
With a flag that is dyed with our hearts’-blood unfurled,
We are marching and marching afar—
We are comrades of all who are fighting the world,
For the world made us all what we are.
254

The Rovers

The Rovers

Some born of homely parents
For ages settled down—
The steady generations
Of village, farm, and town:
And some of dusky fathers
Who wandered since the flood—
The fairest skin or darkest
Might hold the roving blood—
Some born of brutish peasants,
And some of dainty peers,
In poverty or plenty
They pass their early years;
But, born in pride of purple,
Or straw and squalid sin,
In all the far world corners
The wanderers are kin.


A rover or a rebel,
Conceived and born to roam,
As babies they will toddle
With faces turned from home;
They’ve fought beyond the vanguard
Wherever storm has raged,
And home is but a prison
They pace like lions caged.


They smile and are not happy;
They sing and are not gay;
They weary, yet they wander;
They love, and cannot stay;
They marry, and are single
Who watch the roving star,
For, by the family fireside,
Oh, lonely men they are!


They die of peace and quiet—
The deadly ease of life;
They die of home and comfort;
They live in storm and strife;
No poverty can tie them,
Nor wealth nor place restrain—
Girl, wife, or child might draw them,
But they’ll be gone again!


Across the glowing desert;
Through naked trees and snow;
Across the rolling prairies
The skies have seen them go;
They fought to where the ocean
Receives the setting sun;—
But where shall fight the rovers
When all the lands are won?



They thirst on Greenland snowfields,
On Never-Never sands;
Where man is not to conquer
They conquer barren lands;
They feel that most are cowards,
That all depends on ‘nerve,’
They lead who cannot follow,
They rule who cannot serve.


Across the plains and ranges,
Away across the seas,
On blue and green horizons
They camp by twos and threes;
They hold on stormy borders
Of states that trouble earth
The honour of the country
That only gave them birth.


Unlisted, uncommissioned,
Untaught of any school,
In far-away world corners
Unconquered tribes they rule;
The lone hand and revolver—
Sad eyes that never quail—
The lone hand and the rifle
That win where armies fail.


They slumber sound where murder
And treachery are bare—
The pluck of self-reliance,
The pluck of past despair;
Thin brown men in pyjamas—
The thin brown wiry men!—
The helmet and revolver
That lie beside the pen.


Through drought and desolation
They won the way Out Back;
The commonplace and selfish
Have followed on their track;
They conquer lands for others,
For others find the gold,
But where shall go the rovers
When all the lands are old?


A rover and a rebel—
And so the worlds commence!
Their hearts shall beat as wildly
Ten generations hence;
And when the world is crowded—
’Tis signed and sealed by Fate—



The roving blood will rise to make
The countries desolate.
193

The Rhyme of the Three Greybeards

The Rhyme of the Three Greybeards

He'd been for years in Sydney "a-acting of the goat",
His name was Joseph Swallow, "the Great Australian Pote",
In spite of all the stories and sketches that he wrote.


And so his friends held meetings (Oh, narrow souls were theirs!)
To advertise their little selves and Joseph's own affairs.
They got up a collection for Joseph unawares.


They looked up his connections and rivals by the score –
The wife who had divorced him some twenty years before,
And several politicians he'd made feel very sore.


They sent him down to Coolan, a long train ride from here,
Because of his grey hairs and "pomes" and painted blondes – and beer.
(I mean to say the painted blondes would always give him beer.)


(They loved him for his eyes were dark, and you must not condemn
The love for opposites that mark the everlasting fem.
Besides, he "made up" little bits of poetry for them.)


They sent him "for his own sake", but not for that alone –
A poet's sins are public; his sorrows are his own.
And poets' friends have skins like hides, and mostly hearts of stone.


They said "We'll send some money and you must use your pen.
"So long," they said. "Adoo!" they said. "And don't come back again.
Well, stay at least a twelve-month – we might be dead by then."


Two greybeards down at Coolan – familiar grins they had –
They took delivery of the goods, and also of the bad.
(Some bread and meat had come by train – Joe Swallow was the bad.)


They'd met him shearing west o' Bourke in some forgotten year.
They introduced him to the town and pints of Wagga beer.
(And Wagga pints are very good –- I wish I had some here.)


It was the Busy Bee Hotel where no one worked at all,
Except perhaps to cook the grub and clean the rooms and "hall".
The usual half-wit yardman worked at each one's beck and call.


'Twas "Drink it down!" and "Fillemup!" and "If the pub goes dry,
There's one just two-mile down the road, and more in Gundagai" –
Where married folk by accident get poison in the pie.


The train comes in at eight o'clock – or half-past, I forget,
And when the dinner table at the Busy Bee was set,
Upon the long verandah stool the beards were wagging yet.


They talked of where they hadn't been and what they hadn't won;
They talked of mostly everything that's known beneath the sun.
The things they didn't talk about were big things they had done.



They talked of what they called to mind, and couldn't call to mind;
They talked of men who saw too far and people who were "blind".
Tradition says that Joe's grey beard wagged not so far behind.


They got a horse and sulky and a riding horse as well,
And after three o'clock they left the Busy Bee Hotel –
In case two missuses should send from homes where they did dwell.


No barber bides in Coolan, no baker bakes the bread;
And every local industry, save rabbitin', is dead –
And choppin' wood. The women do all that, be it said.
(I'll add a line and mention that two-up goes ahead.)


The shadows from the sinking sun were long by hill and scrub;
The two-up school had just begun, in spite of beer and grub;
But three greybeards were wagging yet down at the Two-mile pub.


A full, round, placid summer moon was floating in the sky;
They took a demijohn of beer, in case they should go dry;
And three greybeards went wagging down the road to Gundagai.


At Gundagai next morning (which poets call "th' morn")
The greybeards sought a doctor – a friend of the forlorn –
Whose name is as an angel's who sometimes blows a horn.


And Doctor Gabriel fixed 'em up, but 'twas not in the bar.
It wasn't rum or whisky, nor yet was it Three Star.
'Twas mixed up in a chemist's shop, and swifter stuff by far.


They went out to the backyard (to make my meaning plain);
The doctor's stuff wrought mightily, but by no means in vain.
Then they could eat their breakfasts and drink their beer again.


They made a bond between the three, as rock against the wave,
That they'd go to the barber's shop and each have a clean shave,
To show the people how they looked when they were young and brave.


They had the shave and bought three suits (and startling suits in sooth),
And three white shirts and three red ties (to tell the awful truth),
To show the people how they looked in their hilarious youth.


They burnt their old clothes in the yard, and their old hats as well;
The publican kicked up a row because they made a smell.
They put on bran'-new "larstin'-sides" – and, oh, they looked a yell!


Next morning, or the next (or next), from demon-haunted beds,
And very far from feeling like what sporting men call "peds",
The three rode back without their beards, with "boxers" on their heads!


They tried to get Joe lodgings at the Busy Bee in vain;
They did not take him to their homes, they took him to the train;
They sent him back to Sydney till grey beards grew again.



They sent him back to Sydney to keep away a year;
Because of shaven beards and wives they thought him safer here.
And so he cut his friends and stuck to powdered blondes and beer.


Until the finish came at last, as 'twill to any "bloke";
But in Joe's case it chanced to be a paralytic stroke;
The soft heart of a powdered blonde was, as she put it, "broke".


She sought Joe in the hospital and took the choicest food;
She went there very modestly and in a chastened mood,
And timid and respectful-like – because she was no good.


She sat the death-watch out alone on the verandah dim;
And after all was past and gone she dried her eyes abrim,
And sought the head-nurse timidly, and asked "May I see him?"


And then she went back to her bar, where she'd not been for weeks,
To practise there her barmaid's smile and mend and patch the streaks
The only real tears for Joe had left upon her cheeks
218

The Rose

The Rose

We love the land when the world goes round,
And deep, deep down in her thorny ground,
Where nobody comes, and nobody knows,
We love the Rose. Oh! we love the Rose.


And none to tell us, and none to teach
By the western hedge or the shelving beach,
But all of us know what everyone knows,
We love the Rose. Oh! we love the Rose.


We love the rose when our day is dead,
And they lay their roses upon our bed;
Too late! Too late! in our last repose!
But we love the Rose. Ah! we love the Rose.
321

The Pride That Comes After

The Pride That Comes After

It knows it all, it knows it all,
The world of groans and laughter,
It sneers of pride before a fall,
But the bitter pride comes after:
So leave me and I’ll seek you not,
So seek me and you’ll find me—
But till I know your hand-grip’s true
I’ll stand with hands behind me.


It knows it all, it knows it all,
The world of lies and sorrow—
It prates of pride before a fall,
And of the humble morrow;
But shame and blame are but a name,
Oh, heart that’s hurt past curing!
We’ll drink to-night the sinner’s pride,
The pride that’s most enduring.


They know it all, they know it all,
The curs that pass the sentence.
They preach of pride before a fall
And bitter black repentance:
So leave me when my star is set,
I’ll glory that you leave me,
While one has pride to love me yet
There’s nought on earth shall grieve me.
234

The Professional Wanderer

The Professional Wanderer

When you’ve knocked about the country—been away from home for years;
When the past, by distance softened, nearly fills your eyes with tears—
You are haunted oft, wherever or however you may roam,
By a fancy that you ought to go and see the folks at home.
You forget the family quarrels—little things that used to jar—
And you think of how they’ll worry—how they wonder where you are;
You will think you served them badly, and your own part you’ll condemn,
And it strikes you that you’ll surely be a novelty to them,
For your voice has somewhat altered, and your face has somewhat changed—
And your views of men and matters over wider fields have ranged.
Then it’s time to save your money, or to watch it (how it goes!);
Then it’s time to get a ‘Gladstone’ and a decent suit of clothes;
Then it’s time to practise daily with a hair-brush and a comb,
Till you drop in unexpected on the folks and friends at home.
When you’ve been at home for some time, and the novelty’s worn off,
And old chums no longer court you, and your friends begin to scoff;
When ‘the girls’ no longer kiss you, crying ‘Jack! how you have changed!’
When you’re stale to your relations, and their manner seems estranged ;
When the old domestic quarrels, round the table thrice a day,
Make it too much like the old times—make you wish you’d stayed away,
When, in short, you’ve spent your money in the fulness of your heart,
And your clothes are getting shabby . . . Then it’s high time to depart.
227

The Pink Carnation

The Pink Carnation

I may walk until I’m fainting, I may write until I’m blinded,
I might drink until my back teeth are afloat,
But I can’t forget my ruin and the happy days behind it,
When I wore a pink carnation in my coat.


Oh, I thought that time could conquer, and I thought my heart would harden,
But it sends a sudden lump into my throat,
When I think of what I have been, and the cottage and the garden,
When I wore a pink carnation in my coat.


God forgive you, girl, and bless you! Let no line of mine distress you –
I am sorry for the bitter lines I wrote;
But remember, and think kindly, for we met and married blindly,
When I wore a pink carnation in my coat.
219

The Port O'Call

The Port O'Call

Our hull is seldom painted,
Our decks are seldom stoned;
Our sails are patched and cobbled
And chains by rust marooned.
Our rigging is untidy,
And all things in accord:—
We always sail on Friday
With thirteen souls on board.
For all the days save Friday
Were days of dark despair—
The fourteenth died of fever
Whenever he was there.
Our good ship is the Chancit—
Her oldest name of all;
But, in the ports we’re blown to,
She’s called the ‘Port o’ Call.’


Our captain old Wot Matters—
Our first mate young Hoo Kares,
Our cook is Wen Yew Wan Tit,
And so the Chancit fares.
The sweethearts, wives, and others—
And all we left behind—
Have many names to go by;
But mine is Never Mind.


We fear no hell hereafter,
We hope for no reward—
We always sail on Friday
With thirteen men on board.
And every wind’s a fair wind,
That suits us, one and all,
And every port we’re blown to
We call our port-of-call.


I’ve seen the poor boy striving
For just one chance to rise:
The light of truth and honour
And genius in his eyes.
His school-mates jeered and mocked him,
They mocked him through the town:
And his relatives scarce pitied,
While his parents crushed him down.


I’ve seen the young man fighting
The present and the past,
Till he triumphed in the city,
And fame was his at last!
And generous, but steadfast,
All for his Country then,
Unspoiled and all unconscious
He stood, a prince of men.



I’ve seen the husband ruined,
And drunken in the street,
When the World was all before him,
And the ball was at his feet—
Thrust down by fate most bitter,
Most cruel and unjust;
His children taught to loathe him,
And his name dragged in the dust.


. . . . .
Our hull is never painted,
Our decks are never stoned,
The cabin air is tainted,
The good ship is disowned;
Our rigging is untidy,
And all things in accord—
We always sail on Friday,
With thirteen hands on board.
I’ve seen strong bushmen slaving,
As men ne’er slaved before,
To win homes from the scrublands
And win their country more.
And I’ve seen their children scattered
As work-slaves on the soil;
And the old-age-pension begged for
After fifty years of toil!


And the Bush Muse is discarded,
There’s a wanton on the track,
And her panderers are sneering
At old soldiers of Out Back
The motor cars go racing
Past the Heroes of Long Years,
And the dust is in their faces
And the laughter in their ears.


We care not where we’re bound for,
Nor how the storm might howl;
For every wind’s a fair wind,
And every wind a foul.
There’s nothing left to sail for
Save that we keep our decks,
And watch for other castaways
On rafts from other wrecks.
231

The Patriotic League

The Patriotic League

Behold! the biased foes of Right
Are conscious of their danger,
They’re startled by the dawning light,
So very long a stranger.
And fearing for their rotting laws—
Whose reign is nearly ended—
To study out the People’s cause
At last they’ve condescended.


“And this they call the ‘People’s Cause’,
Why this is insurrection!
They would revoke the very laws
We made for our protection!
An equal right with us they claim!
They’ll rob us by and by, sir!
We’ll form a league and steal a name
And tell another lie, sir.”


They took to gloss a base intrigue
A name that was demotic.
They stole a name and formed a league
And called it “Patriotic”.
They’ve resurrected ancient lies—
The world had most forgotten—
The liars think the world will rise
To back a Cause that’s rotten.


I know their creed, and know it well,
Too mean are its creators
To hope for heaven, or fear the hell
They’d make for agitators.
Old as the hills—and quite as dense
Though shaking like a jelly.
Time honoured to magnificence,
Religion of the Belly!
280

The Pavement Stones :A Song of the Unemployed

The Pavement Stones :A Song of the Unemployed

WHEN first I came to town, resolved
To fight my way alone,
No prouder foot than mine e’er trod
Upon the pavement stone;
But I am one in thousands,
And why should I repine?
The pavement stones have broken springs
In stronger feet than mine.


I brought to aid me all the hope
And energy of youth;
And in my heart I felt the strength
Of plain bucolic truth:
The independence nourished
Amid the hills and trees—
But, ah! the city hath a cure
For qualities like these.


I wonder oft how e’er I made
The efforts that I made,
For after three long weary years
I taught myself a trade.
And two more years and I was free
With strength and hope elate,
For “he that hath a trade,” they say,
“Hath also an estate.”


I tramped the streets and looked for work
And begged for work in vain,
Until I recked not, though I ne’er
Might touch my tools again.
I tramped the streets despairing;
My cheeks grew white and thin;
I felt the pavement wearing through
The leather, sock, and skin.


The bitter war goes on between
The idlers and the drones,
Until the hearts of men grow cold
And hard as pavement stones;
But I am one amid the crowd,
Then why should I repine?
The pavement stones have broken springs
In stronger feet than mine.
231

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Identification and basic context

Henry Lawson was a highly influential Australian writer and poet. He is best known for his short stories and poems that vividly depicted Australian bush life, the lives of selectors, shearers, and swagmen, and the harsh realities of the Australian landscape.

Childhood and education

Born in the Blue Mountains, New South Wales, Lawson had a difficult childhood marked by poverty and his parents' strained relationship. He received little formal schooling and was largely self-educated, developing a passion for reading and writing.

Literary trajectory

Lawson began his writing career submitting poems and stories to magazines. His work gained popularity in the 1890s, particularly through 'The Bulletin' magazine. His early collections, such as 'Short Stories in Verse' (1894) and 'While the Billy Boils' (1896), established him as a major voice in Australian literature.

Works, style, and literary characteristics

Lawson's most famous works include 'The Drover's Wife', 'The Loaded Dog', 'The Union Buries Its Dead', and poems like 'The:]. He explored themes of hardship, mateship, the Australian identity, loneliness, drought, and the vastness of the outback. His style is characterized by realism, stark simplicity, direct language, and a profound understanding of the Australian character and environment. He often used colloquialisms and captured the authentic voice of the bush.

Cultural and historical context

Lawson wrote during a pivotal period in Australian history, the late 19th and early 20th centuries, a time of economic depression, burgeoning nationalism, and the formation of the Commonwealth of Australia. His work reflected the social and economic conditions of the time, particularly the struggles of rural workers and the mythos of the bushman.

Personal life

Lawson's life was marked by personal struggles, including alcoholism, financial difficulties, and mental health issues. His marriage to Bertha Bredon ended in separation. Despite his literary success, he often lived in poverty and faced periods of institutionalization.

Recognition and reception

Lawson is considered a national icon in Australia. His work was immediately popular with readers for its authentic portrayal of Australian life. He is widely regarded as Australia's 'bush poet' and a foundational figure in Australian literature.

Influences and legacy

He was influenced by American writers like Bret Harte and Mark Twain, as well as English poets. Lawson's legacy lies in his shaping of the Australian literary identity and his realistic portrayal of Australian life. He inspired generations of Australian writers to explore their own national themes and characters.

Interpretation and critical analysis

His work is often analyzed for its social commentary, its depiction of the Australian landscape as both beautiful and harsh, and its exploration of the 'masculine' Australian identity characterized by resilience and stoicism.

Curiosities and lesser-known aspects

He famously wrote a petition for a public holiday to commemorate the 'Day of the Shearer'. His relationship with 'The Bulletin' magazine was central to his career.

Death and memory

Henry Lawson died in Sydney. He is commemorated by statues, street names, and numerous studies of his life and work, solidifying his status as a cherished figure in Australian culture.