Poems List

The Sunset Years of Samuel Shy

The Sunset Years of Samuel Shy
Master I may be,
But not of my fate.
Now come the kisses, too many too late.
Tell me, O Parcae,
For fain would I know,
Where were these kisses three decades ago?
Girls there were plenty,
Mint julep girls, beer girls,
Gay younger married and headstrong career girls,
The girls of my friends
And the wives of my friends,
Some smugly settled and some at loose ends,
Sad girls, serene girls,
Girls breathless and turbulent,
Debs cosmopolitan, matrons suburbulent,
All of them amiable,
All of them cordial,
Innocent rousers of instincts primordial,
But even though health and wealth
Hadn't yet missed me,
None of them,
Not even Jenny,
Once kissed me.
These very same girls
Who with me have grown older
Now freely relax with a head on my shoulder,
And now come the kisses,
A flood in full spate,
The meaningless kisses, too many too late.
They kiss me hello,
They kiss me goodbye,
Should I offer a light, there's a kiss for reply.
They kiss me at weddings,
They kiss me at wakes,
The drop of a hat is less than it takes.
They kiss me at cocktails,
They kiss me at bridge,
It's all automatic, like slapping a midge.
The sound of their kisses
Is loud in my ears
Like the locusts that swarm every seventeen years.
I'm arthritic, dyspeptic,
Potentially ulcery,
And weary of kisses by custom compulsory.
Should my dear ones commit me
As senile demential,
It's from kisses perfunctory, inconsequential.
Answer, O Parcae,
For fain would I know,
Where were these kisses three decades ago?

244

The Termite

The Termite
Some primal termite knocked on wood
And tasted it, and found it good!
And that is why your Cousin May
Fell through the parlor floor today.
275

The Solitary Huntsman

The Solitary Huntsman
The solitary huntsman
No coat of pink doth wear,
But midnight black from cap to spur
Upon his midnight mare.
He drones a tuneless jingle
In lieu of tally-ho:
“I’ll catch a fox
And put him in a box
And never let him go.”
The solitary huntsman,
He follows silent hounds.
No horn proclaims his joyless sport,
And never a hoofbeat sounds.
His hundred hounds, his thousands,
Their master’s will they know:
To catch a fox
And put him in a box
And never let him go.
For all the fox’s doubling
They track him to his den.
The chase may fill a morning,
Or threescore years and ten.
The huntsman never sated
Screaks to his saddlebow,
“I’ll catch another fox
And put him in a box
And never let him go.”
224

The Shrimp

The Shrimp
A shrimp who sought his lady shrimp
Could catch no glimpse
Not even a glimp.
At times, translucence
Is rather a nuisance.
262

The Rhinoceros

The Rhinoceros
The rhino is a homely beast,
For human eyes he's not a feast.
Farwell, farewell, you old rhinoceros,
I'll stare at something less prepoceros.
236

The Praying Mantis

The Praying Mantis
From whence arrived the praying mantis?
From outer space, or lost Atlantis?
glimpse the grin, green metal mug
at masks the pseudo-saintly bug,
Orthopterous, also carnivorous,
And faintly whisper, Lord deliver us.
268

The Parent

The Parent
Children aren't happy with nothing to ignore,
And that's what parents were created for.
272

The Perfect Husband

The Perfect Husband
He tells you when you've got on
too much lipstick
And helps you with your girdle
when your hips stick.
213

The Octopus

The Octopus
Tell me, O Octopus, I begs
Is those things arms, or is they legs?
I marvel at thee, Octopus;
If I were thou, I'd call me Us.
299

The Lion

The Lion
Oh, weep for Mr. and Mrs. Bryan!
He was eaten by a lion;
Following which, the lion's lioness
Up and swallowed Bryan's Bryaness.
259

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Identification and basic context

Ogden Nash was an American poet, known for his distinctive, humorous verse. He was born Frederic Ogden Nash and often used his given name in his work. He was an American citizen and wrote exclusively in English. His life and work spanned much of the 20th century, a period of significant social and technological change in the United States.

Childhood and education

Nash was born into a well-established family in Rye, New York. His father was a successful businessman. He attended public schools and later went to St. George's School in Newport, Rhode Island. He briefly attended Harvard University but dropped out before graduating. Despite not completing a traditional degree, Nash was well-read and possessed a sharp intellect, which he applied to his literary endeavors.

Literary trajectory

Nash began his writing career in advertising and journalism. He worked for several publications, including *The New Yorker*, where his unique poetic style found a receptive audience. His first book of poetry, *Primrose Path*, was published in 1935, and was followed by numerous other collections throughout his career. His work was widely published in magazines and anthologized frequently, solidifying his reputation as a major humorist.

Works, style, and literary characteristics

Nash's major works include *The Primrose Path* (1935), *The Face Is Familiar* (1940), *I'm a Stranger Here Myself* (1938), and *Versus* (1949). His poems often dealt with themes of everyday life, social customs, animals, and the quirks of human behavior. Nash's style is characterized by its highly original, often deliberately awkward, rhyme schemes and meter. He frequently employed neologisms (invented words) and portmanteaus to achieve humorous effects and unexpected rhymes. His poetic voice is witty, observational, and gently satirical, often adopting a conversational tone. He was a master of wordplay, puns, and humorous juxtapositions. His innovations lay in his radical departure from traditional poetic forms for humorous effect, creating a unique niche in American poetry.

Cultural and historical context

Nash's work reflected the social and cultural landscape of mid-20th century America. His poems commented on the burgeoning consumer culture, changing social mores, and the anxieties and absurdities of modern life. He was associated with the generation of American humorists that included figures like Robert Benchley and Dorothy Parker, though his style was distinctly his own. His popularity soared during a time when mass media, particularly magazines, played a significant role in shaping public taste and humor.

Personal life

Nash was married to Frances Ridgeway Lane, and they had two daughters. He was known for his genial personality and his deep love for his family. His personal life, while not overtly documented in his poetry, provided the backdrop for his observations on domesticity and everyday relationships. He enjoyed gardening and had a fondness for animals, which often featured in his poems.

Recognition and reception

Ogden Nash was immensely popular during his lifetime and continues to be widely read. His work was celebrated for its originality and humor, earning him a significant following. While not typically considered in the same academic light as more 'serious' poets, his contributions to American humor and light verse are undeniable. He received honorary degrees from several universities, recognizing his literary achievements.

Influences and legacy

While Nash's style was highly individual, he drew inspiration from the tradition of English light verse and rhyme. His legacy lies in his unique contribution to American humor and poetry. He demonstrated that poetry could be accessible, entertaining, and insightful without sacrificing linguistic playfulness. He influenced subsequent generations of humor writers and poets who appreciated his linguistic inventiveness and his ability to find humor in the mundane.

Interpretation and critical analysis

Critics often analyze Nash's work for its cleverness, linguistic dexterity, and social commentary. His poems can be seen as lighthearted explorations of human nature, offering a humorous perspective on societal norms and individual behaviors. The apparent simplicity of his verse often masks a sophisticated understanding of language and a keen observational eye.

Curiosities and lesser-known aspects

Nash was known to be a meticulous craftsman of his poems, spending considerable time perfecting his rhymes and rhythms. Despite his humorous public persona, he was also a thoughtful individual. His distinctive handwriting, with its unique letter formations, was almost as recognizable as his poetry.

Death and memory

Ogden Nash passed away in 1971. His poems remain popular in children's literature and in collections of American humor. He is remembered as one of America's most original and beloved comic poets.