Poems List

The Hippopotamus

The Hippopotamus
Behold the hippopotamus!
We laugh at how he looks to us,
And yet in moments dank and grim,
I wonder how we look to him.
Peace, peace, thou hippopotamus!
We really look all right to us,
As you no doubt delight the eye
Of other hippopotami.
238

The Jellyfish

The Jellyfish
Who wants my jellyfish?
I'm not sellyfish!
273

The Firefly

The Firefly
The firefly's flame
Is something for which science has no name
I can think of nothing eerier
Than flying around with an unidentified glow on a
person's posteerier.
193

The Germ

The Germ
A mighty creature is the germ,
Though smaller than the pachyderm.
His customary dwelling place
Is deep within the human race.
His childish pride he often pleases
By giving people strange diseases.
Do you, my poppet, feel infirm?
You probably contain a germ.
274

The Cuckoo

The Cuckoo
Cuckoos lead Bohemian lives,
They fail as husbands and as wives,
Therefore they cynically disparage
Everybody else's marriage.
202

The Duck

The Duck
Behold the duck.
It does not cluck.
A cluck it lacks.
It quacks.
It is specially fond
Of a puddle or pond.
When it dines or sups,
It bottoms ups.
202

The Clean Plater

The Clean Plater
Some singers sing of ladies' eyes,
And some of ladies lips,
Refined ones praise their ladylike ways,
And course ones hymn their hips.
The Oxford Book of English Verse
Is lush with lyrics tender;
A poet, I guess, is more or less
Preoccupied with gender.
Yet I, though custom call me crude,
Prefer to sing in praise of food.
Food,
Yes, food,
Just any old kind of food.
Pheasant is pleasant, of course,
And terrapin, too, is tasty,
Lobster I freely endorse,
In pate or patty or pasty.
But there's nothing the matter with butter,
And nothing the matter with jam,
And the warmest greetings I utter
To the ham and the yam and the clam.
For they're food,
All food,
And I think very fondly of food.
Through I'm broody at times
When bothered by rhymes,
I brood
On food.
Some painters paint the sapphire sea,
And some the gathering storm.
Others portray young lambs at play,
But most, the female form.
“Twas trite in that primeval dawn
When painting got its start,
That a lady with her garments on
Is Life, but is she Art?
By undraped nymphs
I am not wooed;
I'd rather painters painted food.
Food,
Just food,
Just any old kind of food.
Go purloin a sirloin, my pet,
If you'd win a devotion incredible;
And asparagus tips vinaigrette,
Or anything else that is edible.
Bring salad or sausage or scrapple,
A berry or even a beet.
Bring an oyster, an egg, or an apple,
As long as it's something to eat.
If it's food,
It's food;


Never mind what kind of food.
When I ponder my mind
I consistently find
It is glued
On food.
211

The Centipede

The Centipede
I objurgate the centipede,
A bug we do not really need.
At sleepy-time he beats a path
Straight to the bedroom or the bath.
You always wallop where he's not,
Or, if he is, he makes a spot.
245

The Cantaloupe

The Cantaloupe
One cantaloupe is ripe and lush,
Another's green, another's mush.
I'd buy a lot more cantaloupe
If I possessed a fluoroscope.
188

The Boy Who Laughed At Santa Claus

The Boy Who Laughed At Santa Claus
In Baltimore there lived a boy.
He wasn't anybody's joy.
Although his name was Jabez Dawes,
His character was full of flaws. In school he never led his classes,
He hid old ladies' reading glasses,
His mouth was open when he chewed,
And elbows to the table glued.
He stole the milk of hungry kittens,
And walked through doors marked NO ADMITTANCE.
He said he acted thus because
There wasn't any Santa Claus.
246

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Identification and basic context

Ogden Nash was an American poet, known for his distinctive, humorous verse. He was born Frederic Ogden Nash and often used his given name in his work. He was an American citizen and wrote exclusively in English. His life and work spanned much of the 20th century, a period of significant social and technological change in the United States.

Childhood and education

Nash was born into a well-established family in Rye, New York. His father was a successful businessman. He attended public schools and later went to St. George's School in Newport, Rhode Island. He briefly attended Harvard University but dropped out before graduating. Despite not completing a traditional degree, Nash was well-read and possessed a sharp intellect, which he applied to his literary endeavors.

Literary trajectory

Nash began his writing career in advertising and journalism. He worked for several publications, including *The New Yorker*, where his unique poetic style found a receptive audience. His first book of poetry, *Primrose Path*, was published in 1935, and was followed by numerous other collections throughout his career. His work was widely published in magazines and anthologized frequently, solidifying his reputation as a major humorist.

Works, style, and literary characteristics

Nash's major works include *The Primrose Path* (1935), *The Face Is Familiar* (1940), *I'm a Stranger Here Myself* (1938), and *Versus* (1949). His poems often dealt with themes of everyday life, social customs, animals, and the quirks of human behavior. Nash's style is characterized by its highly original, often deliberately awkward, rhyme schemes and meter. He frequently employed neologisms (invented words) and portmanteaus to achieve humorous effects and unexpected rhymes. His poetic voice is witty, observational, and gently satirical, often adopting a conversational tone. He was a master of wordplay, puns, and humorous juxtapositions. His innovations lay in his radical departure from traditional poetic forms for humorous effect, creating a unique niche in American poetry.

Cultural and historical context

Nash's work reflected the social and cultural landscape of mid-20th century America. His poems commented on the burgeoning consumer culture, changing social mores, and the anxieties and absurdities of modern life. He was associated with the generation of American humorists that included figures like Robert Benchley and Dorothy Parker, though his style was distinctly his own. His popularity soared during a time when mass media, particularly magazines, played a significant role in shaping public taste and humor.

Personal life

Nash was married to Frances Ridgeway Lane, and they had two daughters. He was known for his genial personality and his deep love for his family. His personal life, while not overtly documented in his poetry, provided the backdrop for his observations on domesticity and everyday relationships. He enjoyed gardening and had a fondness for animals, which often featured in his poems.

Recognition and reception

Ogden Nash was immensely popular during his lifetime and continues to be widely read. His work was celebrated for its originality and humor, earning him a significant following. While not typically considered in the same academic light as more 'serious' poets, his contributions to American humor and light verse are undeniable. He received honorary degrees from several universities, recognizing his literary achievements.

Influences and legacy

While Nash's style was highly individual, he drew inspiration from the tradition of English light verse and rhyme. His legacy lies in his unique contribution to American humor and poetry. He demonstrated that poetry could be accessible, entertaining, and insightful without sacrificing linguistic playfulness. He influenced subsequent generations of humor writers and poets who appreciated his linguistic inventiveness and his ability to find humor in the mundane.

Interpretation and critical analysis

Critics often analyze Nash's work for its cleverness, linguistic dexterity, and social commentary. His poems can be seen as lighthearted explorations of human nature, offering a humorous perspective on societal norms and individual behaviors. The apparent simplicity of his verse often masks a sophisticated understanding of language and a keen observational eye.

Curiosities and lesser-known aspects

Nash was known to be a meticulous craftsman of his poems, spending considerable time perfecting his rhymes and rhythms. Despite his humorous public persona, he was also a thoughtful individual. His distinctive handwriting, with its unique letter formations, was almost as recognizable as his poetry.

Death and memory

Ogden Nash passed away in 1971. His poems remain popular in children's literature and in collections of American humor. He is remembered as one of America's most original and beloved comic poets.