Relationships and Family

A lily-girl, not made for this world's pain,
With brown, soft hair close braided by her ears,
And longing eyes half veiled by slumberous tears
Like bluest water seen through mists of rain:
Pale cheeks whereon no love hath left its stain,
Red underlip drawn in for fear of love,
And white throat, whiter than the silvered dove,
Through whose wan marble creeps one purple vein.
Yet, though my lips shall praise her without cease,
Even to kiss her feet I am not bold,
Being o'ershadowed by the wings of awe,
Like Dante, when he stood with Beatrice
Beneath the flaming Lion's breast, and saw
The seventh Crystal, and the Stair of Gold.

Shall I compare thee to a summer's day? (Sonnet 18)

Shall I compare thee to a summer's day?
Thou art more lovely and more temperate.
Rough winds do shake the darling buds of May,
And summer's lease hath all too short a date.
Sometime too hot the eye of heaven shines,
And often is his gold complexion dimmed;
And every fair from fair sometime declines,
By chance, or nature's changing course, untrimmed;
But thy eternal summer shall not fade,
Nor lose possession of that fair thou ow'st,
Nor shall death brag thou wand'rest in his shade,
When in eternal lines to Time thou grow'st.


So long as men can breathe, or eyes can see,
So long lives this, and this gives life to thee.

You Say You Love

I
You say you love ; but with a voice
Chaster than a nun's, who singeth
The soft Vespers to herself
While the chime-bell ringeth-
O love me truly!


II
You say you love; but with a smile
Cold as sunrise in September,
As you were Saint Cupid 's nun,
And kept his weeks of Ember.
O love me truly!


III
You say you love but then your lips
Coral tinted teach no blisses,
More than coral in the sea
They never pout for kisses
O love me truly!


IV
You say you love ; but then your hand
No soft squeeze for squeeze returneth,
It is like a statue's dead
While mine to passion burneth
O love me truly!


V
O breathe a word or two of fire!
Smile, as if those words should bum me,
Squeeze as lovers should O kiss
And in thy heart inurn me!
O love me truly!

You Say You Love

I
You say you love ; but with a voice
Chaster than a nun's, who singeth
The soft Vespers to herself
While the chime-bell ringeth-
O love me truly!


II
You say you love; but with a smile
Cold as sunrise in September,
As you were Saint Cupid 's nun,
And kept his weeks of Ember.
O love me truly!


III
You say you love but then your lips
Coral tinted teach no blisses,
More than coral in the sea
They never pout for kisses
O love me truly!


IV
You say you love ; but then your hand
No soft squeeze for squeeze returneth,
It is like a statue's dead
While mine to passion burneth
O love me truly!


V
O breathe a word or two of fire!
Smile, as if those words should bum me,
Squeeze as lovers should O kiss
And in thy heart inurn me!
O love me truly!

Serenade from “The Spanish Student”

STARS of the summer night!
Far in yon azure deeps,
Hide, hide your golden light!
She sleeps!
My lady sleeps!
Sleeps!


Moon of the summer night!
Far down yon western steeps,
Sink, sink in silver light!
She sleeps!
My lady sleeps!
Sleeps!


Wind of the summer night!
Where yonder woodbine creeps,
Fold, fold thy pinions light!
She sleeps!
My lady sleeps!
Sleeps!


Dreams of the summer night!
Tell her, her lover keeps
Watch! while in slumbers light
She sleeps!
My lady sleeps!
Sleeps!

XXIV


Let the world's sharpness, like a clasping knife,
Shut in upon itself and do no harm
In this close hand of Love, now soft and warm,
And let us hear no sound of human strife
After the click of the shutting. Life to life--
I lean upon thee, Dear, without alarm,
And feel as safe as guarded by a charm
Against the stab of worldlings, who if rife
Are weak to injure. Very whitely still
The lilies of our lives may reassure
Their blossoms from their roots, accessible
Alone to heavenly dews that drop not fewer,
Growing straight, out of man's reach, on the hill.
God only, who made us rich, can make us poor.

XXII


When our two souls stand up erect and strong,
Face to face, silent, drawing nigh and nigher,
Until the lengthening wings break into fire
At either curved point,--what bitter wrong
Can the earth do to us, that we should not long
Be here contented ? Think. In mounting higher,
The angels would press on us and aspire
To drop some golden orb of perfect song
Into our deep, dear silence. Let us stay
Rather on earth, Beloved,--where the unfit
Contrarious moods of men recoil away
And isolate pure spirits, and permit
A place to stand and love in for a day,
With darkness and the death-hour rounding it.

Carpe Diem

O mistress mine, where are you roaming?
O stay and hear! your true-love's coming
That can sing both high and low;
Trip no further, pretty sweeting,
Journey's end in lovers' meeting--
Every wise man's son doth know.


What is love? 'tis not hereafter;
Present mirth hath present laughter;
What's to come is still unsure:
In delay there lies no plenty,--
Then come kiss me, Sweet and twenty,
Youth's a stuff will not endure.

Your Laughter

Take bread away from me, if you wish,
take air away, but
do not take from me your laughter.


Do not take away the rose,
the lance flower that you pluck,
the water that suddenly
bursts forth in joy,
the sudden wave
of silver born in you.


My struggle is harsh and I come back
with eyes tired
at times from having seen
the unchanging earth,
but when your laughter enters
it rises to the sky seeking me
and it opens for me all
the doors of life.


My love, in the darkest
hour your laughter
opens, and if suddenly
you see my blood staining
the stones of the street,
laugh, because your laughter
will be for my hands
like a fresh sword.


Next to the sea in the autumn,
your laughter must raise
its foamy cascade,
and in the spring, love,
I want your laughter like
the flower I was waiting for,
the blue flower, the rose
of my echoing country.


Laugh at the night,
at the day, at the moon,
laugh at the twisted
streets of the island,
laugh at this clumsy
boy who loves you,
but when I open
my eyes and close them,
when my steps go,
when my steps return,
deny me bread, air,
light, spring,
but never your laughter
for I would die.

Night Song

WHEN on thy pillow lying,

Half listen, I implore,
And at my lute's soft sighing,
Sleep on! what wouldst thou more?
For at my lute's soft sighing
The stars their blessings pour


On feelings never-dying;
Sleep on! what wouldst thou more?
Those feelings never-dying
My spirit aid to soar


From earthly conflicts trying;
Sleep on! what wouldst thou more?
From earthly conflicts trying
Thou driv'st me to this shore;


Through thee I'm thither flying,--
Sleep on! what wouldst thou more?
Through thee I'm hither flying,
Thou wilt not list before


In slumbers thou art lying:
Sleep on! what wouldst thou more?

The Dying Child

Mother, I'm tired, and I would fain be sleeping;
Let me repose upon thy bosom sick;
But promise me that thou wilt leave off weeping,
Because thy tears fall hot upon my cheek.


Here it is cold: the tempest raveth madly;
But in my dreams all is so wondrous bright;
I see the angel-children smiling gladly,
When from my weary eyes I shut out light.


Mother, one stands beside me now! and, listen!
Dost thou not hear the music's sweet accord?
See how his white wings beautifully glisten?
Surely those wings were given him by the Lord!


Green, gold, and red, are floating all around me;
They are the flowers the angel scattereth.
Should I have also wings while life has bound me?
Or, mother, are they given alone in death?


Why dost thou clasp me as if I were going?
Why dost thou press thy cheek so unto mine?
Thy cheek is hot, and yet thy tears are flowing!
I will, dear mother, will be always thine!


Do not sigh thus - it marreth my reposing;
But if thou weep, then I must weep with thee!
Ah, I am tired - my weary eyes are closing -
Look, mother, look! the angel kisseth me!

A Father's Prayer

Lord, make me tolerant and wise;
Incline my ears to hear him through;
Let him not stand with downcast eyes,
Fearing to trust me and be true.
Instruct me so that I may know
The way my son and I should go.


When he shall err, as once did I,
Or boyhood folly bids him stray,
Let me not into anger fly
And drive the good in him away.
Teach me to win his trust, that he
Shall keep no secret hid from me.


Lord, strengthen me that I may be .
A fit example for my son.
Grant he may never hear or see
A shameful deed that I have done.
However sorely I am tried,
Let me not undermine his pride.


In spite of years and temples gray,
Still let my spirit beat with joy;
Teach me to share in all his play
And be a comrade with my boy.
Wherever we may chance to be,
Let him find happiness with me.


Lord, as his father, now I pray
For manhood's strength and counsel wise;
Let me deal justly, day by day,
In all that fatherhood implies.
To be his father, keep me fit;
Let me not play the hypocrite!

A Father's Prayer

Lord, make me tolerant and wise;
Incline my ears to hear him through;
Let him not stand with downcast eyes,
Fearing to trust me and be true.
Instruct me so that I may know
The way my son and I should go.


When he shall err, as once did I,
Or boyhood folly bids him stray,
Let me not into anger fly
And drive the good in him away.
Teach me to win his trust, that he
Shall keep no secret hid from me.


Lord, strengthen me that I may be .
A fit example for my son.
Grant he may never hear or see
A shameful deed that I have done.
However sorely I am tried,
Let me not undermine his pride.


In spite of years and temples gray,
Still let my spirit beat with joy;
Teach me to share in all his play
And be a comrade with my boy.
Wherever we may chance to be,
Let him find happiness with me.


Lord, as his father, now I pray
For manhood's strength and counsel wise;
Let me deal justly, day by day,
In all that fatherhood implies.
To be his father, keep me fit;
Let me not play the hypocrite!

Egypt, Tobago

There is a shattered palm
on this fierce shore,
its plumes the rusting helmet
of a dead warrior.


Numb Antony, in the torpor
stretching her inert
sex near him like a sleeping cat,
knows his heart is the real desert.


Over the dunes
of her heaving,
to his heart's drumming
fades the mirage of the legions,


across love-tousled sheets,
the triremes fading.
Ar the carved door of her temple
a fly wrings its message.


He brushes a damp hair
away from an ear
as perfect as a sleeping child's.
He stares, inert, the fallen column.


He lies like a copper palm
tree at three in the afternoon
by a hot sea
and a river, in Egypt, Tobago


Her salt marsh dries in the heat
where he foundered
without armor.
He exchanged an empire for her beads of sweat,


the uproar of arenas,
the changing surf
of senators, for
this silent ceiling over silent sand


this grizzled bear, whose fur,
moulting, is silvered for
this quick fox with her
sweet stench. By sleep dismembered,


his head
is in Egypt, his feet
in Rome, his groin a desert
trench with its dead soldier.


He drifts a finger
through her stiff hair



crisp as a mare's fountaining tail.
Shadows creep up the palace tile.


He is too tired to move;
a groan would waken
trumpets, one more gesture
war. His glare,


a shield
reflecting fires,
a brass brow that cannot frown
at carnage, sweats the sun's force.


It is not the turmoil
of autumnal lust,
its treacheries, that drove
him, fired and grimed with dust,


this far, not even love,
but a great rage without
clamor, that grew great
because its depth is quiet;


it hears the river
of her young brown blood,
it feels the whole sky quiver
with her blue eyelid.


She sleeps with the soft engine of a child,


that sleep which scythes
the stalks of lances, fells the
harvest of legions
with nothing for its knives,
that makes Caesars,


sputtering at flies,
slapping their foreheads
with the laurel's imprint,
drunkards, comedians.


All-humbling sleep, whose peace
is sweet as death,
whose silence has
all the sea's weight and volubility,


who swings this globe by a hair's trembling breath.


Shattered and wild and
palm-crowned Antony,
rusting in Egypt,
ready to lose the world,



to Actium and sand,

everything else
is vanity, but this tenderness
for a woman not his mistress
but his sleeping child.

The sky is cloudless. The afternoon is mild.

The sin was mine; I did not understand.
So now is music prisoned in her cave,
Save where some ebbing desultory wave
Frets with its restless whirls this meagre strand.
And in the withered hollow of this land
Hath Summer dug herself so deep a grave,
That hardly can the leaden willow crave
One silver blossom from keen Winter's hand.
But who is this who cometh by the shore?
(Nay, love, look up and wonder!) Who is this
Who cometh in dyed garments from the South?
It is thy new-found Lord, and he shall kiss
The yet unravished roses of thy mouth,
And I shall weep and worship, as before.

These are the letters which Endymion wrote
To one he loved in secret, and apart.
And now the brawlers of the auction mart
Bargain and bid for each poor blotted note,
Ay! for each separate pulse of passion quote
The merchant's price. I think they love not art
Who break the crystal of a poet's heart
That small and sickly eyes may glare and gloat.

Is it not said that many years ago,
In a far Eastern town, some soldiers ran
With torches through the midnight, and began
To wrangle for mean raiment, and to throw
Dice for the garments of a wretched man,
Not knowing the God's wonder, or His woe?

These are the letters which Endymion wrote
To one he loved in secret, and apart.
And now the brawlers of the auction mart
Bargain and bid for each poor blotted note,
Ay! for each separate pulse of passion quote
The merchant's price. I think they love not art
Who break the crystal of a poet's heart
That small and sickly eyes may glare and gloat.

Is it not said that many years ago,
In a far Eastern town, some soldiers ran
With torches through the midnight, and began
To wrangle for mean raiment, and to throw
Dice for the garments of a wretched man,
Not knowing the God's wonder, or His woe?

O beautiful star with the crimson mouth!
O moon with the brows of gold!
Rise up, rise up, from the odorous south!
And light for my love her way,
Lest her little feet should stray
On the windy hill and the wold!
O beautiful star with the crimson mouth!
O moon with the brows of gold!

O ship that shakes on the desolate sea!
O ship with the wet, white sail!
Put in, put in, to the port to me!
For my love and I would go
To the land where the daffodils blow
In the heart of a violet dale!
O ship that shakes on the desolate sea!
O ship with the wet, white sail!

O rapturous bird with the low, sweet note!
O bird that sits on the spray!
Sing on, sing on, from your soft brown throat!
And my love in her little bed
Will listen, and lift her head
From the pillow, and come my way!
O rapturous bird with the low, sweet note!
O bird that sits on the spray!

O blossom that hangs in the tremulous air!
O blossom with lips of snow!
Come down, come down, for my love to wear!
You will die on her head in a crown,
You will die in a fold of her gown,
To her little light heart you will go!
O blossom that hangs in the tremulous air!
O blossom with lips of snow!

We caught the tread of dancing feet,
We loitered down the moonlit street,
And stopped beneath the harlot's house.

Inside, above the din and fray,
We heard the loud musicians play
The 'Treues Liebes Herz' of Strauss.

Like strange mechanical grotesques,
Making fantastic arabesques,
The shadows raced across the blind.

We watched the ghostly dancers spin
To sound of horn and violin,
Like black leaves wheeling in the wind.

Like wire-pulled automatons,
Slim silhouetted skeletons
Went sidling through the slow quadrille,

Then took each other by the hand,
And danced a stately saraband;
Their laughter echoed thin and shrill.

Sometimes a clockwork puppet pressed
A phantom lover to her breast,
Sometimes they seemed to try to sing.

Sometimes a horrible marionette
Came out, and smoked its cigarette
Upon the steps like a live thing.

Then, turning to my love, I said,
'The dead are dancing with the dead,
The dust is whirling with the dust.'

But she - she heard the violin,
And left my side, and entered in:
Love passed into the house of lust.

Then suddenly the tune went false,
The dancers wearied of the waltz,
The shadows ceased to wheel and whirl.

And down the long and silent street,
The dawn, with silver-sandalled feet,
Crept like a frightened girl.

We caught the tread of dancing feet,
We loitered down the moonlit street,
And stopped beneath the harlot's house.

Inside, above the din and fray,
We heard the loud musicians play
The 'Treues Liebes Herz' of Strauss.

Like strange mechanical grotesques,
Making fantastic arabesques,
The shadows raced across the blind.

We watched the ghostly dancers spin
To sound of horn and violin,
Like black leaves wheeling in the wind.

Like wire-pulled automatons,
Slim silhouetted skeletons
Went sidling through the slow quadrille,

Then took each other by the hand,
And danced a stately saraband;
Their laughter echoed thin and shrill.

Sometimes a clockwork puppet pressed
A phantom lover to her breast,
Sometimes they seemed to try to sing.

Sometimes a horrible marionette
Came out, and smoked its cigarette
Upon the steps like a live thing.

Then, turning to my love, I said,
'The dead are dancing with the dead,
The dust is whirling with the dust.'

But she - she heard the violin,
And left my side, and entered in:
Love passed into the house of lust.

Then suddenly the tune went false,
The dancers wearied of the waltz,
The shadows ceased to wheel and whirl.

And down the long and silent street,
The dawn, with silver-sandalled feet,
Crept like a frightened girl.

Like burnt-out torches by a sick man's bed
Gaunt cypress-trees stand round the sun-bleached stone;
Here doth the little night-owl make her throne,
And the slight lizard show his jewelled head.
And, where the chaliced poppies flame to red,
In the still chamber of yon pyramid
Surely some Old-World Sphinx lurks darkly hid,
Grim warder of this pleasaunce of the dead.

Ah! sweet indeed to rest within the womb
Of Earth, great mother of eternal sleep,
But sweeter far for thee a restless tomb
In the blue cavern of an echoing deep,
Or where the tall ships founder in the gloom
Against the rocks of some wave-shattered steep.

ROME.

As often-times the too resplendent sun
Hurries the pallid and reluctant moon
Back to her sombre cave, ere she hath won
A single ballad from the nightingale,
So doth thy Beauty make my lips to fail,
And all my sweetest singing out of tune.

And as at dawn across the level mead
On wings impetuous some wind will come,
And with its too harsh kisses break the reed
Which was its only instrument of song,
So my too stormy passions work me wrong,
And for excess of Love my Love is dumb.

But surely unto Thee mine eyes did show
Why I am silent, and my lute unstrung;
Else it were better we should part, and go,
Thou to some lips of sweeter melody,
And I to nurse the barren memory
Of unkissed kisses, and songs never sung.

The western wind is blowing fair
Across the dark AEgean sea,
And at the secret marble stair
My Tyrian galley waits for thee.
Come down! the purple sail is spread,
The watchman sleeps within the town,
O leave thy lily-flowered bed,
O Lady mine come down, come down!

She will not come, I know her well,
Of lover's vows she hath no care,
And little good a man can tell
Of one so cruel and so fair.
True love is but a woman's toy,
They never know the lover's pain,
And I who loved as loves a boy
Must love in vain, must love in vain.

O noble pilot, tell me true,
Is that the sheen of golden hair?
Or is it but the tangled dew
That binds the passion-flowers there?
Good sailor come and tell me now
Is that my Lady's lily hand?
Or is it but the gleaming prow,
Or is it but the silver sand?

No! no! 'tis not the tangled dew,
'Tis not the silver-fretted sand,
It is my own dear Lady true
With golden hair and lily hand!
O noble pilot, steer for Troy,
Good sailor, ply the labouring oar,
This is the Queen of life and joy
Whom we must bear from Grecian shore!

The waning sky grows faint and blue,
It wants an hour still of day,
Aboard! aboard! my gallant crew,
O Lady mine, away! away!
O noble pilot, steer for Troy,
Good sailor, ply the labouring oar,
O loved as only loves a boy!
O loved for ever evermore!

The Gods are dead: no longer do we bring
To grey-eyed Pallas crowns of olive-leaves!
Demeter's child no more hath tithe of sheaves,
And in the noon the careless shepherds sing,
For Pan is dead, and all the wantoning
By secret glade and devious haunt is o'er:
Young Hylas seeks the water-springs no more;
Great Pan is dead, and Mary's son is King.

And yet - perchance in this sea-tranced isle,
Chewing the bitter fruit of memory,
Some God lies hidden in the asphodel.
Ah Love! if such there be, then it were well
For us to fly his anger: nay, but see,
The leaves are stirring: let us watch awhile.

CORFU.