Henry Wadsworth Longfellow

Henry Wadsworth Longfellow

1807–1882 · lived 75 years US US

Henry Wadsworth Longfellow was an American poet and educator, celebrated for his lyrical verse and narrative poems. His work often drew inspiration from mythology, history, and American folklore, making complex themes accessible to a wide audience. He became one of the most popular poets of his time, both in the United States and abroad, though his literary reputation has evolved over the years. Longfellow's poems frequently explored themes of heroism, domestic life, and the passage of time. His accessible style and moralistic undertones resonated deeply with Victorian sensibilities, cementing his status as a beloved literary figure. Despite later critical re-evaluations, his contributions to American literature and his role in shaping national identity through verse remain significant.

n. 1807-02-27, Portland · m. 1882-03-24, Cambridge

97,039 Views

Serenade from “The Spanish Student”

Serenade from “The Spanish Student”

STARS of the summer night!
Far in yon azure deeps,
Hide, hide your golden light!
She sleeps!
My lady sleeps!
Sleeps!


Moon of the summer night!
Far down yon western steeps,
Sink, sink in silver light!
She sleeps!
My lady sleeps!
Sleeps!


Wind of the summer night!
Where yonder woodbine creeps,
Fold, fold thy pinions light!
She sleeps!
My lady sleeps!
Sleeps!


Dreams of the summer night!
Tell her, her lover keeps
Watch! while in slumbers light
She sleeps!
My lady sleeps!
Sleeps!
Read full poem
Bio

Identification and basic context

Henry Wadsworth Longfellow was an American poet and educator. He was born in Portland, Maine, and his family had deep roots in New England. He wrote in English.

Childhood and education

Longfellow's early life was shaped by a comfortable family background and a strong emphasis on education. He entered Bowdoin College at the age of 14, where he developed a passion for literature and languages. He was a gifted student, excelling in his studies and beginning to publish his early verses during this time. His education provided him with a broad knowledge of classical literature and European traditions.

Literary trajectory

Longfellow's literary career began with the publication of early poems in magazines. After extensive travel and study in Europe, he returned to the United States and embarked on a prolific writing career. His fame grew steadily with collections like 'Voices of the Night' and 'The Song of Hiawatha.' He also became a respected professor, teaching at Bowdoin and later at Harvard University, where he influenced generations of students. His later works continued to explore historical and legendary themes.

Works, style, and literary characteristics

Longfellow's major works include 'Voices of the Night' (1839), 'Ballads and Other Poems' (1841), 'The Spanish Student' (1843), 'Evangeline' (1847), 'The Song of Hiawatha' (1855), and 'The Courtship of Miles Standish' (1858). His poetry is characterized by its narrative quality, lyrical beauty, and often moralistic or sentimental tone. He frequently employed traditional forms, such as the ballad and the sonnet, but also experimented with longer narrative poems. Themes explored include love, loss, domestic life, heroism, American history and legend, and the passage of time. His language is generally clear, accessible, and rich in imagery, aiming for emotional resonance with a broad audience.

Cultural and historical context

Longfellow lived and wrote during a period of significant national growth and change in the United States, a time often referred to as the American Renaissance. He was part of the so-called 'Fireside Poets,' a group of American writers whose work was popular and widely read in American homes. His poetry often reflected and shaped American identity, drawing on national myths and historical events. He was aware of European literary trends but sought to create a distinctly American literary voice.

Personal life

Longfellow experienced significant personal tragedies, including the deaths of both his wives. These losses deeply affected him and are often reflected in the elegiac and melancholic strains found in some of his poetry. He maintained friendships with many prominent literary figures of his day and was a respected academic.

Recognition and reception

Longfellow was immensely popular during his lifetime, both in the United States and internationally, particularly in Britain. His poems were widely recited, set to music, and studied in schools. While lauded for his accessibility and emotional appeal by the general public, some later critics found his work overly sentimental or conventional. However, his place as a foundational figure in American poetry remains secure.

Influences and legacy

Longfellow was influenced by European Romantic poets, particularly German and English writers. He, in turn, influenced many subsequent American poets and helped to establish a tradition of narrative and lyrical poetry in the United States. His works were instrumental in shaping a sense of national identity and cultural heritage.

Interpretation and critical analysis

Critical interpretations of Longfellow's work often focus on his role in popularizing poetry, his engagement with American history and myth, and the balance between his accessible style and the deeper emotional currents in his verse. Debates sometimes arise regarding the perceived sentimentality versus genuine pathos in his work.

Curiosities and lesser-known aspects

Longfellow was a gifted linguist and professor, fluent in several languages. He was also known for his considerable literary fame, which sometimes presented challenges, as he struggled to find quiet moments for composition amidst public demands. His home in Cambridge, Massachusetts, a former headquarters of George Washington, became a literary landmark.

Death and memory

Longfellow died in Cambridge, Massachusetts. His death was widely mourned, and he was remembered as one of America's greatest poets. His works continue to be read and studied, maintaining his status as a significant figure in American literary history.

Poems

267

Ultima Thule: Bayard Taylor

Ultima Thule: Bayard Taylor

Dead he lay among his books!
The peace of God was in his looks.


As the statues in the gloom
Watch o'er Maximilian's tomb,


So those volumes from their shelves
Watched him, silent as themselves.


Ah! his hand will nevermore
Turn their storied pages o'er;


Nevermore his lips repeat
Songs of theirs, however sweet.


Let the lifeless body rest!
He is gone, who was its guest;


Gone, as travellers haste to leave
An inn, nor tarry until eve.


Traveller! in what realms afar,
In what planet, in what star,


In what vast, aerial space,
Shines the light upon thy face?


In what gardens of delight
Rest thy weary feet to-night?


Poet! thou, whose latest verse
Was a garland on thy hearse;


Thou hast sung, with organ tone,
In Deukalion's life, thine own;


On the ruins of the Past
Blooms the perfect flower at last.


Friend! but yesterday the bells
Rang for thee their loud farewells;


And to-day they toll for thee,
Lying dead beyond the sea;


Lying dead among thy books,
The peace of God in all thy looks!
422

To William E. Channing

To William E. Channing

The pages of thy book I read,
And as I closed each one,

My heart, responding, ever said,
"Servant of God! well done!"

Well done! Thy words are great and bold;
At times they seem to me,

Like Luther's, in the days of old,
Half-battles for the free.

Go on, until this land revokes
The old and chartered Lie,

The feudal curse, whose whips and yokes
Insult humanity.

A voice is ever at thy side
Speaking in tones of might,

Like the prophetic voice, that cried
To John in Patmos, "Write!"

Write! and tell out this bloody tale;
Record this dire eclipse,

This Day of Wrath, this Endless Wail,
This dread Apocalypse!
431

Travels By The Fireside. (Birds Of Passage. Flight The Fourth)

Travels By The Fireside. (Birds Of Passage. Flight The Fourth)

The ceaseless rain is falling fast,
And yonder gilded vane,
Immovable for three days past,
Points to the misty main,


It drives me in upon myself
And to the fireside gleams,
To pleasant books that crowd my shelf,
And still more pleasant dreams,


I read whatever bards have sung
Of lands beyond the sea,
And the bright days when I was young
Come thronging back to me.


In fancy I can hear again
The Alpine torrent's roar,
The mule-bells on the hills of Spain,
The sea at Elsinore.


I see the convent's gleaming wall
Rise from its groves of pine,
And towers of old cathedrals tall,
And castles by the Rhine.


I journey on by park and spire,
Beneath centennial trees,
Through fields with poppies all on fire,
And gleams of distant seas.


I fear no more the dust and heat,
No more I feel fatigue,
While journeying with another's feet
O'er many a lengthening league.


Let others traverse sea and land,
And toil through various climes,
I turn the world round with my hand
Reading these poets' rhymes.


From them I learn whatever lies
Beneath each changing zone,
And see, when looking with their eyes,
Better than with mine own.
317

To Vittoria Colonna. (Sonnet V.)

To Vittoria Colonna. (Sonnet V.)

Lady, how can it chance--yet this we see
In long experience--that will longer last
A living image carved from quarries vast
Than its own maker, who dies presently?
Cause yieldeth to effect if this so be,
And even Nature is by Art at surpassed;
This know I, who to Art have given the past,
But see that Time is breaking faith with me.
Perhaps on both of us long life can I
Either in color or in stone bestow,
By now portraying each in look and mien;
So that a thousand years after we die,
How fair thou wast, and I how full of woe,
And wherefore I so loved thee, may be seen.
361

To The River Yvette. (Birds Of Passage. Flight The Fifth)

To The River Yvette. (Birds Of Passage. Flight The Fifth)

O lovely river of Yvette!
O darling river! like a bride,
Some dimpled, bashful, fair Lisette,
Thou goest to wed the Orge's tide.


Maincourt, and lordly Dampierre,
See and salute thee on thy way,
And, with a blessing and a prayer,
Ring the sweet bells of St. Forget.


The valley of Chevreuse in vain
Would hold thee in its fond embrace;
Thou glidest from its arms again
And hurriest on with swifter pace.


Thou wilt not stay; with restless feet,
Pursuing still thine onward flight,
Thou goest as one in haste to meet
Her sole desire, her heart's delight.


O lovely river of Yvette!
O darling stream! on balanced wings
The wood-birds sang the chansonnette
That here a wandering poet sings.
355

To The Driving Cloud

To The Driving Cloud

Gloomy and dark art thou, O chief of the mighty Omahas;
Gloomy and dark as the driving cloud, whose name thou hast taken!
Wrapped in thy scarlet blanket, I see thee stalk through the city's
Narrow and populous streets, as once by the margin of rivers
Stalked those birds unknown, that have left us only their
footprints.
What, in a few short years, will remain of thy race but the
footprints?


How canst thou walk these streets, who hast trod the green turf
of the prairies!
How canst thou breathe this air, who hast breathed the sweet air
of the mountains!
Ah! 'tis in vain that with lordly looks of disdain thou dost
challenge
Looks of disdain in return, and question these walls and these
pavements,
Claiming the soil for thy hunting-grounds, while down-trodden
millions
Starve in the garrets of Europe, and cry from its caverns that
they, too,
Have been created heirs of the earth, and claim its division!


Back, then, back to thy woods in the regions west of the Wabash!
There as a monarch thou reignest. In autumn the leaves of the
maple
Pave the floors of thy palace-halls with gold, and in summer
Pine-trees waft through its chambers the odorous breath of their
branches.
There thou art strong and great, a hero, a tamer of horses!
There thou chasest the stately stag on the banks of the Elkhorn,
Or by the roar of the Running-Water, or where the Omaha
Calls thee, and leaps through the wild ravine like a brave of the
Blackfeet!


Hark! what murmurs arise from the heart of those mountainous
deserts?
Is it the cry of the Foxes and Crows, or the mighty Behemoth,
Who, unharmed, on his tusks once caught the bolts of the thunder,
And now lurks in his lair to destroy the race of the red man?
Far more fatal to thee and thy race than the Crows and the Foxes,
Far more fatal to thee and thy race than the tread of Behemoth,
Lo! the big thunder-canoe, that steadily breasts the Missouri's
Merciless current! and yonder, afar on the prairies, the
camp-fires
Gleam through the night; and the cloud of dust in the gray of the
daybreak
Marks not the buffalo's track, nor the Mandan's dexterous
horse-race;
It is a caravan, whitening the desert where dwell the Camanches!
Ha! how the breath of these Saxons and Celts, like the blast of
the east-wind,



Drifts evermore to the west the scanty smokes of thy wigwams!
356

To the River Charles

To the River Charles

River! that in silence windest
Through the meadows, bright and free,
Till at length thy rest thou findest
In the bosom of the sea!

Four long years of mingled feeling,
Half in rest, and half in strife,
I have seen thy waters stealing
Onward, like the stream of life.

Thou hast taught me, Silent River!
Many a lesson, deep and long;
Thou hast been a generous giver;
I can give thee but a song.

Oft in sadness and in illness,
I have watched thy current glide,
Till the beauty of its stillness
Overflowed me, like a tide.

And in better hours and brighter,
When I saw thy waters gleam,
I have felt my heart beat lighter,


And leap onward with thy stream.

Not for this alone I love thee,
Nor because thy waves of blue
From celestial seas above thee
Take their own celestial hue.

Where yon shadowy woodlands hide thee,
And thy waters disappear,
Friends I love have dwelt beside thee,
And have made thy margin dear.

More than this;--thy name reminds me
Of three friends, all true and tried;
And that name, like magic, binds me
Closer, closer to thy side.

Friends my soul with joy remembers!
How like quivering flames they start,
When I fan the living embers
On the hearth-stone of my heart!

'T is for this, thou Silent River!
That my spirit leans to thee;
Thou hast been a generous giver,
Take this idle song from me.
378

To Italy. (From Filicaja)

To Italy. (From Filicaja)

Italy! Italy! thou who'rt doomed to wear
The fatal gift of beauty and possess
The dower funest of infinite wretchedness
Written upon thy forehead by despair;
Ah! would that thou wert stronger or less fair,
That they might fear thee more or love thee less,
Who in the splendour of thy loveliness
Seem wasting, yet to mortal combat dare!
Then from the Alps I should not see descending
Such torrents of armed men, nor Gallic horde
Drinking the wave of Po, distained with gore,
Nor should I see thee girded with a sword
Not thine, and with the stranger's arm contending,
Victor or vanquished, slave for evermore.
309

To an Old Danish Song-Book

To an Old Danish Song-Book

Welcome, my old friend,
Welcome to a foreign fireside,
While the sullen gales of autumn
Shake the windows.


The ungrateful world
Has, it seems, dealt harshly with thee,
Since, beneath the skies of Denmark,
First I met thee.


There are marks of age,
There are thumb-marks on thy margin,
Made by hands that clasped thee rudely,
At the alehouse.


Soiled and dull thou art;
Yellow are thy time-worn pages,
As the russet, rain-molested
Leaves of autumn.


Thou art stained with wine
Scattered from hilarious goblets,
As the leaves with the libations
Of Olympus.


Yet dost thou recall
Days departed, half-forgotten,
When in dreamy youth I wandered
By the Baltic,--


When I paused to hear
The old ballad of King Christian
Shouted from suburban taverns
In the twilight.


Thou recallest bards,
Who in solitary chambers,
And with hearts by passion wasted,
Wrote thy pages.


Thou recallest homes
Where thy songs of love and friendship
Made the gloomy Northern winter
Bright as summer.


Once some ancient Scald,
In his bleak, ancestral Iceland,
Chanted staves of these old ballads
To the Vikings.


Once in Elsinore,
At the court of old King Hamlet



Yorick and his boon companions
Sang these ditties.


Once Prince Frederick's Guard
Sang them in their smoky barracks;--
Suddenly the English cannon
Joined the chorus!


Peasants in the field,
Sailors on the roaring ocean,
Students, tradesmen, pale mechanics,
All have sung them.


Thou hast been their friend;
They, alas! have left thee friendless!
Yet at least by one warm fireside
Art thou welcome.


And, as swallows build
In these wide, old-fashioned chimneys,
So thy twittering songs shall nestle
In my bosom,--


Quiet, close, and warm,
Sheltered from all molestation,
And recalling by their voices
Youth and travel.
318

Tide Rises, the Tide Falls, The

Tide Rises, the Tide Falls, The

The tide rises, the tide falls,
The twilight darkens, the curlew calls;
Along the sea-sands damp and brown
The traveler hastens toward the town,
And the tide rises, the tide falls.
Darkness settles on roofs and walls,
But the sea, the sea in darkness calls;
The little waves, with their soft, white hands
Efface the footprints in the sands,
And the tide rises, the tide falls.
The morning breaks; the steeds in their stalls
Stamp and neigh, as the hostler calls;
The day returns, but nevermore
Returns the traveler to the shore.
And the tide rises, the tide falls.
310

Quotes

40

Videos

50

Comments (0)

Share
Log in to post a comment.

No comments yet. Be the first to comment.