The Memories They Bring

I would never waste the hours
Of the time that is mine own,
Writing verses about flowers
For their own sweet sakes alone;
Gushing as a schoolgirl gushes
Over babies at their best—
Or as poets trill of thrushes,
Larks, and starlings and the rest.
I am not a man who praises
Beauty that he cannot see,
But the buttercups and daisies
Bring my childhood back to me;
And before life’s bitter battle,
That breaks lion hearts and kills,
Oh the waratah and wattle
Saw my boyhood on the hills.


It was “Cissy” or Cecilia,
And I loved her very much,
When I wore the white camelia
That will wither at a touch.
Ah, the fairest chapter closes
With lilies white and blue,
When the wild days with the roses
Cast their glamour over you!


Vine leaves fall and laurels wither
(Madd’ning drink and pride insane),
And the fate that sends us hither
Ever takes us back again.
Fading flowers—slow pulsations—
Flowers pressed for memory
But the red and pink carnations
Speak most bitter things to me.

The Man Who Raised Charlestown

They were hanging men in Buckland who would not cheer King George –
The parson from his pulpit and the blacksmith from his forge;
They were hanging men and brothers, and the stoutest heart was down,
When a quiet man from Buckland rode at dusk to raise Charlestown.


Not a young man in his glory filled with patriotic fire,
Not an orator or soldier, or a known man in his shire;
He was just the Unexpected – one of Danger's Volunteers,
At a time for which he'd waited, all unheard of, many years.


And Charlestown met in council, the quiet man to hear –
The town was large and wealthy, but the folks were filled with fear,
The fear of death and plunder; and none to lead had they,
And Self fought Patriotism as will always be the way.


The man turned to the people, and he spoke in anger then.
And crooked his finger here and there to those he marked as men.
And many gathered round him to see what they could do –
For men know men in danger, as they know the cowards too.


He chose his men and captains, and sent them here and there,
The arms and ammunition were gathered in the square;
While peaceful folk were praying or croaking, every one,
He was working with his blacksmiths at the carriage of a gun.


While the Council sat on Sunday, and the church bells rang their peal,
The quiet man was mending a broken waggon wheel;
While they passed their resolutions on his doings (and the likes),
From a pile his men brought to him he was choosing poles for pikes.


(They were hanging men in Buckland who would not cheer King George –
They were making pikes in Charlestown at every blacksmith's forge:
While the Council sat in session and the same old song they sang,
They heard the horsemen gallop out, and the blacksmiths' hammers clang.)


And a thrill went through the city ere the drums began to roll,
And the coward found his courage, and the drunkard found his soul.
So a thrill went through the city that would go through all the land,
For the quiet man from Buckland held men's hearts in his right hand.


And he caught a Charlestown poet (there are many tell the tale),
And he took him by the collar when he'd filled him up with ale;
"Now, then, write a song for Charlestown that shall lift her on her way,
For she's marching out to Buckland and to Death at break o' day."


And he set the silenced women tearing sheet and shift and shirt
To make bandages and roll them for the men that would get hurt.
And he called out his musicians and he told them what to play:
"For I want my men excited when they march at break o' day."


And he set the women cooking – with a wood-and-water crew –
"For I want no empty stomachs for the work we have to do."



Then he said to his new soldiers: "Eat your fill while yet you may;
'Tis a heavy road to Buckland that we'll march at break o' day."


And a shout went through the city when the drums began to roll
(And the coward was a brave man and the beggar had a soul),
And the drunken Charlestown poet cared no more if he should hang,
For his song of "Charlestown's Coming" was the song the soldiers sang.


And they cursed the King of England, and they shouted in their glee,
And they swore to drive the British and their friends into the sea;
But when they'd quite finished swearing, said their leader "Let us pray,
For we march to Death and Freedom, and it's nearly dawn of day."


There were marching feet at daybreak, and close upon their heels
Came the scuffling tread of horses and the heavy crunch of wheels;
So they took the road to Buckland, with their scout out to take heed,
And a quiet man of fifty on a grey horse in the lead.


There was silence in the city, there was silence as of night –
Women in the ghostly daylight, kneeling, praying, deathly white,
As their mothers knelt before them, as their daughters knelt since then,
And as ours shall, in the future, kneel and pray for fighting men.


For their men had gone to battle, as our sons and grandsons too
Must go out, for Life and Freedom, as all nations have to do.
And the Charlestown women waited for the sounds that came too soon –
Though they listened, almost breathless, till the early afternoon.


Then they heard the tones of danger for their husbands, sweethearts, sons,
And they stopped their ears in terror, crying, "Oh, my God! The guns!"
Then they strained their ears to listen through the church-bells' startled chime –
Far along the road to Buckland, Charlestown's guns were marking time.


"They advance!" "They halt!" "Retreating!" "They come back!" The guns are done!"
But the calmer spirits, listening, said: "Our guns are going on."
And the friend and foe in Buckland felt two different kinds of thrills
When they heard the Charlestown cannon talking on the Buckland hills.


And the quiet man of Buckland sent a message in that day,
And he gave the British soldiers just two hours to march away.
And they hang men there no longer, there is peace on land and wave;
On the sunny hills of Buckland there is many a quiet grave.


There is peace upon the land, and there is friendship on the waves –
On the sunny hills of Buckland there are rows of quiet graves.
And an ancient man in Buckland may be seen in sunny hours,
Pottering round about his garden, and his kitchen stuff and flowers.

The Little Native Rose

There is a lasting little flower,
That everybody knows,
Yet none has thought to think about
The little Native Rose.


The wattle and the waratah—
The world has heard of those;
But who, outside Australia, kens
The little Native Rose.


Yet first for faint, far off perfume,
That lives where memory goes;
And first of all for fadelessness—
The little Native Rose.

The Loveable Characters

I long for the streets but the Lord knoweth best,
For there I am never a saint;
There are lovable characters out in the West,
With humour heroic and quaint;
And, be it Up Country, or be it Out Back,
When I shall have gone to my Home,
I trust to be buried 'twixt River and Track
Where my lovable characters roam.


There are lovable characters drag through the scrub,
Where the Optimist ever prevails;
There are lovable characters hang round the pub,
There are lovable jokers at sales
Where the auctioneer's one of the lovable wags
(Maybe from his "order" estranged),
And the beer is on tap, and the pigs in the bags
Of the purchasing cockies are changed.


There were lovable characters out in the West,
Of fifty hot summers, or more,
Who could not be proved, when it came to the test,
Too old to be sent to the war;
They were all forty-five and were orphans, they said,
With no one to keep them, or keep;
And mostly in France, with the world's bravest dead,
Those lovable characters sleep.


I long for the streets, but the Lord knoweth best,
For there I am never a saint;
There are lovable characters out in the West,
With humour heroic and quaint;
And, be it Up Country, or be it Out Back,
When I shall have gone to my Home,
I trust to be buried 'twixt River and Track
Where my lovable characters roam.

The Lily of St Leonards

’TIS sunrise over Watson,
Where I sailed out to sea,
On that wild run to London
That wrecked and ruined me.
The beauty of the morning
On bluff and point and bay,
But the Lily of St Leonards
Was fairer than the day.


O Lily of St Leonards!
And I was mad to roam—
She died with loving words for me
Three days ere I came home.


As fair as lily whiteness,
As pure as lily gold,
And bright with childlike brightness
And wise as worlds of old.
Her heart for all was beating
And all hearts were her own—
Like sunshine through the Lily
Her purity was shown.


O Lily of St Leonards!
My night is on the track,
’Tis well you never lived to see
The wreck that I came back.


A leaden sky shuts over
A sobbing leaden sea,
For the Lily of St Leonards
Is never more for me.
I seek the wharf of Outward
Where the deck no longer thrills
Where she stood with great tears starting
Like the lights on dark wet hills.


The world was all before me
The laurels on my brow—
’Twas the world-star of the rovers,
’Tis the Star of Exile now.

The Lights of Cobb & Co.

Fire lighted; on the table a meal for sleepy men;
A lantern in the stable; a jingle now and then;
The mail-coach looming darkly by light on moon and star;
The growl of sleepy voices; a candle in the bar;
A stumble in the passage of folk with wits abroad;
A swear-word from a bedroom---the shout of "All aboard!"
"Tekh tehk! Git-up!" "Hold fast, there!" and down the range we go;
Five hundred miles of scattered camps will watch for Cobb and Co.
Old coaching towns already decaying for their sins;
Uncounted "Half-way Houses," and scores of "Ten-Mile Inns;"
The riders from the stations by lonely granite peaks;
The black-boy for the shepherds on sheep and cattle creeks;
The roaring camps of Gulgong, and many a Digger’s Rest;"
The diggers on the Lachlan; the huts of Farthest West;
Some twenty thousand exiles who sailed for weal or woe---
The bravest hearts of twenty lands will wait for Cobb and Co.
The morning star has vanished, the frost and fog are gone.
In one of those grand mornings which but on mountains dawn;
A flask of friendly whisky---each other’s hopes we share---
And throw our top-coats open to drink the mountain air.
The roads are rare to travel, and life seems all complete;
The grind of wheels on gravel, the trop of horses’ feet,
The trot, trot, trot and canter, as down the spur we go---
The green sweeps to horizons blue that call for Cobb and Co.
We take a bright girl actress through western dust and damps,
To bear the home-world message, and sing for sinful camps,



To stir our hearts and break them, wind hearts that hope and ache--(
Ah! When she thinks again of these her own must nearly break!)
Five miles this side of the gold-field, a loud, triumphant shout:
Five hundred cheering diggers have snatched the horses out:
With "Auld Lang Syne" in chorus, through roaring camp they go
That cheer for her, and cheer for Home, and cheer for Cobb and Co.
Three lamps above the ridges and gorges dark and deep,
A flash on sandstone cuttings where sheer the sidlings sweep,
A flash on shrouded wagons, on water ghastly white;
Weird brush and scattered remnants of "rushes in the night;"
Across the swollen river a flash beyond the ford:
Ride hard to warn the driver! He’s drunk or mad, good Lord!
But on the bank to westward a broad and cheerful glow---
New camps extend across the plains new routes for Cobb and Co.
Swift scramble up the sidling where teams climb inch by inch;
Pause, bird-like, on the summit--then breakneck down the pinch;
By clear, ridge-country rivers, and gaps where tracks run high,
Where waits the lonely horseman, cut clear against the sky;
Past haunted half-way houses--where convicts made the bricks--Scrub-
yards and new bark shanties, we dash with five and six;
Through stringy-bark and blue-gum, and box and pine we go---
A hundred miles shall see to-night the lights of Cobb and Co!

The League of Nations

Light on the towns and cities, and peace for evermore!
The Big Five met in the world's light as many had met before,
And the future of man is settled and there shall be no more war.


The lamb shall lie down with the lion, and trust with treachery;
The brave man go with the coward, and the chained mind shackle the free,
And the truthful sit with the liar ever by land and sea.


And there shall be no more passion and no more love nor hate;
No more contempt for the paltry, no more respect for the great;
And the people shall breed like rabbits and mate as animals mate.


For lo! the Big Five have said it, each with a fearsome frown;
Each for his chosen country, State, and city and town;
Each for his lawn and table and the bed where he lies him down.


Cobbler and crank and chandler, magpie and ape disguised;
Each bound to his grocery corner – these are the Five we prized;
Bleating the teaching of others whom they ever despised.


But three shall meet in a cellar, companions of mildew and rats;
And three shall meet in a garret, pungent with stench of the cats,
And three in a cave in the forest where the torchlight maddens the bats –


Bats as blind as the people, streaming into the glare –
And the Nine shall turn the nations back to the plain things there;
Tracing in chalk and charcoal treaties that none can tear:


Truth that goes higher than airships and deeper than submarines,
And a message swifter than wireless – and none shall know what it means –
Till an army is rushed together and ready behind the scenes.


The Big Five sit together in the light of the World and day,
Each tied to his grocery corner though he travel the world for aye,
Each bleating the dreams of dreamers whom he has despised alway.


And intellect shall be tortured, and art destroyed for a span –
The brute shall defile the pictures as he did when the age began;
He shall hawk and spit in the palace to prove that he is a man.


Cobbler and crank and chandler, magpie and ape disguised;
Each bound to his grocery corner – these are the Five we prized;
Bleating the teaching of others whom they ever despised.


Let the nations scatter their armies and level their arsenals well,
Let them blow their airships to Heaven and sink their warships to Hell,
Let them maim the feet of the runner and silence the drum and the bell;


But shapes shall glide from the cellar who never had dared to "strike",
And shapes shall drop from the garret (ghastly and so alike)
To drag from the cave in the forest powder and cannon and pike.



As of old, we are sending a message to Garcia still –
Smoke from the peak by sunlight, beacon by night from the hill;
And the drum shall throb in the distance – the drum that never was still.

The Legend of Mammon Castle

IN THE days that will be olden after many years are gone,
Ere the world emerged from darkness floating out into the dawn,
On a mountain rising steeply from the depth of marsh and wood
Raised in scorn above the lowlands Mammon Castle proudly stood—


Mammon Castle, built of marble that was cut and reared with pain
By the poor and starving wretches who were serfs on that domain—
All the jewel-studded windows shone at sunset like a fire,
And a diamond was flashing from the needle of the spire.


Now the nobles held the castle by a title that was old,
And they drank from crystal goblets and they ate from plates of gold;
The coffers of the castle they were plenished by the thralls,
And many were the revels that were held in Mammon’s halls.


And the plunder from the toilers more than paid for silks and wine,
So the flower-beds were bordered with the jewels of the mine,
All the serfs were taught to worship both the lady and the lord,
And the nobles taught their children to be wiser far than God.


But a vassal preached sedition and in a gloomy hour
Came the wild and haggard vassals to the gate of Mammon Tower;
They asked for food and shelter and were answered by a blow,
And, rising in their anger, soon they laid the castle low.


The jewels of the castle went to buy the people bread,
And according to his labour was the toiler clothed and fed.
And with the wood and marble—my dreaming tells me so—
Many little homes were builded in the valleys down below.

The Labour Agitator

LET the liar call me liar,
And the robber call me thief.
They can only fan the fire
That is born of my belief.
While I’m speaking, while I’m writing,
To reform the wrongful laws,
Well I know that I am fighting
For the grand old Cause.


See the army of the rebels
Marching on for evermore.
We are countless as the pebbles
That are strewn along the shore.
Agitating, agitating,
Till the Truth has sealed the fate
Of the wrongs that I am hating
With the grand old Hate.


Though no battle banner rustles
In a smoke that blurs the blue,
As when “heroes” poured from Brussels
To the field of Waterloo,
Though we do not hear the rattle
Of the rifles in the wars,
There is glory in the battle
For the grand old Cause.


See the army of the rebels
Marching on for evermore.
We are countless as the pebbles
That are strewn along the shore.
Agitating, agitating,
Till the Truth has sealed the fate
Of the wrongs that I am hating
With the grand old Hate.


No! I look not to the reaping
In the dynasty of men,
For I know that I’ll be sleeping
In a slandered grave e’er then.
Till his right to man is given
We’ll rebel, and we’ll rebel
As we would rebel in heaven
If it proved a hell.


See the army of the rebels
Marching on for evermore.
We are countless as the pebbles
That are strewn along the shore.
Agitating, agitating,



Till the Truth has sealed the fate
Of the wrongs that I am hating
With the grand old Hate.


No! There’s neither creed nor nation
Where the Labour flag’s unfurled,
For the Labour agitation
Breaks the barriers of the world.
Let the rulers fly in terror
With their scornful lips uncurled,
One by one the gods of error
From their thrones are hurled.


See the army of the rebels
Marching on for evermore.
We are countless as the pebbles
That are strewn along the shore.
Agitating, agitating,
Till the Truth has sealed the fate
Of the wrongs that I am hating
With the grand old Hate.

The Last Review

Turn the light down, nurse, and leave me, while I hold my last review,
For
the Bush
is slipping from me, and the town is going too:
Draw the blinds, the streets are lighted, and I hear the tramp of feet—
And I’m weary, very weary, of the
Faces in the Street
.


In the dens of Grind and Heartbreak, in the streets of Never-Rest,
I have lost the scent and colour and the music of the West:
And I would recall old faces with the memories they bring—
Where are Bill and Jim and Mary and the
Songs They used to Sing
?


They are coming! They are coming! they are passing through the room
With the smell of gum leaves burning, and the scent of
Wattle bloom!


And behind them in the timber, after dust and heat and toil,
Others sit beside the camp fire yarning while the billies boil.


In the Gap above the ridges there’s a flash and there’s a glow—
Swiftly down the scrub-clad siding come the
Lights of Cobb and Co
.:
Red face from the box-seat beaming—Oh, how plain those faces come!
From his ‘Golden-Hole’ ’tis Peter M’Intosh who’s going home.


Dusty patch in desolation, bare slab walls and earthen floor,
And a blinding drought is blazing from horizons to the door:
Milkless tea and ration sugar, damper junk and pumpkin mash—
And a
Day on our Selection
passes by me in a flash.


Rush of big wild-eyed store bullocks while the sheep crawl hopelessly,
And the loaded wool teams rolling, lurching on like ships at sea:
With his whip across his shoulder (and the wind just now abeam),
There goes
Jimmy Nowlett
ploughing through the dust beside his team!


Sunrise on the diggings! (Oh! what life and hearts and hopes are here)
From a hundred pointing forges comes a tinkle, tinkle clear—
Strings of drays with wash to puddle, clack of countless windlass boles,
Here and there
the red flag flying
, flying over golden holes.


Picturesque, unreal, romantic, chivalrous, and brave and free;



Clean in living, true in mateship—reckless generosity.
Mates are buried here as comrades who on fields of battle fall—
And—the dreams, the aching, hoping lover hearts beneath it all!


Rough-built theatres and stages where the world’s best actors trod—
Singers bringing reckless rovers nearer boyhood, home and God;
Paid in laughter, tears and nuggets in the play that fortune plays—
’Tis the palmy days of Gulgong—Gulgong in
the Roaring Days.


Pass the same old scenes before me—and again my heart can ache—
There the
Drover’s Wife
sits watching (not as Eve did) for a snake.
And I see the drear deserted goldfields when the night is late,
And the stony face of Mason watching by his
Father’s Mate.


And I see my
Haggard Women
plainly as they were in life,
’Tis the form of Mrs. Spicer and her friend,
Joe Wilson’s wife,


Sitting hand in hand
‘Past Carin
’,’ not a sigh and not a moan,
Staring steadily before her and the tears just trickle down.


It was
No Place for a Woman
—where the women worked like men—
From the Bush and Jones’ Alley come their haunting forms again.
And, let this thing be remembered when I’ve answered to the roll,
That I pitied haggard women—wrote for them with all my soul.


Narrow bed-room in the City in the hard days that are dead—
An alarm clock on the table, and a pale boy on the bed:
Arvie Aspinalls Alarm Clock with its harsh and startling call
Never more shall break his slumbers—I was Arvie Aspinall.


Maoriland
and
Steelman
, cynic, spieler, stiff-lipped, battler-through
(Kept a wife and child in comfort, but of course they never knew—
Thought he was an honest bagman)—Well, old man, you needn’t hug—
Sentimental; you of all men!—Steelman, Oh! I was a mug!



Ghostly lines of scrub at daybreak—dusty daybreak in the drought—
And a lonely swagman tramping on the track to
Further Out
:
Like a shade the form of Mitchell, nose-bag full and bluey up
And between the swag and shoulders lolls his foolish cattle-pup.


Kindly cynic, sad comedian! Mitchell! when you’ve left the Track,


And have shed your load of sorrow as we slipped our swags out back,


We shall have a yarn together in the land of


Rest Awhile


—


And across his ragged shoulder Mitchell smiles his quiet smile.


Shearing sheds and tracks and shanties—girls that wait at homestead gates—
Camps and stern-eyed Union leaders, and
Joe Wilson and his Mates


True and straight, and to my fancy, each one as he passes through
Deftly down upon the table slips a dusty ‘note’ or two.


So at last the end has found me—(end of all the human push)
And again in silence round me come my
Children of the Bush
!—
Listen, who are young, and let them—if I in late and bitter days
Wrote some reckless lines—forget them—there is little there to praise.


I was human, very human, and if in the days misspent
I have injured man or woman, it was done without intent.
If at times I blundered blindly—bitter heart and aching brow—
If I wrote a line unkindly—I am sorry for it now.


Days in London
like a nightmare—dreams of foreign lands and sea—
And
Australia
is the only land that seemeth real to me.
Tell the Bushmen to Australia and each other to be true—
‘Tell the boys to stick together!’ I have held my
Last Review.