Literature and Words

My heart is heavy with many a song
Like ripe fruit bearing down the tree,
But I can never give you one --
My songs do not belong to me.
Yet in the evening, in the dusk
When moths go to and fro,
In the gray hour if the fruit has fallen,
Take it, no one will know.

In April, in April,
My one love came along,
And I ran the slope of my high hill
To follow a thread of song.


His eyes were hard as porphyry
With looking on cruel lands;
His voice went slipping over me
Like terrible silver hands.


Together we trod the secret lane
And walked the muttering town.
I wore my heart like a wet, red stain
On the breast of a velvet gown.


In April, in April,
My love went whistling by,
And I stumbled here to my high hill
Along the way of a lie.


Now what should I do in this place
But sit and count the chimes,
And splash cold water on my face
And spoil a page with rhymes?

Although they are
only breath, words
which I command
are immortal
Sappho
tr. Barnard

I made you many and many a song,
Yet never one told all you are --
It was as though a net of words
Were flung to catch a star;
It was as though I curved my hand
And dipped sea-water eagerly,
Only to find it lost the blue
Dark splendor of the sea.

They please me not-- these solemn songs
That hint of sermons covered up.
'T is true the world should heed its wrongs,
But in a poem let me sup,
Not simples brewed to cure or ease
Humanity's confessed disease,
But the spirit-wine of a singing line,
Or a dew-drop in a honey cup!

High on a gorgeous seat, that far out-shone
Henley's gilt tub, or Flecknoe's Irish throne,
Or that where on her Curlls the public pours,
All-bounteous, fragrant grains and golden showers,
Great Cibber sate: the proud Parnassian sneer,
The conscious simper, and the jealous leer,
Mix on his look: all eyes direct their rays
On him, and crowds turn coxcombs as they gaze.
His peers shine round him with reflected grace,
New edge their dulness, and new bronze their face.
So from the sun's broad beam, in shallow urns
Heaven's twinkling sparks draw light, and point their horns.


Not with more glee, by hands Pontific crown'd,
With scarlet hats wide-waving circled round,
Rome in her Capitol saw Querno sit,
Throned on seven hills, the Antichrist of wit.


And now the queen, to glad her sons, proclaims
By herald hawkers, high heroic games.
They summon all her race: an endless band
Pours forth, and leaves unpeopled half the land.
A motley mixture! in long wigs, in bags,
In silks, in crapes, in garters, and in rags,
From drawing-rooms, from colleges, from garrets,
On horse, on foot, in hacks, and gilded chariots:
All who true dunces in her cause appear'd,
And all who knew those dunces to reward.


Amid that area wide they took their stand,
Where the tall maypole once o'er-looked the Strand,
But now (so Anne and piety ordain)
A church collects the saints of Drury Lane.


With authors, stationers obey'd the call,
(The field of glory is a field for all).
Glory and gain the industrious tribe provoke;
And gentle Dulness ever loves a joke.
A poet's form she placed before their eyes,
And bade the nimblest racer seize the prize;
No meagre, muse-rid mope, adust and thin,
In a dun night-gown of his own loose skin;
But such a bulk as no twelve bards could raise,
Twelve starveling bards of these degenerate days.
All as a partridge plump, full-fed, and fair,
She form'd this image of well-bodied air;
With pert flat eyes she window'd well its head;
A brain of feathers, and a heart of lead;
And empty words she gave, and sounding strain,
But senseless, lifeless! idol void and vain!
Never was dash'd out, at one lucky hit,
A fool, so just a copy of a wit;



So like, that critics said, and courtiers swore,
A wit it was, and call'd the phantom More.


All gaze with ardour: some a poet's name,
Others a sword-knot and laced suit inflame.
But lofty Lintot in the circle rose:
'This prize is mine; who tempt it are my foes;
With me began this genius, and shall end.'
He spoke: and who with Lintot shall contend?
Fear held them mute. Alone, untaught to fear,
Stood dauntless Curll: 'Behold that rival here!
The race by vigour, not by vaunts is won;
So take the hindmost Hell.' He said, and run.
Swift as a bard the bailiff leaves behind,
He left huge Lintot, and out-stripp'd the wind.
As when a dab-chick waddles through the copse
On feet and wings, and flies, and wades, and hops:
So labouring on, with shoulders, hands, and head,
Wide as a wind-mill all his figure spread,
With arms expanded Bernard rows his state,
And left-legg'd Jacob seems to emulate.
Full in the middle way there stood a lake,
Which Curll's Corinna chanced that morn to make:
(Such was her wont, at early dawn to drop
Her evening cates before his neighbour's shop,)
Here fortuned Curll to slide; loud shout the band,
And Bernard! Bernard! rings through all the Strand.
Obscene with filth the miscreant lies bewray'd,
Fallen in the plash his wickedness had laid:
Then first (if poets aught of truth declare)
The caitiff vaticide conceived a prayer:
'Hear, Jove! whose name my bards and I adore,
As much at least as any god's, or more;
And him and his if more devotion warms,
Down with the Bible, up with the Pope's arms.'


A place there is, betwixt earth, air, and seas,
Where, from Ambrosia, Jove retires for ease.
There in his seat two spacious vents appear,
On this he sits, to that he leans his ear,
And hears the various vows of fond mankind;
Some beg an eastern, some a western wind:
All vain petitions, mounting to the sky,
With reams abundant this abode supply;
Amused he reads, and then returns the bills
Sign'd with that ichor which from gods distils.


In office here fair Cloacina stands,
And ministers to Jove with purest hands.
Forth from the heap she pick'd her votary's prayer,
And placed it next him, a distinction rare!
Oft had the goddess heard her servant's call,



From her black grottos near the Temple-wall,
Listening delighted to the jest unclean
Of link-boys vile, and watermen obscene;
Where as he fish'd her nether realms for wit,
She oft had favour'd him, and favours yet.
Renew'd by ordure's sympathetic force,
As oil'd with magic juices for the course,
Vigorous he rises; from the effluvia strong
Imbibes new life, and scours and stinks along;
Repasses Lintot, vindicates the race,
Nor heeds the brown dishonours of his face.


And now the victor stretch'd his eager hand
Where the tall Nothing stood, or seem'd to stand;
A shapeless shade, it melted from his sight,
Like forms in clouds, or visions of the night.
To seize his papers, Curll, was next thy care;
His papers light, fly diverse, toss'd in air;
Songs, sonnets, epigrams the winds uplift,
And whisk them back to Evans, Young, and Swift.
The embroider'd suit at least he deem'd his prey,
That suit an unpaid tailor snatch'd away.
No rag, no scrap, of all the beau, or wit,
That once so flutter'd, and that once so writ.


Heaven rings with laughter: of the laughter vain,
Dulness, good queen, repeats the jest again.
Three wicked imps, of her own Grub Street choir,
She deck'd like Congreve, Addison, and Prior;
Mears, Warner, Wilkins run: delusive thought!
Breval, Bond, Bezaleel, the varlets caught.
Curll stretches after Gay, but Gay is gone,
He grasps an empty Joseph for a John:
So Proteus, hunted in a nobler shape,
Became, when seized, a puppy, or an ape.


To him the goddess: 'Son! thy grief lay down,
And turn this whole illusion on the town:
As the sage dame, experienced in her trade,
By names of toasts retails each batter'd jade;
(Whence hapless Monsieur much complains at Paris
Of wrongs from duchesses and Lady Maries
Be thine, my stationer! this magic gift;
Cook shall be Prior, and Concanen, Swift:
So shall each hostile name become our own,
And we too boast our Garth and Addison.'


With that she gave him (piteous of his case,
Yet smiling at his rueful length of face)
A shaggy tapestry, worthy to be spread
On Codrus' old, or Dunton's modern bed;
Instructive work! whose wry-mouth'd portraiture



Display'd the fates her confessors endure.
Earless on high, stood unabash'd Defoe,
And Tutchin flagrant from the scourge below.
There Ridpath, Roper, cudgell'd might ye view,
The very worsted still look'd black and blue.
Himself among the storied chiefs he spies,
As, from the blanket, high in air he flies,
And oh! (he cried) what street, what lane but knows
Our purgings, pumpings, blanketings, and blows?
In every loom our labours shall be seen,
And the fresh vomit run for ever green!


See in the circle next, Eliza placed,
Two babes of love close clinging to her waist;
Fair as before her works she stands confess'd,
In flowers and pearls by bounteous Kirkall dress'd.
The goddess then: 'Who best can send on high
The salient spout, far-streaming to the sky;
His be yon Juno of majestic size,
With cow-like udders, and with ox-like eyes.
This China Jordan let the chief o'ercome
Replenish, not ingloriously, at home.'


Osborne and Curll accept the glorious strife,
(Though this his son dissuades, and that his wife
One on his manly confidence relies,
One on his vigour and superior size.
First Osborne lean'd against his letter'd post;
It rose, and labour'd to a curve at most.
So Jove's bright bow displays its watery round
(Sure sign, that no spectator shall be drown'd),
A second effort brought but new disgrace,
The wild meander wash'd the artist's face:
Thus the small jet, which hasty hands unlock,
Spurts in the gardener's eyes who turns the cock.
Not so from shameless Curll; impetuous spread
The stream, and smoking flourish'd o'er his head.
So (famed like thee for turbulence and horns)
Eridanus his humble fountain scorns;
Through half the heavens he pours the exalted urn;
His rapid waters in their passage burn.


Swift as it mounts, all follow with their eyes:
Still happy impudence obtains the prize.
Thou triumph'st, victor of the high-wrought day,
And the pleased dame, soft-smiling, lead'st away.
Osborne, through perfect modesty o'ercome,
Crown'd with the Jordan, walks contented home.


But now for authors nobler palms remain;
Room for my lord! three jockeys in his train;
Six huntsmen with a shout precede his chair:



He grins, and looks broad nonsense with a stare.
His honour's meaning Dulness thus express'd,
'He wins this patron, who can tickle best.'


He chinks his purse, and takes his seat of state:
With ready quills the dedicators wait;
Now at his head the dext'rous task commence,
And, instant, fancy feels the imputed sense;
Now gentle touches wanton o'er his face,
He struts Adonis, and affects grimace:
Rolli the feather to his ear conveys,
Then his nice taste directs our operas:
Bentley his mouth with classic flattery opes,
And the puff'd orator bursts out in tropes.
But Welsted most the poet's healing balm
Strives to extract from his soft, giving palm;
Unlucky Welsted! thy unfeeling master,
The more thou ticklest, gripes his fist the faster.


While thus each hand promotes the pleasing pain,
And quick sensations skip from vein to vein;
A youth unknown to Phoebus, in despair,
Puts his last refuge all in Heaven and prayer.
What force have pious vows! The Queen of Love
Her sister sends, her votaress, from above.
As taught by Venus, Paris learn'd the art
To touch Achilles' only tender part;
Secure, through her, the noble prize to carry,
He marches off, his Grace's secretary.


'Now turn to different sports (the goddess cries),
And learn, my sons, the wondrous power of noise.
To move, to raise, to ravish every heart,
With Shakspeare's nature, or with Jonson's art,
Let others aim: 'tis yours to shake the soul
With thunder rumbling from the mustard bowl,
With horns and trumpets now to madness swell,
Now sink in sorrows with a tolling bell;
Such happy arts attention can command,
When fancy flags, and sense is at a stand.
Improve we these. Three cat-calls be the bribe
Of him whose chattering shames the monkey tribe:
And his this drum whose hoarse heroic bass
Drowns the loud clarion of the braying ass.'


Now thousand tongues are heard in one loud din:
The monkey-mimics rush discordant in;
'Twas chattering, grinning, mouthing, jabbering all,
And noise and Norton, brangling and Breval,
Dennis and dissonance, and captious art,
And snip-snap short, and interruption smart,
And demonstration thin, and theses thick,



And major, minor, and conclusion quick.
'Hold' (cried the queen) 'a cat-call each shall win;
Equal your merits! equal is your din!
But that this well-disputed game may end,
Sound forth, nay brayers, and the welkin rend.'


As when the long-ear'd milky mothers wait
At some sick miser's triple-bolted gate,
For their defrauded, absent foals they make
A moan so loud, that all the guild awake;
Sore sighs Sir Gilbert, starting at the bray,
From dreams of millions, and three groats to pay.
So swells each windpipe; ass intones to ass,
Harmonic twang! of leather, horn, and brass;
Such as from labouring lungs the enthusiast blows,
High sound, attemper'd to the vocal nose,
Or such as bellow from the deep divine;
There, Webster! peal'd thy voice, and, Whitfield! thine.
But far o'er all, sonorous Blackmore's strain;
Walls, steeples, skies, bray back to him again.
In Tottenham fields, the brethren, with amaze,
Prick all their ears up, and forget to graze;
'Long Chancery Lane retentive rolls the sound,
And courts to courts return it round and round;
Thames wafts it thence to Rufus' roaring hall,
And Hungerford re-echoes bawl for bawl.
All hail him victor in both gifts of song,
Who sings so loudly, and who sings so long.


This labour past, by Bridewell all descend,
(As morning prayer, and flagellation end)
To where Fleet-ditch with disemboguing streams
Rolls the large tribute of dead dogs to Thames,
The king of dikes! than whom no sluice of mud
With deeper sable blots the silver flood.
'Here strip, my children! here at once leap in,
Here prove who best can dash through thick and thin,
And who the most in love of dirt excel,
Or dark dexterity of groping well.
Who flings most filth, and wide pollutes around
The stream, be his the weekly journals bound;
A pig of lead to him who dives the best;
A peck of coals a-piece shall glad the rest.'


In naked majesty Oldmixon stands,
And, Milo-like, surveys his arms and hands;
Then sighing, thus, 'And am I now threescore?
Ah why, ye gods! should two and two make four?'
He said, and climb'd a stranded lighter's height,
Shot to the black abyss, and plunged downright.
The senior's judgment all the crowd admire,
Who but to sink the deeper, rose the higher.



Next Smedley dived; slow circles dimpled o'er
The quaking mud, that closed, and oped no more.
All look, all sigh, and call on Smedley lost;
'Smedley!' in vain, resounds through all the coast.


Then Hill essay'd; scarce vanish'd out of sight,
He buoys up instant, and returns to light:
He bears no token of the sable streams,
And mounts far off among the swans of Thames.


True to the bottom, see Concanen creep,
A cold, long-winded, native of the deep:
If perseverance gain the diver's prize,
Not everlasting Blackmore this denies:
No noise, no stir, no motion can'st thou make,
The unconscious stream sleeps o'er thee like a lake.


Next plunged a feeble, but a desperate pack,
With each a sickly brother at his back:
Sons of a day! just buoyant on the flood,
Then number'd with the puppies in the mud.
Ask ye their names? I could as soon disclose
The names of these blind puppies as of those.
Fast by, like Niobe (her children gone)
Sits Mother Osborne, stupified to stone!
And monumental brass this record bears,
'These are,-ah no! these were, the gazetteers!'


Not so bold Arnall; with a weight of skull,
Furious he dives, precipitately dull.
Whirlpools and storms his circling arm invest,
With all the might of gravitation bless'd.
No crab more active in the dirty dance,
Downward to climb, and backward to advance.
He brings up half the bottom on his head,
And loudly claims the journals and the lead.


The plunging Prelate, and his ponderous Grace,
With holy envy gave one layman place.
When, lo! a burst of thunder shook the flood,
Slow rose a form, in majesty of mud:
Shaking the horrors of his sable brows,
And each ferocious feature grim with ooze.
Greater he looks, and more than mortal stares:
Then thus the wonders of the deep declares.


First he relates, how sinking to the chin,
Smit with his mien, the mud-nymphs suck'd him in:
How young Lutetia, softer than the down,
Nigrina black, and Merdamante brown,
Vied for his love in jetty bowers below,



As Hylas fair was ravish'd long ago.
Then sung, how, shown him by the nut-brown maids;
A branch of Styx here rises from the shades,
That, tinctured as it runs with Lethe's streams,
And wafting vapours from the land of dreams,
(As under seas Alpheus' secret sluice
Bears Pisa's offerings to his Arethuse,)
Pours into Thames: and hence the mingled wave
Intoxicates the pert, and lulls the grave:
Here brisker vapours o'er the Temple creep,
There, all from Paul's to Aldgate drink and sleep.


Thence to the banks where reverend bards repose,
They led him soft; each reverend bard arose;
And Milbourn chief, deputed by the rest,
Gave him the cassock, surcingle, and vest.
'Receive (he said) these robes which once were mine,
Dulness is sacred in a sound divine.'


He ceased, and spread the robe; the crowd confess
The reverend Flamen in his lengthen'd dress.
Around him wide a sable army stand,
A low-born, cell-bred, selfish, servile band,
Prompt or to guard or stab, to saint or damn,
Heaven's Swiss, who fight for any god, or man.
Through Lud's famed gates, along the well-known Fleet
Rolls the black troop, and overshades the street,
Till showers of sermons, characters, essays,
In circling fleeces whiten all the ways:
So clouds replenish'd from some bog below,
Mount in dark volumes, and descend in snow.
Here stopp'd the goddess; and in pomp proclaims
A gentler exercise to close the games.


'Ye critics! in whose heads, as equal scales,
I weigh what author's heaviness prevails,
Which most conduce to soothe the soul in slumbers,
My Henley's periods, or my Blackmore's numbers,
Attend the trial we propose to make:
If there be man, who o'er such works can wake,
Sleep's all-subduing charms who dares defy,
And boasts Ulysses' ear with Argus' eye;
To him we grant our amplest powers to sit
Judge of all present, past, and future wit;
To cavil, censure, dictate, right or wrong,
Full and eternal privilege of tongue.'


Three college Sophs, and three pert Templars came,
The same their talents, and their tastes the same;
Each prompt to query, answer, and debate,
And smit with love of poesy and prate.
The ponderous books two gentle readers bring;



The heroes sit, the vulgar form a ring.
The clamorous crowd is hush'd with mugs of mum,
Till all, tuned equal, send a general hum.
Then mount the clerks, and in one lazy tone
Through the long, heavy, painful page drawl on;
Soft creeping, words on words, the sense compose,
At every line they stretch, they yawn, they doze.
As to soft gales top-heavy pines bow low
Their heads, and lift them as they cease to blow,
Thus oft they rear, and oft the head decline,
As breathe, or pause, by fits, the airs divine;
And now to this side, now to that they nod,
As verse or prose infuse the drowsy god.
Thrice Budgell aim'd to speak, but thrice suppress'd
By potent Arthur, knock'd his chin and breast.
Toland and Tindal, prompt at priests to jeer,
Yet silent bow'd to Christ's no kingdom here.
Who sate the nearest, by the words o'ercome,
Slept first; the distant nodded to the hum.
Then down are roll'd the books; stretch'd o'er 'em lies
Each gentle clerk, and, muttering, seals his eyes,
As what a Dutchman plumps into the lakes,
One circle first, and then a second makes;
What Dulness dropp'd among her sons impress'd
Like motion from one circle to the rest;
So from the midmost the nutation spreads
Round and more round, o'er all the sea of heads.
At last Centlivre felt her voice to fail,
Motteux himself unfinished left his tale,
Boyer the state, and Law the stage gave o'er,
Morgan and Mandeville could prate no more;
Norton, from Daniel and Ostroea sprung,
Bless'd with his father's front and mother's tongue,
Hung silent down his never-blushing head;
And all was hush'd, as Polly's self lay dead.


Thus the soft gifts of sleep conclude the day,
And stretch'd on bulks, as usual, poets lay.
Why should I sing what bards the nightly Muse
Did slumbering visit, and convey to stews;
Who prouder march'd, with magistrates in state,
To some famed round-house, ever open gate!
How Henley lay inspired beside a sink,
And to mere mortals seem'd a priest in drink;
While others, timely, to the neighbouring Fleet
(Haunt of the Muses!) made their safe retreat?

Chief of organic Numbers!
Old Scholar of the Spheres!
Thy spirit never slumbers,
But rolls about our ears
For ever and for ever.
O, what a mad endeavour
Worketh he
Who, to thy sacred and ennobled hearse,
Would offer a burnt sacrifice of verse
And Melody!


How heavenward thou soundedst
Live Temple of sweet noise;
And discord unconfoundedst:
Giving delight new joys,
And Pleasure nobler pinions--
O where are thy Dominions!
Lend thine ear
To a young delian oath--aye, by thy soul,
By all that from thy mortal Lips did roll;
And by the Kernel of thine earthly Love,
Beauty, in things on earth and things above,
When every childish fashion
Has vanish'd from my rhyme
Will I grey-gone in passion
Give to an after-time
Hymning and harmony
Of thee, and of thy Words and of thy Life:
But vain is now the bruning and the strife--
Pangs are in vain -- until I grow high-rife
With Old Philosophy
And mad with glimpses at futurity!


For many years my offerings must be hush'd:
When I do speak I'll think upon this hour,
Because I feel my forehead hot and flush'd,
Even at the simplest vassal of thy Power,--
A Lock of thy bright hair!
Sudden it came,
And I was startled when I heard thy name
Coupled so unaware--
Yet, at the moment, temperate was my blood:
Methought I had beheld it from the flood.

Some may have blamed us that we cease to speak
Of things we spoke of in our verses early,
Saying: a lovely voice is such as such;
Saying: that lady's eyes were sad last week,
Wherein the world's whole joy is born and dies;
Saying: she hath this way or that, this much
Of grace, this way or that, this much
Of grace, this little misericorde;
Ask us no further word;
If we were proud, then proud to be so wise
Ask us no more of all the things ye heard;
We may not speak of them, they touch us nearly.

What is song's eternity?
Come and see.
Can it noise and bustle be?
Come and see.
Praises sung or praises said
Can it be?
Wait awhile and these are dead -
Sigh, sigh;
Be they high or lowly bred
They die.


What is song's eternity?
Come and see.
Melodies of earth and sky,
Here they be.
Song once sung to Adam's ears
Can it be?
Ballads of six thousand years
Thrive, thrive;
Songs awaken with the spheres
Alive.


Mighty songs that miss decay,
What are they?
Crowds and cities pass away
Like a day.
Books are out and books are read;
What are they?
Years will lay them with the dead -
Sigh, sigh;
Trifles unto nothing wed,
They die.


Dreamers, mark the honey bee;
Mark the tree
Where the blue cap "tootle tee"
Sings a glee
Sung to Adam and to Eve -
Here they be.
When floods covered every bough,
Noah's ark
Heard that ballad singing now;
Hark, hark,


"Tootle tootle tootle tee" -
Can it be
Pride and fame must shadows be?
Come and see -
Every season owns her own;
Bird and bee
Sing creation's music on;
Nature's glee



Is in every mood and tone
Eternity.

In the cool of the night time
The clocks pick off the points
And the mainsprings loosen.
They will need winding.
One of these days
they will need winding.


Rabelais in red boards,
Walt Whitman in green,
Hugo in ten-cent paper covers,
Here they stand on shelves
In the cool of the night time
And there is nothing . . . .
To be said against them . . . .
Or for them . . . .
In the cool of the night time
And the docks.


A man in pigeon-gray pyjamas.
The open window begins at his feet
And goes taller than his head.
Eight feet high is the pattern.


Moon and mist make an oblong layout.
Silver at the man's bare feet.
He swings one foot in a moon silver.
And it costs nothing.


(One more day of bread and work.
One more day . . . .so much rags .


The man barefoot in moon silver
Mutters "You" and "You"
To things hidden
In the cool of the night time,
In Rabelais, Whitman, Hugo,
In an oblong of moon mist.


Out from the window . . . . prairielands.
Moon mist whitens a golf ground.
Whiter yet is a limestone quarry.
The crickets keep on chirring.


Switch engines of the Great Western
Sidetrack box cars, make up trains
For Weehawken, Oskaloosa, Saskatchewan;
The cattle, the coal, the corn, must go
In the night . . . . on the prairielands.


Chuff-chuff go the pulses.
They beat in the cool of the night time.
Chuff-chuff and chuff-chuff . . . .



These heartbeats travel the night a mile
And touch the moon silver at the window
And the hones of the man.
It costs nothing.


Rabelais in red boards,
Whitman in green,
Hugo in ten-cent paper covers,
Here they stand on shelves
In the cool of the night time
And the clocks.

Illyrian woodlands, echoing falls
Of water, sheets of summer glass,
The long divine Peneian pass,
The vast Akrokeraunian walls,


Tomohrit, Athos, all things fair,
With such a pencil, such a pen,
You shadow forth to distant men,
I read and felt that I was there:


And trust me while I turn'd the page,
And track'd you still on classic ground,
I grew in gladness till I found
My spirits in the golden age.


For me the torrent ever pour'd
And glisten'd -- here and there alone
The broad-limb'd gods at random thrown
By fountain urns; -- and Naiads oar'd


A glimmering shoulder under gloom
Of cavern pillars; on the swell
The silver lily heaved and fell;
And many a slope was rich in bloom


From him that on the mountain lea
By dancing rivulets fed his flocks,
To him who sat upon the rocks,
And fluted to the morning sea.

A pin has a head, but has no hair;
A clock has a face, but no mouth there;
Needles have eyes, but they cannot see;
A fly has a trunk without lock or key;
A timepiece may lose, but cannot win;
A corn-field dimples without a chin;
A hill has no leg, but has a foot;
A wine-glass a stem, but not a root;
A watch has hands, but no thumb or finger;
A boot has a tongue, but is no singer;
Rivers run, though they have no feet;
A saw has teeth, but it does not eat;
Ash-trees have keys, yet never a lock;
And baby crows, without being a cock.

I MET a Seer,
Passing the hues and objects of the world,
The fields of art and learning, pleasure, sense,

To glean Eidólons.

Put in thy chants, said he,
No more the puzzling hour, nor day--nor segments, parts, put in,
Put first before the rest, as light for all, and entrance-song of

all,
That of Eidólons.


Ever the dim beginning;
Ever the growth, the rounding of the circle;
Ever the summit, and the merge at last, (to surely start again,)


Eidólons! Eidólons!

Ever the mutable!
Ever materials, changing, crumbling, re-cohering;
Ever the ateliers, the factories divine,


Issuing Eidólons!

Lo! I or you!
Or woman, man, or State, known or unknown,
We seeming solid wealth, strength, beauty build,


But really build Eidólons.

The ostent evanescent;
The substance of an artist's mood, or savan's studies long,
Or warrior's, martyr's, hero's toils,


To fashion his Eidólon.

Of every human life,
(The units gather'd, posted--not a thought, emotion, deed, left out;)
The whole, or large or small, summ'd, added up,

In its Eidólon.

The old, old urge;
Based on the ancient pinnacles, lo! newer, higher pinnacles;
From Science and the Modern still impell'd,

The old, old urge, Eidólons.

The present, now and here,
America's busy, teeming, intricate whirl,
Of aggregate and segregate, for only thence releasing,


To-day's Eidólons.

These, with the past,
Of vanish'd lands--of all the reigns of kings across the sea,
Old conquerors, old campaigns, old sailors' voyages,


Joining Eidólons.

Densities, growth, façades,


Strata of mountains, soils, rocks, giant trees,

Far-born, far-dying, living long, to leave,
Eidólons everlasting.

Exaltè, rapt, extatic,

The visible but their womb of birth,

Of orbic tendencies to shape, and shape, and shape,
The mighty Earth-Eidólon.

All space, all time,

(The stars, the terrible perturbations of the suns,

Swelling, collapsing, ending--serving their longer, shorter use,)
Fill'd with Eidólons only.

The noiseless myriads!

The infinite oceans where the rivers empty!

The separate, countless free identities, like eyesight;
The true realities, Eidólons.

Not this the World,

Nor these the Universes--they the Universes,

Purport and end--ever the permanent life of life,
Eidólons, Eidólons.

Beyond thy lectures, learn'd professor,
Beyond thy telescope or spectroscope, observer keen--beyond all
mathematics,
Beyond the doctor's surgery, anatomy--beyond the chemist with his
chemistry,
The entities of entities, Eidólons.

Unfix'd, yet fix'd;

Ever shall be--ever have been, and are,

Sweeping the present to the infinite future,
Eidólons, Eidólons, Eidólons.

The prophet and the bard,

Shall yet maintain themselves--in higher stages yet,

Shall mediate to the Modern, to Democracy--interpret yet to them,
God, and Eidólons.

And thee, My Soul!

Joys, ceaseless exercises, exaltations!

Thy yearning amply fed at last, prepared to meet,
Thy mates, Eidólons.

Thy Body permanent,

The Body lurking there within thy Body,

The only purport of the Form thou art--the real I myself,
An image, an Eidólon.

Thy very songs, not in thy songs;


No special strains to sing--none for itself;
But from the whole resulting, rising at last and floating,
A round, full-orb'd Eidólon.

A precious—mouldering pleasure—'tis—
To meet an Antique Book—
In just the Dress his Century wore—
A privilege—I think—


His venerable Hand to take—
And warming in our own—
A passage back—or two—to make—
To Times when he—was young—


His quaint opinions—to inspect—
His thought to ascertain
On Themes concern our mutual mind—
The Literature of Man—


What interested Scholars—most—
What Competitions ran—
When Plato—was a Certainty—
And Sophocles—a Man—


When Sappho—was a living Girl—
And Beatrice wore
The Gown that Dante—deified—
Facts Centuries before


He traverses—familiar—
As One should come to Town—
And tell you all your Dreams—were true—
He lived—where Dreams were born—


His presence is Enchantment—
You beg him not to go—
Old Volume shake their Vellum Heads
And tantalize—just so—

When I have fears that I may cease to be
Before my pen has glean'd my teeming brain,
Before high piled books, in charactry,
Hold like rich garners the full-ripen'd grain;
When I behold, upon the night's starr'd face,
Huge cloudy symbols of a high romance,
And think that I may never live to trace
Their shadows, with the magic hand of chance;
And when I feel, fair creature of an hour,
That I shall never look upon thee more,
Never have relish in the faery power
Of unreflecting love; -- then on the shore
Of the wide world I stand alone, and think
Till Love and Fame to nothingness do sink.

This pleasant tale is like a little copse:
The honied lines so freshly interlace,
To keep the reader in so sweet a place,
So that he here and there full-hearted stops;
And oftentimes he feels the dewy drops
Come cool and suddenly against his face,
And, by the wandering melody, may trace
Which way the tender-legged linnet hops.
Oh! what a power has white Simplicity!
What mighty power has this gentle story!
I, that do ever feel athirst for glory,
Could at this moment be content to lie
Meekly upon the grass, as those whose sobbings
Were heard of none beside the mournful robins.

If by dull rhymes our English must be chain'd,

And, like Andromeda, the Sonnet sweet
Fetter'd, in spite of pained loveliness;
Let us find out, if we must be constrain'd,

Sandals more interwoven and complete
To fit the naked foot of poesy;
Let us inspect the lyre, and weigh the stress
Of every chord, and see what may be gain'd

By ear industrious, and attention meet:

Misers of sound and syllable, no less
Than Midas of his coinage, let us be
Jealous of dead leaves in the bay wreath crown;

So, if we may not let the Muse be free,
She will be bound with garlands of her own.

Dear Doctor, I have read your play,
Which is a good one in its way,
Purges
the eyes and moves the bowels,
And drenches handkerchiefs like towels
With tears, that, in a flux of grief,
Afford hysterical relief
To shatter'd nerves and quicken'd pulses,
Which your catastrophe convulses.


I like your moral and machinery;
Your plot, too, has such scope for scenery:
Your dialogue is apt and smart:
The play's concoction full of art;
Your hero raves, your heroine cries,
All stab, and everybody dies.
In short, your tragedy would be
The very thing to hear and see:
And for a piece of publication,
If I decline on this occasion,
It is not that I am not sensible
To merits in themselves ostensible,
But and
I grieve to speak itplays
Are drugs mere
drugs, sirnowadays.
I had a heavy loss by 'Manual'Too
lucky if it prove not annual,
And
Sotheby, with his 'Orestes,'
(Which, by the by, the author's best is),
Has lain so very long on hand,
That I despair of all demand.
I've advertised, but see my books,
Or only watch my shopman's looks;
Still
Ivan, Ina, and such lumber,
My backshop
glut, my shelves encumber.


There's Byron too, who once did better,
Has sent me, folded in a letter,
A sort ofit's
no more a drama
Than Darnley, Ivan, or Kehama:
So alter'd since last year his pen is,
I think he's lost his wits at Venice.
In short, sir, what with one and t'other,
I dare not venture on another.
I write in haste; excuse each blunder;
The coaches through the street so thunder!
My room's so fullwe've
Gifford here
Reading MS., with Hookham Frere
Pronouncing on the nouns and particles
Of some of our forthcoming Articles.


The QuarterlyAh,
sir, if you
Had but the genius to review!
A
smart critique upon St. Helena,



Or if you only would but tell in a
Short compass whatbut
to resume:
As I was saying, sir, the room
The
room's so full of wits and bards,
Crabbes, Campbells, Crokers, Freres, and Wards,
And others, neither bards nor wits:
My humble tenement admits
All persons in the dress of gent,
From Mr. Hammond to Dog Dent.


A party dines with me today,
All clever men, who make their way;
Crabbe, Malcolm, Hamilton, and Chantrey
Are all partakers of my pantry.
They're at this moment in discussion
On poor De Staël's late dissolution.
Her book, they say, was in advance
Pray
Heaven, she tell the truth of France!
Thus run our time and tongues away;
But, to return, sir, to your play:
Sorry, sir, but I cannot deal,
Unless 'twere acted by O'Neill;
My hands so full, my head so busy,
I'm almost dead, and always dizzy;
And so, with endless truth and hurry,
Dear Doctor, I am yours
JOHN MURRAY.

They all want to play Hamlet.
They have not exactly seen their fathers killed
Nor their mothers in a frame-up to kill,
Nor an Ophelia lying with dust gagging the heart,
Not exactly the spinning circles of singing golden spiders,
Not exactly this have they got at nor the meaning of flowers--O flowers, flowers slung
by a dancing girl--in the saddest play the inkfish, Shakespeare ever wrote;
Yet they all want to play Hamlet because it is sad like all actors are sad and to stand by
an open grave with a joker's skull in the hand and then to say over slow and over slow
wise, keen, beautiful words asking the heart that's breaking, breaking,
This is something that calls and calls to their blood.
They are acting when they talk about it and they know it is acting to be particular
about it and yet: They all want to play Hamlet.

BALD heads forgetful of their sins,
Old, learned, respectable bald heads
Edit and annotate the lines
That young men, tossing on their beds,
Rhymed out in love's despair
To flatter beauty's ignorant ear.
All shuffle there; all cough in ink;
All wear the carpet with their shoes;
All think what other people think;
All know the man their neighbour knows.
Lord, what would they say
Did their Catullus walk that way?

With minds still hovering above their testicles
Certain poets here and in France
Still sigh over established and natural fact
Long since fully discussed by Ovid.
They howl. They complain in delicate and exhausted metres
That the twitching of three abdominal nerves
Is incapable of producing a lasting Nirvana.

True ease in writing comes from art, not chance,
As those move easiest who have learned to dance.
'Tis not enough no harshness gives offense,
The sound must seem an echo to the sense:
Soft is the strain when Zephyr gently blows,
And the smooth stream in smoother numbers flows;
But when loud surges lash the sounding shore,
The hoarse, rough verse should like the torrent roar;
When Ajax strives some rock's vast weight to throw,
The line too labors, and the words move slow;
Not so, when swift Camilla scours the plain,
Flies o'er the unbending corn, and skims along the main.
Hear how Timotheus' varied lays surprise,
And bid alternate passions fall and rise!

If I could put my woods in song
And tell what's there enjoyed,
All men would to my gardens throng,
And leave the cities void.
In my plot no tulips blow,--
Snow-loving pines and oaks instead;
And rank the savage maples grow
From Spring's faint flush to Autumn red.
My garden is a forest ledge
Which older forests bound;
The banks slope down to the blue lake-edge,
Then plunge to depths profound.
Here once the Deluge ploughed,
Laid the terraces, one by one;
Ebbing later whence it flowed,
They bleach and dry in the sun.
The sowers made haste to depart,--
The wind and the birds which sowed it;
Not for fame, nor by rules of art,
Planted these, and tempests flowed it.
Waters that wash my garden-side
Play not in Nature's lawful web,
They heed not moon or solar tide,--
Five years elapse from flood to ebb.
Hither hasted, in old time, Jove,
And every god,--none did refuse;
And be sure at last came Love,
And after Love, the Muse.
Keen ears can catch a syllable,
As if one spake to another,
In the hemlocks tall, untamable,
And what the whispering grasses smother.
Æolian harps in the pine
Ring with the song of the Fates;
Infant Bacchus in the vine,--
Far distant yet his chorus waits.
Canst thou copy in verse one chime
Of the wood-bell's peal and cry,
Write in a book the morning's prime,
Or match with words that tender sky?
Wonderful verse of the gods,
Of one import, of varied tone;


They chant the bliss of their abodes
To man imprisoned in his own.
Ever the words of the gods resound;
But the porches of man's ear
Seldom in this low life's round
Are unsealed, that he may hear.
Wandering voices in the air
And murmurs in the wold
Speak what I cannot declare,
Yet cannot all withhold.
When the shadow fell on the lake,
The whirlwind in ripples wrote
Air-bells of fortune that shine and break,
And omens above thought.
But the meanings cleave to the lake,
Cannot be carried in book or urn;
Go thy ways now, come later back,
On waves and hedges still they burn.
These the fates of men forecast,
Of better men than live to-day;
If who can read them comes at last
He will spell in the sculpture,'Stay.'

MOTHER of Hermes! and still youthful Maia!
May I sing to thee

As thou wast hymned on the shores of Baiae?
Or may I woo thee

In earlier Sicilian? or thy smiles

Seek as they once were sought, in Grecian isles,

By bards who died content on pleasant sward,
Leaving great verse unto a little clan?

O give me their old vigour! and unheard
Save of the quiet primrose, and the span
Of heaven, and few ears,

Rounded by thee, my song should die away
Content as theirs,

Rich in the simple worship of a day.