Poems List

Insomniac

Insomniac


There are some nights when
sleep plays coy,
aloof and disdainful.
And all the wiles
that I employ to win
its service to my side
are useless as wounded pride,
and much more painful.
172

A Conceit

A Conceit

Give me your hand

Make room for me
to lead and follow
you
beyond this rage of poetry.


Let others have
the privacy of
touching words
and love of loss
of love.


For me
Give me your hand.
172

Alone

Alone


Lying, thinking
Last night
How to find my soul a home
Where water is not thirsty
And bread loaf is not stone
I came up with one thing
And I don't believe I'm wrong
That nobody,
But nobody
Can make it out here alone.

Alone, all alone
Nobody, but nobody
Can make it out here alone.

There are some millionaires
With money they can't use
Their wives run round like banshees
Their children sing the blues
They've got expensive doctors
To cure their hearts of stone.
But nobody
No, nobody
Can make it out here alone.

Alone, all alone
Nobody, but nobody
Can make it out here alone.

Now if you listen closely
I'll tell you what I know
Storm clouds are gathering
The wind is gonna blow
The race of man is suffering
And I can hear the moan,
'Cause nobody,
But nobody
Can make it out here alone.

Alone, all alone
Nobody, but nobody
Can make it out here alone.
290

These are not the only wonders of the world

These are not the only wonders of the world

When we come to it
We, this people, on this minuscule and kithless globe
Who reach daily for the bomb, the blade and the dagger
Yet who petition in the dark for tokens of peace
We, this people on this mote of matter
In whose mouths abide cankerous words
Which challenge our very existence
Yet out of those same mouths
Come songs of such exquisite sweetness
That the heart falters in its labor
And the body is quieted into awe

We, this people, on this small and drifting planet
Whose hands can strike with such abandon
That in a twinkling, life is sapped from the living
Yet those same hands can touch with such healing, irresistible tenderness
That the haughty neck is happy to bow
And the proud back is glad to bend
Out of such chaos, of such contradiction
We learn that we are neither devils nor divines

When we come to it
We, this people, on this wayward, floating body
Created on this earth, of this earth
Have the power to fashion for this earth
A climate where every man and every woman
Can live freely without sanctimonious piety
Without crippling fear

When we come to it
We must confess that we are the possible
We are the miraculous, the true wonder of this world
That is when, and only when
We come to it.
144

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Identification and basic context

Maya Angelou, born Marguerite Annie Johnson, was an American poet, memoirist, and civil rights activist. She was born on April 4, 1928, in St. Louis, Missouri, and died on May 28, 2014, in Winston-Salem, North Carolina. She had a brother, Bailey Jr. Her parents were Vivian Baxter and Bailey Johnson Sr. Angelou came from a middle-class background and experienced the harsh realities of racism and segregation in the American South. She was an American citizen and wrote in English. Her life spanned significant periods of American history, including the Civil Rights Movement and the ongoing struggle for racial equality.

Childhood and education

Angelou's childhood was marked by significant trauma, including the separation of her parents and a period of mutism following sexual abuse. She spent much of her childhood in Stamps, Arkansas, raised by her paternal grandmother, Annie Henderson, known as 'Momma,' who instilled in her strong values and a sense of pride. She also lived in California. Angelou attended high school and pursued further education informally, working various jobs, including as a cook, singer, dancer, journalist, and cable car conductor, before dedicating herself to writing.

Literary trajectory

Angelou's literary career began with her autobiography, 'I Know Why the Caged Bird Sings' (1969), which achieved international acclaim and became a landmark work. She went on to write numerous other autobiographies, poetry collections, and essays. Her poetry, known for its lyrical quality and powerful social commentary, became widely popular. She was a significant voice in the Civil Rights Movement, working with Martin Luther King Jr. and Malcolm X. She also worked in theater and television.

Works, style, and literary characteristics

Key works include the autobiographical series starting with 'I Know Why the Caged Bird Sings' (1969), and poetry collections such as 'Just Give Me a Cool Drink of Water, Run On' (1971) and 'And Still I Rise' (1978). Dominant themes in her work are racism, identity, motherhood, the resilience of the human spirit, the importance of community, and the quest for freedom and self-love. Her style is often described as accessible, musical, and deeply personal, blending vernacular speech with eloquent prose and verse. Her poetic voice is strong, compassionate, and authoritative, often speaking from the perspective of the marginalized. Her language is vivid and rich, employing metaphor and rhythm to convey profound emotion and insight.

Cultural and historical context

Angelou's life and work were profoundly shaped by the racial segregation and discrimination prevalent in the United States. She was an active participant in the Civil Rights Movement, using her voice and writing to advocate for equality and justice. She was a contemporary of many influential figures of the 20th century, including James Baldwin, Martin Luther King Jr., and Rosa Parks. Her work reflects the Black American experience and its ongoing struggle for recognition and liberation.

Personal life

Angelou experienced a rich and varied personal life. She was married four times and had one son, Guy Johnson. Her relationships with significant figures like Martin Luther King Jr. and Malcolm X were pivotal to her activism. She traveled extensively and lived abroad, including in Egypt and Ghana. Her personal experiences of hardship, joy, love, and loss are woven into the fabric of her writings, lending them authenticity and emotional depth.

Recognition and reception

Angelou received numerous awards and honors throughout her career, including the Presidential Medal of Freedom and dozens of honorary doctorates. 'I Know Why the Caged Bird Sings' became a bestseller and a classic of American literature. Her work has been widely celebrated for its literary merit and its social impact, though it has also faced censorship challenges due to its frank discussions of race and sexuality.

Influences and legacy

Angelou cited authors like Langston Hughes, William Shakespeare, and the Bible as influences. Her legacy is that of a powerful storyteller and a courageous advocate for human rights. She inspired millions with her message of hope and resilience, and her writings continue to be read and studied globally. She is remembered as a pivotal figure in African American literature and a testament to the power of the spoken and written word.

Interpretation and critical analysis

Angelou's work is often analyzed for its exploration of the Black female experience, its themes of trauma and healing, and its celebration of resilience. Critics have noted the intersectionality of race, gender, and class in her writings. Her ability to transform personal pain into universal messages of hope is a consistent subject of critical discussion.

Curiosities and lesser-known aspects

Angelou's diverse career included performing in Broadway shows, singing jazz, and working as a journalist in Egypt and Ghana. Her ability to recall vast amounts of literature verbatim, developed during her childhood mutism, was a remarkable feat. She was also known for her distinctive fashion sense and her warm, engaging public persona.

Death and memory

Maya Angelou died peacefully at her home in Winston-Salem, North Carolina. Her death was mourned globally, and her legacy continues to be celebrated through her extensive body of work and her enduring influence on literature and social justice movements.