The Native Land. (From The Spanish Of Francisco De Aldana)

Clear fount of light! my native land on high,
Bright with a glory that shall never fade!
Mansion of truth! without a veil or shade,
Thy holy quiet meets the spirit's eye.
There dwells the soul in its ethereal essence,
Gasping no longer for life's feeble breath;
But, sentinelled in heaven, its glorious presence
With pitying eye beholds, yet fears not, death.
Beloved country! banished from thy shore,
A stranger in this prison-house of clay,
The exiled spirit weeps and sighs for thee!
Heavenward the bright perfections I adore
Direct, and the sure promise cheers the way,
That, whither love aspires, there shall my dwelling be.

The Masque Of Pandora

THE WORKSHOP OF HEPHAESTUS

HEPHAESTUS (standing before the statue of Pandora.)
Not fashioned out of gold, like Hera's throne,
Nor forged of iron like the thunderbolts
Of Zeus omnipotent, or other works
Wrought by my hands at Lemnos or Olympus,
But moulded in soft clay, that unresisting
Yields itself to the touch, this lovely form
Before me stands, perfect in every part.
Not Aphrodite's self appeared more fair,
When first upwafted by caressing winds
She came to high Olympus, and the gods
Paid homage to her beauty. Thus her hair
Was cinctured; thus her floating drapery
Was like a cloud about her, and her face
Was radiant with the sunshine and the sea.


THE VOICE OF ZEUS.
Is thy work done, Hephaestus?


HEPHAESTUS.
It is finished!


THE VOICE.
Not finished till I breathe the breath of life
Into her nostrils, and she moves and speaks.


HEPHAESTUS.
Will she become immortal like ourselves?


THE VOICE.
The form that thou hast fashioned out of clay
Is of the earth and mortal; but the spirit,
The life, the exhalation of my breath,
Is of diviner essence and immortal.
The gods shall shower on her their benefactions,
She shall possess all gifts: the gift of song,
The gift of eloquence, the gift of beauty,
The fascination and the nameless charm
That shall lead all men captive.


HEPHAESTUS.
Wherefore? wherefore?


(A wind shakes the house.)


I hear the rushing of a mighty wind
Through all the halls and chambers of my house!
Her parted lips inhale it, and her bosom
Heaves with the inspiration. As a reed
Beside a river in the rippling current



Bends to and fro, she bows or lifts her head.
She gazes round about as if amazed;
She is alive; she breathes, but yet she speaks not!


(PANDORA descends from the pedestal.)


CHORUS OF THE GRACES


AGLAIA.
In the workshop of Hephaestus
What is this I see?
Have the Gods to four increased us
Who were only three?
Beautiful in form and feature,
Lovely as the day,
Can there be so fair a creature
Formed of common clay?


THALIA.
O sweet, pale face! O lovely eyes of azure,
Clear as the waters of a brook that run
Limpid and laughing in the summer sun!
O golden hair that like a miser's treasure
In its abundance overflows the measure!
O graceful form, that cloudlike floatest on
With the soft, undulating gait of one
Who moveth as if motion were a pleasure!
By what name shall I call thee? Nymph or Muse,
Callirrhoe or Urania? Some sweet name
Whose every syllable is a caress
Would best befit thee; but I cannot choose,
Nor do I care to choose; for still the same,
Nameless or named, will be thy loveliness.


EUPHROSYNE.
Dowered with all celestial gifts,
Skilled in every art
That ennobles and uplifts
And delights the heart,
Fair on earth shall be thy fame
As thy face is fair,
And Pandora be the name
Thou henceforth shalt bear.


II.
OLYMPUS


HERMES (putting on his sandals.)
Much must he toil who serves the Immortal Gods,
And I, who am their herald, most of all.
No rest have I, nor respite. I no sooner



Unclasp the winged sandals from my feet,
Than I again must clasp them, and depart
Upon some foolish errand. But to-day
The errand is not foolish. Never yet
With greater joy did I obey the summons
That sends me earthward. I will fly so swiftly
That my caduceus in the whistling air
Shall make a sound like the Pandaean pipes,
Cheating the shepherds; for to-day I go,
Commissioned by high-thundering Zeus, to lead
A maiden to Prometheus, in his tower,
And by my cunning arguments persuade him
To marry her. What mischief lies concealed
In this design I know not; but I know
Who thinks of marrying hath already taken
One step upon the road to penitence.
Such embassies delight me. Forth I launch
On the sustaining air, nor fear to fall
Like Icarus, nor swerve aside like him
Who drove amiss Hyperion's fiery steeds.
I sink, I fly! The yielding element
Folds itself round about me like an arm,
And holds me as a mother holds her child.

III.
TOWER OF PROMETHEUS ON MOUNT CAUCASUS


PROMETHEUS.
I hear the trumpet of Alectryon
Proclaim the dawn. The stars begin to fade,
And all the heavens are full of prophecies
And evil auguries. Blood-red last night
I saw great Kronos rise; the crescent moon
Sank through the mist, as if it were the scythe
His parricidal hand had flung far down
The western steeps. O ye Immortal Gods,
What evil are ye plotting and contriving?


(HERMES and PANDORA at the threshold.)


PANDORA.
I cannot cross the threshold. An unseen
And icy hand repels me. These blank walls
Oppress me with their weight!


PROMETHEUS.
Powerful ye are,
But not omnipotent. Ye cannot fight
Against Necessity. The Fates control you,
As they do us, and so far we are equals!



PANDORA.
Motionless, passionless, companionless,
He sits there muttering in his beard. His voice
Is like a river flowing underground!


HERMES.
Prometheus, hail!


PROMETHEUS.
Who calls me?


HERMES.
It is I.
Dost thou not know me?


PROMETHEUS.
By thy winged cap
And winged heels I know thee. Thou art Hermes,
Captain of thieves! Hast thou again been stealing
The heifers of Admetus in the sweet
Meadows of asphodel? or Hera's girdle?
Or the earth-shaking trident of Poseidon?


HERMES.
And thou, Prometheus; say, hast thou again
Been stealing fire from Helios' chariot-wheels
To light thy furnaces?


PROMETHEUS.
Why comest thou hither
So early in the dawn?


HERMES.
The Immortal Gods
Know naught of late or early. Zeus himself
The omnipotent hath sent me.


PROMETHEUS.
For what purpose?


HERMES.
To bring this maiden to thee.


PROMETHEUS.
I mistrust
The Gods and all their gifts. If they have sent her
It is for no good purpose.


HERMES.
What disaster
Could she bring on thy house, who is a woman?



PROMETHEUS.
The Gods are not my friends, nor am I theirs.
Whatever comes from them, though in a shape
As beautiful as this, is evil only.
Who art thou?


PANDORA.
One who, though to thee unknown,
Yet knoweth thee.


PROMETHEUS.
How shouldst thou know me, woman?


PANDORA.
Who knoweth not Prometheus the humane?


PROMETHEUS.
Prometheus the unfortunate; to whom
Both Gods and men have shown themselves ungrateful.
When every spark was quenched on every hearth
Throughout the earth, I brought to man the fire
And all its ministrations. My reward
Hath been the rock and vulture.


HERMES.
But the Gods
At last relent and pardon.


PROMETHEUS.
They relent not;
They pardon not; they are implacable,
Revengeful, unforgiving!


HERMES.
As a pledge
Of reconciliation they have sent to thee
This divine being, to be thy companion,
And bring into thy melancholy house
The sunshine and the fragrance of her youth.


PROMETHEUS.
I need them not. I have within myself
All that my heart desires; the ideal beauty
Which the creative faculty of mind
Fashions and follows in a thousand shapes
More lovely than the real. My own thoughts
Are my companions; my designs and labors
And aspirations are my only friends.


HERMES.
Decide not rashly. The decision made
Can never be recalled. The Gods implore not,



Plead not, solicit not; they only offer
Choice and occasion, which once being passed
Return no more. Dost thou accept the gift?


PROMETHEUS.
No gift of theirs, in whatsoever shape
It comes to me, with whatsoever charm
To fascinate my sense, will I receive.
Leave me.


PANDORA.
Let us go hence. I will not stay.


HERMES.
We leave thee to thy vacant dreams, and all
The silence and the solitude of thought,
The endless bitterness of unbelief,
The loneliness of existence without love.


CHORUS OF THE FATES


CLOTHO.
How the Titan, the defiant,
The self-centred, self-reliant,
Wrapped in visions and illusions,
Robs himself of life's best gifts!
Till by all the storm-winds shaken,
By the blast of fate o'ertaken,
Hopeless, helpless, and forsaken,
In the mists of his confusions
To the reefs of doom he drifts!


LACHESIS.
Sorely tried and sorely tempted,
From no agonies exempted,
In the penance of his trial,
And the discipline of pain;
Often by illusions cheated,
Often baffled and defeated
In the tasks to be completed,
He, by toil and self-denial,
To the highest shall attain.


ATROPOS.
Tempt no more the noble schemer;
Bear unto some idle dreamer
This new toy and fascination,
This new dalliance and delight!
To the garden where reposes
Epimetheus crowned with roses,
To the door that never closes



Upon pleasure and temptation,
Bring this vision of the night!

IV.
THE AIR


HERMES (returning to Olympus.)
As lonely as the tower that he inhabits,
As firm and cold as are the crags about him,
Prometheus stands. The thunderbolts of Zeus
Alone can move him; but the tender heart
Of Epimetheus, burning at white heat,
Hammers and flames like all his brother's forges!
Now as an arrow from Hyperion's bow,
My errand done, I fly, I float, I soar
Into the air, returning to Olympus.
O joy of motion! O delight to cleave
The infinite realms of space, the liquid ether,
Through the warm sunshine and the cooling cloud,
Myself as light as sunbeam or as cloud!
With one touch of my swift and winged feet,
I spurn the solid earth, and leave it rocking
As rocks the bough from which a bird takes wing.


V.
THE HOUSE OF EPIMETHEUS


EPIMETHEUS.
Beautiful apparition! go not hence!
Surely thou art a Goddess, for thy voice
Is a celestial melody, and thy form
Self-poised as if it floated on the air!


PANDORA.
No Goddess am I, nor of heavenly birth,
But a mere woman fashioned out of clay
And mortal as the rest.


EPIMETHEUS.
Thy face is fair;
There is a wonder in thine azure eyes
That fascinates me. Thy whole presence seems
A soft desire, a breathing thought of love.
Say, would thy star like Merope's grow dim
If thou shouldst wed beneath thee?


PANDORA.
Ask me not;
I cannot answer thee. I only know
The Gods have sent me hither.



EPIMETHEUS.
I believe,
And thus believing am most fortunate.
It was not Hermes led thee here, but Eros,
And swifter than his arrows were thine eves
In wounding me. There was no moment's space
Between my seeing thee and loving thee.
O, what a telltale face thou hast! Again
I see the wonder in thy tender eyes.


PANDORA.
They do but answer to the love in thine,
Yet secretly I wonder thou shouldst love me.
Thou knowest me not.


EPIMETHEUS.
Perhaps I know thee better
Than had I known thee longer. Yet it seems
That I have always known thee, and but now
Have found thee. Ah, I have been waiting long.


PANDORA.
How beautiful is this house! The atmosphere
Breathes rest and comfort, and the many chambers
Seem full of welcomes.


EPIMETHEUS.
They not only seem,
But truly are. This dwelling and its master
Belong to thee.


PANDORA.
Here let me stay forever!
There is a spell upon me.


EPIMETHEUS.
Thou thyself
Art the enchantress, and I feel thy power
Envelop me, and wrap my soul and sense
In an Elysian dream.


PANDORA.
O, let me stay.
How beautiful are all things round about me,
Multiplied by the mirrors on the walls!
What treasures hast thou here! Yon oaken chest,
Carven with figures and embossed with gold,
Is wonderful to look upon! What choice
And precious things dost thou keep hidden in it?


EPIMETHEUS.



I know not. 'T is a mystery.


PANDORA.
Hast thou never
Lifted the lid?


EPIMETHEUS.
The oracle forbids.
Safely concealed there from all mortal eyes
Forever sleeps the secret of the Gods.
Seek not to know what they have hidden from thee,
Till they themselves reveal it.


PANDORA.
As thou wilt.


EPIMETHEUS.
Let us go forth from this mysterious place.
The garden walks are pleasant at this hour;
The nightingales among the sheltering boughs
Of populous and many-nested trees
Shall teach me how to woo thee, and shall tell me
By what resistless charms or incantations
They won their mates.


PANDORA.
Thou dost not need a teacher.


(They go out.)


CHORUS OF THE EUMENIDES.
What the Immortals
Confide to thy keeping,
Tell unto no man;
Waking or sleeping,
Closed be thy portals
To friend as to foeman.


Silence conceals it;
The word that is spoken
Betrays and reveals it;
By breath or by token
The charm may be broken.


With shafts of their splendors
The Gods unforgiving
Pursue the offenders,
The dead and the living!
Fortune forsakes them,
Nor earth shall abide them,
Nor Tartarus hide them;
Swift wrath overtakes them!



With useless endeavor,
Forever, forever,
Is Sisyphus rolling
His stone up the mountain!
Immersed in the fountain,
Tantalus tastes not
The water that wastes not!
Through ages increasing
The pangs that afflict him,
With motion unceasing
The wheel of Ixion
Shall torture its victim!


VI.
IN THE GARDEN


EPIMETHEUS.
Yon snow-white cloud that sails sublime in ether
Is but the sovereign Zeus, who like a swan
Flies to fair-ankled Leda!


PANDORA.
Or perchance
Ixion's cloud, the shadowy shape of Hera,
That bore the Centaurs.


EPIMETHEUS.
The divine and human.


CHORUS OF BIRDS.
Gently swaying to and fro,
Rocked by all the winds that blow,
Bright with sunshine from above
Dark with shadow from below,
Beak to beak and breast to breast
In the cradle of their nest,
Lie the fledglings of our love.


ECHO.
Love! love!


EPIMETHEUS.
Hark! listen! Hear how sweetly overhead
The feathered flute-players pipe their songs of love,
And echo answers, love and only love.


CHORUS OF BIRDS.
Every flutter of the wing,
Every note of song we sing,
Every murmur, every tone,



Is of love and love alone.


ECHO.
Love alone!


EPIMETHEUS.
Who would not love, if loving she might be
Changed like Callisto to a star in heaven?


PANDORA.
Ah, who would love, if loving she might be
Like Semele consumed and burnt to ashes?


EPIMETHEUS.
Whence knowest thou these stories?


PANDORA.
Hermes taught me;
He told me all the history of the Gods.


CHORUS OF REEDS.
Evermore a sound shall be
In the reeds of Arcady,
Evermore a low lament
Of unrest and discontent,
As the story is retold
Of the nymph so coy and cold,
Who with frightened feet outran
The pursuing steps of Pan.


EPIMETHEUS.
The pipe of Pan out of these reeds is made,
And when he plays upon it to the shepherds
They pity him, so mournful is the sound.
Be thou not coy and cold as Syrinx was.


PANDORA.
Nor thou as Pan be rude and mannerless.


PROMETHEUS (without).
Ho! Epimetheus!


EPIMETHEUS.
'T is my brother's voice;
A sound unwelcome and inopportune
As was the braying of Silenus' ass,
Once heard in Cybele's garden.


PANDORA.
Let me go.
I would not be found here. I would not see him.



(She escapes among the trees.)


CHORUS OF DRYADES.
Haste and hide thee,
Ere too late,
In these thickets intricate;
Lest Prometheus
See and chide thee,
Lest some hurt
Or harm betide thee,
Haste and hide thee!


PROMETHEUS (entering.)
Who was it fled from here? I saw a shape
Flitting among the trees.


EPIMETHEUS.
It was Pandora.


PROMETHEUS.
O Epimetheus! Is it then in vain
That I have warned thee? Let me now implore.
Thou harborest in thy house a dangerous guest.


EPIMETHEUS.
Whom the Gods love they honor with such guests.


PROMETHEUS.
Whom the Gods would destroy they first make mad.


EPIMETHEUS.
Shall I refuse the gifts they send to me?


PROMETHEUS.
Reject all gifts that come from higher powers.


EPIMETHEUS.
Such gifts as this are not to be rejected.


PROMETHEUS.
Make not thyself the slave of any woman.


EPIMETHEUS.
Make not thyself the judge of any man.


PROMETHEUS.
I judge thee not; for thou art more than man;
Thou art descended from Titanic race,
And hast a Titan's strength, and faculties
That make thee godlike; and thou sittest here
Like Heracles spinning Omphale's flax,
And beaten with her sandals.



EPIMETHEUS.
O my brother!
Thou drivest me to madness with thy taunts.


PROMETHEUS.
And me thou drivest to madness with thy follies.
Come with me to my tower on Caucasus:
See there my forges in the roaring caverns,
Beneficent to man, and taste the joy
That springs from labor. Read with me the stars,
And learn the virtues that lie hidden in plants,
And all things that are useful.


EPIMETHEUS.
O my brother!
I am not as thou art. Thou dost inherit
Our father's strength, and I our mother's weakness:
The softness of the Oceanides,
The yielding nature that cannot resist.


PROMETHEUS.
Because thou wilt not.


EPIMETHEUS.
Nay; because I cannot.


PROMETHEUS.
Assert thyself; rise up to thy full height;
Shake from thy soul these dreams effeminate,
These passions born of indolence and ease.
Resolve, and thou art free. But breathe the air
Of mountains, and their unapproachable summits
Will lift thee to the level of themselves.


EPIMETHEUS.
The roar of forests and of waterfalls,
The rushing of a mighty wind, with loud
And undistinguishable voices calling,
Are in my ear!


PROMETHEUS.
O, listen and obey.


EPIMETHEUS.
Thou leadest me as a child, I follow thee.


(They go out.)


CHORUS OF OREADES.
Centuries old are the monntains;
Their foreheads wrinkled and rifted



Helios crowns by day,
Pallid Selene by night;
From their bosoms uptossed
The snows are driven and drifted,
Like Tithonus' beard
Streaming dishevelled and white.


Thunder and tempest of wind
Their trumpets blow in the vastness;
Phantoms of mist and rain,
Cloud and the shadow of cloud,
Pass and repass by the gates
Of their inaccessible fastness;
Ever unmoved they stand,
Solemn, eternal, and proud,


VOICES OF THE WATERS.
Flooded by rain and snow
In their inexhaustible sources,
Swollen by affluent streams
Hurrying onward and hurled
Headlong over the crags,
The impetuous water-courses,
Rush and roar and plunge
Down to the nethermost world.


Say, have the solid rocks
Into streams of silver been melted,
Flowing over the plains,
Spreading to lakes in the fields?
Or have the mountains, the giants,
The ice-helmed, the forest-belted,
Scattered their arms abroad;
Flung in the meadows their shields?


VOICES OF THE WINDS.
High on their turreted cliffs
That bolts of thunder have shattered,
Storm-winds muster and blow
Trumpets of terrible breath;
Then from the gateways rush,
And before them routed and scattered
Sullen the cloud-rack flies,
Pale with the pallor of death.


Onward the hurricane rides,
And flee for shelter the shepherds;
White are the frightened leaves,
Harvests with terror are white;
Panic seizes the herds,
And even the lions and leopards,
Prowling no longer for prey,



Crouch in their caverns with fright.


VOICES OF THE FOREST.
Guarding the mountains around
Majestic the forests are standing,
Bright are their crested helms,
Dark is their armor of leaves;
Filled with the breath of freedom
Each bosom subsiding, expanding,
Now like the ocean sinks,
Now like the ocean upheaves.


Planted firm on the rock,
With foreheads stern and defiant,
Loud they shout to the winds,
Loud to the tempest they call;
Naught but Olympian thunders,
That blasted Titan and Giant,
Them can uproot and o'erthrow,
Shaking the earth with their fall.


CHORUS OF OREADES.
These are the Voices Three
Of winds and forests and fountains,
Voices of earth and of air,
Murmur and rushing of streams,
Making together one sound,
The mysterious voice of the mountains,
Waking the sluggard that sleeps,
Waking the dreamer of dreams.


These are the Voices Three,
That speak of endless endeavor,
Speak of endurance and strength,
Triumph and fulness of fame,
Sounding about the world,
An inspiration forever,
Stirring the hearts of men,
Shaping their end and their aim.


VII.
THE HOUSE OF EPIMETHEUS


PANDORA.
Left to myself I wander as I will,
And as my fancy leads me, through this house,
Nor could I ask a dwelling more complete
Were I indeed the Goddess that he deems me.
No mansion of Olympus, framed to be
The habitation of the Immortal Gods,
Can be more beautiful. And this is mine



And more than this, the love wherewith he crowns me.
As if impelled by powers invisible
And irresistible, my steps return
Unto this spacious hall. All corridors
And passages lead hither, and all doors
But open into it. Yon mysterious chest
Attracts and fascinates me. Would I knew
What there lies hidden! But the oracle
Forbids. Ah me! The secret then is safe.
So would it be if it were in my keeping.
A crowd of shadowy faces from the mirrors
That line these walls are watching me. I dare not
Lift up the lid. A hundred times the act
Would be repeated, and the secret seen
By twice a hundred incorporeal eyes.


(She walks to the other side of the hall.)


My feet are weary, wandering to and fro,
My eyes with seeing and my heart with waiting.
I will lie here and rest till he returns,
Who is my dawn, my day, my Helios.


(Throws herself upon a couch, and falls asleep.)


ZEPHYRUS.
Come from thy caverns dark and deep.
O son of Erebus and Night;
All sense of hearing and of sight
Enfold in the serene delight
And quietude of sleep!


Set all the silent sentinels
To bar and guard the Ivory Gate,
And keep the evil dreams of fate
And falsehood and infernal hate
Imprisoned in their cells.


But open wide the Gate of Horn,
Whence, beautiful as planets, rise
The dreams of truth, with starry eyes,
And all the wondrous prophecies
And visions of the morn.


CHORUS OF DREAMS FROM THE IVORY GATE.
Ye sentinels of sleep,
It is in vain ye keep
Your drowsy watch before the Ivory Gate;
Though closed the portal seems,
The airy feet of dreams
Ye cannot thus in walls incarcerate.



We phantoms are and dreams
Born by Tartarean streams,
As ministers of the infernal powers;
O son of Erebus
And Night, behold! we thus
Elude your watchful warders on the towers!


From gloomy Tartarus
The Fates have summoned us
To whisper in her ear, who lies asleep,
A tale to fan the fire
Of her insane desire
To know a secret that the Gods would keep.


This passion, in their ire,
The Gods themselves inspire,
To vex mankind with evils manifold,
So that disease and pain
O'er the whole earth may reign,
And nevermore return the Age of Gold.


PANDORA (waking).
A voice said in my sleep: 'Do not delay:
Do not delay; the golden moments fly!
The oracle hath forbidden; yet not thee
Doth it forbid, but Epimetheus only!'
I am alone. These faces in the mirrors
Are but the shadows and phantoms of myself;
They cannot help nor hinder. No one sees me,
Save the all-seeing Gods, who, knowing good
And knowing evil, have created me
Such as I am, and filled me with desire
Of knowing good and evil like themselves.


(She approaches the chest.)


I hesitate no longer. Weal or woe,
Or life or death, the moment shall decide.


(She lifts the lid. A dense mist rises from
the chest, and fills the room. PANDORA
falls senseless on the floor. Storm without.)


CHORUS OF DREAMS FROM THE GATE OF HORN.
Yes, the moment shall decide!
It already hath decided;
And the secret once confided
To the keeping of the Titan
Now is flying far and wide,
Whispered, told on every side,
To disquiet and to frighten.



Fever of the heart and brain,
Sorrow, pestilence, and pain,
Moans of anguish, maniac laughter,
All the evils that hereafter
Shall afflict and vex mankind,
All into the air have risen
From the chambers of their prison;
Only Hope remains behind.


VIII.
IN THE GARDEN


EPIMETHEUS.
The storm is past, but it hath left behind it
Ruin and desolation. All the walks
Are strewn with shattered boughs; the birds are silent;
The flowers, downtrodden by the wind, lie dead;
The swollen rivulet sobs with secret pain,
The melancholy reeds whisper together
As if some dreadful deed had been committed
They dare not name, and all the air is heavy
With an unspoken sorrow! Premonitions,
Foreshadowings of some terrible disaster
Oppress my heart. Ye Gods, avert the omen!


PANDORA (coming from the house).
O Epimetheus, I no longer dare
To lift mine eyes to thine, nor hear thy voice,
Being no longer worthy of thy love.


EPIMETHEUS.
What hast thou done?


PANDORA.
Forgive me not, but kill me.


EPIMETHEUS.
What hast thou done?


PANDORA.
I pray for death, not pardon.


EPIMETHEUS.
What hast thou done?


PANDORA.
I dare not speak of it.


EPIMETHEUS.
Thy pallor and thy silence terrify me!



PANDORA.
I have brought wrath and ruin on thy house!
My heart hath braved the oracle that guarded
The fatal secret from us, and my hand
Lifted the lid of the mysterious chest!


EPIMETHEUS.
Then all is lost! I am indeed undone.


PANDORA.
I pray for punishment, and not for pardon.


EPIMETHEUS.
Mine is the fault not thine. On me shall fall
The vengeance of the Gods, for I betrayed
Their secret when, in evil hour, I said
It was a secret; when, in evil hour,
I left thee here alone to this temptation.
Why did I leave thee?


PANDORA.
Why didst thou return?
Eternal absence would have been to me
The greatest punishment. To be left alone
And face to face with my own crime, had been
Just retribution. Upon me, ye Gods,
Let all your vengeance fall!


EPIMETHEUS.
On thee and me.
I do not love thee less for what is done,
And cannot be undone. Thy very weakness
Hath brought thee nearer to me, and henceforth
My love will have a sense of pity in it,
Making it less a worship than before.


PANDORA.
Pity me not; pity is degradation.
Love me and kill me.


EPIMETHEUS.
Beautiful Pandora!
Thou art a Goddess still!


PANDORA.
I am a woman;
And the insurgent demon in my nature,
That made me brave the oracle, revolts
At pity and compassion. Let me die;
What else remains for me?


EPIMETHEUS.



Youth, hope, and love:
To build a new life on a ruined life,
To make the future fairer than the past,
And make the past appear a troubled dream.
Even now in passing through the garden walks
Upon the ground I saw a fallen nest
Ruined and full of rain; and over me
Beheld the uncomplaining birds already
Busy in building a new habitation.


PANDORA.
Auspicious omen!


EPIMETHEUS.
May the Eumenides
Put out their torches and behold us not,
And fling away their whips of scorpions
And touch us not.


PANDORA.
Me let them punish.
Only through punishment of our evil deeds,
Only through suffering, are we reconciled
To the immortal Gods and to ourselves.


CHORUS OF THE EUMENIDES.
Never shall souls like these
Escape the Eumenides,
The daughters dark of Acheron and Night!
Unquenched our torches glare,
Our scourges in the air
Send forth prophetic sounds before they smite.


Never by lapse of time
The soul defaced by crime
Into its former self returns again;
For every guilty deed
Holds in itself the seed
Of retribution and undying pain.


Never shall be the loss
Restored, till Helios
Hath purified them with his heavenly fires;
Then what was lost is won,
And the new life begun,
Kindled with nobler passions and desires.

The Leap Of Roushan Beg. (Birds Of Passage. Flight The Fifth)

Mounted on Kyrat strong and fleet,
His chestnut steed with four white feet,
Roushan Beg, called Kurroglou,
Son of the road and bandit chief,
Seeking refuge and relief,
Up the mountain pathway flew.


Such was Kyrat's wondrous speed,
Never yet could any steed
Reach the dust-cloud in his course.
More than maiden, more than wife,
More than gold and next to life
Roushan the Robber loved his horse.


In the land that lies beyond
Erzeroum and Trebizond,
Garden-girt his fortress stood;
Plundered khan, or caravan
Journeying north from Koordistan,
Gave him wealth and wine and food.


Seven hundred and fourscore
Men at arms his livery wore,
Did his bidding night and day;
Now, through regions all unknown,
He was wandering, lost, alone,
Seeking without guide his way.


Suddenly the pathway ends,
Sheer the precipice descends,
Loud the torrent roars unseen;
Thirty feet from side to side
Yawns the chasm; on air must ride
He who crosses this ravine.


Following close in his pursuit,
At the precipice's foot,
Reyhan the Arab of Orfah
Halted with his hundred men,
Shouting upward from the glen,
'La Illáh illa Alláh!'


Gently Roushan Beg caressed
Kyrat's forehead, neck, and breast;
Kissed him upon both his eyes,
Sang to him in his wild way,
As upon the topmost spray
Sings a bird before it flies.


'O my Kyrat, O my steed,
Round and slender as a reed,
Carry me this peril through!



Satin housings shall be thine,
Shoes of gold, O Kyrat mine,
O thou soul of Kurroglou!


'Soft thy skin as silken skein,
Soft as woman's hair thy mane,
Tender are thine eyes and true;
All thy hoofs like ivory shine,
Polished bright; O, life of mine,
Leap, and rescue Kurroglou!'


Kyrat, then, the strong and fleet,
Drew together his four white feet,
Paused a moment on the verge,
Measured with his eye the space,
And into the air's embrace
Leaped as leaps the ocean surge.


As the ocean surge o'er sand
Bears a swimmer safe to land,
Kyrat safe his rider bore;
Rattling down the deep abyss
Fragments of the precipice
Rolled like pebbles on a shore.


Roushan's tasselled cap of red
Trembled not upon his head,
Careless sat he and upright;
Neither hand nor bridle shook,
Nor his head he turned to look,
As he galloped out of sight.


Flash of harness in the air,
Seen a moment like the glare
Of a sword drawn from its sheath;
Thus the phantom horseman passed,
And the shadow that he cast
Leaped the cataract underneath.


Reyhan the Arab held his breath
While this vision of life and death
Passed above him. 'Allahu!'
Cried he. 'In all Koordistan
Lives there not so brave a man
As this Robber Kurroglou!'

The Luck of Edenhall. From The German Of Uhland

Of Edenhall, the youthful Lord
Bids sound the festal trumpet's call.
He rises at the banquet board,
And cries, 'mid the drunken revellers all,
'Now bring me the Luck of Edenhall!'


The butler hears the words with pain,
The house's oldest seneschal,
Takes slow from its silken cloth again
The drinking glass of crystal tall;
They call it The Luck of Edenhall.


Then said the Lord, 'This glass to praise,
Fill with red wine from Portugal!'
The graybeard with trembling hand obeys;
A purple light shines over all,
It beams from the Luck of Edenhall.


Then speaks the Lord, and waves it light:
'This glass of flashing crystal tall
Gave to my sires the Fountain-Sprite;
She wrote in it,
If this glass doth fall,
Farewell then, O Luck of Edenhall!


''Twas right a goblet the Fate should be
Of the joyous race of Edenhall!
Deep draughts drink we right willingly:
And willingly ring, with merry call,
Kling! klang! to the Luck of Edenhall!'


First rings it deep, and full, and mild,
Like to the song of a nightingale
Then like the roar of a torrent wild;
Then mutters at last like the thunder's fall,
The glorious Luck of Edenhall.


'For its keeper takes a race of might,
The fragile goblet of crystal tall;
It has lasted longer than is right;
King! klang!--with a harder blow than all
Will I try the Luck of Edenhall!'


As the goblet ringing flies apart,
Suddenly cracks the vaulted hall;
And through the rift, the wild flames start;
The guests in dust are scattered all,
With the breaking Luck of Edenhall!


In storms the foe, with fire and sword;
He in the night had scaled the wall,



Slain by the sword lies the youthful Lord,
But holds in his hand the crystal tall,
The shattered Luck of Edenhall.


On the morrow the butler gropes alone,
The graybeard in the desert hall,
He seeks his Lord's burnt skeleton,
He seeks in the dismal ruin's fall
The shards of the Luck of Edenhall.


'The stone wall,' saith he, 'doth fall aside,
Down must the stately columns fall;
Glass is this earth's Luck and Pride;
In atoms shall fall this earthly ball
One day like the Luck of Edenhall!'

The Image Of God (From The Spanish Of Francisco De Aldana)

O Lord! who seest, from yon starry height
Centred in one the future and the past
Fashioned in thine own image, see
The world obscures in me what once was bright!
Eternal Sun! the warmth which thou hast given,
To cheer life's flowery April, fast decays;
Yet in the hoary winter of my days,
For ever green shall be my trust in Heaven.
Celestial King! Oh let thy presence pass
Before my spirit, and an image fair
Shall meet that look of mercy from on high,
As the reflected image in a glass
Doth meet the look of him who seeks it there,
And owes its being to the gazer's eye.

The Jewish Cemetery at Newport

How strange it seems! These Hebrews in their graves,
Close by the street of this fair seaport town,
Silent beside the never-silent waves,
At rest in all this moving up and down!


The trees are white with dust, that o'er their sleep
Wave their broad curtains in the southwind's breath,
While underneath these leafy tents they keep
The long, mysterious Exodus of Death.


And these sepulchral stones, so old and brown,
That pave with level flags their burial-place,
Seem like the tablets of the Law, thrown down
And broken by Moses at the mountain's base.


The very names recorded here are strange,
Of foreign accent, and of different climes;
Alvares and Rivera interchange
With Abraham and Jacob of old times.


"Blessed be God! for he created Death!"
The mourner said, "and Death is rest and peace!"
Then added, in the certainty of faith,
"And giveth Life that nevermore shall cease."


Closed are the portals of their Synagogue,
No Psalms of David now the silence break,
No Rabbi reads the ancient Decalogue
In the grand dialect the Prophets spake.


Gone are the living, but the dead remain,
And not neglected; for a hand unseen,
Scattering its bounty, like a summer rain,
Still keeps their graves and their remembrance green.


How came they here? What burst of Christian hate,
What persecution, merciless and blind,
Drove o'er the sea -that desert desolate -
These Ishmaels and Hagars of mankind?


They lived in narrow streets and lanes obscure,
Ghetto and Judenstrass, in mirk and mire;
Taught in the school of patience to endure
The life of anguish and the death of fire.


All their lives long, with the unleavened bread
And bitter herbs of exile and its fears,
The wasting famine of the heart they fed,
And slaked its thirst with marah of their tears.


Anathema maranatha! was the cry
That rang from town to town, from street to street:



At every gate the accursed Mordecai
Was mocked and jeered, and spurned by Christian feet.


Pride and humiliation hand in hand
Walked with them through the world where'er they went;
Trampled and beaten were they as the sand,
And yet unshaken as the continent.


For in the background figures vague and vast
Of patriarchs and of prophets rose sublime,
And all the great traditions of the Past
They saw reflected in the coming time.


And thus forever with reverted look
The mystic volume of the world they read,
Spelling it backward, like a Hebrew book,
Till life became a Legend of the Dead.


But ah! what once has been shall be no more!
The groaning earth in travail and in pain
Brings forth its races, but does not restore,
And the dead nations never rise again.

The Herons Of Elmwood. (Birds Of Passage. Flight The Fifth)

Warm and still is the summer night,
As here by the river's brink I wander;
White overhead are the stars, and white
The glimmering lamps on the hillside yonder.


Silent are all the sounds of day;
Nothing I hear but the chirp of crickets,
And the cry of the herons winging their way
O'er the poet's house in the Elmwood thickets.


Call to him, herons, as slowly you pass
To your roosts in the haunts of the exiled thrushes,
Sing him the song of the green morass;
And the tides that water the reeds and rushes.


Sing him the mystical Song of the Hern,
And the secret that baffles our utmost seeking;
For only a sound of lament we discern,
And cannot interpret the words you are speaking.


Sing of the air, and the wild delight
Of wings that uplift and winds that uphold you,
The joy of freedom, the rapture of flight
Through the drift of the floating mists that infold you.


Of the landscape lying so far below,
With its towns and rivers and desert places;
And the splendor of light above, and the glow
Of the limitless, blue, ethereal spaces.


Ask him if songs of the Troubadours,
Or of Minnesingers in old black-letter,
Sound in his ears more sweet than yours,
And if yours are not sweeter and wilder and better.


Sing to him, say to him, here at his gate,
Where the boughs of the stately elms are meeting,
Some one hath lingered to meditate,
And send him unseen this friendly greeting;


That many another hath done the same,
Though not by a sound was the silence broken;
The surest pledge of a deathless name
Is the silent homage of thoughts unspoken.

The Haunted Chamber. (Birds Of Passage. Flight The Third)

Each heart has its haunted chamber,
Where the silent moonlight falls!
On the floor are mysterious footsteps,
There are whispers along the walls!


And mine at times is haunted
By phantoms of the Past
As motionless as shadows
By the silent moonlight cast.


A form sits by the window,
That is not seen by day,
For as soon as the dawn approaches
It vanishes away.


It sits there in the moonlight
Itself as pale and still,
And points with its airy finger
Across the window-sill.


Without before the window,
There stands a gloomy pine,
Whose boughs wave upward and downward
As wave these thoughts of mine.


And underneath its branches
Is the grave of a little child,
Who died upon life's threshold,
And never wept nor smiled.


What are ye, O pallid phantoms!
That haunt my troubled brain?
That vanish when day approaches,
And at night return again?


What are ye, O pallid phantoms!
But the statues without breath,
That stand on the bridge overarching
The silent river of death?

The Happiest Land. (From The German)

There sat one day in quiet,
By an alehouse on the Rhine,
Four hale and hearty fellows,
And drank the precious wine.


The landlord's daughter filled their cups
Around the rustic board;
Then sat they all so calm and still,
And spake not one rude word.


But, when the maid departed,
A Swabian raised his hand,
And cried, all hot and flushed with wine,
'Long live the Swabian land!


'The greatest kingdom upon earth
Cannot with that compare;
With all the stout and hardy men
And the nut-brown maidens there.'


Ha! cried a Saxon, laughing,--
And dashed his beard with wine;
' I had rather live in Lapland,
Than that Swabian land of thine!


The goodliest land on all this earth,
It is the Saxon land!
There have I as many maidens
As fingers on this hand!


Hold your tongues! both Swabian and Saxon!
A bold Bohemian cries;
'If there's a heaven upon this earth,
In Bohemia it lies.


There the tailor blows the flute,
And the cobbler blows the horn,
And the miner blows the bugle,
Over mountain gorge and bourn.


****


And then the landlord's daughter
Up to heaven raised her hand,
And said, Ye may no more contend,--
There lies the happiest land!

The Hanging Of The Crane

The lights are out, and gone are all the guests
That thronging came with merriment and jests
To celebrate the Hanging of the Crane
In the new house,--into the night are gone;
But still the fire upon the hearth burns on,
And I alone remain.


O fortunate, O happy day,
When a new household finds its place
Among the myriad homes of earth,
Like a new star just sprung to birth,
And rolled on its harmonious way
Into the boundless realms of space!


So said the guests in speech and song,
As in the chimney, burning bright,
We hung the iron crane to-night,
And merry was the feast and long.


II.
And now I sit and muse on what may be,
And in my vision see, or seem to see,
Through floating vapors interfused with light,
Shapes indeterminate, that gleam and fade,
As shadows passing into deeper shade
Sink and elude the sight.


For two alone, there in the hall,
As spread the table round and small;
Upon the polished silver shine
The evening lamps, but, more divine,
The light of love shines over all;
Of love, that says not mine and thine,
But ours, for ours is thine and mine.


They want no guests, to come between
Their tender glances like a screen,
And tell them tales of land and sea,
And whatsoever may betide
The great, forgotten world outside;
They want no guests; they needs must be
Each other's own best company.


III.
The picture fades; as at a village fair
A showman's views, dissolving into air,
Again appear transfigured on the screen,
So in my fancy this; and now once more,
In part transfigured, through the open door
Appears the selfsame scene.



Seated, I see the two again,
But not alone; they entertain
A little angel unaware,
With face as round as is the moon;
A royal guest with flaxen hair,
Who, throned upon his lofty chair,
Drums on the table with his spoon,
Then drops it careless on the floor,
To grasp at things unseen before.


Are these celestial manners? these
The ways that win, the arts that please?
Ah yes; consider well the guest,
And whatsoe'er he does seems best;
He ruleth by the right divine
Of helplessness, so lately born
In purple chambers of the morn,
As sovereign over thee and thine.
He speaketh not; and yet there lies
A conversation in his eyes;
The golden silence of the Greek,
The gravest wisdom of the wise,
Not spoken in language, but in looks
More legible than printed books,
As if he could but would not speak.
And now, O monarch absolute,
Thy power is put to proof; for, lo!
Resistless, fathomless, and slow,
The nurse comes rustling like the sea,
And pushes back thy chair and thee,
And so good night to King Canute.


IV.
As one who walking in a forest sees
A lovely landscape through the parted frees,
Then sees it not, for boughs that intervene
Or as we see the moon sometimes revealed
Through drifting clouds, and then again concealed,
So I behold the scene.


There are two guests at table now;
The king, deposed and older grown,
No longer occupies the throne,--
The crown is on his sister's brow;
A Princess from the Fairy Isles,
The very pattern girl of girls.
All covered and embowered in curls,
Rose-tinted from the Isle of Flowers,
And sailing with soft, silken sails



From far-off Dreamland into ours.
Above their bowls with rims of blue
Four azure eyes of deeper hue
Are looking, dreamy with delight;
Limpid as planets that emerge
Above the ocean's rounded verge,
Soft-shining through the summer night.
Steadfast they gaze, yet nothing see
Beyond the horizon of their bowls;
Nor care they for the world that rolls
With all its freight of troubled souls
Into the days that are to be.


V.
Again the tossing boughs shut out the scene,
Again the drifting vapors intervene,
And the moon's pallid disk is hidden quite;
And now I see the table wider grown,
As round a pebble into water thrown
Dilates a ring of light.


I see the table wider grown,
I see it garlanded with guests,
As if fair Ariadne's Crown
Out of the sky had fallen down;
Maidens within whose tender breasts
A thousand restless hopes and fears,
Forth reaching to the coming years,
Flutter awhile, then quiet lie
Like timid birds that fain would fly,
But do not dare to leave their nests;--
And youths, who in their strength elate
Challenge the van and front of fate,
Eager as champions to be
In the divine knight-errantry
Of youth, that travels sea and land
Seeking adventures, or pursues,
Through cities, and through solitudes
Frequented by the lyric Muse,
The phantom with the beckoning hand,
That still allures and still eludes.
O sweet illusions of the brain!
O sudden thrills of fire and frost!
The world is bright while ye remain,
And dark and dead when ye are lost!


VI.
The meadow-brook, that seemeth to stand still,
Quickens its current as it nears the mill;
And so the stream of Time that lingereth



In level places, and so dull appears,
Runs with a swifter current as it nears
The gloomy mills of Death.


And now, like the magician's scroll,
That in the owner's keeping shrinks
With every wish he speaks or thinks,
Till the last wish consumes the whole,
The table dwindles, and again
I see the two alone remain.
The crown of stars is broken in parts;
Its jewels, brighter than the day,
Have one by one been stolen away
To shine in other homes and hearts.
One is a wanderer now afar
In Ceylon or in Zanzibar,
Or sunny regions of Cathay;
And one is in the boisterous camp
Mid clink of arms and horses' tramp,
And battle's terrible array.
I see the patient mother read,
With aching heart, of wrecks that float
Disabled on those seas remote,
Or of some great heroic deed
On battle-fie1ds where thousands bleed
To lift one hero into fame.
Anxious she bends her graceful head
Above these chronicles of pain,
And trembles with a secret dread
Lest there among the drowned or slain
She find the one beloved name.


VII.
After a day of cloud and wind and rain
Sometimes the setting sun breaks out again,
And touching all the darksome woods with light,
Smiles on the fields, until they laugh and sing,
Then like a ruby from the horizon's ring
Drops down into the night.


What see I now? The night is fair,
The storm of grief, the clouds of care,
The wind, the rain, have passed away;
The lamps are lit, the fires burn bright,
The house is full of life and light:
It is the Golden Wedding day.
The guests come thronging in once more,
Quick footsteps sound along the floor,
The trooping children crowd the stair,
And in and out and everywhere
Flashes along the corridor



The sunshine of their golden hair.
On the round table in the hall
Another Ariadne's Crown
Out of the sky hath fallen down;
More than one Monarch of the Moon
Is drumming with his silver spoon;
The light of love shines over all.


O fortunate, O happy day!
The people sing, the people say.
The ancient bridegroom and the bride,
Smiling contented and serene
Upon the blithe, bewildering scene,
Behold, well pleased, on every side
Their forms and features multiplied,
As the reflection of a light
Between two burnished mirrors gleams,
Or lamps upon a bridge at night
Stretch on and on before the sight,
Till the long vista endless seems.