John Greenleaf Whittier

John Greenleaf Whittier

1807–1892 · lived 84 years -- --

John Greenleaf Whittier was an American poet and abolitionist, celebrated for his lyrical verse that often depicted rural New England life and championed social reform. His poetry evoked strong imagery of nature, home, and the changing seasons, resonating deeply with readers. A staunch advocate against slavery, Whittier used his literary platform to promote abolitionist ideals, making his work a significant voice in the moral and political landscape of 19th-century America. His legacy endures through his evocative poems and his commitment to justice.

n. 1807-12-17, Haverhill · m. 1892-09-07, Hampton Falls

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Derne

Derne


NIGHT on the city of the Moor!
On mosque and tomb, and white-walled shore,
On sea-waves, to whose ceaseless knock
The narrow harbor gates unlock,
On corsair's galley, carack tall,
And plundered Christian caraval!
The sounds of Moslem life are still;
No mule-bell tinkles down the hill;
Stretched in the broad court of the khan,
The dusty Bornou caravan
Lies heaped in slumber, beast and man;
The Sheik is dreaming in his tent,
His noisy Arab tongue o'erspent;
The kiosk's glimmering lights are gone,
The merchant with his wares withdrawn;
Rough pillowed on some pirate breast,
The dancing-girl has sunk to rest;
And, save where measured footsteps fall
Along the Bashaw's guarded wall,
Or where, like some bad dream, the Jew
Creeps stealthily his quarter through,
Or counts with fear his golden heaps,
The City of the Corsair sleeps!
But where yon prison long and low
Stands black against the pale star-glow,
Chafed by the ceaseless wash of waves,
There watch and pine the Christian slaves;
Rough-bearded men, whose far-off wives
Wear out with grief their lonely lives;
And youth, still flashing from his eyes
The clear blue of New England skies,
A treasured lock of whose soft hair
Now wakes some sorrowing mother's prayer;
Or, worn upon some maiden breast,
Stirs with the loving heart's unrest!
A bitter cup each life must drain,
The groaning earth is cursed with pain,
And, like the scroll the angel bore
The shuddering Hebrew seer before,
O'erwrit alike, without, within,
With all the woes which follow sin;
But, bitterest of the ills beneath
Whose load man totters down to death,
Is that which plucks the regal crown
Of Freedom from his forehead down,
And snatches from his powerless hand
The sceptred sign of self-command,
Effacing with the chain and rod
The image and the seal of God;
Till from his nature, day by day,
The manly virtues fall away,
And leave him naked, blind and mute,



The godlike merging in the brute!
Why mourn the quiet ones who die
Beneath affection's tender eye,
Unto their household and their kin
Like ripened corn-sheaves gathered in?
O weeper, from that tranquil sod,
That holy harvest-home of God,
Turn to the quick and suffering, shed
Thy tears upon the living dead!
Thank God above thy dear ones' graves,
They sleep with Him, they are not slaves.
What dark mass, down the mountain-sides
Swift-pouring, like a stream divides?
A long, loose, straggling caravan,
Camel and horse and armëd man.
The moon's low crescent, glimmering o'er
Its grave of waters to the shore,
Lights up that mountain cavalcade,
And gleams from gun and spear and blade
Near and more near! now o'er them falls
The shadow of the city walls.
Hark to the sentry's challenge, drowned
In the fierce trumpet's charging sound!
The rush of men, the musket's peal,
The short, sharp clang of meeting steel!
Vain, Moslem, vain thy lifeblood poured
So freely on thy foeman's sword!
Not to the swift nor to the strong
The battles of the right belong;
For he who strikes for Freedom wears
The armor of the captive's prayers,
And Nature proffers to his cause
The strength of her eternal laws;
While he whose arm essays to bind
And herd with common brutes his kind
Strives evermore at fearful odds
With Nature and the jealous gods,
And dares the dread recoil which late
Or soon their right shall vindicate.
'T is done, the hornëd crescent falls!
The star-flag flouts the broken walls!
Joy to the captive husband! joy
To thy sick heart, O brown-locked boy!
In sullen wrath the conquered Moor
Wide open flings your dungeon-door,
And leaves ye free from cell and chain,
The owners of yourselves again.
Dark as his allies desert-born,
Soiled with the battle's stain, and worn
With the long marches of his band
Through hottest wastes of rock and sand,
Scorched by the sun and furnace-breath



Of the red desert's wind of death,
With welcome words and grasping hands,
The victor and deliverer stands!
The tale is one of distant skies;
The dust of half a century lies
Upon it; yet its hero's name
Still lingers on the lips of Fame.
Men speak the praise of him who gave
Deliverance to the Moorman's slave,
Yet dare to brand with shame and crime
The heroes of our land and time, —
The self-forgetful ones, who stake
Home, name, and life for Freedom's sake.
God mend his heart who cannot feel
The impulse of a holy zeal,
And sees not, with his sordid eyes,
The beauty of self-sacrifice!
Though in the sacred place he stands,
Uplifting consecrated hands,
Unworthy are his lips to tell
Of Jesus' martyr-miracle,
Or name aright that dread embrace
Of suffering for a fallen race!
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Bio

Identification and basic context

John Greenleaf Whittier was an influential American poet and a prominent abolitionist. Born into a Quaker family in Haverhill, Massachusetts, he became one of the most widely read poets of his time. His work often reflected his deep connection to New England, its landscapes, and its people, while also serving as a powerful vehicle for his social and political convictions, particularly his fervent opposition to slavery.

Childhood and education

Whittier grew up on a farm, receiving a limited formal education. He attended local schools but was largely self-taught, fueled by a passion for reading. His early exposure to poetry, particularly that of Robert Burns, had a significant impact. His Quaker upbringing instilled in him a strong sense of moral duty, equality, and pacifism, which profoundly shaped his worldview and his future activism.

Literary trajectory

Whittier began writing poetry in his youth, initially contributing to local newspapers. His early work focused on descriptive and lyrical themes. However, his career took a significant turn with his involvement in the abolitionist movement. He became a prolific writer of anti-slavery poetry, essays, and articles, using his literary skills to advocate for the emancipation of enslaved people. He also served as an editor for several abolitionist publications. Throughout his life, he continued to produce poetry that celebrated nature, history, and the human spirit.

Works, style, and literary characteristics

Among Whittier's most famous works are 'Snow-Bound: A Winter Idyl,' a semi-autobiographical narrative poem depicting a New England blizzard; 'The Barefoot Boy,' a nostalgic reflection on childhood; and numerous anti-slavery poems such as 'Ichabod!' and 'The Slave Ships.' His style is characterized by its clarity, simplicity, and vivid imagery, often drawing upon the rhythms of folk songs and hymns. His dominant themes include the beauty of rural life, the virtues of hard work, the passage of time, and the moral imperative of justice and equality. He often employed a lyrical and sometimes elegiac tone, but his abolitionist poems could be passionate and indignant.

Cultural and historical context

Whittier was a key figure in the 'Fireside Poets,' a group of New England writers whose works were popular for home readings. He was deeply immersed in the social and political struggles of 19th-century America, particularly the anti-slavery movement. His writings engaged directly with contemporary issues, advocating for social reform and moral progress. He was a contemporary of other prominent writers and activists, and his work contributed to the broader cultural and intellectual discourse of the era.

Personal life

Whittier remained unmarried and dedicated much of his life to his writing and his abolitionist activities. He maintained close relationships with his family and friends, and his home in Amesbury, Massachusetts, became a hub for literary and intellectual discussions. Despite facing personal challenges and the constant pressures of his activism, he found solace and inspiration in nature and his Quaker faith.

Recognition and reception

Whittier achieved considerable fame during his lifetime, becoming one of America's most beloved poets. His works were widely read and admired, both for their aesthetic qualities and their moral messages. He was recognized for his contributions to literature and his role as a voice for social justice. While some of his abolitionist poems were controversial at the time, his overall reputation as a significant American poet has endured.

Influences and legacy

Whittier was influenced by earlier poets like Robert Burns and later poets were influenced by his lyrical depiction of American life and his commitment to reform. His legacy lies in his contribution to American poetry, particularly his ability to capture the essence of rural New England, and his unwavering dedication to the abolitionist cause. He is remembered as a poet of conscience and a significant figure in the fight for human rights.

Interpretation and critical analysis

Interpretations of Whittier's work often highlight his role as a chronicler of rural American life and a moral voice of his generation. Critics analyze his use of nature imagery, his religious and philosophical underpinnings (rooted in Quakerism), and the effectiveness of his abolitionist poetry as a form of social protest. His nostalgic portrayals of rural life are sometimes contrasted with the harsher realities of the industrializing nation.

Curiosities and lesser-known aspects

Whittier was a lifelong vegetarian and a teetotaler, reflecting his Quaker principles. He was also an early advocate for women's suffrage. An interesting aspect of his life was his near-miss with a railroad accident, which he later commemorated in a poem. Despite his fame, he was known for his humility and his aversion to public accolades.

Death and memory

John Greenleaf Whittier died in Hampton Falls, New Hampshire. His passing was widely mourned, and he was memorialized as a significant American literary figure and a champion of human rights. His poems continue to be read and appreciated, particularly for their evocative descriptions of nature and their enduring moral messages.

Poems

242

Chalkey Hall

Chalkey Hall

How bland and sweet the greeting of this breeze
To him who flies
From crowded street and red wall's weary gleam,
Till far behind him like a hideous dream
The close dark city lies
Here, while the market murmurs, while men throng
The marble floor
Of Mammon's altar, from the crush and din
Of the world's madness let me gather in
My better thoughts once more.


Oh, once again revive, while on my ear
The cry of Gain
And low hoarse hum of Traffic die away,
Ye blessed memories of my early day
Like sere grass wet with rain!


Once more let God's green earth and sunset air
Old feelings waken;
Through weary years of toil and strife and ill,
Oh, let me feel that my good angel still
Hath not his trust forsaken.


And well do time and place befit my mood
Beneath the arms
Of this embracing wood, a good man made
His home, like Abraham resting in the shade
Of Mamre's lonely palms.


Here, rich with autumn gifts of countless years,
The virgin soil
Turned from the share he guided, and in rain
And summer sunshine throve the fruits and grain
Which blessed his honest toil.


Here, from his voyages on the stormy seas,
Weary and worn,
He came to meet his children and to bless
The Giver of all good in thankfulness
And praise for his return.


And here his neighbors gathered in to greet
Their friend again,
Safe from the wave and the destroying gales,
Which reap untimely green Bermuda's vales,
And vex the Carib main.


To hear the good man tell of simple truth,
Sown in an hour
Of weakness in some far-off Indian isle,
From the parched bosom of a barren soil,
Raised up in life and power.



How at those gatherings in Barbadian vales,
A tendering love
Came o'er him, like the gentle rain from heaven,
And words of fitness to his lips were given,
And strength as from above.


How the sad captive listened to the Word,
Until his chain
Grew lighter, and his wounded spirit felt
The healing balm of consolation melt
Upon its life-long pain


How the armed warrior sat him down to hear
Of Peace and Truth,
And the proud ruler and his Creole dame,
Jewelled and gorgeous in her beauty came,
And fair and bright-eyed youth.


Oh, far away beneath New England's sky,
Even when a boy,
Following my plough by Merrimac's green shore,
His simple record I have pondered o'er
With deep and quiet joy.


And hence this scene, in sunset glory warm,-Its
woods around,
Its still stream winding on in light and shade,
Its soft, green meadows and its upland glade,-To
me is holy ground.


And dearer far than haunts where Genius keeps
His vigils still;
Than that where Avon's son of song is laid,
Or Vaucluse hallowed by its Petrarch's shade,
Or Virgil's laurelled hill.


To the gray walls of fallen Paraclete,
To Juliet's urn,
Fair Arno and Sorrento's orange-grove,
Where Tasso sang, let young Romance and Love
Like brother pilgrims turn.


But here a deeper and serener charm
To all is given;
And blessed memories of the faithful dead
O'er wood and vale and meadow-stream have shed
The holy hues of Heaven!
322

By Their Works

By Their Works

Call him not heretic whose works attest
His faith in goodness by no creed confessed.
Whatever in love's name is truly done
To free the bound and lift the fallen one
Is done to Christ. Whoso in deed and word
Is not against Him labours for our Lord.
When he, who, sad and weary, longing sore
For love's sweet service sought the sisters' door
One saw the heavenly, one the human guest
But who shall say which loved the master best?
269

Burning Drift-Wood

Burning Drift-Wood

Before my drift-wood fire I sit,
And see, with every waif I burn,
Old dreams and fancies coloring it,
And folly's unlaid ghosts return.


O ships of mine, whose swift keels cleft
The enchanted sea on which they sailed,
Are these poor fragments only left
Of vain desires and hopes that failed?


Did I not watch from them the light
Of sunset on my towers in Spain,
And see, far off, uploom in sight
The Fortunate Isles I might not gain?


Did sudden lift of fog reveal
Arcadia's vales of song and spring,
And did I pass, with grazing keel,
The rocks whereon the sirens sing?


Have I not drifted hard upon
The unmapped regions lost to man,
The cloud-pitched tents of Prester John,
The palace domes of Kubla Khan?


Did land winds blow from jasmine flowers,
Where Youth the ageless Fountain fills?
Did Love make sign from rose blown bowers,
And gold from Eldorado's hills?


Alas! the gallant ships, that sailed
On blind Adventure's errand sent,
Howe'er they laid their courses, failed
To reach the haven of Content.


And of my ventures, those alone
Which Love had freighted, safely sped,
Seeking a good beyond my own,
By clear-eyed Duty piloted.


O mariners, hoping still to meet
The luck Arabian voyagers met,
And find in Bagdad's moonlit street,
Haroun al Raschid walking yet,


Take with you, on your Sea of Dreams,
The fair, fond fancies dear to youth.
I turn from all that only seems,
And seek the sober grounds of truth.


What matter that it is not May,
That birds have flown, and trees are bare,



That darker grows the shortening day,
And colder blows the wintry air!


The wrecks of passion and desire,
The castles I no more rebuild,
May fitly feed my drift-wood fire,
And warm the hands that age has chilled.


Whatever perished with my ships,
I only know the best remains;
A song of praise is on my lips
For losses which are now my gains.


Heap high my hearth! No worth is lost;
No wisdom with the folly dies.
Burn on, poor shreds, your holocaust
Shall be my evening sacrifice!


Far more than all I dared to dream,
Unsought before my door I see;
On wings of fire and steeds of steam
The world's great wonders come to me,


And holier signs, unmarked before,
Of Love to seek and Power to save, -The
righting of the wronged and poor,
The man evolving from the slave;


And life, no longer chance or fate,
Safe in the gracious Fatherhood.
I fold o'er-wearied hands and wait,
In full assurance of the good.


And well the waiting time must be,
Though brief or long its granted days,
If Faith and Hope and Charity
Sit by my evening hearth-fire's blaze.


And with them, friends whom Heaven has spared,
Whose love my heart has comforted,
And, sharing all my joys, has shared
My tender memories of the dead, -


Dear souls who left us lonely here,
Bound on their last, long voyage, to whom
We, day by day, are drawing near,
Where every bark has sailing room.


I know the solemn monotone
Of waters calling unto me;
I know from whence the airs have blown
That whisper of the Eternal Sea.



As low my fires of drift-wood burn,
I hear that sea's deep sounds increase,
And, fair in sunset light, discern
Its mirage-lifted Isles of Peace.
342

Bryant On His Birthday

Bryant On His Birthday

We praise not now the poet's art,
The rounded beauty of his song;
Who weighs him from his life apart
Must do his nobler nature wrong.


Not for the eye, familiar grown
With charms to common sight denied,
The marvellous gift he shares alone
With him who walked on Rydal-side;


Not for rapt hymn nor woodland lay,
Too grave for smiles, too sweet for tears;
We speak his praise who wears to-day
The glory of his seventy years.


When Peace brings Freedom in her train,
Let happy lips his songs rehearse;
His life is now his noblest strain,
His manhood better than his verse!


Thank God! his hand on Nature's keys
Its cunning keeps at life's full span;
But, dimmed and dwarfed, in times like these,
The poet seems beside the man!


So be it! let the garlands die,
The singer's wreath, the painter's meed,
Let our names perish, if thereby
Our country may be saved and freed!
343

Birchbrook Mill

Birchbrook Mill

A NOTELESS stream, the Birchbrook runs
Beneath its leaning trees;
That low, soft ripple is its own,
That dull roar is the sea's.


Of human signs it sees alone
The distant church spire's tip,
And, ghost-like, on a blank of gray,
The white sail of a ship.


No more a toiler at the wheel,
It wanders at its will;
Nor dam nor pond is left to tell
Where once was Birchbrook mill.


The timbers of that mill have fed
Long since a farmer's fires;
His doorsteps are the stones that ground
The harvest of his sires.


Man trespassed here; but Nature lost
No right of her domain;
She waited, and she brought the old
Wild beauty back again.


By day the sunlight through the leaves
Falls on its moist, green sod,
And wakes the violet bloom of spring
And autumn's golden-rod.


Its birches whisper to the wind,
The swallow dips her wings
In the cool spray, and on its banks
The gray song-sparrow sings.


But from it, when the dark night falls,
The school-girl shrinks with dread;
The farmer, home-bound from his fields,
Goes by with quickened tread.


They dare not pause to hear the grind
Of shadowy stone on stone;
The plashing of a water-wheel
Where wheel there now is none.


Has not a cry of pain been heard
Above the clattering mill?
The pawing of an unseen horse,
Who waits his mistress still?


Yet never to the listener's eye
Has sight confirmed the sound;



A wavering birch line marks alone
The vacant pasture ground.


No ghostly arms fling up to heaven
The agony of prayer;
No spectral steed impatient shakes
His white mane on the air.


The meaning of that common dread
No tongue has fitly told;
The secret of the dark surmise
The brook and birches hold.


What nameless horror of the past
Broods here forevermore?
What ghost his unforgiven sin
Is grinding o'er and o'er?


Does, then, immortal memory play
The actor's tragic part,
Rehearsals of a mortal life
And unveiled human heart?


God's pity spare a guilty soul
That drama of its ill,
And let the scenic curtain fall
On Birchbrook's haunted mill
312

Barclay Of Ury

Barclay Of Ury

Up the streets of Aberdeen,
By the kirk and college green,
Rode the Laird of Ury;
Close behind him, close beside,
Foul of mouth and evil-eyed,
Pressed the mob in fury.


Flouted him the drunken churl,
Jeered at him the serving-girl,
Prompt to please her master;
And the begging carlin, late
Fed and clothed at Ury's gate,
Cursed him as he passed her.


Yet, with calm and stately mien,
Up the streets of Aberdeen
Came he slowly riding;
And, to all he saw and heard,
Answering not with bitter word,
Turning not for chiding.


Came a troop with broad swords swinging,
Bits and bridles sharply ringing,
Loose and free and forward;
Quoth the foremost, 'Ride him down!
Push him! prick him! through the town
Drive the Quaker coward!'


But from out the thickening crowd
Cried a sudden voice and loud:
'Barclay! Ho! a Barclay!
And the old man at his side
Saw a comrade, battle tried,
Scarred and sunburned darkly,


Who with ready weapon bare,
Fronting to the troopers there,
Cried aloud: 'God save us,
Call ye coward him who stood
Ankle deep in Lutzen's blood,
With the brave Gustavus?'


'Nay, I do not need thy sword,
Comrade mine,' said Ury's lord.
'Put it up, I pray thee:
Passive to His holy will,
Trust I in my Master still,
Even though He slay me.


'Pledges of thy love and faith,
Proved on many a field of death,
Not by me are needed.'



Marvelled much that henchman bold,
That his laird, so stout of old,
Now so meekly pleaded.


'Woe's the day!' he sadly said,
With a slowly shaking head,
And a look of pity;
'Ury's honest lord reviled,
Mock of knave and sport of child,
In his own good city!


'Speak the word, and, master mine,
As we charged on Tilly's line,
And his Walloon lancers,
Smiting through their midst we'll teach
Civil look and decent speech
To these boyish prancers!'


'Marvel not, mine ancient friend,
Like beginning, like the end,'
Quoth the Laird of Ury;
'Is the sinful servant more
Than his gracious Lord who bore
Bonds and stripes in Jewry?


'Give me joy that in his name
I can bear, with patient frame,
All these vain ones offer;
While for them He suffereth long,
Shall I answer wrong with wrong,
Scoffing with the scoffer?


'Happier I, with loss of all,
Hunted, outlawed, held in thrall,
With few friends to greet me,
Than when reeve and squire were seen,
Riding our from Aberdeen,
With bared heads to meet me.


'When each goodwife, o'er and o'er,
Blessed me as I passed her door;
And the snooded daughter,
Through her casement glancing down,
Smiled on him who bore renown
From red fields of slaughter.


'Hard to feel the stranger's scoff,
Hard the old friend's falling off,
Hard to learn forgiving;
But the Lord His own rewards,
And His love with theirs accords,
Warm and fresh and living.



'Through this dark and stormy night
Faith beholds a feeble light
Up the blackness streaking;
Knowing God's own time is best,
In a patient hope I rest
For the full day-breaking!'


So the Laird of Ury said,
Turning slow his horse's head
Towards the Tolbooth prison,
Where, through iron gates, he heard
Poor disciples of thee Word
Preach of Christ arisen!


Not in vain, Confessor old,
Unto us the tale is told
Of thy day of trial;
Every age on him who strays
From its broad and beaten ways
Pours its seven-fold vial.


Happy he whose inward ear
Angel comfortings can hear,
O'er the rabble's laughter;
And while Hatred's fagots burn,
Glimpses through the smoke discern
Of the good hereafter.


Knowing this, that never yet
Share of Truth was vainly set
In the world's wide fallow;
After hands shall sow the seed,
After hands from hill and mead
Reap the harvests yellow.


Thus, with somewhat of the Seer,
Must the moral pioneer
From the Future borrow;
Clothe the waste with dreams of grain,
And, on midnight's sky of rain,
Paint the golden morrow!
267

Benedicite

Benedicite


God's love and peace be with thee, where
Soe'er this soft autumnal air
Lifts the dark tresses of thy hair.


Whether through city casements comes
Its kiss to thee, in crowded rooms,
Or, out among the woodland blooms,


It freshens o'er thy thoughtful face,
Imparting, in its glad embrace,
Beauty to beauty, grace to grace!


Fair Nature's book together read,
The old wood-paths that knew our tread,
The maple shadows overhead,-


The hills we climbed, the river seen
By gleams along its deep ravine,-All
keep thy memory fresh and green.


Where'er I look, where'er I stray,
Thy thought goes with me on my way,
And hence the prayer I breathe to-day;


O'er lapse of time and change of scene,
The weary waste which lies between
Thyself and me, my heart I lean.


Thou lack'st not Friendship's spell-word, nor
The half-unconscious power to draw
All hearts to thine by Love's sweet law.


With these good gifts of God is cast
Thy lot, and many a charm thou hast
To hold the blessed angels fast.


If, then, a fervent wish for thee
The gracious heavens will heed from me,
What should, dear heart, its burden be?


The sighing of a shaken reed,-What
can I more than meekly plead
The greatness of our common need?


God's love,--unchanging, pure, and true,-The
Paraclete white-shining through
His peace,--the fall of Hermon's dew!


With such a prayer, on this sweet day,
As thou mayst hear and I may say,
I greet thee, dearest, far away!
330

Banished from Massachusetts

Banished from Massachusetts

Over the threshold of his pleasant home
Set in green clearings passed the exiled Friend,
In simple trust, misdoubting not the end.
'Dear heart of mine!' he said, 'the time has come
To trust the Lord for shelter.' One long gaze
The goodwife turned on each familiar thing,The
lowing kine, the orchard blossoming,
The open door that showed the hearth-fire's blaze,And
calmly answered, 'Yes, He will provide.'
Silent and slow they crossed the homestead's bound,
Lingering the longest by their child's grave-mound.
'Move on, or stay and hang!' the sheriff cried.
They left behind them more than home or land,
And set sad faces to an alien strand.


Safer with winds and waves than human wrath,
With ravening wolves than those whose zeal for God
Was cruelty to man, the exiles trod
Drear leagues of forest without guide or path,
Or launching frail boats on the uncharted sea,
Round storm-vexed capes, whose teeth of granite ground
The waves to foam, their perilous way they wound,
Enduring all things so their souls were free.
Oh, true confessors, shaming them who did
Anew the wrong their Pilgrim Fathers bore
For you the Mayflower spread her sail once more,
Freighted with souls, to all that duty bid
Faithful as they who sought an unknown land,
O'er wintry seas, from Holland's Hook of Sand!


So from his lost home to the darkening main,
Bodeful of storm, stout Macy held his way,
And, when the green shore blended with the gray,
His poor wife moaned: 'Let us turn back again.'
'Nay, woman, weak of faith, kneel down,' said he,
And say thy prayers: the Lord himself will steer;
And led by Him, nor man nor devils I fear!
So the gray Southwicks, from a rainy sea,
Saw, far and faint, the loom of land, and gave
With feeble voices thanks for friendly ground
Whereon to rest their weary feet, and found
A peaceful death-bed and a quiet grave
Where, ocean-walled, and wiser than his age,
The lord of Shelter scorned the bigot's rage.
Aquidneck's isle, Nantucket's lonely shores,
And Indian-haunted Narragansett saw
The way-worn travellers round their camp-fire draw,
Or heard the plashing of their weary oars.
And every place whereon they rested grew
Happier for pure and gracious womanhood,
And men whose names for stainless honor stood,
Founders of States and rulers wise and true.



The Muse of history yet shall make amends
To those who freedom, peace, and justice taught,
Beyond their dark age led the van of thought,
And left unforfeited the name of Friends.
O mother State, how foiled was thy design
The gain was theirs, the loss alone was thine.
341

At Washington

At Washington

WITH a cold and wintry noon-light.
On its roofs and steeples shed,
Shadows weaving with t e sunlight
From the gray sky overhead,
Broadly, vaguely, all around me, lies the half-built town outspread.
Through this broad street, restless ever,
Ebbs and flows a human tide,
Wave on wave a living river;
Wealth and fashion side by side;
Toiler, idler, slave and master, in the same quick current glide.
Underneath yon dome, whose coping
Springs above them, vast and tall,
Grave men in the dust are groping.
For the largess, base and small,
Which the hand of Power is scattering, crumbs which from its table fall.
Base of heart! They vilely barter
Honor's wealth for party's place;
Step by step on Freedom's charter
Leaving footprints of disgrace;
For to-day's poor pittance turning from the great hope of their race.
Yet, where festal lamps are throwing
Glory round the dancer's hair,
Gold-tressed, like an angel's, flowing
Backward on the sunset air;
And the low quick pulse of music beats its measure sweet and rare:
There to-night shall woman's glances,
Star-like, welcome give to them;
Fawning fools with shy advances
Seek to touch their garments' hem,
With the tongue of flattery glozing deeds which God and Truth condemn.
From this glittering lie my vision
Takes a broader, sadder range,
Full before me have arisen
Other pictures dark and strange;
From the parlor to the prison must the scene and witness change.
Hark! the heavy gate is swinging
On its hinges, harsh and slow;
One pale prison lamp is flinging
On a fearful group below
Such a light as leaves to terror whatsoe'er it does not show.
Pitying God! Is that a woman
On whose wrist the shackles clash?
Is that shriek she utters human,
Underneath the stinging lash?
Are they men whose eyes of madness from that sad procession flash?
Still the dance goes gayly onward!
What is it to Wealth and Pride
That without the stars are looking
On a scene which earth should hide?
That the slave-ship lies in waiting, rocking on Potomac's tide!
Vainly to that mean Ambition
Which, upon a rival's fall,



Winds above its old condition,
With a reptile's slimy crawl,
Shall the pleading voice of sorrow, shall the slave in anguish call.
Vainly to the child of Fashion,
Giving to ideal woe
Graceful luxury of compassion,
Shall the stricken mourner go;
Hateful seems the earnest sorrow, beautiful the hollow show!
Nay, my words are all too sweeping:
In this crowded human mart,
Feeling is not dead, but sleeping;
Man's strong will and woman's heart,
In the coming strife for Freedom, yet shall bear their generous part.
And from yonder sunny valleys,
Southward in the distance lost,
Freedom yet shall summon allies
Worthier than the North can boast,
With the Evil by their hearth-stones grappling at severer cost.
Now, the soul alone is willing.
Faint the heart and weak the knee;
And as yet no lip is thrilling
With the mighty words, 'Be Free!'
Tarrieth long the land's Good Angel, but his advent is to be!
Meanwhile, turning from the revel
To the prison-cell my sight,
For intenser hate of evil,
For a keener sense of right,
Shaking off thy dust, I thank thee, City of the Slaves, to-night!
'To thy duty now and ever!
Dream no more of rest or stay:
Give to Freedom's great endeavor
All thou art and hast to-day:'
Thus, above the city's murmur, saith a Voice, or seems to say.
Ye with heart and vision gifted
To discern and love the right,
Whose worn faces have been lifted
To the slowly-growing light,
Where from Freedom's sunrise drifted slowly back the murk of night!
Ye who through long years of trial
Still have held your purpose fast,
While a lengthening shade the dial
From the westering sunshine cast,
And of hope each hour's denial seemed an echo of the last!
O my brothers! O my sisters!
Would to God that ye were near,
Gazing with me down the vistas
Of a sorrow strange and drear;
Would to God that ye were listeners to the Voice I seem to hear!
With the storm above us driving,
With the false earth mined below,
Who shall marvel if thus striving
We have counted friend as foe;



Unto one another giving in the darkness blow for blow.
Well it may be that our natures
Have grown sterner and more hard,
And the freshness of their features
Somewhat harsh and battle-scarred,
And their harmonies of feeling overtasked and rudely jarred.
Be it so. It should not swerve us
From a purpose true and brave;
Dearer Freedom's rugged service
Than the pastime of the slave;
Better is the storm above it than the quiet of the grave.
Let us then, uniting, bury
All our idle feuds in dust,
And to future conflicts carry
Mutual faith and common trust;
Always he who most forgiveth in his brother is most just.
From the eternal shadow rounding
All our sun and starlight here,
Voices of our lost ones sounding
Bid us be of heart and cheer,
Through the silence, down the spaces, falling on the inward ear.
Know we not our dead are looking
Downward with a sad surprise,
All our strife of words rebuking
With their mild and loving eyes?
Shall we grieve the holy angels? Shall we cloud their blessed skies?
Let us draw their mantles o'er us,
Which have fallen in our way;
Let us do the work before us,
Cheerly, bravely, while we may,
Ere the long night-silence cometh, and with us it is not day!
329

At Port Royal

At Port Royal

The tent-lights glimmer on the land,
The ship-lights on the sea;
The night-wind smooths with drifting sand
Our track on lone Tybee.


At last our grating keels outslide,
Our good boats forward swing;
And while we ride the land-locked tide,
Our negroes row and sing.


For dear the bondman holds his gifts
Of music and of song:
The gold that kindly Nature sifts
Among his sands of wrong;


The power to make his toiling days
And poor home-comforts please;
The quaint relief of mirth that plays
With sorrow's minor keys.


Another glow than sunset's fire
Has filled the West with light,
Where field and garner, barn and byre,
Are blazing through the night.


The land is wild with fear and hate,
The rout runs mad and fast;
From hand to hand, from gate to gate,
The flaming brand is passed.


The lurid glow falls strong across
Dark faces broad with smiles;
Not theirs the terror, hate, and loss
That fire yon blazing piles.


With oar-strokes timing to their song,
They weave in simple lays
The pathos of remembered wrong,
The hope of better days,—


The triumph-note that Miriam sung,
The joy of uncaged birds:
Softening with Afric's mellow tongue
Their broken Saxon words.
229

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