Poems List

The Same Old Story

The Same Old Story

The same old story told again--
The maiden droops her head,
The ripening glow of her crimson cheek
Is answering in her stead.
The pleading tone of a trembling voice
Is telling her the way
He loved her when his heart was young
In Youth's sunshiny day:
The trembling tongue, the longing tone,
Imploringly ask why
They can not be as happy now
As in the days gone by.
And two more hearts, tumultuous
With overflowing joy,
Are dancing to the music
Which that dear, provoking boy
Is twanging on his bowstring,
As, fluttering his wings,
He sends his love-charged arrows
While merrily be sings:
'Ho! ho! my dainty maiden,
It surely can not be
You are thinking you are master
Of your heart, when it is me.'
And another gleaming arrow
Does the little god's behest,
And the dainty little maiden
Falls upon her lover's breast.
'The same old story told again,'
And listened o'er and o'er,
Will still be new, and pleasing, too,
Till 'Time shall be no more.'
277

The Rose

The Rose

It tossed its head at the wooing breeze;
And the sun, like a bashful swain,
Beamed on it through the waving trees
With a passion all in vain,--
For my rose laughed in a crimson glee,
And hid in the leaves in wait for me.


The honey-bee came there to sing
His love through the languid hours,
And vaunt of his hives, as a proud old king
Might boast of his palace-towers:
But my rose bowed in a mockery,
And hid in the leaves in wait for me.


The humming-bird, like a courtier gay,
Dipped down with a dalliant song,
And twanged his wings through the roundelay
Of love the whole day long:
Yet my rose turned from his minstrelsy
And hid in the leaves in wait for me.


The firefly came in the twilight dim
My red, red rose to woo--
Till quenched was the flame of love in him,
And the light of his lantern too,
As my rose wept with dewdrops three
And hid in the leaves in wait for me.


And I said: I will cull my own sweet rose--
Some day I will claim as mine
The priceless worth of the flower that knows
No change, but a bloom divine--
The bloom of a fadeless constancy
That hides in the leaves in wait for me!


But time passed by in a strange disguise,
And I marked it not, but lay
In a lazy dream, with drowsy eyes,
Till the summer slipped away,
And a chill wind sang in a minor key:
'Where is the rose that waits for thee?'


. . . . . . . .


I dream to-day, o'er a purple stain
Of bloom on a withered stalk,
Pelted down by the autumn rain
In the dust of the garden-walk,
That an Angel-rose in the world to be
Will hide in the leaves in wait for me.
333

The Ripest Peach

The Ripest Peach

The ripest peach is highest on the tree --
And so her love, beyond the reach of me,
Is dearest in my sight. Sweet breezes, bow
Her heart down to me where I worship now!


She looms aloft where every eye may see
The ripest peach is highest on the tree.
Such fruitage as her love I know, alas!
I may not reach here from the orchard grass.


I drink the sunshine showered past her lips
As roses drain the dewdrop as it drips.
The ripest peach is highest on the tree,
And so mine eyes gaze upward eagerly.


Why -- why do I not turn away in wrath
And pluck some heart here hanging in my path? -Love's
lower boughs bend with them -- but, ah me!
The ripest peach is highest on the tree!
368

The Rainy Morning

The Rainy Morning

The dawn of the day was dreary,
And the lowering clouds o'erhead
Wept in a silent sorrow
Where the sweet sunshine lay dead;
And a wind came out of the eastward
Like an endless sigh of pain,
And the leaves fell down in the pathway
And writhed in the falling rain.


I had tried in a brave endeavor
To chord my harp with the sun,
But the strings would slacken ever,
And the task was a weary one:
And so, like a child impatient
And sick of a discontent,
I bowed in a shower of tear-drops
And mourned with the instrument.


And lo! as I bowed, the splendor
Of the sun bent over me,
With a touch as warm and tender
As a father's hand might be:
And, even as I felt its presence,
My clouded soul grew bright,
And the tears, like the rain of morning,
Melted in mists of light.
307

The Rapture of the Year

The Rapture of the Year

While skies glint bright with bluest light
Through clouds that race o'er fields and town,
And leaves go dancing left and right,
And orchard apples tumble down;
While school-girls sweet, in lane or street,
Lean 'gainst the wind and feel and hear
Its glad heart like a lover's beat,--
So reigns the rapture of the year.


The ho! and hey! and whop-hooray!
Though winter clouds be looming,
Remember a November day
Is merrier than mildest May
With all her blossoms blooming.



While birds in scattered flight are blown
Aloft and lost in dusky mist,
And truant boys scud home alone
'Neath skies of gold and amethyst;
While twilight falls, and Echo calls
Across the haunted atmosphere,
With low, sweet laughs at intervals,--
So reigns the rapture of the year.


The ho! and hey! and whop-hooray!
Though winter clouds be looming,
Remember a November day
Is merrier than mildest May
With all her blossoms blooming.
355

The Quest

The Quest

I am looking for Love. Has he passed this way,
With eyes as blue as the skies of May,
And a face as fair as the summer dawn?--
You answer back, but I wander on,--
For you say: 'Oh, yes; but his eyes were gray,
And his face as dim as a rainy day.'


Good friends, I query, I search for Love;
His eyes are as blue as the skies above,
And his smile as bright as the midst of May
When the truce-bird pipes: Has he passed this way?
And one says: 'Ay; but his face, alack!
Frowned as he passed, and his eyes were black.'


O who will tell me of Love? I cry!
His eyes are as blue as the mid-May sky,
And his face as bright as the morning sun;
And you answer and mock me, every one,
That his eyes were dark, and his face was wan,
And he passed you frowning and wandered on.


But stout of heart will I onward fare,
Knowing _my_ Love is beyond--somewhere,--
The Love I seek, with the eyes of blue,
And the bright, sweet smile unknown of you;
And on from the hour his trail is found
I shall sing sonnets the whole year round.
321

The Raggedy Man

The Raggedy Man

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O the Raggedy Man! He works fer Pa;
An' he's the goodest man ever you saw!
He comes to our house every day,
An' waters the horses, an' feeds 'em hay;
An' he opens the shed -- an' we all ist laugh
When he drives out our little old wobble-ly calf;
An' nen -- ef our hired girl says he can --
He milks the cow fer 'Lizabuth Ann. -9
Ain't he a' awful good Raggedy Man?
Raggedy! Raggedy! Raggedy Man!
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W'y, The Raggedy Man -- he's ist so good,
He splits the kindlin' an' chops the wood;
An' nen he spades in our garden, too,
An' does most things 'at boys can't do. --
He clumbed clean up in our big tree
An' shooked a' apple down fer me --
An' 'nother 'n', too, fer 'Lizabuth Ann -18
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An' 'nother 'n', too, fer The Raggedy Man. -Ain't
he a' awful kind Raggedy Man?
Raggedy! Raggedy! Raggedy Man!
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An' The Raggedy Man one time say he
Pick' roast' rambos from a' orchurd-tree,
23 An' et 'em -- all ist roast' an' hot! -24
An' it's so, too! -- 'cause a corn-crib got
Afire one time an' all burn' down
26 On "The Smoot Farm," 'bout four mile from town -27
On "The Smoot Farm"! Yes -- an' the hired han'
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'At worked there nen 'uz The Raggedy Man! -Ain't
he the beatin'est Raggedy Man?
Raggedy! Raggedy! Raggedy Man!
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The Raggedy Man's so good an' kind
He'll be our "horsey," an' "haw" an' mind
Ever'thing 'at you make him do --
An' won't run off -- 'less you want him to!
I drived him wunst way down our lane
An' he got skeered, when it 'menced to rain,
An' ist rared up an' squealed and run
Purt' nigh away! -- an' it's all in fun!
Nen he skeered ag'in at a' old tin can ...
Whoa! y' old runaway Raggedy Man!
Raggedy! Raggedy! Raggedy Man!
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An' The Raggedy Man, he knows most rhymes,
An' tells 'em, ef I be good, sometimes:
Knows 'bout Giunts, an' Griffuns, an' Elves,
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An' the Squidgicum-Squees 'at swallers the'rselves:
An', wite by the pump in our pasture-lot,
He showed me the hole 'at the Wunks is got,
'At lives 'way deep in the ground, an' can


49 Turn into me, er 'Lizabuth Ann!
50 Er Ma, er Pa, er The Raggedy Man!
51 Ain't he a funny old Raggedy Man?
52 Raggedy! Raggedy! Raggedy Man!


53 An' wunst, when The Raggedy Man come late,
54 An' pigs ist root' thue the garden-gate,
55 He 'tend like the pigs 'uz bears an' said,
56 "Old Bear-shooter'll shoot 'em dead!"
57 An' race' an' chase' 'em, an' they'd ist run
58 When he pint his hoe at 'em like it's a gun
59 An' go "Bang! -- Bang!" nen 'tend he stan'
60 An' load up his gun ag'in! Raggedy Man!
61 He's an old Bear-shooter Raggedy Man!
62 Raggedy! Raggedy! Raggedy Man!


63 An' sometimes The Raggedy Man lets on
64 We're little prince-children, an' old King's gone
65 To git more money, an' lef' us there -66
And Robbers is ist thick ever'where;
67 An' nen -- ef we all won't cry, fer shore -68
The Raggedy Man he'll come and "'splore
69 The Castul-halls," an' steal the "gold" -70
An' steal us, too, an' grab an' hold
71 An' pack us off to his old "Cave"! -- An'
72 Haymow's the "cave" o' The Raggedy Man! -73
Raggedy! Raggedy! Raggedy Man!


74 The Raggedy Man -- one time, when he
75 Wuz makin' a little bow-'n'-orry fer me,
76 Says "When you're big like your Pa is,
77 Air you go' to keep a fine store like his -78
An' be a rich merchunt -- an' wear fine clothes? -79
Er what air you go' to be, goodness knows?"
80 An' nen he laughed at 'Lizabuth Ann,
81 An' I says "'M go' to be a Raggedy Man! -82
I'm ist go' to be a nice Raggedy Man!"
83 Raggedy! Raggedy! Raggedy Man!
305

The Pathos Of Applause

The Pathos Of Applause

The greeting of the company throughout
Was like a jubilee,--the children's shout
And fusillading hand-claps, with great guns
And detonations of the older ones,
Raged to such tumult of tempestuous joy,
It even more alarmed than pleased the boy;
Till, with a sudden twitching lip, he slid
Down to the floor and dodged across and hid
His face against his mother as she raised
Him to the shelter of her heart, and praised
His story in low whisperings, and smoothed
The 'amber-colored hair,' and kissed, and soothed
And lulled him back to sweet tranquillity-'
And 'ats a sign 'at you're the Ma fer me!'
He lisped, with gurgling ecstasy, and drew
Her closer, with shut eyes; and feeling, too,
If he could only _purr_ now like a cat,
He would undoubtedly be doing that!


'And now'--the serious host said, lifting there
A hand entreating silence;--'now, aware
Of the good promise of our Traveler guest
To add some story with and for the rest,
I think I favor you, and him as well,
Asking a story I have heard him tell,
And know its truth,in each minute detail:'
Then leaning on his guest's chair, with a hale
Hand-pat by way of full indorsement, he
Said, 'Yes--the Free-Slave story--certainly.'


The old man, with his waddy notebook out,
And glittering spectacles, glanced round about
The expectant circle, and still firmer drew
His hat on, with a nervous cough or two:
And, save at times the big hard words, and tone
Of gathering passion--all the speaker's own,--
The tale that set each childish heart astir
Was thus told by 'The Noted Traveler.'
282

The Pixy People

The Pixy People

It was just a very
Merry fairy dream!--
All the woods were airy
With the gloom and gleam;
Crickets in the clover
Clattered clear and strong,
And the bees droned over
Their old honey-song.


In the mossy passes,
Saucy grasshoppers
Leapt about the grasses
And the thistle-burs;
And the whispered chuckle
Of the katydid
Shook the honeysuckle
Blossoms where he hid.


Through the breezy mazes
Of the lazy June,
Drowsy with the hazes
Of the dreamy noon,
Little Pixy people
Winged above the walk,
Pouring from the steeple
Of a mullein-stalk.


One--a gallant fellow--
Evidently King,--
Wore a plume of yellow
In a jewelled ring
On a pansy bonnet,
Gold and white and blue,
With the dew still on it,
And the fragrance, too.


One--a dainty lady,--
Evidently Queen,--
Wore a gown of shady
Moonshine and green,
With a lace of gleaming
Starlight that sent
All the dewdrops dreaming
Everywhere she went.


One wore a waistcoat
Of roseleaves, out and in,
And one wore a faced-coat
Of tiger-lily-skin;
And one wore a neat coat
Of palest galingale;
And one a tiny street-coat,



And one a swallow-tail.


And Ho! sang the King of them,
And Hey! sang the Queen;
And round and round the ring of them
Went dancing o'er the green;
And Hey! sang the Queen of them,
And Ho! sang the King--
And all that I had seen of them
--Wasn't anything!


It was just a very
Merry fairy dream!--
All the woods were airy
With the gloom and gleam;
Crickets in the clover
Clattered clear and strong,
And the bees droned over
Their old honey-song!
302

The Orchard Lands Of Long Ago

The Orchard Lands Of Long Ago

The orchard lands of Long Ago!
O drowsy winds, awake, and blow
The snowy blossoms back to me,
And all the buds that used to be!
Blow back along the grassy ways
Of truant feet, and lift the haze
Of happy summer from the trees
That trail their tresses in the seas
Of grain that float and overflow
The orchard lands of Long Ago!


Blow back the melody that slips
In lazy laughter from the lips
That marvel much if any kiss
Is sweeter than the apple's is.
Blow back the twitter of the birds--
The lisp, the titter, and the words
Of merriment that found the shine
Of summer-time a glorious wine
That drenched the leaves that loved it so,
In orchard lands of Long Ago!


O memory! alight and sing
Where rosy-bellied pippins cling,
And golden russets glint and gleam,
As, in the old Arabian dream,
The fruits of that enchanted tree
The glad Aladdin robbed for me!
And, drowsy winds, awake and fan
My blood as when it overran
A heart ripe as the apples grow
In orchard lands of Long Ago!
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Identification and basic context

James Whitcomb Riley was an American poet, author, and lecturer. He is celebrated as "The Hoosier Poet" for his distinctive dialect verse that vividly depicted rural life in Indiana and the American Midwest. His writings often evoked a sense of nostalgia for childhood, simplicity, and the everyday lives of common people. Riley's national fame and accessibility made him one of the most popular literary figures of his era.

Childhood and education

Riley was born and raised in Greenfield, Indiana. His father was a lawyer who encouraged his son's literary inclinations. Riley's formal education was limited; he attended public school but left before graduating. He was largely self-taught, developing a love for literature, poetry, and popular entertainment. His childhood experiences in rural Indiana, filled with local folklore, storytelling, and the rhythms of small-town life, profoundly shaped his later literary output.

Literary trajectory

Riley began his career in journalism, working for various newspapers in Indiana. He also experimented with writing songs and poems, often publishing them under pseudonyms. His breakthrough came with the serialization of "The Old Swimmin' Hole" in 1883, a poem written in Hoosier dialect that resonated with readers. This success led to the publication of his first collection, "The Old Swimmin' Hole and Other Poems" (1883), which established his reputation. He went on to publish numerous collections of poetry and prose, becoming a nationally recognized literary figure.

Works, style, and literary characteristics

Riley's most famous works include "The Raggedy Man," "Little Orphant Annie," "When the Frost Is on the Punkin," and "A Country Boy." His dominant themes revolve around rural life, childhood innocence, nostalgia for the past, friendship, and the simple virtues of ordinary people. His style is characterized by its use of Hoosier dialect, colloquial language, and a warm, humorous, and often sentimental tone. He employed simple rhyme schemes and rhythmic patterns, making his poetry accessible and memorable. His poetic voice is typically that of a genial observer, sharing fond memories and gentle observations about his subjects.

Cultural and historical context

Riley's work emerged during a period of significant change in America, as the nation transitioned from an agrarian society to an industrial one. His poems tapped into a widespread sentimentality and nostalgia for the perceived simpler times of rural life, which were rapidly disappearing. He was part of a broader literary trend that celebrated regionalism and local color in American literature. His popularity reflected a national desire to connect with its agrarian roots and the everyday experiences of its citizens.

Personal life

Riley never married and lived a relatively private life, though he was a popular public figure. He suffered from ill health for much of his adult life, including a stroke that affected his mobility, but he continued to write and lecture. His deep affection for children and his memories of his own childhood were central to his creative inspiration. He maintained close ties to his family and friends in Indiana throughout his career.

Recognition and reception

James Whitcomb Riley achieved immense popularity during his lifetime. He was celebrated across the United States, hailed as a national treasure. His readings were often standing-room-only events, and his books sold exceptionally well. He received numerous honors and accolades, solidifying his status as one of America's most beloved poets. His accessible style and relatable themes ensured a broad appeal that transcended literary circles.

Influences and legacy

Riley was influenced by earlier American poets who celebrated rural life and folklore, as well as by popular song forms. His legacy lies in his enduring portrayal of Hoosier life and his contribution to American regionalist literature. He helped popularize the use of vernacular dialect in poetry, making it more relatable to a wider audience. While his work is sometimes seen as overly sentimental by modern critics, its charm and historical value continue to be recognized, and he remains a significant figure in the history of American poetry.

Interpretation and critical analysis

Critics often analyze Riley's work for its nostalgic portrayal of rural America and its use of dialect. Some view his sentimentality as a way to explore universal themes of childhood and memory, while others find it to be a retreat from the complexities of modern life. His celebration of "simple folk" can be interpreted as both an affirmation of democratic ideals and a romanticized, perhaps overly idealized, depiction of rural existence.

Curiosities and lesser-known aspects

Riley was known for his affable personality and his engaging public readings. He was an avid collector of books and manuscripts. Despite his fame, he often expressed a desire for more serious literary recognition, though his talent for popular verse was undeniable. He was also known for his interest in spiritualism.

Death and memory

James Whitcomb Riley died in Indianapolis in 1916. His death was mourned by a nation that had embraced him as a beloved literary son. His home in Greenfield is preserved as a museum, and he is remembered as "The Hoosier Poet" whose words captured the heart and spirit of Indiana.