Poems List

When You Come

When You Come

When you come to me, unbidden,
Beckoning me
To long-ago rooms,
Where memories lie.


Offering me, as to a child, an attic,
Gatherings of days too few.
Baubles of stolen kisses.
Trinkets of borrowed loves.
Trunks of secret words,


I CRY.
143

Touched by an Angel

Touched by an Angel

We, unaccustomed to courage
exiles from delight
live coiled in shells of loneliness
until love leaves its high holy temple
and comes into our sight
to liberate us into life.

Love arrives
and in its train come ecstasies
old memories of pleasure
ancient histories of pain.
Yet if we are bold,
love strikes away the chains of fear
from our souls.

We are weaned from our timidity
In the flush of love's light
we dare be brave
And suddenly we see
that love costs all we are
and will ever be.
Yet it is only love
which sets us free.
167

The Rock Cries Out to Us Today

The Rock Cries Out to Us Today

A Rock, A River, A Tree
Hosts to species long since departed,
Mark the mastodon.
The dinosaur, who left dry tokens
Of their sojourn here
On our planet floor,
Any broad alarm of their of their hastening doom
Is lost in the gloom of dust and ages.
But today, the Rock cries out to us, clearly, forcefully,
Come, you may stand upon my
Back and face your distant destiny,
But seek no haven in my shadow.
I will give you no hiding place down here.
You, created only a little lower than
The angels, have crouched too long in
The bruising darkness,
Have lain too long
Face down in ignorance.
Your mouths spelling words
Armed for slaughter.
The rock cries out today, you may stand on me,
But do not hide your face.
Across the wall of the world,
A river sings a beautiful song,
Come rest here by my side.
Each of you a bordered country,
Delicate and strangely made proud,
Yet thrusting perpetually under siege.
Your armed struggles for profit
Have left collars of waste upon
My shore, currents of debris upon my breast.
Yet, today I call you to my riverside,
If you will study war no more.
Come, clad in peace and I will sing the songs
The Creator gave to me when I
And the tree and stone were one.
Before cynicism was a bloody sear across your brow
And when you yet knew you still knew nothing.
The river sings and sings on.
There is a true yearning to respond to
The singing river and the wise rock.
So say the Asian, the Hispanic, the Jew,
The African and Native American, the Sioux,
The Catholic, the Muslim, the French, the Greek,
The Irish, the Rabbi, the Priest, the Sheikh,
The Gay, the Straight, the Preacher,
The privileged, the homeless, the teacher.
They hear. They all hear
The speaking of the tree.
Today, the first and last of every tree
Speaks to humankind. Come to me, here beside the river.
Plant yourself beside me, here beside the river.



Each of you, descendant of some passed on
Traveller, has been paid for.
You, who gave me my first name,
You Pawnee, Apache and Seneca,
You Cherokee Nation, who rested with me,
Then forced on bloody feet,
Left me to the employment of other seekers--
Desperate for gain, starving for gold.
You, the Turk, the Swede, the German, the Scot...
You the Ashanti, the Yoruba, the Kru,
Bought, sold, stolen, arriving on a nightmare
Praying for a dream.
Here, root yourselves beside me.
I am the tree planted by the river,
Which will not be moved.
I, the rock, I the river, I the tree
I am yours--your passages have been paid.
Lift up your faces, you have a piercing need
For this bright morning dawning for you.
History, despite its wrenching pain,
Cannot be unlived, and if faced with courage,
Need not be lived again.
Lift up your eyes upon
The day breaking for you.
Give birth again
To the dream.
Women, children, men,
Take it into the palms of your hands.
Mold it into the shape of your most
Private need. Sculpt it into
The image of your most public self.
Lift up your hearts.
Each new hour holds new chances
For new beginnings.
Do not be wedded forever
To fear, yoked eternally
To brutishness.
The horizon leans forward,
Offering you space to place new steps of change.
Here, on the pulse of this fine day
You may have the courage
To look up and out upon me,
The rock, the river, the tree, your country.
No less to Midas than the mendicant.
No less to you now than the mastodon then.
Here on the pulse of this new day
You may have the grace to look up and out
And into your sister's eyes,
Into your brother's face, your country
And say simply
Very simply
With hope



Good morning.
542

Still I Rise

Still I Rise

You may write me down in history
With your bitter, twisted lies,
You may trod me in the very dirt
But still, like dust, I'll rise.


Does my sassiness upset you?
Why are you beset with gloom?
'Cause I walk like I've got oil wells
Pumping in my living room.


Just like moons and like suns,
With the certainty of tides,
Just like hopes springing high,
Still I'll rise.


Did you want to see me broken?
Bowed head and lowered eyes?
Shoulders falling down like teardrops.
Weakened by my soulful cries.


Does my haughtiness offend you?
Don't you take it awful hard
'Cause I laugh like I've got gold mines
Diggin' in my own back yard.


You may shoot me with your words,
You may cut me with your eyes,
You may kill me with your hatefulness,
But still, like air, I'll rise.


Does my sexiness upset you?
Does it come as a surprise
That I dance like I've got diamonds
At the meeting of my thighs?


Out of the huts of history's shame
I rise
Up from a past that's rooted in pain
I rise
I'm a black ocean, leaping and wide,
Welling and swelling I bear in the tide.
Leaving behind nights of terror and fear
I rise
Into a daybreak that's wondrously clear
I rise
Bringing the gifts that my ancestors gave,
I am the dream and the hope of the slave.
I rise
I rise
I rise.
162

The Lesson

The Lesson

I keep on dying again.
Veins collapse, opening like the
Small fists of sleeping
Children.
Memory of old tombs,
Rotting flesh and worms do
Not convince me against
The challenge. The years
And cold defeat live deep in
Lines along my face.
They dull my eyes, yet
I keep on dying,
Because I love to live.
170

Refusal

Refusal


Beloved,
In what other lives or lands
Have I known your lips
Your Hands
Your Laughter brave
Irreverent.
Those sweet excesses that
I do adore.
What surety is there
That we will meet again,
On other worlds some
Future time undated.
I defy my body's haste.
Without the promise
Of one more sweet encounter
I will not deign to die.
183

Passing Time

Passing Time

Your skin like dawn
Mine like musk

One paints the beginning
of a certain end.

The other, the end of a
sure beginning.
269

Men

Men


When I was young, I used to
Watch behind the curtains
As men walked up and down the street. Wino men, old men.
Young men sharp as mustard.
See them. Men are always
Going somewhere.
They knew I was there. Fifteen
Years old and starving for them.
Under my window, they would pauses,
Their shoulders high like the
Breasts of a young girl,
Jacket tails slapping over
Those behinds,
Men.


One day they hold you in the
Palms of their hands, gentle, as if you
Were the last raw egg in the world. Then
They tighten up. Just a little. The
First squeeze is nice. A quick hug.
Soft into your defenselessness. A little
More. The hurt begins. Wrench out a
Smile that slides around the fear. When the
Air disappears,
Your mind pops, exploding fiercely, briefly,
Like the head of a kitchen match. Shattered.
It is your juice
That runs down their legs. Staining their shoes.
When the earth rights itself again,
And taste tries to return to the tongue,
Your body has slammed shut. Forever.
No keys exist.


Then the window draws full upon
Your mind. There, just beyond
The sway of curtains, men walk.
Knowing something.
Going someplace.
But this time, I will simply
Stand and watch.


Maybe.
172

Momma Welfare Roll

Momma Welfare Roll

Her arms semaphore fat triangles,
Pudgy hands bunched on layered hips
Where bones idle under years of fatback
And lima beans.
Her jowls shiver in accusation
Of crimes clichéd by
Repetition. Her children, strangers
To childhood's toys, play
Best the games of darkened doorways,
Rooftop tag, and know the slick feel of
Other people's property.


Too fat to whore,
Too mad to work,
Searches her dreams for the
Lucky sign and walks bare-handed
Into a den of bereaucrats for
Her portion.
'They don't give me welfare.
I take it.'
164

California Prodigal

California Prodigal

FOR DAVID P—B

The eye follows, the land
Slips upward, creases down, forms
The gentle buttocks of a young
Giant. In the nestle,
Old adobe bricks, washed of
Whiteness, paled to umber,
Await another century.


Star Jasmine and old vines
Lay claim upon the ghosted land,
Then quiet pools whisper
Private childhood secrets.


Flush on inner cottage walls
Antiquitous faces,
Used to the gelid breath
Of old manors, glare disdainfully
Over breached time.


Around and through these
Cold phantasmatalities,
He walks, insisting
To the languid air,
Activity, music,
A generosity of graces.


His lupin fields spurn old
Deceit and agile poppies dance
In golden riot. Each day is
Fulminant, exploding brightly
Under the gaze of his exquisite
Sires, frozen in the famed paint
Of dead masters. Audacious
Sunlight casts defiance
At their feet.
160

Comments (0)

Log in to post a comment.

NoComments

Identification and basic context

Maya Angelou, born Marguerite Annie Johnson, was an American poet, memoirist, and civil rights activist. She was born on April 4, 1928, in St. Louis, Missouri, and died on May 28, 2014, in Winston-Salem, North Carolina. She had a brother, Bailey Jr. Her parents were Vivian Baxter and Bailey Johnson Sr. Angelou came from a middle-class background and experienced the harsh realities of racism and segregation in the American South. She was an American citizen and wrote in English. Her life spanned significant periods of American history, including the Civil Rights Movement and the ongoing struggle for racial equality.

Childhood and education

Angelou's childhood was marked by significant trauma, including the separation of her parents and a period of mutism following sexual abuse. She spent much of her childhood in Stamps, Arkansas, raised by her paternal grandmother, Annie Henderson, known as 'Momma,' who instilled in her strong values and a sense of pride. She also lived in California. Angelou attended high school and pursued further education informally, working various jobs, including as a cook, singer, dancer, journalist, and cable car conductor, before dedicating herself to writing.

Literary trajectory

Angelou's literary career began with her autobiography, 'I Know Why the Caged Bird Sings' (1969), which achieved international acclaim and became a landmark work. She went on to write numerous other autobiographies, poetry collections, and essays. Her poetry, known for its lyrical quality and powerful social commentary, became widely popular. She was a significant voice in the Civil Rights Movement, working with Martin Luther King Jr. and Malcolm X. She also worked in theater and television.

Works, style, and literary characteristics

Key works include the autobiographical series starting with 'I Know Why the Caged Bird Sings' (1969), and poetry collections such as 'Just Give Me a Cool Drink of Water, Run On' (1971) and 'And Still I Rise' (1978). Dominant themes in her work are racism, identity, motherhood, the resilience of the human spirit, the importance of community, and the quest for freedom and self-love. Her style is often described as accessible, musical, and deeply personal, blending vernacular speech with eloquent prose and verse. Her poetic voice is strong, compassionate, and authoritative, often speaking from the perspective of the marginalized. Her language is vivid and rich, employing metaphor and rhythm to convey profound emotion and insight.

Cultural and historical context

Angelou's life and work were profoundly shaped by the racial segregation and discrimination prevalent in the United States. She was an active participant in the Civil Rights Movement, using her voice and writing to advocate for equality and justice. She was a contemporary of many influential figures of the 20th century, including James Baldwin, Martin Luther King Jr., and Rosa Parks. Her work reflects the Black American experience and its ongoing struggle for recognition and liberation.

Personal life

Angelou experienced a rich and varied personal life. She was married four times and had one son, Guy Johnson. Her relationships with significant figures like Martin Luther King Jr. and Malcolm X were pivotal to her activism. She traveled extensively and lived abroad, including in Egypt and Ghana. Her personal experiences of hardship, joy, love, and loss are woven into the fabric of her writings, lending them authenticity and emotional depth.

Recognition and reception

Angelou received numerous awards and honors throughout her career, including the Presidential Medal of Freedom and dozens of honorary doctorates. 'I Know Why the Caged Bird Sings' became a bestseller and a classic of American literature. Her work has been widely celebrated for its literary merit and its social impact, though it has also faced censorship challenges due to its frank discussions of race and sexuality.

Influences and legacy

Angelou cited authors like Langston Hughes, William Shakespeare, and the Bible as influences. Her legacy is that of a powerful storyteller and a courageous advocate for human rights. She inspired millions with her message of hope and resilience, and her writings continue to be read and studied globally. She is remembered as a pivotal figure in African American literature and a testament to the power of the spoken and written word.

Interpretation and critical analysis

Angelou's work is often analyzed for its exploration of the Black female experience, its themes of trauma and healing, and its celebration of resilience. Critics have noted the intersectionality of race, gender, and class in her writings. Her ability to transform personal pain into universal messages of hope is a consistent subject of critical discussion.

Curiosities and lesser-known aspects

Angelou's diverse career included performing in Broadway shows, singing jazz, and working as a journalist in Egypt and Ghana. Her ability to recall vast amounts of literature verbatim, developed during her childhood mutism, was a remarkable feat. She was also known for her distinctive fashion sense and her warm, engaging public persona.

Death and memory

Maya Angelou died peacefully at her home in Winston-Salem, North Carolina. Her death was mourned globally, and her legacy continues to be celebrated through her extensive body of work and her enduring influence on literature and social justice movements.