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Gratitude

Rudyard Kipling

Rudyard Kipling

The Dead King

EDWARD VII.
Who in the Realm to-day lays down dear life for the sake of a land more dear?
And, unconcerned for his own estate, toils till the last grudged sands have run?
Let him approach. It is proven here
Our King asks nothing of any man more than Our King himself, has done.
For to him above all was Life good, above all he commanded
Her abundance full-handed.
The peculiar treasure of Kings was his for the taking:
All that men come to in dreams he inherited waking: --
His marvel of world-gathered armies -- one heart and all races;
His seas 'neath his keels when his war-castles foamed to their places;
The thundering foreshores that answered his heralded landing;
The huge lighted cities adoring, the assemblies upstanding;
The Councils of Kings called in haste to learn how he was minded --
The kingdoms, the Powers, and the Glories he dealt with unblinded.
To him came all captains of men, all achievers of glory
Hot from the press of their battles they told him their story.
They revealed him their lives in an hour and, saluting departed,
Joyful to labour afresh -- he had made them new-hearted.
And, since he weighed men from his youth, and no lie long deceived him,
He spoke and exacted the truth, and the basest believed him.
And God poured him an exquisite wine, that was daily renewed to him,
In the clear-welling love of his peoples that daily accrued to him.
Honour and service we gave him, rejoicingly fearless;
Faith absolute, trust beyond speech and a friendship as peerless.
And since he was Master and Servant in all that we asked him,
We leaned hard on his wisdom in all things, knowing not how we tasked him.
For on him each new day laid command, every tyrannous hour,
To confront, or confirm, or make smooth some dread issue of power;
To deliver true, judgment aright at the instant, unaided,
In the strict, level, ultimate phrase that allowed or dissuaded;
To foresee, to allay, to avert from us perils unnumbered,
To stand guard on our gates when he guessed that the watchmen had slumbered;
To win time, to turn hate, to woo folly to service and, mightily schooling
His strength to the use of his Nations, to rule as not ruling.
These were the works of our King; Earth's peace was the proof of them.
God gave him great works to fulfil, and to us the behoof of them.
We accepted his toil as our right -- none spared, none excused him.
When he was bowed by his burden his rest was refused him.
We troubled his age with our weakness -- the blacker our shame to us!
Hearing his People had need of him, straightway he came to us.
As he received so he gave -- nothing grudged, naught denying,
Not even the last gasp of his breath when he strove for us, dying.
For our sakes, without question, he put from him all that he cherished.


Simply as any that serve him he served and he perished.
All that Kings covet was his, and he flung it aside for us.
Simply as any that die in his service he died for us!
Who in the Realm to-day has choice of the easy road or the hard to tread?
And, much concerned for his own estate, would sell his soul to remain in the
sun?

Let him depart nor look on Our dead.
Our King asks nothing of any man more than Our King himself has done.
487
Walt Whitman

Walt Whitman

Song At Sunset

SPLENDOR of ended day, floating and filling me!
Hour prophetic--hour resuming the past!
Inflating my throat--you, divine average!
You, Earth and Life, till the last ray gleams, I sing.


Open mouth of my Soul, uttering gladness,
Eyes of my Soul, seeing perfection,
Natural life of me, faithfully praising things;
Corroborating forever the triumph of things.


Illustrious every one!
Illustrious what we name space--sphere of unnumber'd spirits;
Illustrious the mystery of motion, in all beings, even the tiniest

insect;
Illustrious the attribute of speech--the senses--the body;
Illustrious the passing light! Illustrious the pale reflection on the


new moon in the western sky!
Illustrious whatever I see, or hear, or touch, to the last.


Good in all,
In the satisfaction and aplomb of animals,
In the annual return of the seasons,
In the hilarity of youth,
In the strength and flush of manhood,
In the grandeur and exquisiteness of old age,
In the superb vistas of Death.


Wonderful to depart;
Wonderful to be here!
The heart, to jet the all-alike and innocent blood!
To breathe the air, how delicious!
To speak! to walk! to seize something by the hand!
To prepare for sleep, for bed--to look on my rose-color'd flesh;
To be conscious of my body, so satisfied, so large;
To be this incredible God I am;
To have gone forth among other Gods--these men and women I love.


Wonderful how I celebrate you and myself!
How my thoughts play subtly at the spectacles around!
How the clouds pass silently overhead!
How the earth darts on and on! and how the sun, moon, stars, dart on


and on!
How the water sports and sings! (Surely it is alive!)
How the trees rise and stand up--with strong trunks--with branches


and leaves!
(Surely there is something more in each of the tree--some living
Soul.)


O amazement of things! even the least particle!
O spirituality of things!
O strain musical, flowing through ages and continents--now reaching



me and America!
I take your strong chords--I intersperse them, and cheerfully pass
them forward.

I too carol the sun, usher'd, or at noon, or, as now, setting,
I too throb to the brain and beauty of the earth, and of all the
growths of the earth,
I too have felt the resistless call of myself.


As I sail'd down the Mississippi,
As I wander'd over the prairies,
As I have lived--As I have look'd through my windows, my eyes,
As I went forth in the morning--As I beheld the light breaking in the


east;
As I bathed on the beach of the Eastern Sea, and again on the beach
of the Western Sea;
As I roam'd the streets of inland Chicago--whatever streets I have

roam'd;
Or cities, or silent woods, or peace, or even amid the sights of war;
Wherever I have been, I have charged myself with contentment and

triumph.

I sing the Equalities, modern or old,
I sing the endless finales of things;
I say Nature continues--Glory continues;
I praise with electric voice;
For I do not see one imperfection in the universe;
And I do not see one cause or result lamentable at last in the


universe.

O setting sun! though the time has come,
I still warble under you, if none else does, unmitigated
adoration.
484
Robert Frost

Robert Frost

The Death of the Hired Man

Mary sat musing on the lamp-flame at the table
Waiting for Warren. When she heard his step,
She ran on tip-toe down the darkened passage
To meet him in the doorway with the news
And put him on his guard. "Silas is back."
She pushed him outward with her through the door
And shut it after her. "Be kind," she said.
She took the market things from Warren's arms
And set them on the porch, then drew him down
To sit beside her on the wooden steps.
"When was I ever anything but kind to him?
But I'll not have the fellow back," he said.
"I told him so last haying, didn't I?
'If he left then,' I said, 'that ended it.'
What good is he? Who else will harbour him
At his age for the little he can do?
What help he is there's no depending on.
Off he goes always when I need him most.
'He thinks he ought to earn a little pay,
Enough at least to buy tobacco with,
So he won't have to beg and be beholden.'
'All right,' I say, 'I can't afford to pay
Any fixed wages, though I wish I could.'
'Someone else can.' 'Then someone else will have to.'
I shouldn't mind his bettering himself
If that was what it was. You can be certain,
When he begins like that, there's someone at him
Trying to coax him off with pocket-money,--
In haying time, when any help is scarce.
In winter he comes back to us. I'm done."
"Sh! not so loud: he'll hear you," Mary said.
"I want him to: he'll have to soon or late."
"He's worn out. He's asleep beside the stove.
When I came up from Rowe's I found him here,
Huddled against the barn-door fast asleep,
A miserable sight, and frightening, too--
You needn't smile--I didn't recognise him--
I wasn't looking for him--and he's changed.
Wait till you see."
"Where did you say he'd been?"
"He didn't say. I dragged him to the house,
And gave him tea and tried to make him smoke.
I tried to make him talk about his travels.
Nothing would do: he just kept nodding off."
"What did he say? Did he say anything?"


"But little."
"Anything? Mary, confess
He said he'd come to ditch the meadow for me."
"Warren!"
"But did he? I just want to know."
"Of course he did. What would you have him say?
Surely you wouldn't grudge the poor old man
Some humble way to save his self-respect.
He added, if you really care to know,
He meant to clear the upper pasture, too.
That sounds like something you have heard before?
Warren, I wish you could have heard the way
He jumbled everything. I stopped to look
Two or three times--he made me feel so queer--
To see if he was talking in his sleep.
He ran on Harold Wilson--you remember--
The boy you had in haying four years since.
He's finished school, and teaching in his college.
Silas declares you'll have to get him back.
He says they two will make a team for work:
Between them they will lay this farm as smooth!
The way he mixed that in with other things.
He thinks young Wilson a likely lad, though daft
On education--you know how they fought
All through July under the blazing sun,
Silas up on the cart to build the load,
Harold along beside to pitch it on."
"Yes, I took care to keep well out of earshot."
"Well, those days trouble Silas like a dream.
You wouldn't think they would. How some things linger!
Harold's young college boy's assurance piqued him.
After so many years he still keeps finding
Good arguments he sees he might have used.
I sympathise. I know just how it feels
To think of the right thing to say too late.
Harold's associated in his mind with Latin.
He asked me what I thought of Harold's saying
He studied Latin like the violin
Because he liked it--that an argument!
He said he couldn't make the boy believe
He could find water with a hazel prong--
Which showed how much good school had ever done him.
He wanted to go over that. But most of all
He thinks if he could have another chance
To teach him how to build a load of hay----"


"I know, that's Silas' one accomplishment.
He bundles every forkful in its place,
And tags and numbers it for future reference,
So he can find and easily dislodge it
In the unloading. Silas does that well.
He takes it out in bunches like big birds' nests.
You never see him standing on the hay
He's trying to lift, straining to lift himself."
"He thinks if he could teach him that, he'd be
Some good perhaps to someone in the world.
He hates to see a boy the fool of books.
Poor Silas, so concerned for other folk,
And nothing to look backward to with pride,
And nothing to look forward to with hope,
So now and never any different."
Part of a moon was falling down the west,
Dragging the whole sky with it to the hills.
Its light poured softly in her lap. She saw
And spread her apron to it. She put out her hand
Among the harp-like morning-glory strings,
Taut with the dew from garden bed to eaves,
As if she played unheard the tenderness
That wrought on him beside her in the night.
"Warren," she said, "he has come home to die:
You needn't be afraid he'll leave you this time."
"Home," he mocked gently.
"Yes, what else but home?
It all depends on what you mean by home.
Of course he's nothing to us, any more
Than was the hound that came a stranger to us
Out of the woods, worn out upon the trail."
"Home is the place where, when you have to go there,
They have to take you in."
"I should have called it
Something you somehow haven't to deserve."
Warren leaned out and took a step or two,
Picked up a little stick, and brought it back
And broke it in his hand and tossed it by.
"Silas has better claim on us you think
Than on his brother? Thirteen little miles
As the road winds would bring him to his door.
Silas has walked that far no doubt to-day.
Why didn't he go there? His brother's rich,
A somebody--director in the bank."


"He never told us that."
"We know it though."
"I think his brother ought to help, of course.
I'll see to that if there is need. He ought of right
To take him in, and might be willing to--
He may be better than appearances.
But have some pity on Silas. Do you think
If he'd had any pride in claiming kin
Or anything he looked for from his brother,
He'd keep so still about him all this time?"
"I wonder what's between them."
"I can tell you.
Silas is what he is--we wouldn't mind him--
But just the kind that kinsfolk can't abide.
He never did a thing so very bad.
He don't know why he isn't quite as good
As anyone. He won't be made ashamed
To please his brother, worthless though he is."
"I can't think Si ever hurt anyone."
"No, but he hurt my heart the way he lay
And rolled his old head on that sharp-edged chair-back.
He wouldn't let me put him on the lounge.
You must go in and see what you can do.
I made the bed up for him there to-night.
You'll be surprised at him--how much he's broken.
His working days are done; I'm sure of it."
"I'd not be in a hurry to say that."
"I haven't been. Go, look, see for yourself.
But, Warren, please remember how it is:
He's come to help you ditch the meadow.
He has a plan. You mustn't laugh at him.
He may not speak of it, and then he may.
I'll sit and see if that small sailing cloud
Will hit or miss the moon."
It hit the moon.
Then there were three there, making a dim row,
The moon, the little silver cloud, and she.
Warren returned--too soon, it seemed to her,
Slipped to her side, caught up her hand and waited.
"Warren," she questioned.


"Dead," was all he answered.
486
Walt Whitman

Walt Whitman

Drum-Taps

Aroused and angry,
I thought to beat the alarum, and urge relentless war;
But soon my fingers fail'd me, my face droop'd, and I resign'd


myself,
To sit by the wounded and soothe them, or silently watch the dead.

Drum-Taps

FIRST, O songs, for a prelude,
Lightly strike on the stretch'd tympanum, pride and joy in my city,
How she led the rest to arms--how she gave the cue,
How at once with lithe limbs, unwaiting a moment, she sprang;
(O superb! O Manhattan, my own, my peerless!
O strongest you in the hour of danger, in crisis! O truer than


steel!)
How you sprang! how you threw off the costumes of peace with
indifferent hand;
How your soft opera-music changed, and the drum and fife were heard
in their stead;
How you led to the war, (that shall serve for our prelude, songs of
soldiers,)
How Manhattan drum-taps led.

Forty years had I in my city seen soldiers parading;
Forty years as a pageant--till unawares, the Lady of this teeming and


turbulent city,
Sleepless amid her ships, her houses, her incalculable wealth,
With her million children around her--suddenly,
At dead of night, at news from the south,
Incens'd, struck with clench'd hand the pavement.


A shock electric--the night sustain'd it;
Till with ominous hum, our hive at day-break pour'd out its myriads.


From the houses then, and the workshops, and through all the
doorways,
Leapt they tumultuous--and lo! Manhattan arming.


To the drum-taps prompt,
The young men falling in and arming;
The mechanics arming, (the trowel, the jack-plane, the blacksmith's


hammer, tost aside with precipitation;)
The lawyer leaving his office, and arming--the judge leaving the
court;
The driver deserting his wagon in the street, jumping down, throwing
the reins abruptly down on the horses' backs;
The salesman leaving the store--the boss, book-keeper, porter, all
leaving;


Squads gather everywhere by common consent, and arm;

The new recruits, even boys--the old men show them how to wear their
accoutrements--they buckle the straps carefully;

Outdoors arming--indoors arming--the flash of the musket-barrels;

The white tents cluster in camps--the arm'd sentries around--the
sunrise cannon, and again at sunset;

Arm'd regiments arrive every day, pass through the city, and embark
from the wharves;

(How good they look, as they tramp down to the river, sweaty, with
their guns on their shoulders!

How I love them! how I could hug them, with their brown faces, and
their clothes and knapsacks cover'd with dust!)

The blood of the city up--arm'd! arm'd! the cry everywhere;

The flags flung out from the steeples of churches, and from all the
public buildings and stores;

The tearful parting--the mother kisses her son--the son kisses his
mother;

(Loth is the mother to part--yet not a word does she speak to detain
him;)

The tumultuous escort--the ranks of policemen preceding, clearing the
way;

The unpent enthusiasm--the wild cheers of the crowd for their
favorites;

The artillery--the silent cannons, bright as gold, drawn along,
rumble lightly over the stones;

(Silent cannons--soon to cease your silence!

Soon, unlimber'd, to begin the red business;)

All the mutter of preparation--all the determin'd arming;

The hospital service--the lint, bandages, and medicines;

The women volunteering for nurses--the work begun for, in earnest--no
mere parade now;

War! an arm'd race is advancing!--the welcome for battle--no turning
away;

War! be it weeks, months, or years--an arm'd race is advancing to
welcome it.

Mannahatta a-march!--and it's O to sing it well!

It's O for a manly life in the camp!

And the sturdy artillery!

The guns, bright as gold--the work for giants--to serve well the
guns:

Unlimber them! no more, as the past forty years, for salutes for
courtesies merely;

Put in something else now besides powder and wadding.

And you, Lady of Ships! you Mannahatta!

Old matron of this proud, friendly, turbulent city!

Often in peace and wealth you were pensive, or covertly frown'd amid
all your children;

But now you smile with joy, exulting old Mannahatta!
482
Walt Whitman

Walt Whitman

The Ox tamer

IN a faraway northern county, in the placid, pastoral region,
Lives my farmer friend, the theme of my recitative, a famous Tamer of
Oxen:
There they bring him the three-year-olds and the four-year-olds, to
break them;
He will take the wildest steer in the world, and break him and tame
him;
He will go, fearless, without any whip, where the young bullock

chafes up and down the yard;
The bullock's head tosses restless high in the air, with raging eyes;
Yet, see you! how soon his rage subsides--how soon this Tamer tames


him:
See you! on the farms hereabout, a hundred oxen, young and old--and


he is the man who has tamed them;
They all know him--all are affectionate to him;
See you! some are such beautiful animals--so lofty looking!
Some are buff color'd--some mottled--one has a white line running


along his back--some are brindled,
Some have wide flaring horns (a good sign)--See you! the bright
hides;
See, the two with stars on their foreheads--See, the round bodies and
broad backs;
See, how straight and square they stand on their legs--See, what
fine, sagacious eyes;
See, how they watch their Tamer--they wish him near them--how they
turn to look after him!
What yearning expression! how uneasy they are when he moves away from
them:
--Now I marvel what it can be he appears to them, (books, politics,

poems depart--all else departs;)
I confess I envy only his fascination--my silent, illiterate friend,
Whom a hundred oxen love, there in his life on farms,
In the northern county far, in the placid, pastoral region.
477