Ethics and Morality
Emily Dickinson
On a Columnar Self
On a Columnar Self-
How ample to rely
In Tumult-or Extremity-
How good the Certainty
That Lever cannot pry-
And Wedge cannot divide
Conviction-That Granitic Base-
Though None be on our Side-
Suffice Us-for a CrowdOurself-
and Rectitude-
And that Assembly-not far off
From furthest Spirit-God-
How ample to rely
In Tumult-or Extremity-
How good the Certainty
That Lever cannot pry-
And Wedge cannot divide
Conviction-That Granitic Base-
Though None be on our Side-
Suffice Us-for a CrowdOurself-
and Rectitude-
And that Assembly-not far off
From furthest Spirit-God-
362
John Donne
Self-Love
He that cannot choose but love,
And strives against it still,
Never shall my fancy move,
For he loves 'gainst his will;
Nor he which is all his own,
And can at pleasure choose,
When I am caught he can be gone,
And when he list refuse.
Nor he that loves none but fair,
For such by all are sought;
Nor he that can for foul ones care,
For his judgement then is nought;
Nor he that hath wit, for he
Will make me his jest or slave;
Nor a fool, for when others...,
He can neither....;
Nor he that still his Mistress pays,
For she is thralled therefore;
Nor he that pays not, for he says
Within She's worth no more.
Is there then no kind of men
Whom I may freely prove?
I will vent that humour then
In mine own self-love.
And strives against it still,
Never shall my fancy move,
For he loves 'gainst his will;
Nor he which is all his own,
And can at pleasure choose,
When I am caught he can be gone,
And when he list refuse.
Nor he that loves none but fair,
For such by all are sought;
Nor he that can for foul ones care,
For his judgement then is nought;
Nor he that hath wit, for he
Will make me his jest or slave;
Nor a fool, for when others...,
He can neither....;
Nor he that still his Mistress pays,
For she is thralled therefore;
Nor he that pays not, for he says
Within She's worth no more.
Is there then no kind of men
Whom I may freely prove?
I will vent that humour then
In mine own self-love.
364
Johann Wolfgang von Goethe
The Country Schoolmaster
I.
A MASTER of a country school
Jump'd up one day from off his stool,
Inspired with firm resolve to try
To gain the best society;
So to the nearest baths he walk'd,
And into the saloon he stalk'd.
He felt quite. startled at the door,
Ne'er having seen the like before.
To the first stranger made he now
A very low and graceful bow,
But quite forgot to bear in mind
That people also stood behind;
His left-hand neighbor's paunch he struck
A grievous blow, by great ill luck;
Pardon for this he first entreated,
And then in haste his bow repeated.
His right hand neighbor next he hit,
And begg'd him, too, to pardon it;
But on his granting his petition,
Another was in like condition;
These compliments he paid to all,
Behind, before, across the hall;
At length one who could stand no more,
Show'd him impatiently the door.
May many, pond'ring on their crimes,
A moral draw from this betimes!
II.
As he proceeded on his way
He thought, "I was too weak to-day;
To bow I'll ne'er again be seen;
For goats will swallow what is green."
Across the fields he now must speed,
Not over stumps and stones, indeed,
But over meads and cornfields sweet,
Trampling down all with clumsy feet.
A farmer met him by-and-by,
And didn't ask him: how? or why?
But with his fist saluted him.
"I feel new life in every limb!"
Our traveller cried in ecstasy.
"Who art thou who thus gladden'st me?
May Heaven such blessings ever send!
Ne'er may I want a jovial friend!"
A MASTER of a country school
Jump'd up one day from off his stool,
Inspired with firm resolve to try
To gain the best society;
So to the nearest baths he walk'd,
And into the saloon he stalk'd.
He felt quite. startled at the door,
Ne'er having seen the like before.
To the first stranger made he now
A very low and graceful bow,
But quite forgot to bear in mind
That people also stood behind;
His left-hand neighbor's paunch he struck
A grievous blow, by great ill luck;
Pardon for this he first entreated,
And then in haste his bow repeated.
His right hand neighbor next he hit,
And begg'd him, too, to pardon it;
But on his granting his petition,
Another was in like condition;
These compliments he paid to all,
Behind, before, across the hall;
At length one who could stand no more,
Show'd him impatiently the door.
May many, pond'ring on their crimes,
A moral draw from this betimes!
II.
As he proceeded on his way
He thought, "I was too weak to-day;
To bow I'll ne'er again be seen;
For goats will swallow what is green."
Across the fields he now must speed,
Not over stumps and stones, indeed,
But over meads and cornfields sweet,
Trampling down all with clumsy feet.
A farmer met him by-and-by,
And didn't ask him: how? or why?
But with his fist saluted him.
"I feel new life in every limb!"
Our traveller cried in ecstasy.
"Who art thou who thus gladden'st me?
May Heaven such blessings ever send!
Ne'er may I want a jovial friend!"
362
Emily Dickinson
The Whole of it came not at once
The Whole of it came not at once'
Twas Murder by degrees-
A Thrust-and then for Life a chance-
The Bliss to cauterize-
The Cat reprieves the Mouse
She eases from her teeth
Just long enough for Hope to tease-
Then mashes it to death
'Tis Life's award-to die-
Contenteder if once-
Than dying half-then rallying
For consciouser Eclipse-
Twas Murder by degrees-
A Thrust-and then for Life a chance-
The Bliss to cauterize-
The Cat reprieves the Mouse
She eases from her teeth
Just long enough for Hope to tease-
Then mashes it to death
'Tis Life's award-to die-
Contenteder if once-
Than dying half-then rallying
For consciouser Eclipse-
362
Khalil Gibran
The Widow and Her Son XXI
Night fell over North Lebanon and snow was covering the villages surrounded by the
Kadeesha Valley, giving the fields and prairies the appearance of a great sheet of
parchment upon which the furious Nature was recording her many deeds. Men came
home from the streets while silence engulfed the night.
In a lone house near those villages lived a woman who sat by her fireside spinning
wool, and at her side was her only child, staring now at the fire and then at his mother.
A terrible roar of thunder shook the house and the little boy shook with fright. He threw
his arms about his mother, seeking protection from Nature in her affection. She took
him to her bosom and kissed him; then she say him on her lap and said, "Do not fear,
my son, for Nature is but comparing her great power to man's weakness. There is a
Supreme Being beyond the falling snow and the heavy clouds and the blowing wind,
and He knows the needs of the earth, for He made it; and He looks upon the weak with
merciful eyes.
"Be brave, my boy. Nature smiles in Spring and laughs in Summer and yawns in
Autumn, but now she is weeping; and with her tears she waters life, hidden under the
earth.
"Sleep, my dear child; your father is viewing us from Eternity. The snow and thunder
bring us closer to him at this time.
"Sleep, my beloved, for this white blanket which makes us cold, keeps the seeds warm,
and these war-like things will produce beautiful flowers when Nisan comes.
"Thus, my child, man cannot reap love until after sad and revealing separation, and
bitter patience, and desperate hardship. Sleep, my little boy; sweet dreams will find
your soul who is unafraid of the terrible darkness of night and the biting frost."
The little boy looked upon his mother with sleep-laden eyes and said, "Mother, my eyes
are heavy, but I cannot go to bed without saying my prayer."
The woman looked at his angelic face, her vision blurred by misted eyes, and said,
"Repeat with me, my boy - 'God, have mercy on the poor and protect them from the
winter; warm their thin-clad bodies with Thy merciful hands; look upon the orphans
who are sleeping in wretched houses, suffering from hunger and cold. Hear, oh Lord,
the call of widows who are helpless and shivering with fear for their young. Open, oh
Lord, the hearts of all humans, that they may see the misery of the weak. Have mercy
upon the sufferers who knock on doors, and lead the wayfarers into warm places.
Watch, oh Lord, over the little birds and protect the trees and fields from the anger of
the storm; for Thou art merciful and full of love.'"
As Slumber captured the boy's spirit, his mother placed him in the bed and kissed his
eyes with quivering lips. Then she went back and sat by the hearth, spinning the wool
to make him raiment.
Kadeesha Valley, giving the fields and prairies the appearance of a great sheet of
parchment upon which the furious Nature was recording her many deeds. Men came
home from the streets while silence engulfed the night.
In a lone house near those villages lived a woman who sat by her fireside spinning
wool, and at her side was her only child, staring now at the fire and then at his mother.
A terrible roar of thunder shook the house and the little boy shook with fright. He threw
his arms about his mother, seeking protection from Nature in her affection. She took
him to her bosom and kissed him; then she say him on her lap and said, "Do not fear,
my son, for Nature is but comparing her great power to man's weakness. There is a
Supreme Being beyond the falling snow and the heavy clouds and the blowing wind,
and He knows the needs of the earth, for He made it; and He looks upon the weak with
merciful eyes.
"Be brave, my boy. Nature smiles in Spring and laughs in Summer and yawns in
Autumn, but now she is weeping; and with her tears she waters life, hidden under the
earth.
"Sleep, my dear child; your father is viewing us from Eternity. The snow and thunder
bring us closer to him at this time.
"Sleep, my beloved, for this white blanket which makes us cold, keeps the seeds warm,
and these war-like things will produce beautiful flowers when Nisan comes.
"Thus, my child, man cannot reap love until after sad and revealing separation, and
bitter patience, and desperate hardship. Sleep, my little boy; sweet dreams will find
your soul who is unafraid of the terrible darkness of night and the biting frost."
The little boy looked upon his mother with sleep-laden eyes and said, "Mother, my eyes
are heavy, but I cannot go to bed without saying my prayer."
The woman looked at his angelic face, her vision blurred by misted eyes, and said,
"Repeat with me, my boy - 'God, have mercy on the poor and protect them from the
winter; warm their thin-clad bodies with Thy merciful hands; look upon the orphans
who are sleeping in wretched houses, suffering from hunger and cold. Hear, oh Lord,
the call of widows who are helpless and shivering with fear for their young. Open, oh
Lord, the hearts of all humans, that they may see the misery of the weak. Have mercy
upon the sufferers who knock on doors, and lead the wayfarers into warm places.
Watch, oh Lord, over the little birds and protect the trees and fields from the anger of
the storm; for Thou art merciful and full of love.'"
As Slumber captured the boy's spirit, his mother placed him in the bed and kissed his
eyes with quivering lips. Then she went back and sat by the hearth, spinning the wool
to make him raiment.
362
William Shakespeare
Sonnet 34: Why didst thou promise such a beauteous day
Why didst thou promise such a beauteous day
And make me travel forth without my cloak,
To let base clouds o'ertake me in my way,
Hiding thy brav'ry in their rotten smoke?
'Tis not enough that through the cloud thou break,
To dry the rain on my storm-beaten face,
For no man well of such a salve can speak
That heals the wound and cures not the disgrace.
Nor can thy shame give physic to my grief;
Though thou repent, yet I have still the loss.
Th' offender's sorrow lends but weak relief
To him that bears the strong offence's cross.
Ah, but those tears are pearl which thy love sheds,
And they are rich, and ransom all ill deeds.
And make me travel forth without my cloak,
To let base clouds o'ertake me in my way,
Hiding thy brav'ry in their rotten smoke?
'Tis not enough that through the cloud thou break,
To dry the rain on my storm-beaten face,
For no man well of such a salve can speak
That heals the wound and cures not the disgrace.
Nor can thy shame give physic to my grief;
Though thou repent, yet I have still the loss.
Th' offender's sorrow lends but weak relief
To him that bears the strong offence's cross.
Ah, but those tears are pearl which thy love sheds,
And they are rich, and ransom all ill deeds.
364
Robert Browning
To Edward Fitzgerald
I chanced upon a new book yesterday;
I opened it, and, where my finger lay
'Twixt page and uncut page, these words I read -
Some six or seven at most - and learned thereby
That you, Fitzgerald, whom by ear and eye
She never knew, "thanked God my wife was dead."
Aye, dead! and were yourself alive, good Fitz,
How to return you thanks would task my wits.
Kicking you seems the common lot of curs -
While more appropriate greeting lends you grace,
Surely to spit there glorifies your face -
Spitting from lips once sanctified by hers.
I opened it, and, where my finger lay
'Twixt page and uncut page, these words I read -
Some six or seven at most - and learned thereby
That you, Fitzgerald, whom by ear and eye
She never knew, "thanked God my wife was dead."
Aye, dead! and were yourself alive, good Fitz,
How to return you thanks would task my wits.
Kicking you seems the common lot of curs -
While more appropriate greeting lends you grace,
Surely to spit there glorifies your face -
Spitting from lips once sanctified by hers.
364
Henry Wadsworth Longfellow
By The Fireside : Tegner's Death (Tegner's Drapa)
I heard a voice, that cried,
'Balder the Beautiful
Is dead, is dead!'
And through the misty air
Passed like the mournful cry
Of sunward sailing cranes.
I saw the pallid corpse
Of the dead sun
Borne through the Northern sky.
Blasts from Niffelheim
Lifted the sheeted mists
Around him as he passed.
And the voice forever cried,
'Balder the Beautiful
Is dead, is dead!'
And died away
Through the dreary night,
In accents of despair.
Balder the Beautiful,
God of the summer sun,
Fairest of all the Gods!
Light from his forehead beamed,
Runes were upon his tongue,
As on the warrior's sword.
All things in earth and air
Bound were by magic spell
Never to do him harm;
Even the plants and stones;
All save the mistletoe,
The sacred mistletoe!
Hoeder, the blind old God,
Whose feet are shod with silence,
Pierced through that gentle breast
With his sharp spear, by fraud
Made of the mistletoe,
The accursed mistletoe!
They laid him in his ship,
With horse and harness,
As on a funeral pyre.
Odin placed
A ring upon his finger,
And whispered in his ear.
They launched the burning ship!
It floated far away
Over the misty sea,
Till like the sun it seemed,
Sinking beneath the waves.
Balder returned no more!
So perish the old Gods!
But out of the sea of Time
Rises a new land of song,
Fairer than the old.
Over its meadows green
Walk the young bards and sing.
Build it again,
O ye bards,
Fairer than before!
Ye fathers of the new race,
Feed upon morning dew,
Sing the new Song of Love!
The law of force is dead!
The law of love prevails!
Thor, the thunderer,
Shall rule the earth no more,
No more, with threats,
Challenge the meek Christ.
Sing no more,
O ye bards of the North,
Of Vikings and of Jarls!
Of the days of Eld
Preserve the freedom only,
Not the deeds of blood!
'Balder the Beautiful
Is dead, is dead!'
And through the misty air
Passed like the mournful cry
Of sunward sailing cranes.
I saw the pallid corpse
Of the dead sun
Borne through the Northern sky.
Blasts from Niffelheim
Lifted the sheeted mists
Around him as he passed.
And the voice forever cried,
'Balder the Beautiful
Is dead, is dead!'
And died away
Through the dreary night,
In accents of despair.
Balder the Beautiful,
God of the summer sun,
Fairest of all the Gods!
Light from his forehead beamed,
Runes were upon his tongue,
As on the warrior's sword.
All things in earth and air
Bound were by magic spell
Never to do him harm;
Even the plants and stones;
All save the mistletoe,
The sacred mistletoe!
Hoeder, the blind old God,
Whose feet are shod with silence,
Pierced through that gentle breast
With his sharp spear, by fraud
Made of the mistletoe,
The accursed mistletoe!
They laid him in his ship,
With horse and harness,
As on a funeral pyre.
Odin placed
A ring upon his finger,
And whispered in his ear.
They launched the burning ship!
It floated far away
Over the misty sea,
Till like the sun it seemed,
Sinking beneath the waves.
Balder returned no more!
So perish the old Gods!
But out of the sea of Time
Rises a new land of song,
Fairer than the old.
Over its meadows green
Walk the young bards and sing.
Build it again,
O ye bards,
Fairer than before!
Ye fathers of the new race,
Feed upon morning dew,
Sing the new Song of Love!
The law of force is dead!
The law of love prevails!
Thor, the thunderer,
Shall rule the earth no more,
No more, with threats,
Challenge the meek Christ.
Sing no more,
O ye bards of the North,
Of Vikings and of Jarls!
Of the days of Eld
Preserve the freedom only,
Not the deeds of blood!
363
Emily Dickinson
You're right—
You're right—"the way is narrow"—
And "difficult the Gate"—
And "few there be"—Correct again—
That "enter in—thereat"—
'Tis Costly—So are purples!
'Tis just the price of Breath—
With but the "Discount" of the Grave—
Termed by the Brokers—"Death"!
And after that—there's Heaven—
The Good Man's—"Dividend"—
And Bad Men—"go to Jail"—
I guess—
And "difficult the Gate"—
And "few there be"—Correct again—
That "enter in—thereat"—
'Tis Costly—So are purples!
'Tis just the price of Breath—
With but the "Discount" of the Grave—
Termed by the Brokers—"Death"!
And after that—there's Heaven—
The Good Man's—"Dividend"—
And Bad Men—"go to Jail"—
I guess—
363
Nazim Hikmet
Some Advice To Those Who Will Serve Time In Prison
If instead of being hanged by the neck
you're thrown inside
for not giving up hope
in the world, your country, your people,
if you do ten or fifteen years
apart from the time you have left,
you won't say,
"Better I had swung from the end of a rope
like a flag" --
You'll put your foot down and live.
It may not be a pleasure exactly,
but it's your solemn duty
to live one more day
to spite the enemy.
Part of you may live alone inside,
like a tone at the bottom of a well.
But the other part
must be so caught up
in the flurry of the world
that you shiver there inside
when outside, at forty days' distance, a leaf moves.
To wait for letters inside,
to sing sad songs,
or to lie awake all night staring at the ceiling
is sweet but dangerous.
Look at your face from shave to shave,
forget your age,
watch out for lice
and for spring nights,
and always remember
to eat every last piece of bread--
also, don't forget to laugh heartily.
And who knows,
the woman you love may stop loving you.
Don't say it's no big thing:
it's like the snapping of a green branch
to the man inside.
To think of roses and gardens inside is bad,
to think of seas and mountains is good.
Read and write without rest,
and I also advise weaving
and making mirrors.
I mean, it's not that you can't pass
ten or fifteen years inside
and more --
you can,
as long as the jewel
on the left side of your chest doesn't lose it's luster!
May
Trans. by Randy Blasing and Mutlu Konuk ()
you're thrown inside
for not giving up hope
in the world, your country, your people,
if you do ten or fifteen years
apart from the time you have left,
you won't say,
"Better I had swung from the end of a rope
like a flag" --
You'll put your foot down and live.
It may not be a pleasure exactly,
but it's your solemn duty
to live one more day
to spite the enemy.
Part of you may live alone inside,
like a tone at the bottom of a well.
But the other part
must be so caught up
in the flurry of the world
that you shiver there inside
when outside, at forty days' distance, a leaf moves.
To wait for letters inside,
to sing sad songs,
or to lie awake all night staring at the ceiling
is sweet but dangerous.
Look at your face from shave to shave,
forget your age,
watch out for lice
and for spring nights,
and always remember
to eat every last piece of bread--
also, don't forget to laugh heartily.
And who knows,
the woman you love may stop loving you.
Don't say it's no big thing:
it's like the snapping of a green branch
to the man inside.
To think of roses and gardens inside is bad,
to think of seas and mountains is good.
Read and write without rest,
and I also advise weaving
and making mirrors.
I mean, it's not that you can't pass
ten or fifteen years inside
and more --
you can,
as long as the jewel
on the left side of your chest doesn't lose it's luster!
May
Trans. by Randy Blasing and Mutlu Konuk ()
364
John Greenleaf Whittier
Ritner
THANK God for the token! one lip is still free,
One spirit untrammelled, unbending one knee!
Like the oak of the mountain, deep-rooted and firm,
Erect, when the multitude bends to the storm;
When traitors to Freedom, and Honor, and God,
Are bowed at an Idol polluted with blood;
When the recreant North has forgotten her trust,
And the lip of her honor is low in the dust, —
Thank God, that one arm from the shackle has broken!
Thank God, that one man as a freeman has spoken!
O'er thy crags, Alleghany, a blast has been blown!
Down thy tide, Susquehanna, the murmur has gone!
To the land of the South, of the charter and chain,
Of Liberty sweetened with Slavery's pain;
Where the cant of Democracy dwells on the lips
Of the forgers of fetters, and wielders of whips!
Where 'chivalric' honor means really no more
Than scourging of women, and robbing the poor!
Where the Moloch of Slavery sitteth on high,
And the words which he utters, are — Worship, or die!
Right onward, oh, speed it! Wherever the blood
Of the wronged and the guiltless is crying to God;
Wherever a slave in his fetters is pining;
Wherever the lash of the driver is twining;
Wherever from kindred, torn rudely apart,
Comes the sorrowful wail of the broken of heart;
Wherever the shackles of tyranny bind,
In silence and darkness, the God-given mind;
There, God speed it onward! its truth will be felt,
The bonds shall be loosened, the iron shall melt!
And oh, will the land where the free soul of Penn
Still lingers and breathes over mountain and glen;
Will the land where a Benezet's spirit went forth
To the peeled and the meted, and outcast of Earth;
Where the words of the Charter of Liberty first
From the soul of the sage and the patriot burst;
Where first for the wronged and the weak of their kind,
The Christian and statesman their efforts combined;
Will that land of the free and the good wear a chain?
Will the call to the rescue of Freedom be vain?
No, Ritner! her 'Friends' at thy warning shall stand
Erect for the truth, like their ancestral band;
Forgetting the feuds and the strife of past time,
Counting coldness injustice, and silence a crime;
Turning back from the cavil of creeds, to unite
Once again for the poor in defence of the Right;
Breasting calmly, but firmly, the full tide of Wrong,
Overwhelmed, but not borne on its surges along;
Unappalled by the danger, the shame, and the pain,
And counting each trial for Truth as their gain!
And that bold-hearted yeomanry, honest and true,
Who, haters of fraud, give to labor its due;
Whose fathers, of old, sang in concert with thine,
On the banks of Swetara, the songs of the Rhine, —
The German-born pilgrims, who first dared to brave
The scorn of the proud in the cause of the slave;
Will the sons of such men yield the lords of the South
One brow for the brand, for the padlock one mouth?
They cater to tyrants? They rivet the chain,
Which their fathers smote off, on the negro again?
No, never! one voice, like the sound in the cloud,
When the roar of the storm waxes loud and more loud,
Wherever the foot of the freeman hath pressed
From the Delaware's marge to the Lake of the West,
On the South-going breezes shall deepen and grow
Till the land it sweeps over shall tremble below!
The voice of a people, uprisen, awake,
Pennsylvania's watchword, with Freedom at stake,
Thrilling up from each valley, flung down from each height,
'Our Country and Liberty! God for the Right!'
One spirit untrammelled, unbending one knee!
Like the oak of the mountain, deep-rooted and firm,
Erect, when the multitude bends to the storm;
When traitors to Freedom, and Honor, and God,
Are bowed at an Idol polluted with blood;
When the recreant North has forgotten her trust,
And the lip of her honor is low in the dust, —
Thank God, that one arm from the shackle has broken!
Thank God, that one man as a freeman has spoken!
O'er thy crags, Alleghany, a blast has been blown!
Down thy tide, Susquehanna, the murmur has gone!
To the land of the South, of the charter and chain,
Of Liberty sweetened with Slavery's pain;
Where the cant of Democracy dwells on the lips
Of the forgers of fetters, and wielders of whips!
Where 'chivalric' honor means really no more
Than scourging of women, and robbing the poor!
Where the Moloch of Slavery sitteth on high,
And the words which he utters, are — Worship, or die!
Right onward, oh, speed it! Wherever the blood
Of the wronged and the guiltless is crying to God;
Wherever a slave in his fetters is pining;
Wherever the lash of the driver is twining;
Wherever from kindred, torn rudely apart,
Comes the sorrowful wail of the broken of heart;
Wherever the shackles of tyranny bind,
In silence and darkness, the God-given mind;
There, God speed it onward! its truth will be felt,
The bonds shall be loosened, the iron shall melt!
And oh, will the land where the free soul of Penn
Still lingers and breathes over mountain and glen;
Will the land where a Benezet's spirit went forth
To the peeled and the meted, and outcast of Earth;
Where the words of the Charter of Liberty first
From the soul of the sage and the patriot burst;
Where first for the wronged and the weak of their kind,
The Christian and statesman their efforts combined;
Will that land of the free and the good wear a chain?
Will the call to the rescue of Freedom be vain?
No, Ritner! her 'Friends' at thy warning shall stand
Erect for the truth, like their ancestral band;
Forgetting the feuds and the strife of past time,
Counting coldness injustice, and silence a crime;
Turning back from the cavil of creeds, to unite
Once again for the poor in defence of the Right;
Breasting calmly, but firmly, the full tide of Wrong,
Overwhelmed, but not borne on its surges along;
Unappalled by the danger, the shame, and the pain,
And counting each trial for Truth as their gain!
And that bold-hearted yeomanry, honest and true,
Who, haters of fraud, give to labor its due;
Whose fathers, of old, sang in concert with thine,
On the banks of Swetara, the songs of the Rhine, —
The German-born pilgrims, who first dared to brave
The scorn of the proud in the cause of the slave;
Will the sons of such men yield the lords of the South
One brow for the brand, for the padlock one mouth?
They cater to tyrants? They rivet the chain,
Which their fathers smote off, on the negro again?
No, never! one voice, like the sound in the cloud,
When the roar of the storm waxes loud and more loud,
Wherever the foot of the freeman hath pressed
From the Delaware's marge to the Lake of the West,
On the South-going breezes shall deepen and grow
Till the land it sweeps over shall tremble below!
The voice of a people, uprisen, awake,
Pennsylvania's watchword, with Freedom at stake,
Thrilling up from each valley, flung down from each height,
'Our Country and Liberty! God for the Right!'
363
John Greenleaf Whittier
Kossuth
Type of two mighty continents!--combining
The strength of Europe with the warmth and glow
Of Asian song and prophecy,--the shining
Of Orient splendors over Northern snow!
Who shall receive him? Who, unblushing, speak
Welcome to him, who, while he strove to break
The Austrian yoke from Magyar necks, smote off
At the same blow the fetters of the serf,
Rearing the altar of his Fatherland
On the firm base of freedom, and thereby
Lifting to Heaven a patriot's stainless hand,
Mocked not the God of Justice with a lie!
Who shall be Freedom's mouthpiece? Who shall give
Her welcoming cheer to the great fugitive?
Not he who, all her sacred trusts betraying,
Is scourging back to slavery's hell of pain
The swarthy Kossuths of our land again!
Not he whose utterance now from lips designed
The bugle-march of Liberty to wind,
And call her hosts beneath the breaking light,
The keen reveille of her morn of fight,
Is but the hoarse note of the blood-hound's baying,
The wolf's long howl behind the bondman's flight!
Oh for the tongue of him who lies at rest
In Quincy's shade of patrimonial trees,
Last of the Puritan tribunes and the best,
To lend a voice to Freedom's sympathies,
And hail the coming of the noblest guest
The Old World's wrong has given the New World of the West!
The strength of Europe with the warmth and glow
Of Asian song and prophecy,--the shining
Of Orient splendors over Northern snow!
Who shall receive him? Who, unblushing, speak
Welcome to him, who, while he strove to break
The Austrian yoke from Magyar necks, smote off
At the same blow the fetters of the serf,
Rearing the altar of his Fatherland
On the firm base of freedom, and thereby
Lifting to Heaven a patriot's stainless hand,
Mocked not the God of Justice with a lie!
Who shall be Freedom's mouthpiece? Who shall give
Her welcoming cheer to the great fugitive?
Not he who, all her sacred trusts betraying,
Is scourging back to slavery's hell of pain
The swarthy Kossuths of our land again!
Not he whose utterance now from lips designed
The bugle-march of Liberty to wind,
And call her hosts beneath the breaking light,
The keen reveille of her morn of fight,
Is but the hoarse note of the blood-hound's baying,
The wolf's long howl behind the bondman's flight!
Oh for the tongue of him who lies at rest
In Quincy's shade of patrimonial trees,
Last of the Puritan tribunes and the best,
To lend a voice to Freedom's sympathies,
And hail the coming of the noblest guest
The Old World's wrong has given the New World of the West!
363
Henry Wadsworth Longfellow
The Saga of King Olaf: XVIII. King Olaf And Earl Sigvald
On the gray sea-sands
King Olaf stands,
Northward and seaward
He points with his hands.
With eddy and whirl
The sea-tides curl,
Washing the sandals
Of Sigvald the Earl.
The mariners shout,
The ships swing about,
The yards are all hoisted,
The sails flutter out.
The war-horns are played,
The anchors are weighed,
Like moths in the distance
The sails flit and fade.
The sea is like lead
The harbor lies dead,
As a corse on the sea-shore,
Whose spirit has fled!
On that fatal day,
The histories say,
Seventy vessels
Sailed out of the bay.
But soon scattered wide
O'er the billows they ride,
While Sigvald and Olaf
Sail side by side.
Cried the Earl: 'Follow me!
I your pilot will be,
For I know all the channels
Where flows the deep sea!'
So into the strait
Where his foes lie in wait,
Gallant King Olaf
Sails to his fate!
Then the sea-fog veils
The ships and their sails;
Queen Sigrid the Haughty,
Thy vengeance prevails!
King Olaf stands,
Northward and seaward
He points with his hands.
With eddy and whirl
The sea-tides curl,
Washing the sandals
Of Sigvald the Earl.
The mariners shout,
The ships swing about,
The yards are all hoisted,
The sails flutter out.
The war-horns are played,
The anchors are weighed,
Like moths in the distance
The sails flit and fade.
The sea is like lead
The harbor lies dead,
As a corse on the sea-shore,
Whose spirit has fled!
On that fatal day,
The histories say,
Seventy vessels
Sailed out of the bay.
But soon scattered wide
O'er the billows they ride,
While Sigvald and Olaf
Sail side by side.
Cried the Earl: 'Follow me!
I your pilot will be,
For I know all the channels
Where flows the deep sea!'
So into the strait
Where his foes lie in wait,
Gallant King Olaf
Sails to his fate!
Then the sea-fog veils
The ships and their sails;
Queen Sigrid the Haughty,
Thy vengeance prevails!
363
Nazim Hikmet
Don Quixote
The knight of immortal youth
at the age of fifty found his mind in his heart
and on July morning went out to capture
the right, the beautiful, the just.
Facing him a world of silly and arrogant giants,
he on his sad but brave Rocinante.
I know what it means to be longing for something,
but if your heart weighs only a pound and sixteen ounces,
there's no sense, my Don, in fighting these senseless windmills.
But you are right, of course, Dulcinea is your woman,
the most beautiful in the world;
I'm sure you'll shout this fact
at the face of street-traders;
but they'll pull you down from your horse
and beat you up.
But you, the unbeatable knight of our curse,
will continue to glow behind the heavy iron visor
and Dulcinea will become even more beautiful.
Translated by Taner Baybars
at the age of fifty found his mind in his heart
and on July morning went out to capture
the right, the beautiful, the just.
Facing him a world of silly and arrogant giants,
he on his sad but brave Rocinante.
I know what it means to be longing for something,
but if your heart weighs only a pound and sixteen ounces,
there's no sense, my Don, in fighting these senseless windmills.
But you are right, of course, Dulcinea is your woman,
the most beautiful in the world;
I'm sure you'll shout this fact
at the face of street-traders;
but they'll pull you down from your horse
and beat you up.
But you, the unbeatable knight of our curse,
will continue to glow behind the heavy iron visor
and Dulcinea will become even more beautiful.
Translated by Taner Baybars
360
Henry Wadsworth Longfellow
To The Driving Cloud
Gloomy and dark art thou, O chief of the mighty Omahas;
Gloomy and dark as the driving cloud, whose name thou hast taken!
Wrapped in thy scarlet blanket, I see thee stalk through the city's
Narrow and populous streets, as once by the margin of rivers
Stalked those birds unknown, that have left us only their
footprints.
What, in a few short years, will remain of thy race but the
footprints?
How canst thou walk these streets, who hast trod the green turf
of the prairies!
How canst thou breathe this air, who hast breathed the sweet air
of the mountains!
Ah! 'tis in vain that with lordly looks of disdain thou dost
challenge
Looks of disdain in return, and question these walls and these
pavements,
Claiming the soil for thy hunting-grounds, while down-trodden
millions
Starve in the garrets of Europe, and cry from its caverns that
they, too,
Have been created heirs of the earth, and claim its division!
Back, then, back to thy woods in the regions west of the Wabash!
There as a monarch thou reignest. In autumn the leaves of the
maple
Pave the floors of thy palace-halls with gold, and in summer
Pine-trees waft through its chambers the odorous breath of their
branches.
There thou art strong and great, a hero, a tamer of horses!
There thou chasest the stately stag on the banks of the Elkhorn,
Or by the roar of the Running-Water, or where the Omaha
Calls thee, and leaps through the wild ravine like a brave of the
Blackfeet!
Hark! what murmurs arise from the heart of those mountainous
deserts?
Is it the cry of the Foxes and Crows, or the mighty Behemoth,
Who, unharmed, on his tusks once caught the bolts of the thunder,
And now lurks in his lair to destroy the race of the red man?
Far more fatal to thee and thy race than the Crows and the Foxes,
Far more fatal to thee and thy race than the tread of Behemoth,
Lo! the big thunder-canoe, that steadily breasts the Missouri's
Merciless current! and yonder, afar on the prairies, the
camp-fires
Gleam through the night; and the cloud of dust in the gray of the
daybreak
Marks not the buffalo's track, nor the Mandan's dexterous
horse-race;
It is a caravan, whitening the desert where dwell the Camanches!
Ha! how the breath of these Saxons and Celts, like the blast of
the east-wind,
Drifts evermore to the west the scanty smokes of thy wigwams!
Gloomy and dark as the driving cloud, whose name thou hast taken!
Wrapped in thy scarlet blanket, I see thee stalk through the city's
Narrow and populous streets, as once by the margin of rivers
Stalked those birds unknown, that have left us only their
footprints.
What, in a few short years, will remain of thy race but the
footprints?
How canst thou walk these streets, who hast trod the green turf
of the prairies!
How canst thou breathe this air, who hast breathed the sweet air
of the mountains!
Ah! 'tis in vain that with lordly looks of disdain thou dost
challenge
Looks of disdain in return, and question these walls and these
pavements,
Claiming the soil for thy hunting-grounds, while down-trodden
millions
Starve in the garrets of Europe, and cry from its caverns that
they, too,
Have been created heirs of the earth, and claim its division!
Back, then, back to thy woods in the regions west of the Wabash!
There as a monarch thou reignest. In autumn the leaves of the
maple
Pave the floors of thy palace-halls with gold, and in summer
Pine-trees waft through its chambers the odorous breath of their
branches.
There thou art strong and great, a hero, a tamer of horses!
There thou chasest the stately stag on the banks of the Elkhorn,
Or by the roar of the Running-Water, or where the Omaha
Calls thee, and leaps through the wild ravine like a brave of the
Blackfeet!
Hark! what murmurs arise from the heart of those mountainous
deserts?
Is it the cry of the Foxes and Crows, or the mighty Behemoth,
Who, unharmed, on his tusks once caught the bolts of the thunder,
And now lurks in his lair to destroy the race of the red man?
Far more fatal to thee and thy race than the Crows and the Foxes,
Far more fatal to thee and thy race than the tread of Behemoth,
Lo! the big thunder-canoe, that steadily breasts the Missouri's
Merciless current! and yonder, afar on the prairies, the
camp-fires
Gleam through the night; and the cloud of dust in the gray of the
daybreak
Marks not the buffalo's track, nor the Mandan's dexterous
horse-race;
It is a caravan, whitening the desert where dwell the Camanches!
Ha! how the breath of these Saxons and Celts, like the blast of
the east-wind,
Drifts evermore to the west the scanty smokes of thy wigwams!
360
John Donne
To The Countess Of Bedford I
MADAM—
Reason is our soul's left hand, faith her right ;
By these we reach divinity, that's you ;
Their loves, who have the blessing of your light,
Grew from their reason ; mine from fair faith grew.
But as, although a squint left-handedness
Be ungracious, yet we cannot want that hand ;
So would I—not to increase, but to express
My faith—as I believe, so understand.
Therefore I study you first in your saints,
Those friends whom your election glorifies ;
Then in your deeds, accesses and restraints,
And what you read, and what yourself devise.
But soon the reasons why you're loved by all,
Grow infinite, and so pass reason's reach ;
Then back again to implicit faith I fall,
And rest on that the Catholic voice doth teach—
That you are good ; and not one heretic
Denies it ; if he did, yet you are so ;
For rocks, which high to sense deep-rooted stick,
Waves wash, not undermine, nor overthrow.
In everything there naturally grows
A balsamum to keep it fresh and new,
If 'twere not inured by extrinsic blows ;
Your birth and beauty are this balm in you.
But you, of learning, and religion,
And virtue, and such ingredients, have made
A mithridate, whose operation
Keeps off, or cures, what can be done or said.
Yet this is not your physic, but your food,
A diet fit for you ; for you are here
The first good angel, since the world's frame stood,
That ever did in woman's shape appear.
Since you are then God's masterpiece, and so
His factor for our loves, do as you do ;
Make your return home gracious, and bestow
This life on that ; so make one life of two.
For, so God help me, I would not miss you there,
For all the good which you can do me here.
Reason is our soul's left hand, faith her right ;
By these we reach divinity, that's you ;
Their loves, who have the blessing of your light,
Grew from their reason ; mine from fair faith grew.
But as, although a squint left-handedness
Be ungracious, yet we cannot want that hand ;
So would I—not to increase, but to express
My faith—as I believe, so understand.
Therefore I study you first in your saints,
Those friends whom your election glorifies ;
Then in your deeds, accesses and restraints,
And what you read, and what yourself devise.
But soon the reasons why you're loved by all,
Grow infinite, and so pass reason's reach ;
Then back again to implicit faith I fall,
And rest on that the Catholic voice doth teach—
That you are good ; and not one heretic
Denies it ; if he did, yet you are so ;
For rocks, which high to sense deep-rooted stick,
Waves wash, not undermine, nor overthrow.
In everything there naturally grows
A balsamum to keep it fresh and new,
If 'twere not inured by extrinsic blows ;
Your birth and beauty are this balm in you.
But you, of learning, and religion,
And virtue, and such ingredients, have made
A mithridate, whose operation
Keeps off, or cures, what can be done or said.
Yet this is not your physic, but your food,
A diet fit for you ; for you are here
The first good angel, since the world's frame stood,
That ever did in woman's shape appear.
Since you are then God's masterpiece, and so
His factor for our loves, do as you do ;
Make your return home gracious, and bestow
This life on that ; so make one life of two.
For, so God help me, I would not miss you there,
For all the good which you can do me here.
359
Henry Wadsworth Longfellow
The Saga of King Olaf: XIII. The Building Of The Long Serpent
Thorberg Skafting, master-builder,
In his ship-yard by the sea,
Whistling, said, 'It would bewilder
Any man but Thorberg Skafting,
Any man but me!'
Near him lay the Dragon stranded,
Built of old by Raud the Strong,
And King Olaf had commanded
He should build another Dragon,
Twice as large and long.
Therefore whistled Thorberg Skafting,
As he sat with half-closed eyes,
And his head turned sideways, drafting
That new vessel for King Olaf
Twice the Dragon's size.
Round him busily hewed and hammered
Mallet huge and heavy axe;
Workmen laughed and sang and clamored;
Whirred the wheels, that into rigging
Spun the shining flax!
All this tumult heard the master,--
It was music to his ear;
Fancy whispered all the faster,
'Men shall hear of Thorberg Skafting
For a hundred year!'
Workmen sweating at the forges
Fashioned iron bolt and bar,
Like a warlock's midnight orgies
Smoked and bubbled the black caldron
With the boiling tar.
Did the warlocks mingle in it,
Thorberg Skafting, any curse?
Could you not be gone a minute
But some mischief must be doing,
Turning bad to worse?
'T was an ill wind that came wafting,
From his homestead words of woe;
To his farm went Thorberg Skafting,
Oft repeating to his workmen,
Build ye thus and so.
After long delays returning
Came the master back by night;
To his ship-yard longing, yearning,
Hurried he, and did not leave it
Till the morning's light.
'Come and see my ship, my darling!?
On the morrow said the King;
'Finished now from keel to carling;
Never yet was seen in Norway
Such a wondrous thing!'
In the ship-yard, idly talking,
At the ship the workmen stared:
Some one, all their labor balking,
Down her sides had cut deep gashes,
Not a plank was spared!
'Death be to the evil-doer!'
With an oath King Olaf spoke;
'But rewards to his pursuer!?
And with wrath his face grew redder
Than his scarlet cloak.
Straight the master-builder, smiling,
Answered thus the angry King:
'Cease blaspheming and reviling,
Olaf, it was Thorberg Skafting
Who has done this thing!'
Then he chipped and smoothed the planking,
Till the King, delighted, swore,
With much lauding and much thanking,
'Handsomer is now my Dragon
Than she was before!'
Seventy ells and four extended
On the grass the vessel's keel;
High above it, gilt and splendid,
Rose the figure-head ferocious
With its crest of steel.
Then they launched her from the tressels,
In the ship-yard by the sea;
She was the grandest of all vessels,
Never ship was built in Norway
Half so fine as she!
The Long Serpent was she christened,
'Mid the roar of cheer on cheer!
They who to the Saga listened
Heard the name of Thorberg Skafting
For a hundred year!
In his ship-yard by the sea,
Whistling, said, 'It would bewilder
Any man but Thorberg Skafting,
Any man but me!'
Near him lay the Dragon stranded,
Built of old by Raud the Strong,
And King Olaf had commanded
He should build another Dragon,
Twice as large and long.
Therefore whistled Thorberg Skafting,
As he sat with half-closed eyes,
And his head turned sideways, drafting
That new vessel for King Olaf
Twice the Dragon's size.
Round him busily hewed and hammered
Mallet huge and heavy axe;
Workmen laughed and sang and clamored;
Whirred the wheels, that into rigging
Spun the shining flax!
All this tumult heard the master,--
It was music to his ear;
Fancy whispered all the faster,
'Men shall hear of Thorberg Skafting
For a hundred year!'
Workmen sweating at the forges
Fashioned iron bolt and bar,
Like a warlock's midnight orgies
Smoked and bubbled the black caldron
With the boiling tar.
Did the warlocks mingle in it,
Thorberg Skafting, any curse?
Could you not be gone a minute
But some mischief must be doing,
Turning bad to worse?
'T was an ill wind that came wafting,
From his homestead words of woe;
To his farm went Thorberg Skafting,
Oft repeating to his workmen,
Build ye thus and so.
After long delays returning
Came the master back by night;
To his ship-yard longing, yearning,
Hurried he, and did not leave it
Till the morning's light.
'Come and see my ship, my darling!?
On the morrow said the King;
'Finished now from keel to carling;
Never yet was seen in Norway
Such a wondrous thing!'
In the ship-yard, idly talking,
At the ship the workmen stared:
Some one, all their labor balking,
Down her sides had cut deep gashes,
Not a plank was spared!
'Death be to the evil-doer!'
With an oath King Olaf spoke;
'But rewards to his pursuer!?
And with wrath his face grew redder
Than his scarlet cloak.
Straight the master-builder, smiling,
Answered thus the angry King:
'Cease blaspheming and reviling,
Olaf, it was Thorberg Skafting
Who has done this thing!'
Then he chipped and smoothed the planking,
Till the King, delighted, swore,
With much lauding and much thanking,
'Handsomer is now my Dragon
Than she was before!'
Seventy ells and four extended
On the grass the vessel's keel;
High above it, gilt and splendid,
Rose the figure-head ferocious
With its crest of steel.
Then they launched her from the tressels,
In the ship-yard by the sea;
She was the grandest of all vessels,
Never ship was built in Norway
Half so fine as she!
The Long Serpent was she christened,
'Mid the roar of cheer on cheer!
They who to the Saga listened
Heard the name of Thorberg Skafting
For a hundred year!
361
Dorothy Parker
Thought For A Sunshiny Morning
It costs me never a stab nor squirm
To tread by chance upon a worm.
"Aha, my little dear," I say,
"Your clan will pay me back one day."
To tread by chance upon a worm.
"Aha, my little dear," I say,
"Your clan will pay me back one day."
360
Edna St. Vincent Millay
The Plaid Dress
Strong sun, that bleach
The curtains of my room, can you not render
Colourless this dress I wear?—
This violent plaid
Of purple angers and red shames; the yellow stripe
Of thin but valid treacheries; the flashy green of kind deeds done
Through indolence high judgments given here in haste;
The recurring checker of the serious breach of taste?
No more uncoloured than unmade,
I fear, can be this garment that I may not doff;
Confession does not strip it off,
To send me homeward eased and bare;
All through the formal, unoffending evening, under the clean
Bright hair,
Lining the subtle gown. . .it is not seen,
But it is there.
The curtains of my room, can you not render
Colourless this dress I wear?—
This violent plaid
Of purple angers and red shames; the yellow stripe
Of thin but valid treacheries; the flashy green of kind deeds done
Through indolence high judgments given here in haste;
The recurring checker of the serious breach of taste?
No more uncoloured than unmade,
I fear, can be this garment that I may not doff;
Confession does not strip it off,
To send me homeward eased and bare;
All through the formal, unoffending evening, under the clean
Bright hair,
Lining the subtle gown. . .it is not seen,
But it is there.
361
Alexander Pope
Chorus of Athenians
Strophe I.
Ye shades, where sacred truth is sought;
Groves, where immortal Sages taught;
Where heav'nly visions of Plato fir'd,
And Epicurus lay inspir'd!
In vain your guiltless laurels stood
Unspotted long with human blood.
War, horrid war, your thoughtful walks invades,
And steel now glitters in the Muses' shades.
Antistrophe I.
Oh heav'n-born sisters! source of art!
Who charm the sense, or mend the heart;
Who lead fair Virtue's train along,
Moral Truth, and mystic Song!
To what new clime, what distant sky,
Forsaken, friendless, shall ye fly?
Say, will you bless the bleak Atlantic shore?
Or bid the furious Gaul be rude no more?
Strophe II.
When Athens sinks by fates unjust,
When wild Barbarians spurn her dust;
Perhaps ev'n Britain's utmost shore,
Shall cease to blush with strager's gore.
See Arts her savage sons control,
And Athens rising near the pole!
'Till some new Tyrant lifts his purple hand,
And civil madness tears them from this land.
Antistrophe II.
Ye Gods! what justice rules the ball?
Freedom and Arts together fall;
Fools grant whate'er Ambition craves,
And men, once ignorant, are slaves.
Oh curs'd effects of civil hate,
In ev'ry age, in ev'ry state!
Still, when the lust of tyrant power succeeds,
Some Athens perishes, some Tully bleeds.
Ye shades, where sacred truth is sought;
Groves, where immortal Sages taught;
Where heav'nly visions of Plato fir'd,
And Epicurus lay inspir'd!
In vain your guiltless laurels stood
Unspotted long with human blood.
War, horrid war, your thoughtful walks invades,
And steel now glitters in the Muses' shades.
Antistrophe I.
Oh heav'n-born sisters! source of art!
Who charm the sense, or mend the heart;
Who lead fair Virtue's train along,
Moral Truth, and mystic Song!
To what new clime, what distant sky,
Forsaken, friendless, shall ye fly?
Say, will you bless the bleak Atlantic shore?
Or bid the furious Gaul be rude no more?
Strophe II.
When Athens sinks by fates unjust,
When wild Barbarians spurn her dust;
Perhaps ev'n Britain's utmost shore,
Shall cease to blush with strager's gore.
See Arts her savage sons control,
And Athens rising near the pole!
'Till some new Tyrant lifts his purple hand,
And civil madness tears them from this land.
Antistrophe II.
Ye Gods! what justice rules the ball?
Freedom and Arts together fall;
Fools grant whate'er Ambition craves,
And men, once ignorant, are slaves.
Oh curs'd effects of civil hate,
In ev'ry age, in ev'ry state!
Still, when the lust of tyrant power succeeds,
Some Athens perishes, some Tully bleeds.
361
John Donne
Elegy XIV: Julia
Hark, news, O envy ; thou shalt hear descried
My Julia ; who as yet was ne'er envied.
To vomit gall in slander, swell her veins
With calumny, that hell itself disdains,
Is her continual practice ; does her best,
To tear opinion e'en out of the breast
Of dearest friends, and—which is worse than vile—
Sticks jealousy in wedlock ; her own child
Scapes not the showers of envy. To repeat
The monstrous fashions how, were alive to eat
Deare reputation ; would to God she were
But half so loth to act vice, as to hear
My mild reproof. Lived Mantuan now again
That female Mastix to limn with his pen,
This she Chimera that hath eyes of fire,
Burning with anger—anger feeds desire—
Tongued like the night crow, whose ill boding cries
Give out for nothing but new injuries ;
Her breath like to the juice in Tænarus,
That blasts the springs, though ne'er so prosperous ;
Her hands, I know not how, used more to spill
The food of others than herself to fill ;
But O ! her mind, that Orcus, which includes
Legions of mischiefs, countless multitudes
Of formless curses, projects unmade up,
Abuses yet unfashion'd, thoughts corrupt,
Misshapen cavils, palpable untroths,
Inevitable errors, self-accusing loaths.
These, like those atoms swarming in the sun,
Throng in her bosom for creation.
I blush to give her halfe her due ; yet say,
No poison's half so bad as Julia.
My Julia ; who as yet was ne'er envied.
To vomit gall in slander, swell her veins
With calumny, that hell itself disdains,
Is her continual practice ; does her best,
To tear opinion e'en out of the breast
Of dearest friends, and—which is worse than vile—
Sticks jealousy in wedlock ; her own child
Scapes not the showers of envy. To repeat
The monstrous fashions how, were alive to eat
Deare reputation ; would to God she were
But half so loth to act vice, as to hear
My mild reproof. Lived Mantuan now again
That female Mastix to limn with his pen,
This she Chimera that hath eyes of fire,
Burning with anger—anger feeds desire—
Tongued like the night crow, whose ill boding cries
Give out for nothing but new injuries ;
Her breath like to the juice in Tænarus,
That blasts the springs, though ne'er so prosperous ;
Her hands, I know not how, used more to spill
The food of others than herself to fill ;
But O ! her mind, that Orcus, which includes
Legions of mischiefs, countless multitudes
Of formless curses, projects unmade up,
Abuses yet unfashion'd, thoughts corrupt,
Misshapen cavils, palpable untroths,
Inevitable errors, self-accusing loaths.
These, like those atoms swarming in the sun,
Throng in her bosom for creation.
I blush to give her halfe her due ; yet say,
No poison's half so bad as Julia.
361
Johann Wolfgang von Goethe
Poetry
GOD to his untaught children sent
Law, order, knowledge, art, from high,
And ev'ry heav'nly favour lent,
The world's hard lot to qualify.
They knew not how they should behave,
For all from Heav'n stark-naked came;
But Poetry their garments gave,
And then not one had cause for shame.
Law, order, knowledge, art, from high,
And ev'ry heav'nly favour lent,
The world's hard lot to qualify.
They knew not how they should behave,
For all from Heav'n stark-naked came;
But Poetry their garments gave,
And then not one had cause for shame.
359
Henry Wadsworth Longfellow
Friar Lubin. (From The French)
To gallop off to town post-haste,
So oft, the times I cannot tell;
To do vile deed, nor feel disgraced,--
Friar Lubin will do it well.
But a sober life to lead,
To honor virtue, and pursue it,
That's a pious, Christian deed,--
Friar Lubin can not do it.
To mingle, with a knowing smile,
The goods of others with his own,
And leave you without cross or pile,
Friar Lubin stands alone.
To say 't is yours is all in vain,
If once he lays his finger to it;
For as to giving back again,
Friar Lubin cannot do it.
With flattering words and gentle tone,
To woo and win some guileless maid,
Cunning pander need you none,--
Friar Lubin knows the trade.
Loud preacheth he sobriety,
But as for water, doth eschew it;
Your dog may drink it,--but not he;
Friar Lubin cannot do it.
ENVOY
When an evil deed 's to do
Friar Lubin is stout and true;
Glimmers a ray of goodness through it,
Friar Lubin cannot do it.
So oft, the times I cannot tell;
To do vile deed, nor feel disgraced,--
Friar Lubin will do it well.
But a sober life to lead,
To honor virtue, and pursue it,
That's a pious, Christian deed,--
Friar Lubin can not do it.
To mingle, with a knowing smile,
The goods of others with his own,
And leave you without cross or pile,
Friar Lubin stands alone.
To say 't is yours is all in vain,
If once he lays his finger to it;
For as to giving back again,
Friar Lubin cannot do it.
With flattering words and gentle tone,
To woo and win some guileless maid,
Cunning pander need you none,--
Friar Lubin knows the trade.
Loud preacheth he sobriety,
But as for water, doth eschew it;
Your dog may drink it,--but not he;
Friar Lubin cannot do it.
ENVOY
When an evil deed 's to do
Friar Lubin is stout and true;
Glimmers a ray of goodness through it,
Friar Lubin cannot do it.
359
William Butler Yeats
Words For Music Perhaps
I - CRAZY JANE AND THE BISHOP
BRING me to the blasted oak
That I, midnight upon the stroke,
(All find safety in the tomb.)
May call down curses on his head
Because of my dear Jack that's dead.
Coxcomb was the least he said:
The solid man and the coxcomb.
Nor was he Bishop when his ban
Banished Jack the Journeyman,
(All find safety in the tomb.)
Nor so much as parish priest,
Yet he, an old book in his fist,
Cried that we lived like beast and beast:
The solid man and the coxcomb.
The Bishop has a skin, God knows,
Wrinkled like the foot of a goose,
(All find safety in the tomb.)
Nor can he hide in holy black
The heron's hunch upon his back,
But a birch-tree stood my Jack:
The solid man and the coxcomb.
Jack had my virginity,
And bids me to the oak, for he
(all find safety in the tomb.)
Wanders out into the night
And there is shelter under it,
But should that other come, I spit:
The solid man and the coxcomb.
II - CRAZY JANE REPROVED
I CARE not what the sailors say:
All those dreadful thunder-stones,
All that storm that blots the day
Can but show that Heaven yawns;
Great Europa played the fool
That changed a lover for a bull.
Fol de rol, fol de rol.
To round that shell's elaborate whorl,
Adorning every secret track
With the delicate mother-of-pearl,
Made the joints of Heaven crack:
So never hang your heart upon
A roaring, ranting journeyman.
Fol de rol, fol de rol.
III - CRAZY JANE ON THE DAY OF JUDGMENT
'LOVE is all
Unsatisfied
That cannot take the whole
Body and soul';
And that is what Jane said.
'Take the sour
If you take me
I can scoff and lour
And scold for an hour.'
'That's certainly the case,' said he.
'Naked I lay,
The grass my bed;
Naked and hidden away,
That black day';
And that is what Jane said.
'What can be shown?
What true love be?
All could be known or shown
If Time were but gone.'
'That's certainly the case,' said he.
IV - CRAZY JANE AND JACK THE JOURNEYMAN
I KNOW, although when looks meet
I tremble to the bone,
The more I leave the door unlatched
The sooner love is gone,
For love is but a skein unwound
Between the dark and dawn.
A lonely ghost the ghost is
That to God shall come;
I -- love's skein upon the ground,
My body in the tomb --
Shall leap into the light lost
In my mother's womb.
But were I left to lie alone
In an empty bed,
The skein so bound us ghost to ghost
When he turned his head
passing on the road that night,
Mine must walk when dead.
V - CRAZY JANE ON GOD
THAT lover of a night
Came when he would,
Went in the dawning light
Whether I would or no;
Men come, men go;
All things remain in God.
Banners choke the sky;
Men-at-arms tread;
Armoured horses neigh
In the narrow pass:
All things remain in God.
Before their eyes a house
That from childhood stood
Uninhabited, ruinous,
Suddenly lit up
From door to top:
All things remain in God.
I had wild Jack for a lover;
Though like a road
That men pass over
My body makes no moan
But sings on:
All things remain in God.
VI - CRAZY JANE TALKS WITH THE BISHOP
I MET the Bishop on the road
And much said he and I.
'Those breasts are flat and fallen now,
Those veins must soon be dry;
Live in a heavenly mansion,
Not in some foul sty.'
'Fair and foul are near of kin,
And fair needs foul,' I cried.
'My friends are gone, but that's a truth
Nor grave nor bed denied,
Learned in bodily lowliness
And in the heart's pride.
'A woman can be proud and stiff
When on love intent;
But Love has pitched his mansion in
The place of excrement;
For nothing can be sole or whole
That has not been rent.'
VII - CRAZY JANE GROWN OLD LOOKS AT THE DANCERS
I FOUND that ivory image there
Dancing with her chosen youth,
But when he wound her coal-black hair
As though to strangle her, no scream
Or bodily movement did I dare,
Eyes under eyelids did so gleam;
Love is like the lion's tooth.
When She, and though some said she played
I said that she had danced heart's truth,
Drew a knife to strike him dead,
I could but leave him to his fate;
For no matter what is said
They had all that had their hate;
Love is like the lion's tooth.
Did he die or did she die?
Seemed to die or died they both?
God be with the times when I
Cared not a thraneen for what chanced
So that I had the limbs to try
Such a dance as there was danced --
Love is like the lion's tooth.
VIII - GIRL'S SONG
I WENT out alone
To sing a song or two,
My fancy on a man,
And you know who.
Another came in sight
That on a stick relied
To hold himself upright;
I sat and cried.
And that was all my song --
When everything is told,
Saw I an old man young
Or young man old?
IX - YOUNG MAN'S SONG
'SHE will change,' I cried.
'Into a withered crone.'
The heart in my side,
That so still had lain,
In noble rage replied
And beat upon the bone:
'Uplift those eyes and throw
Those glances unafraid:
She would as bravely show
Did all the fabric fade;
No withered crone I saw
Before the world was made.'
Abashed by that report,
For the heart cannot lie,
I knelt in the dirt.
And all shall bend the knee
To my offended heart
Until it pardon me.
X - HER ANXIETY
EARTH in beauty dressed
Awaits returning spring.
All true love must die,
Alter at the best
Into some lesser thing.
Prove that I lie.
Such body lovers have,
Such exacting breath,
That they touch or sigh.
Every touch they give,
Love is nearer death.
Prove that I lie.
XI - HIS CONFIDENCE
UNDYING love to buy
I wrote upon
The corners of this eye
All wrongs done.
What payment were enough
For undying love?
I broke my heart in two
So hard I struck.
What matter? for I know
That out of rock,
Out of a desolate source,
Love leaps upon its course.
XII - LOVE'S LONELINESS
OLD fathers, great-grandfathers,
Rise as kindred should.
If ever lover's loneliness
Came where you stood,
Pray that Heaven protect us
That protect your blood.
The mountain throws a shadow,
Thin is the moon's horn;
What did we remember
Under the ragged thorn?
Dread has followed longing,
And our hearts are torn.
XIII - HER DREAM
I DREAMED as in my bed I lay,
All night's fathomless wisdom come,
That I had shorn my locks away
And laid them on Love's lettered tomb:
But something bore them out of sight
In a great tumult of the air,
And after nailed upon the night
Berenice's burning hair.
XIV - HIS BARGAIN
WHO talks of Plato's spindle;
What set it whirling round?
Eternity may dwindle,
Time is unwound,
Dan and Jerry Lout
Change their loves about.
However they may take it,
Before the thread began
I made, and may not break it
When the last thread has run,
A bargain with that hair
And all the windings there.
XV - THREE THINGS
'O CRUEL Death, give three things back,'
Sang a bone upon the shore;
'A child found all a child can lack,
Whether of pleasure or of rest,
Upon the abundance of my breast':
A bone wave-whitened and dried in the wind.
'Three dear things that women know,'
Sang a bhone upon the shore;
'A man if I but held him so
When my body was alive
Found all the pleasure that life gave':
A bone wave-whitened and dried in the wind.
'The third thing that I think of yet,'
Sang a bone upon the shore,
'Is that morning when I met
Face to face my rightful man
And did after stretch and yawn':
A bone wave-whitened and dried in the wind.
XVI - LULLABY
BELOVED, may your sleep be sound
That have found it where you fed.
What were all the world's alarms
To mighty paris when he found
Sleep upon a golden bed
That first dawn in Helen's arms?
Sleep, beloved, such a sleep
As did that wild Tristram know
When, the potion's work being done,
Roe could run or doe could leap
Under oak and beechen bough,
Roe could leap or doe could run;
Such a sleep and sound as fell
Upon Eurotas' grassy bank
When the holy bird, that there
Accomplished his predestined will,
From the limbs of Leda sank
But not from her protecting care.
XVII - AFTER LONG SILENCE
SPEECH after long silence; it is right,
All other lovers being estranged or dead,
Unfriendly lamplight hid under its shade,
The curtains drawn upon unfriendly night,
That we descant and yet again descant
Upon the supreme theme of Art and Song:
Bodily decrepitude is wisdom; young
We loved each other and were ignorant.
XVIII - MAD AS THE MIST AND SNOW
BOLT and bar the shutter,
For the foul winds blow:
Our minds are at their best this night,
And I seem to know
That everything outside us is
Mad as the mist and snow.
Horace there by Homer stands,
Plato stands below,
And here is Tully's open page.
How many years ago
Were you and I unlettered lads
Mad as the mist and snow?
You ask what makes me sigh, old friend,
What makes me shudder so?
I shudder and I sigh to think
That even Cicero
And many-minded Homer were
Mad as the mist and snow.
XIX - THOSE DANCING DAYS ARE GONE
COME, let me sing into your ear;
Those dancing days are gone,
All that silk and satin gear;
Crouch upon a stone,
Wrapping that foul body up
In as foul a rag:
I carry the sun in a golden cup.
The moon in a silver bag.
Curse as you may I sing it through;
What matter if the knave
That the most could pleasure you,
The children that he gave,
Are somewhere sleeping like a top
Under a marble flag?
I carry the sun in a golden cup.
The moon in a silver bag.
I thought it out this very day.
Noon upon the clock,
A man may put pretence away
Who leans upon a stick,
May sing, and sing until he drop,
Whether to maid or hag:
I carry the sun in a golden cup,
The moon in a silver bag.
XX - 'I AM OF IRELAND'
AM of Ireland,
And the Holy Land of Ireland,
And time runs on,' cried she.
'Come out of charity,
Come dance with me in Ireland.'
One man, one man alone
In that outlandish gear,
One solitary man
Of all that rambled there
Had turned his stately head.
That is a long way off,
And time runs on,' he said,
'And the night grows rough.'
I am of Ireland,
And the Holy Land of Ireland,
And time runs on,' cried she.
'Come out of charity
And dance with me in Ireland.'
The fiddlers are all thumbs,
Or the fiddle-string accursed,
The drums and the kettledrums
And the trumpets all are burst,
And the trombone,' cried he,
'The trumpet and trombone,'
And cocked a malicious eye,
'But time runs on, runs on.'
I am of Ireland,
And the Holy Land of Ireland,
And time runs on,' cried she.
'Come out of charity
And dance with me in Ireland.'
XXI - THE DANCER AT CRUACHAN AND CRO-PATRICK
I, PROCLAIMING that there is
Among birds or beasts or men
One that is perfect or at peace.
Danced on Cruachan's windy plain,
Upon Cro-patrick sang aloud;
All that could run or leap or swim
Whether in wood, water or cloud,
Acclaiming, proclaiming, declaiming Him.
XXII - TOM THE LUNATIC
SANG old Tom the lunatic
That sleeps under the canopy:
'What change has put my thoughts astray
And eyes that had s-o keen a sight?
What has turned to smoking wick
Nature's pure unchanging light?
'Huddon and Duddon and Daniel O'Leary.
Holy Joe, the beggar-man,
Wenching, drinking, still remain
Or sing a penance on the road;
Something made these eyeballs weary
That blinked and saw them in a shroud.
'Whatever stands in field or flood,
Bird, beast, fish or man,
Mare or stallion, cock or hen,
Stands in God's unchanging eye
In all the vigour of its blood;
In that faith I live or die.'
XXIII - TOM AT CRUACHAN
ON Cruachan's plain slept he
That must sing in a rhyme
What most could shake his soul:
'The stallion Eternit
Mounted the mare of Time,
'Gat the foal of the world.'
XXIV - OLD TOM AGAIN
THINGS out of perfection sail,
And all their swelling canvas wear,
Nor shall the self-begotten fail
Though fantastic men suppose
Building-yard and stormy shore,
Winding-sheet and swaddling -- clothes.
XXV - THE DELPHIC ORACLE UPON PLOTINUS
BEHOLD that great Plotinus swim,
Buffeted by such seas;
Bland Rhadamanthus beckons him,
But the Golden Race looks dim,
Salt blood blocks his eyes.
Scattered on the level grass
Or winding through the grove
plato there and Minos pass,
There stately Pythagoras
And all the choir of Love.
BRING me to the blasted oak
That I, midnight upon the stroke,
(All find safety in the tomb.)
May call down curses on his head
Because of my dear Jack that's dead.
Coxcomb was the least he said:
The solid man and the coxcomb.
Nor was he Bishop when his ban
Banished Jack the Journeyman,
(All find safety in the tomb.)
Nor so much as parish priest,
Yet he, an old book in his fist,
Cried that we lived like beast and beast:
The solid man and the coxcomb.
The Bishop has a skin, God knows,
Wrinkled like the foot of a goose,
(All find safety in the tomb.)
Nor can he hide in holy black
The heron's hunch upon his back,
But a birch-tree stood my Jack:
The solid man and the coxcomb.
Jack had my virginity,
And bids me to the oak, for he
(all find safety in the tomb.)
Wanders out into the night
And there is shelter under it,
But should that other come, I spit:
The solid man and the coxcomb.
II - CRAZY JANE REPROVED
I CARE not what the sailors say:
All those dreadful thunder-stones,
All that storm that blots the day
Can but show that Heaven yawns;
Great Europa played the fool
That changed a lover for a bull.
Fol de rol, fol de rol.
To round that shell's elaborate whorl,
Adorning every secret track
With the delicate mother-of-pearl,
Made the joints of Heaven crack:
So never hang your heart upon
A roaring, ranting journeyman.
Fol de rol, fol de rol.
III - CRAZY JANE ON THE DAY OF JUDGMENT
'LOVE is all
Unsatisfied
That cannot take the whole
Body and soul';
And that is what Jane said.
'Take the sour
If you take me
I can scoff and lour
And scold for an hour.'
'That's certainly the case,' said he.
'Naked I lay,
The grass my bed;
Naked and hidden away,
That black day';
And that is what Jane said.
'What can be shown?
What true love be?
All could be known or shown
If Time were but gone.'
'That's certainly the case,' said he.
IV - CRAZY JANE AND JACK THE JOURNEYMAN
I KNOW, although when looks meet
I tremble to the bone,
The more I leave the door unlatched
The sooner love is gone,
For love is but a skein unwound
Between the dark and dawn.
A lonely ghost the ghost is
That to God shall come;
I -- love's skein upon the ground,
My body in the tomb --
Shall leap into the light lost
In my mother's womb.
But were I left to lie alone
In an empty bed,
The skein so bound us ghost to ghost
When he turned his head
passing on the road that night,
Mine must walk when dead.
V - CRAZY JANE ON GOD
THAT lover of a night
Came when he would,
Went in the dawning light
Whether I would or no;
Men come, men go;
All things remain in God.
Banners choke the sky;
Men-at-arms tread;
Armoured horses neigh
In the narrow pass:
All things remain in God.
Before their eyes a house
That from childhood stood
Uninhabited, ruinous,
Suddenly lit up
From door to top:
All things remain in God.
I had wild Jack for a lover;
Though like a road
That men pass over
My body makes no moan
But sings on:
All things remain in God.
VI - CRAZY JANE TALKS WITH THE BISHOP
I MET the Bishop on the road
And much said he and I.
'Those breasts are flat and fallen now,
Those veins must soon be dry;
Live in a heavenly mansion,
Not in some foul sty.'
'Fair and foul are near of kin,
And fair needs foul,' I cried.
'My friends are gone, but that's a truth
Nor grave nor bed denied,
Learned in bodily lowliness
And in the heart's pride.
'A woman can be proud and stiff
When on love intent;
But Love has pitched his mansion in
The place of excrement;
For nothing can be sole or whole
That has not been rent.'
VII - CRAZY JANE GROWN OLD LOOKS AT THE DANCERS
I FOUND that ivory image there
Dancing with her chosen youth,
But when he wound her coal-black hair
As though to strangle her, no scream
Or bodily movement did I dare,
Eyes under eyelids did so gleam;
Love is like the lion's tooth.
When She, and though some said she played
I said that she had danced heart's truth,
Drew a knife to strike him dead,
I could but leave him to his fate;
For no matter what is said
They had all that had their hate;
Love is like the lion's tooth.
Did he die or did she die?
Seemed to die or died they both?
God be with the times when I
Cared not a thraneen for what chanced
So that I had the limbs to try
Such a dance as there was danced --
Love is like the lion's tooth.
VIII - GIRL'S SONG
I WENT out alone
To sing a song or two,
My fancy on a man,
And you know who.
Another came in sight
That on a stick relied
To hold himself upright;
I sat and cried.
And that was all my song --
When everything is told,
Saw I an old man young
Or young man old?
IX - YOUNG MAN'S SONG
'SHE will change,' I cried.
'Into a withered crone.'
The heart in my side,
That so still had lain,
In noble rage replied
And beat upon the bone:
'Uplift those eyes and throw
Those glances unafraid:
She would as bravely show
Did all the fabric fade;
No withered crone I saw
Before the world was made.'
Abashed by that report,
For the heart cannot lie,
I knelt in the dirt.
And all shall bend the knee
To my offended heart
Until it pardon me.
X - HER ANXIETY
EARTH in beauty dressed
Awaits returning spring.
All true love must die,
Alter at the best
Into some lesser thing.
Prove that I lie.
Such body lovers have,
Such exacting breath,
That they touch or sigh.
Every touch they give,
Love is nearer death.
Prove that I lie.
XI - HIS CONFIDENCE
UNDYING love to buy
I wrote upon
The corners of this eye
All wrongs done.
What payment were enough
For undying love?
I broke my heart in two
So hard I struck.
What matter? for I know
That out of rock,
Out of a desolate source,
Love leaps upon its course.
XII - LOVE'S LONELINESS
OLD fathers, great-grandfathers,
Rise as kindred should.
If ever lover's loneliness
Came where you stood,
Pray that Heaven protect us
That protect your blood.
The mountain throws a shadow,
Thin is the moon's horn;
What did we remember
Under the ragged thorn?
Dread has followed longing,
And our hearts are torn.
XIII - HER DREAM
I DREAMED as in my bed I lay,
All night's fathomless wisdom come,
That I had shorn my locks away
And laid them on Love's lettered tomb:
But something bore them out of sight
In a great tumult of the air,
And after nailed upon the night
Berenice's burning hair.
XIV - HIS BARGAIN
WHO talks of Plato's spindle;
What set it whirling round?
Eternity may dwindle,
Time is unwound,
Dan and Jerry Lout
Change their loves about.
However they may take it,
Before the thread began
I made, and may not break it
When the last thread has run,
A bargain with that hair
And all the windings there.
XV - THREE THINGS
'O CRUEL Death, give three things back,'
Sang a bone upon the shore;
'A child found all a child can lack,
Whether of pleasure or of rest,
Upon the abundance of my breast':
A bone wave-whitened and dried in the wind.
'Three dear things that women know,'
Sang a bhone upon the shore;
'A man if I but held him so
When my body was alive
Found all the pleasure that life gave':
A bone wave-whitened and dried in the wind.
'The third thing that I think of yet,'
Sang a bone upon the shore,
'Is that morning when I met
Face to face my rightful man
And did after stretch and yawn':
A bone wave-whitened and dried in the wind.
XVI - LULLABY
BELOVED, may your sleep be sound
That have found it where you fed.
What were all the world's alarms
To mighty paris when he found
Sleep upon a golden bed
That first dawn in Helen's arms?
Sleep, beloved, such a sleep
As did that wild Tristram know
When, the potion's work being done,
Roe could run or doe could leap
Under oak and beechen bough,
Roe could leap or doe could run;
Such a sleep and sound as fell
Upon Eurotas' grassy bank
When the holy bird, that there
Accomplished his predestined will,
From the limbs of Leda sank
But not from her protecting care.
XVII - AFTER LONG SILENCE
SPEECH after long silence; it is right,
All other lovers being estranged or dead,
Unfriendly lamplight hid under its shade,
The curtains drawn upon unfriendly night,
That we descant and yet again descant
Upon the supreme theme of Art and Song:
Bodily decrepitude is wisdom; young
We loved each other and were ignorant.
XVIII - MAD AS THE MIST AND SNOW
BOLT and bar the shutter,
For the foul winds blow:
Our minds are at their best this night,
And I seem to know
That everything outside us is
Mad as the mist and snow.
Horace there by Homer stands,
Plato stands below,
And here is Tully's open page.
How many years ago
Were you and I unlettered lads
Mad as the mist and snow?
You ask what makes me sigh, old friend,
What makes me shudder so?
I shudder and I sigh to think
That even Cicero
And many-minded Homer were
Mad as the mist and snow.
XIX - THOSE DANCING DAYS ARE GONE
COME, let me sing into your ear;
Those dancing days are gone,
All that silk and satin gear;
Crouch upon a stone,
Wrapping that foul body up
In as foul a rag:
I carry the sun in a golden cup.
The moon in a silver bag.
Curse as you may I sing it through;
What matter if the knave
That the most could pleasure you,
The children that he gave,
Are somewhere sleeping like a top
Under a marble flag?
I carry the sun in a golden cup.
The moon in a silver bag.
I thought it out this very day.
Noon upon the clock,
A man may put pretence away
Who leans upon a stick,
May sing, and sing until he drop,
Whether to maid or hag:
I carry the sun in a golden cup,
The moon in a silver bag.
XX - 'I AM OF IRELAND'
AM of Ireland,
And the Holy Land of Ireland,
And time runs on,' cried she.
'Come out of charity,
Come dance with me in Ireland.'
One man, one man alone
In that outlandish gear,
One solitary man
Of all that rambled there
Had turned his stately head.
That is a long way off,
And time runs on,' he said,
'And the night grows rough.'
I am of Ireland,
And the Holy Land of Ireland,
And time runs on,' cried she.
'Come out of charity
And dance with me in Ireland.'
The fiddlers are all thumbs,
Or the fiddle-string accursed,
The drums and the kettledrums
And the trumpets all are burst,
And the trombone,' cried he,
'The trumpet and trombone,'
And cocked a malicious eye,
'But time runs on, runs on.'
I am of Ireland,
And the Holy Land of Ireland,
And time runs on,' cried she.
'Come out of charity
And dance with me in Ireland.'
XXI - THE DANCER AT CRUACHAN AND CRO-PATRICK
I, PROCLAIMING that there is
Among birds or beasts or men
One that is perfect or at peace.
Danced on Cruachan's windy plain,
Upon Cro-patrick sang aloud;
All that could run or leap or swim
Whether in wood, water or cloud,
Acclaiming, proclaiming, declaiming Him.
XXII - TOM THE LUNATIC
SANG old Tom the lunatic
That sleeps under the canopy:
'What change has put my thoughts astray
And eyes that had s-o keen a sight?
What has turned to smoking wick
Nature's pure unchanging light?
'Huddon and Duddon and Daniel O'Leary.
Holy Joe, the beggar-man,
Wenching, drinking, still remain
Or sing a penance on the road;
Something made these eyeballs weary
That blinked and saw them in a shroud.
'Whatever stands in field or flood,
Bird, beast, fish or man,
Mare or stallion, cock or hen,
Stands in God's unchanging eye
In all the vigour of its blood;
In that faith I live or die.'
XXIII - TOM AT CRUACHAN
ON Cruachan's plain slept he
That must sing in a rhyme
What most could shake his soul:
'The stallion Eternit
Mounted the mare of Time,
'Gat the foal of the world.'
XXIV - OLD TOM AGAIN
THINGS out of perfection sail,
And all their swelling canvas wear,
Nor shall the self-begotten fail
Though fantastic men suppose
Building-yard and stormy shore,
Winding-sheet and swaddling -- clothes.
XXV - THE DELPHIC ORACLE UPON PLOTINUS
BEHOLD that great Plotinus swim,
Buffeted by such seas;
Bland Rhadamanthus beckons him,
But the Golden Race looks dim,
Salt blood blocks his eyes.
Scattered on the level grass
Or winding through the grove
plato there and Minos pass,
There stately Pythagoras
And all the choir of Love.
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