Orlie Wilde

A goddess, with a siren's grace,--
A sun-haired girl on a craggy place
Above a bay where fish-boats lay
Drifting about like birds of prey.


Wrought was she of a painter's dream,--
Wise only as are artists wise,
My artist-friend, Rolf Herschkelhiem,
With deep sad eyes of oversize,
And face of melancholy guise.


I pressed him that he tell to me
This masterpiece's history.
He turned--REturned--and thus beguiled
Me with the tale of Orlie Wilde:-


"We artists live ideally:
We breed our firmest facts of air;
We make our own reality--
We dream a thing and it is so.
The fairest scenes we ever see
Are mirages of memory;
The sweetest thoughts we ever know
We plagiarize from Long Ago:
And as the girl on canvas there
Is marvelously rare and fair,
'Tis only inasmuch as she
Is dumb and may not speak to me!"
He tapped me with his mahlstick--then
The picture,--and went on again:


"Orlie Wilde, the fisher's child--
I see her yet, as fair and mild
As ever nursling summer day
Dreamed on the bosom of the bay:
For I was twenty then, and went
Alone and long-haired--all content
With promises of sounding name
And fantasies of future fame,
And thoughts that now my mind discards
As editor a fledgling bard's.


"At evening once I chanced to go,
With pencil and portfolio,
Adown the street of silver sand
That winds beneath this craggy land,
To make a sketch of some old scurf
Of driftage, nosing through the surf
A splintered mast, with knarl and strand
Of rigging-rope and tattered threads
Of flag and streamer and of sail
That fluttered idly in the gale



Or whipped themselves to sadder shreds.
The while I wrought, half listlessly,
On my dismantled subject, came
A sea-bird, settling on the same
With plaintive moan, as though that he
Had lost his mate upon the sea;
And--with my melancholy trend--
It brought dim dreams half understood--
It wrought upon my morbid mood,--
I thought of my own voyagings
That had no end--that have no end.--
And, like the sea-bird, I made moan
That I was loveless and alone.
And when at last with weary wings
It went upon its wanderings,
With upturned face I watched its flight
Until this picture met my sight:
A goddess, with a siren's grace,--
A sun-haired girl on a craggy place
Above a bay where fish-boats lay
Drifting about like birds of prey.


"In airy poise she, gazing, stood
A machless form of womanhood,
That brought a thought that if for me
Such eyes had sought across the sea,
I could have swum the widest tide
That ever mariner defied,
And, at the shore, could on have gone
To that high crag she stood upon,
To there entreat and say, 'My Sweet,
Behold thy servant at thy feet.'
And to my soul I said: 'Above,
There stands the idol of thy love!'


"In this rapt, awed, ecstatic state
I gazed--till lo! I was aware
A fisherman had joined her there--
A weary man, with halting gait,
Who toiled beneath a basket's weight:
Her father, as I guessed, for she
Had run to meet him gleefully
And ta'en his burden to herself,
That perched upon her shoulder's shelf
So lightly that she, tripping, neared
A jutting crag and disappeared;
But she left the echo of a song
That thrills me yet, and will as long
As I have being! . . .


. . . "Evenings came



And went,--but each the same--the same:
She watched above, and even so
I stood there watching from below;
Till, grown so bold at last, I sung,-(
What matter now the theme thereof!)--
It brought an answer from her tongue--
Faint as the murmur of a dove,
Yet all the more the song of love. . . .


"I turned and looked upon the bay,
With palm to forehead--eyes a-blur
In the sea's smile--meant but for her!--
I saw the fish-boats far away
In misty distance, lightly drawn
In chalk-dots on the horizon--
Looked back at her, long, wistfully;--
And, pushing off an empty skiff,
I beckoned her to quit the cliff
And yield me her rare company
Upon a little pleasure-cruise.--
She stood, as loathful to refuse,
To muse for full a moment's time,--
Then answered back in pantomime
'She feared some danger from the sea
Were she discovered thus with me.'
I motioned then to ask her if
I might not join her on the cliff
And back again, with graceful wave
Of lifted arm, she anwer gave
'She feared some danger from the sea.'


"Impatient, piqued, impetuous, I
Sprang in the boat, and flung 'Good-by'
From pouted mouth with angry hand,
And madly pulled away from land
With lusty stroke, despite that she
Held out her hands entreatingly:
And when far out, with covert eye
I shoreward glanced, I saw her fly
In reckless haste adown the crag,
Her hair a-flutter like a flag
Of gold that danced across the strand
In little mists of silver sand.
All curious I, pausing, tried
To fancy what it all implied,--
When suddenly I found my feet
Were wet; and, underneath the seat
On which I sat, I heard the sound
Of gurgling waters, and I found
The boat aleak alarmingly. . . .
I turned and looked upon the sea,
Whose every wave seemed mocking me;



I saw the fishers' sails once more--
In dimmer distance than before;
I saw the sea-bird wheeling by,
With foolish wish that _I_ could fly:
I thought of firm earth, home and friends--
I thought of everything that tends
To drive a man to frenzy and
To wholly lose his own command;
I thought of all my waywardness--
Thought of a mother's deep distress;
Of youthful follies yet unpurged--
Sins, as the seas, about me surged--
Thought of the printer's ready pen
To-morrow drowning me again;--
A million things without a name--
I thought of everything but--Fame. . . .


"A memory yet is in my mind,
So keenly clear and sharp-defined,
I picture every phase and line
Of life and death, and neither mine,--
While some fair seraph, golden-haired,
Bends over me,--with white arms bared,
That strongly plait themselves about
My drowning weight and lift me out--
With joy too great for words to state
Or tongue to dare articulate!


"And this seraphic ocean-child
And heroine was Orlie Wilde:
And thus it was I came to hear
Her voice's music in my ear--
Ay, thus it was Fate paved the way
That I walk desolate to-day!" . . .


The artist paused and bowed his face
Within his palms a little space,
While reverently on his form
I bent my gaze and marked a storm
That shook his frame as wrathfully
As some typhoon of agony,
And fraught with sobs--the more profound
For that peculiar laughing sound
We hear when strong men weep. . . . I leant
With warmest sympathy--I bent
To stroke with soothing hand his brow,
He murmuring--"Tis over now!--


And shall I tie the silken thread
Of my frail romance?" "Yes," I said.--
He faintly smiled; and then, with brow
In kneading palm, as one in dread-



His tasseled cap pushed from his head
" 'Her voice's music,' I repeat,"
He said,--" 'twas sweet--O passing sweet!--
Though she herself, in uttering
Its melody, proved not the thing
Of loveliness my dreams made meet
For me--there, yearning, at her feet--
Prone at her feet--a worshiper,--
For lo! she spake a tongue," moaned he,
"Unknown to me;--unknown to me
As mine to her--as mine to her."

Old Man's Nursery Rhyme

I.
In the jolly winters
Of the long-ago,
It was not so cold as now--
O! No! No!
Then, as I remember,
Snowballs, to eat,
Were as good as apples now,
And every bit as sweet!


II.
In the jolly winters
Of the dead-and-gone,
Bub was warm as summer,
With his red mitts on,--
Just in his little waistAnd-
pants all together,
Who ever heard him growl
About cold weather?


III.
In the jolly winters of the long-ago--
Was it _half_ so cold as now?
O! No! No!
Who caught his death o' cold,
Making prints of men
Flat-backed in snow that now's
Twice as cold again?


IV.
In the jolly winters
Of the dead-and-gone,
Startin' out rabbit-hunting
Early as the dawn,--
Who ever froze his fingers,
Ears, heels, or toes,-Or'd
a cared if he had?
Nobody knows!


V.
Nights by the kitchen-stove,
Shelling white and red
Corn in the skillet, and
Sleepin' four abed!
Ah! the jolly winters
Of the long-ago!
We were not so old as now-



O! No! No!

Old Winters On The Farm

I have jest about decided
It 'ud keep a _town-boy_ hoppin'
Fer to work all winter, choppin'
Fer a' old fire-place, like _I_ did!
Lawz! them old times wuz contrairy!--
Blame backbone o' winter, 'peared-like,
_Wouldn't_ break!--and I wuz skeerd-like
Clean on into _Febuary_!
Nothin' ever made we madder
Than fer Pap to stomp in, layin'
On a' extra fore-stick, sayin'
'Groun'hog's out and seed his shadder!'

Nothin' To Say

Nothin' to say, my daughter! Nothin' at all to say!
Gyrls that's in love, I've noticed, ginerly has their way!
Yer mother did, afore you, when her folks objected to me--
Yit here I am, and here you air; and yer mother--where is she?


You look lots like yer mother: Purty much same in size;
And about the same complected; and favor about the eyes:
Like her, too, about _livin_' here,--because _she_ couldn't stay:
It'll 'most seem like you was dead--like her!--But I hain't got nothin' to say!


She left you her little Bible--writ yer name acrost the page--
And left her ear bobs fer you, ef ever you come of age.
I've allus kep' 'em and gyuarded 'em, but ef yer goin' away--
Nothin' to say, my daughter! Nothin' at all to say!


You don't rikollect her, I reckon? No; you wasn't a year old then!
And now yer--how old _air_ you? W'y, child, not '_twenty_!' When?
And yer nex' birthday's in Aprile? and you want to git married that day?
... I wisht yer mother was livin'!--But--I hain't got nothin' to say!


Twenty year! and as good a gyrl as parent ever found!
There's a straw ketched onto yer dress there--I'll bresh it off--turn round.
(Her mother was jes' twenty when us two run away!)
Nothin' to say, my daughter! Nothin' at all to say!

Old Fashioned Roses

They ain't no style about 'em,
And they're sorto' pale and faded,
Yit the doorway here, without 'em,
Would be lonesomer, and shaded
With a good 'eal blacker shudder
Than the morning-glories makes,
And the sunshine would look sadder
Fer their good old-fashion' sakes.


I like 'em 'cause they kindo'--
Sorto' make a feller like 'em!
And I tell you, when I find a
Bunch out whur the sun kin strike 'em,
It allus sets me thinkin'
O' the ones 'at used to grow
And peek in thro' the chinkin'
O' the cabin, don't you know!


And then I think o' mother,
And how she ust to love 'em--
When they wuzn't any other,
'Less she found 'em up above 'em!
And her eyes, afore she shut 'em,
Whispered with a smile and said
We must pick a bunch and putt 'em
In her hand when she wuz dead.


But as I wuz a-sayin',
They ain't no style about 'em
Very gaudy er displayin',
But I wouldn't be without 'em--,
'Cause I'm happier in these posies,
And the hollyhawks and sich,
Than the hummin'-bird 'at noses
In the roses of the rich.

Noey's Night-Piece

'They ain't much 'tale' about it!' Noey said.-'
K'tawby grapes wuz gittin' good-n-red
I rickollect; and Tubb Kingry and me
'Ud kindo' browse round town, daytime, to see
What neighbers 'peared to have the most to spare
'At wuz git-at-able and no dog there
When we come round to git 'em, say 'bout ten
O'clock at night when mostly old folks then
Wuz snorin' at each other like they yit
Helt some old grudge 'at never slep' a bit.
Well, at the _Pars'nige_--ef ye'll call to mind,-They's
'bout the biggest grape-arber you'll find
'Most anywheres.--And mostly there, we knowed
They wuz _k'tawbies_ thick as ever growed--
And more'n they'd _p'serve_.--Besides I've heerd
Ma say k'tawby-grape-p'serves jes 'peared
A waste o' sugar, anyhow!--And so
My conscience stayed outside and lem me go
With Tubb, one night, the back-way, clean up through
That long black arber to the end next to
The house, where the k'tawbies, don't you know,
Wuz thickest. And t'uz lucky we went _slow_,--
Fer jest as we wuz cropin' tords the gray-
End, like, of the old arber--heerd Tubb say
In a skeered whisper, 'Hold up! They's some one
Jes slippin' in here!--and _looks like a gun_
He's carryin'!' I _golly!_ we both spread
Out flat aginst the ground!

''What's that?' Tubb said.--
And jest then--'_plink! plunk! plink!_' we heerd something
Under the back-porch-winder.--Then, i jing!
Of course we rickollected 'bout the young
School-mam 'at wuz a-boardin' there, and sung,
And played on the melodium in the choir.--
And she 'uz 'bout as purty to admire
As any girl in town!--the fac's is, she
Jest _wuz_, them times, to a dead certainty,
The belle o' this-here bailywick!--But--Well,-I'd
best git back to what I'm tryin' to tell:--
It wuz some feller come to serenade
Miss Wetherell: And there he plunked and played
His old guitar, and sung, and kep' his eye
Set on her winder, blacker'n the sky!--
And black it _stayed_.--But mayby she wuz 'way
From home, er wore out--bein' _Saturday!_

'It _seemed_ a good-'eal _longer_, but I _know_
He sung and plunked there half a' hour er so
Afore, it 'peared like, he could ever git
His own free qualified consents to quit
And go off 'bout his business. When he went


I bet you could a-bought him fer a cent!


'And now, behold ye all!--as Tubb and me
Wuz 'bout to raise up,--right in front we see
A feller slippin' out the arber, square
Smack under that-air little winder where
The _other_ feller had been standin'.--And
The thing he wuz a-carryin' in his hand
Wuzn't no _gun_ at all!--It wuz a _flute_,--
And _whoop-ee!_ how it did git up and toot
And chirp and warble, tel a mockin'-bird
'Ud dast to never let hisse'f be heerd
Ferever, after sich miracalous, high
Jim-cracks and grand skyrootics played there by
Yer Cousin Rufus!--Yes-sir; it wuz him!--
And what's more,--all a-suddent that-air dim
Dark winder o' Miss Wetherell's wuz lit
Up like a' oyshture-sign, and under it
We see him sort o' wet his lips and smile
Down 'long his row o' dancin' fingers, while
He kindo' stiffened up and kinked his breath
And everlastin'ly jest blowed the peth
Out o' that-air old one-keyed flute o' his.
And, bless their hearts, that's all the 'tale' they is!'


And even as Noey closed, all radiantly
The unconscious hero of the history,
Returning, met a perfect driving storm
Of welcome--a reception strangely warm
And _unaccountable_, to _him_, although
Most _gratifying_,--and he told them so.
'I only urge,' he said, 'my right to be
Enlightened.' And a voice said: '_Certainly:_--
During your absence we agreed that you
Should tell us all a story, old or new,
Just in the immediate happy frame of mind
We knew you would return in.'


So, resigned,
The ready flutist tossed his hat aside--
Glanced at the children, smiled, and thus complied.

No Boy Knows

There are many things that boys may know--
Why this and that are thus and so,--
Who made the world in the dark and lit
The great sun up to lighten it:
Boys know new things every day--
When they study, or when they play,--
When they idle, or sow and reap--
But no boy knows when he goes to sleep.


Boys who listen--or should, at least,--
May know that the round old earth rolls East;--
And know that the ice and the snow and the rain--
Ever repeating their parts again--
Are all just water the sunbeams first
Sip from the earth in their endless thirst,
And pour again till the low streams leap.--
But no boy knows when he goes to sleep.


A boy may know what a long glad while
It has been to him since the dawn's first smile,
When forth he fared in the realm divine
Of brook-laced woodland and spun-sunshine;--
He may know each call of his truant mates,
And the paths they went,--and the pasture-gates
Of the 'cross-lots home through the dusk so deep.--
But no boy knows when he goes to sleep.


O I have followed me, o'er and o'er,
From the flagrant drowse on the parlor-floor,
To the pleading voice of the mother when
I even doubted I heard it then--
To the sense of a kiss, and a moonlit room,
And dewy odors of locust-bloom--
A sweet white cot--and a cricket's cheep.--
But no boy knows when he goes to sleep.

Mylo Jones's Wife

'Mylo Jones's wife' was all
I heerd, mighty near, last Fall--
Visitun relations down
T'other side of Morgantown!
Mylo Jones's wife she does
This and that, and 'those' and 'thus'!-Can't
'bide babies in her sight--
Ner no childern, day and night,
Whoopin' round the premises--
NER NO NOTHIN' ELSE, I guess!


Mylo Jones's wife she 'lows
She's the boss of her own house!-Mylo--
consequences is--
Stays whare things seem SOME like HIS,--
Uses, mostly, with the stock--
Coaxin' 'Old Kate' not to balk,
Ner kick hoss-flies' branes out, ner
Act, I s'pose, so much like HER!
Yit the wimmern-folks tells you
She's PERFECTION.--Yes they do!


Mylo's wife she says she's found
Home hain't home with MEN-FOLKS round
When they's work like HERN to do-
Picklin' pears and BUTCHERN, too,
And a-rendern lard, and then
Cookin' fer a pack of men
To come trackin' up the flore
SHE'S scrubbed TEL she'll scrub no MORE!--
Yit she'd keep things clean ef they
Made her scrub tel Jedgmunt Day!


Mylo Jones's wife she sews
Carpet-rags and patches clothes
Jest year IN and OUT!--and yit
Whare's the livin' use of it?
She asts Mylo that.--And he
Gits back whare he'd ruther be,
With his team;--jest PLOWS--and don't
Never sware--like some folks won't!
Think ef HE'D CUT LOOSE, I gum!
'D he'p his heavenly chances some!


Mylo's wife don't see no use,
Ner no reason ner excuse
Fer his pore relations to
Hang round like they allus do!
Thare 'bout onc't a year--and SHE--
She jest GA'NTS 'em, folks tells me,
On spiced pears!--Pass Mylo one,
He says 'No, he don't chuse none!'



Workin'men like Mylo they
'D ort to have MEAT ev'ry day!


Dad-burn Mylo Jones's wife!
Ruther rake a blame caseknife
'Crost my wizzen than to see
Sich a womern rulin' ME!--
Ruther take and turn in and
Raise a fool mule-colt by hand'
MYLO, though--od-rot the man!--
Jest keeps ca'm--like some folks CAN--
And 'lows sich as her, I s'pose,
Is MAN'S HE'PMEET'--Mercy knows!

Naughty Claude

When Little Claude was naughty wunst
At dinner-time, an' said
He won't say '_Thank you_' to his Ma,
She maked him go to bed
An' stay two hours an' not git up,--
So when the clock struck Two,
Nen Claude says,--'Thank you, Mr. Clock,
I'm much obleeged to you!'

My Father's Halls

My father's halls, so rich and rare,
Are desolate and bleak and bare;
My father's heart and halls are one,
Since I, their life and light, am gone.

O, valiant knight, with hand of steel
And heart of gold, hear my appeal:
Release me from the spoiler's charms,
And bear me to my father's arms.