Work and Profession

The pomps of butchery, financial power,
Told 'em to die in war, and then to save,
Then cut their saving to the half or lower;
When will this system lie down in its grave?


The pomps of Fleet St., festering year on year,
Hid truth and lied, and lied and hid the facts.
The pimps of Whitehall ever more in fear,
Hid health statistics, dodged the Labour Acts.


All drew their pay, and as the pay grew less,
The money rotten and more rotten yet,
Hid more statistics, more feared to confess
C.3, C.4, 'twere better to forget


How many weak of mind, how much tuberculosis
Filled the back alleys and the back to back houses.
'The medical report this week discloses . . .'
'Time for that question!' Front Bench interposes.


Time for that question? and the time is NOW.
Who ate the profits, and who locked 'em in
The unsafe safe, wherein all rots, and no man can say how
What was the nation's, now by Norman's kin
Is one day blown up large, the next, ducked in?

The woman singeth at her spinning-wheel
A pleasant chant, ballad or barcarole;
She thinketh of her song, upon the whole,
Far more than of her flax; and yet the reel
Is full, and artfully her fingers feel
With quick adjustment, provident control,
The lines--too subtly twisted to unroll--
Out to a perfect thread. I hence appeal
To the dear Christian Church--that we may do
Our Father's business in these temples mirk,
Thus swift and steadfast, thus intent and strong;
While thus, apart from toil, our souls pursue
Some high calm spheric tune, and prove our work
The better for the sweetness of our song.

A plow, they say, to plow the snow.
They cannot mean to plant it, no --
Unless in bitterness to mock
At having cultivated rock.

If you wake at midnight, and hear a horse's feet,
Don't go drawing back the blind, or looking in the street.
Them that ask no questions isn't told a lie.
Watch the wall, my darling, while the Gentlemen go by!
Five and twenty ponies,
Trotting through the dark --
Brandy for the Parson,
'Baccy for the Clerk;
Laces for a lady, letters for a spy,
And watch the wall, my darling, while the Gentlemen go by!
Running round the woodlump if you chance to find
Little barrels, roped and tarred, all full of brandy-wine,
Don't you shout to come and look, nor use 'em for your play.
Put the brishwood back again -- and they'll be gone next day!
If you see the stable-door setting open wide;
If you see a tired horse lying down inside;
If your mother mends a coat cut about and tore;
If the lining's wet and warm -- don't you ask no more!
If you meet King George's men, dressed in blue and red,
You be carefull what you say, and mindful what is said.
If they call you "pretty maid," and chuck you 'neath the chin,
Don't you tell where no one is, nor yet where no one's been!
Knocks and footsteps round the house -- whistles after dark --
You've no call for running out till the house-dogs bark.
Trusty's here, and Pincher's here, and see how dumb they lie --
They don't fret to follow when the Gentlemen go by!
If you do as you've been told, 'likely there's a chance,
You'll be given a dainty doll, all the way from France,
With a cap of Valenciennes, and a velvet hood --
A present from the Gentlemen, along o' being good!
Five and twenty ponies,
Trotting through the dark --
Brandy for the Parson,
'Baccy for the Clerk;
Them that asks no questions isn't told a lie --
Watch the wall, my darling, while the Gentlemen go by!

WHAT makes time short to me?

Activity!
What makes it long and spiritless?
'Tis idleness!


What brings us to debt?


To delay and forget!
What makes us succeed?
Decision with speed


How to fame to ascend?
Oneself to defend!

With arms and legs at work and gentle stroke
That urges switching tail nor mends his pace,
On an old ribbed and weather beaten horse,
The farmer goes jogtrotting to the fair.
Both keep their pace that nothing can provoke
Followed by brindled dog that snuffs the ground
With urging bark and hurries at his heels.
His hat slouched down, and great coat buttoned close
Bellied like hooped keg, and chuffy face
Red as the morning sun, he takes his round
And talks of stock: and when his jobs are done
And Dobbin's hay is eaten from the rack,
He drinks success to corn in language hoarse,
And claps old Dobbin's hide, and potters back.

Thirteen as twelve my Murray always took--
He was a publisher. The new Police
Have neater ways of bringing men to book,
So Juan found himself before J.P.'s
Accused of storming through that placed nook
At practically any pace you please.
The Dogberry, and the Waterbury, made
It fifty mile--five pounds. And Juan paid!

He waits all day beside his little flock
And asks the passing stranger what's o'clock,
But those who often pass his daily tasks
Look at their watch and tell before he asks.
He mutters stories to himself and lies
Where the thick hedge the warmest house supplies,
And when he hears the hunters far and wide
He climbs the highest tree to see them ride--
He climbs till all the fields are blea and bare
And makes the old crow's nest an easy chair.
And soon his sheep are got in other grounds--
He hastens down and fears his master come,
He stops the gap and keeps them all in bounds
And tends them closely till it's time for home.

I am an ancient reluctant conscript.


On the soup wagons of Xerxes I was a cleaner of pans.
On the march of Miltiades' phalanx I had a haft and head;
I had a bristling gleaming spear-handle.


Red-headed Cæsar picked me for a teamster.
He said, "Go to work, you Tuscan bastard,
Rome calls for a man who can drive horses."


The units of conquest led by Charles the Twelfth,
The whirling whimsical Napoleonic columns:
They saw me one of the horseshoers.


I trimmed the feet of a white horse Bonaparte swept the night stars with.


Lincoln said, "Get into the game; your nation takes you."
And I drove a wagon and team and I had my arm shot off
At Spottsylvania Court House.


I am an ancient reluctant conscript.

Twenty men stand watching the muckers.
Stabbing the sides of the ditch
Where clay gleams yellow,
Driving the blades of their shovels
Deeper and deeper for the new gas mains
Wiping sweat off their faces
With red bandanas
The muckers work on .. pausing .. to pull
Their boots out of suckholes where they slosh.


Of the twenty looking on
Ten murmer, “O, its a hell of a job,”
Ten others, “Jesus, I wish I had the job.”

Chauser
With them there rode a lustie Engineere
Wel skilled to handel everich waie her geere,
Hee was soe wise ne man colde showe him naught
And out of Paris was hys learning brought.
Frontlings mid brazen wheeles and wandes he sat,
And on hys heade he bare an leathern hat.
Hee was soe certaine of his gouvermance,
That, by the Road, he tooke everie chaunce.
For simple people and for lordlings eke
Hee wolde not bate a del but onlie squeeke
Behinde their backes on an horne hie
Until they crope into a piggestie.
He was more wood than bull in china-shoppe,
And yet for cowes and dogges wolde hee stop,
Not our of Marcie but for Preudence-sake--
Than hys dependaunce ever was hys brake.

I asked the mayor of Gary about the 12-hour day and the 7-day week.
And the mayor of Gary answered more workmen steal time on the job in Gary than any
other place in the United States.
"Go into the plants and you will see men sitting around doing nothing--machinery does
everything," said the mayor of Gary when I asked him about the 12-hour day and the
7-day week.
And he wore cool cream pants, the Mayor of Gary, and white shoes, and a barber had
fixed him up with a shampoo and a shave and he was east and imperturbable though
the government weather bureau thermometer said 96 and children were soaking their
heads at bubbling fountains on the street corners.
And I said good-bye to the Mayor of Gary and I went out from the city hall and turned
the corner into Broadway.
And I saw workmen wearing leather shoes scruffed with fire and cinders, and pitted
with little holes from running molten steel,
And some had bunches of specialized muscles around their shoulder blades hard as pig
iron, muscles of their forearms were sheet steel and they looked to me like men who
had been somewhere.

The Injian Ocean sets an' smiles
So sof', so bright, so bloomin' blue;
There aren't a wave for miles an' miles
Excep' the jiggle from the screw.
The ship is swep', the day is done,
The bugle's gone for smoke and play;
An' black agin' the settin' sun
The Lascar sings, "Hum deckty hai!" ["I'm looking out."]
For to admire an' for to see,
For to be'old this world so wide --
It never done no good to me,
But I can't drop it if I tried!
I see the sergeants pitchin' quoits,
I 'ear the women laugh an' talk,
I spy upon the quarter-deck
The orficers an' lydies walk.
I thinks about the things that was,
An' leans an' looks acrost the sea,
Till spite of all the crowded ship
There's no one lef' alive but me.
The things that was which I 'ave seen,
In barrick, camp, an' action too,
I tells them over by myself,
An' sometimes wonders if they're true;
For they was odd -- most awful odd --
But all the same now they are o'er,
There must be 'eaps o' plenty such,
An' if I wait I'll see some more.
Oh, I 'ave come upon the books,
An' frequent broke a barrick rule,
An' stood beside an' watched myself
Be'avin' like a bloomin' fool.
I paid my price for findin' out,
Nor never grutched the price I paid,
But sat in Clink without my boots,
Admirin' 'ow the world was made.
Be'old a crowd upon the beam,
An' 'umped above the sea appears
Old Aden, like a barrick-stove
That no one's lit for years an' years!
I passed by that when I began,
An' I go 'ome the road I came,
A time-expired soldier-man
With six years' service to 'is name.
My girl she said, "Oh, stay with me!"
My mother 'eld me to 'er breast.


They've never written none, an' so
They must 'ave gone with all the rest --
With all the rest which I 'ave seen
An' found an' known an' met along.
I cannot say the things I feel,
And so I sing my evenin' song:
For to admire an' for to see,
For to be'old this world so wide --
It never done no good to me,
But I can't drop it if I tried!

BROTHER of all, with generous hand,
Of thee, pondering on thee, as o'er thy tomb, I and my Soul,
A thought to launch in memory of thee,
A burial verse for thee.


What may we chant, O thou within this tomb?
What tablets, pictures, hang for thee, O millionaire?
--The life thou lived'st we know not,
But that thou walk'dst thy years in barter, 'mid the haunts of


brokers;
Nor heroism thine, nor war, nor glory.


Yet lingering, yearning, joining soul with thine,
If not thy past we chant, we chant the future,
Select, adorn the future.


Lo, Soul, the graves of heroes!
The pride of lands--the gratitudes of men,
The statues of the manifold famous dead, Old World and New,
The kings, inventors, generals, poets, (stretch wide thy vision,


Soul,)
The excellent rulers of the races, great discoverers, sailors,
Marble and brass select from them, with pictures, scenes,
(The histories of the lands, the races, bodied there,
In what they've built for, graced and graved,
Monuments to their heroes.)

Silent, my Soul,
With drooping lids, as waiting, ponder'd,
Turning from all the samples, all the monuments of heroes.


While through the interior vistas,
Noiseless uprose, phantasmic (as, by night, Auroras of the North,)
Lambent tableaux, prophetic, bodiless scenes,
Spiritual projections.


In one, among the city streets, a laborer's home appear'd,
After his day's work done, cleanly, sweet-air'd, the gaslight
burning,
The carpet swept, and a fire in the cheerful stove.


In one, the sacred parturition scene,
A happy, painless mother birth'd a perfect child.


In one, at a bounteous morning meal,
Sat peaceful parents, with contented sons.


In one, by twos and threes, young people,
Hundreds concentering, walk'd the paths and streets and roads,



Toward a tall-domed school.


In one a trio, beautiful,
Grandmother, loving daughter, loving daughter's daughter, sat,
Chatting and sewing.


In one, along a suite of noble rooms,
'Mid plenteous books and journals, paintings on the walls, fine


statuettes,
Were groups of friendly journeymen, mechanics, young and old,
Reading, conversing.

All, all the shows of laboring life,
City and country, women's, men's and children's,
Their wants provided for, hued in the sun, and tinged for once with


joy,
Marriage, the street, the factory, farm, the house-room, lodgingroom,
Labor and toil, the bath, gymnasium, play-ground, library,

college,
The student, boy or girl, led forward to be taught;
The sick cared for, the shoeless shod--the orphan father'd and

mother'd,
The hungry fed, the houseless housed;
(The intentions perfect and divine,
The workings, details, haply human.)

O thou within this tomb,
From thee, such scenes--thou stintless, lavish Giver,
Tallying the gifts of Earth--large as the Earth,
Thy name an Earth, with mountains, fields and rivers.


Nor by your streams alone, you rivers,
By you, your banks, Connecticut,
By you, and all your teeming life, Old Thames,
By you, Potomac, laving the ground Washington trod--by you Patapsco,
You, Hudson--you, endless Mississippi--not by you alone,
But to the high seas launch, my thought, his memory.


Lo, Soul, by this tomb's lambency,
The darkness of the arrogant standards of the world,
With all its flaunting aims, ambitions, pleasures.


(Old, commonplace, and rusty saws,
The rich, the gay, the supercilious, smiled at long,
Now, piercing to the marrow in my bones,
Fused with each drop my heart's blood jets,
Swim in ineffable meaning.)


Lo, Soul, the sphere requireth, portioneth,



To each his share, his measure,
The moderate to the moderate, the ample to the ample.


Lo, Soul, see'st thou not, plain as the sun,
The only real wealth of wealth in generosity,
The only life of life in goodness?

Box cars run by a mile long. 
And I wonder what they say to each other
When they stop a mile long on a sidetrack.
Maybe their chatter goes:
I came from Fargo with a load of wheat up to the danger line.
I came from Omaha with a load of shorthorns and they splintered my boards.
I came from Detroit heavy with a load of fivers.
I carried apples from the Hood river last year and this year bunches of bananas from
Florida; they look for me with watermelons from Mississippi next year.


Hammers and shovels of work gangs sleep in shop corners
when the dark stars come on the sky and the night watchmen walk and look.


Then the hammer heads talk to the handles,
then the scoops of the shovels talk,
how the day’s work nicked and trimmed them,
how they swung and lifted all day,
how the hands of the work gangs smelled of hope.
In the night of the dark stars
when the curve of the sky is a work gang handle,
in the night on the mile long sidetracks,
in the night where the hammers and shovels sleep in corners,
the night watchmen stuff their pipes with dreams—
and sometimes they doze and don’t care for nothin’,
and sometimes they search their heads for meanings, stories, stars.
The stuff of it runs like this:
A long way we come; a long way to go; long rests and long deep sniffs for our lungs on
the way.
Sleep is a belonging of all; even if all songs are old songs and the singing heart is
snuffed out like a switchman’s lantern with the oil gone, even if we forget our names
and houses in the finish, the secret of sleep is left us, sleep belongs to all, sleep is the
first and last and best of all.


People singing; people with song mouths connecting with song hearts; people who
must sing or die; people whose song hearts break if there is no song mouth; these are
my people.

Now summer is in flower and natures hum
Is never silent round her sultry bloom
Insects as small as dust are never done
Wi' glittering dance and reeling in the sun
And green wood fly and blossom haunting bee
Are never weary of their melody
Round field hedge now flowers in full glory twine
Large bindweed bells wild hop and streakd woodbine
That lift athirst their slender throated flowers
Agape for dew falls and for honey showers
These round each bush in sweet disorder run
And spread their wild hues to the sultry sun
Where its silk netting lace on twigs and leaves
The mottld spider at eves leisure weaves
That every morning meet the poets eye
Like faireys dew wet dresses hung to dry
The wheat swells into ear and leaves below
The may month wild flowers and their gaudy show
Bright carlock bluecap and corn poppy red
Which in such clouds of colors wid [e] ly spread
That at the sun rise might to fancys eye
Seem to reflect the many colord sky
And leverets seat and lark and partridge nest
It leaves a schoolboys height in snugger rest
And oer the weeders labour overgrows
Who now in merry groups each morning goes
To willow skirted meads wi fork and rake
The scented hay cocks in long rows to make
Where their old visitors in russet brown
The haytime butterflyes dance up and down
And gads that teaze like whasps the timid maid
And drive the herdboys cows to pond and shade
Who when his dogs assistance fails to stop
Is forcd his half made oaten pipes to drop
And start and hallo thro the dancing heat
To keep their gadding tumult from the wheat
Who in their rage will dangers overlook
And leap like hunters oer the pasture brook
Brushing thro blossomd beans in maddening haste
And 'stroying corn they scarce can stop to taste
Labour pursues its toil in weary mood
And feign woud rest wi shadows in the wood
The mowing gangs bend oer the beeded grass
Where oft the gipseys hungry journeying ass
Will turn its wishes from the meadow paths
Listning the rustle of the falling swaths
The ploughman sweats along the fallow vales
And down the suncrackt furrow slowly trails
Oft seeking when athirst the brooks supply
Where brushing eager the brinks bushes bye
For coolest water he oft brakes the rest
Of ring dove brooding oer its idle nest


And there as loath to leave the swaily place
He'll stand to breath and whipe his burning face
The shepherds idle hours are over now
Nor longer leaves him neath the hedgrow bough
On shadow pillowd banks and lolling stile
Wilds looses now their summer friends awhile
Shrill whistles barking dogs and chiding scold
Drive bleating sheep each morn from fallow fold
To wash pits where the willow shadows lean
Dashing them in their fold staind coats to clean
Then turnd on sunning sward to dry agen
They drove them homeward to the clipping pen
In hurdles pent where elm or sycamore
Shut out the sun-or in some threshing floor
There they wi scraps of songs and laugh and tale
Lighten their anual toils while merry ale
Goes round and gladdens old mens hearts to praise
The thread bare customs of old farmers days
Who while the sturting sheep wi trembling fears
Lies neath the snipping of his harmless sheers
Recalls full many a thing by bards unsung
And pride forgot-that reignd when he was young
How the hugh bowl was in the middle set
At breakfast time as clippers yearly met
Filld full of frumity where yearly swum
The streaking sugar and the spotting plumb
Which maids coud never to the table bring
Without one rising from the merry ring
To lend a hand who if twas taen amiss
Woud sell his kindness for a stolen kiss
The large stone pitcher in its homly trim
And clouded pint horn wi its copper rim
Oer which rude healths was drank in spirits high
From the best broach the cellar woud supply
While sung the ancient swains in homly ryhmes
Songs that were pictures of the good old times
When leathern bottles held the beer nut brown
That wakd the sun wi songs and sung him down
Thus will the old man ancient ways bewail
Till toiling sheers gain ground upon the tale
And brakes it off-when from the timid sheep
The fleece is shorn and wi a fearfull leap
He starts-while wi a pressing hand
His sides are printed by the tarry brand
Shaking his naked skin wi wondering joys
And fresh ones are tugd in by sturdy boys
Who when theyre thrown down neath the sheering swain
Will wipe his brow and start his tale again
Tho fashions haughtv frown hath thrown aside
Half the old forms simplicity supplyd
Yet their are some prides winter deigns to spare
Left like green ivy when the trees are bare


And now when sheering of the flocks are done
Some ancient customs mixd wi harmless fun
Crowns the swains merry toils-the timid maid
Pleasd to be praisd and yet of praise affraid
Seeks her best flowers not those of woods and fields
But such as every farmers garden yield
Fine cabbage roses painted like her face
And shining pansys trimmd in golden lace
And tall tuft larkheels featherd thick wi flowers
And woodbines climbing oer the door in bowers
And London tufts of many a mottld hue
And pale pink pea and monkshood darkly blue
And white and purple jiliflowers that stay
Lingering in blossom summer half away
And single blood walls of a lucious smell
Old fashiond flowers which huswives love so well
And columbines stone blue or deep night brown
Their honey-comb-like blossoms hanging down
Each cottage gardens fond adopted child
Tho heaths still claim them where they yet grow wild
Mong their old wild companions summer blooms
Furze brake and mozzling ling and golden broom
Snap dragons gaping like to sleeping clowns
And 'clipping pinks' (which maidens sunday gowns
Full often wear catcht at by tozing chaps)
Pink as the ribbons round their snowy caps
'Bess in her bravery' too of glowing dyes
As deep as sunsets crimson pillowd skyes
And majoram notts sweet briar and ribbon grass
And lavender the choice of every lass
And sprigs of lads love all familiar names
Which every garden thro the village claims
These the maid gathers wi a coy delight
And tyes them up in readiness for night
Giving to every swain tween love and shame
Her 'clipping poseys' as their yearly claim
And turning as he claims the custom kiss
Wi stifld smiles half ankering after bliss
She shrinks away and blushing calls it rude
But turns to smile and hopes to be pursued
While one to whom the seeming hint applied
Follows to claim it and is not denyd
No doubt a lover for within his coat
His nosegay owns each flower of better sort
And when the envious mutter oer their beer
And nodd the secret to his neighbor near
Raising the laugh to make the mutter known
She blushes silent and will not disown
And ale and songs and healths and merry ways
Keeps up a shadow of old farmers days
But the old beachen bowl that once supplyd
Its feast of frumity is thrown aside


And the old freedom that was living then
When masters made them merry wi their men
Whose coat was like his neighbors russet brown
And whose rude speech was vulgar as his clown
Who in the same horn drank the rest among
And joind the chorus while a labourer sung
All this is past-and soon may pass away
The time torn remnant of the holiday
As proud distinction makes a wider space
Between the genteel and the vulgar race
Then must they fade as pride oer custom showers
Its blighting mildew on her feeble flowers

When the jury files in to deliver a verdict after weeks of direct and cross examinations,
hot clashes
of lawyers and cool decisions of the judge,
There are points of high silence--twiddling of thumbs is at an end--bailiffs near
cuspidors take fresh
chews of tobacco and wait--and the clock has a chance for its ticking to be heard.
A lawyer for the defense clears his throat and holds himself ready if the word is "Guilty"
to enter
motion for a new trial, speaking in a soft voice, speaking in a voice slightly colored with
bitter wrongs
mingled with monumental patience, speaking with mythic Atlas shoulders of many
preposterous,
unjust circumstances.

Dear Doctor, I have read your play,
Which is a good one in its way,
Purges
the eyes and moves the bowels,
And drenches handkerchiefs like towels
With tears, that, in a flux of grief,
Afford hysterical relief
To shatter'd nerves and quicken'd pulses,
Which your catastrophe convulses.


I like your moral and machinery;
Your plot, too, has such scope for scenery:
Your dialogue is apt and smart:
The play's concoction full of art;
Your hero raves, your heroine cries,
All stab, and everybody dies.
In short, your tragedy would be
The very thing to hear and see:
And for a piece of publication,
If I decline on this occasion,
It is not that I am not sensible
To merits in themselves ostensible,
But and
I grieve to speak itplays
Are drugs mere
drugs, sirnowadays.
I had a heavy loss by 'Manual'Too
lucky if it prove not annual,
And
Sotheby, with his 'Orestes,'
(Which, by the by, the author's best is),
Has lain so very long on hand,
That I despair of all demand.
I've advertised, but see my books,
Or only watch my shopman's looks;
Still
Ivan, Ina, and such lumber,
My backshop
glut, my shelves encumber.


There's Byron too, who once did better,
Has sent me, folded in a letter,
A sort ofit's
no more a drama
Than Darnley, Ivan, or Kehama:
So alter'd since last year his pen is,
I think he's lost his wits at Venice.
In short, sir, what with one and t'other,
I dare not venture on another.
I write in haste; excuse each blunder;
The coaches through the street so thunder!
My room's so fullwe've
Gifford here
Reading MS., with Hookham Frere
Pronouncing on the nouns and particles
Of some of our forthcoming Articles.


The QuarterlyAh,
sir, if you
Had but the genius to review!
A
smart critique upon St. Helena,



Or if you only would but tell in a
Short compass whatbut
to resume:
As I was saying, sir, the room
The
room's so full of wits and bards,
Crabbes, Campbells, Crokers, Freres, and Wards,
And others, neither bards nor wits:
My humble tenement admits
All persons in the dress of gent,
From Mr. Hammond to Dog Dent.


A party dines with me today,
All clever men, who make their way;
Crabbe, Malcolm, Hamilton, and Chantrey
Are all partakers of my pantry.
They're at this moment in discussion
On poor De Staël's late dissolution.
Her book, they say, was in advance
Pray
Heaven, she tell the truth of France!
Thus run our time and tongues away;
But, to return, sir, to your play:
Sorry, sir, but I cannot deal,
Unless 'twere acted by O'Neill;
My hands so full, my head so busy,
I'm almost dead, and always dizzy;
And so, with endless truth and hurry,
Dear Doctor, I am yours
JOHN MURRAY.

If you saw a lion
Not within a cage,
Would you tease and fret him
Till he roared in rage?
Would you tempt his anger
And his savage power,
Knowing he could crush you,
Kill you, and devour?


Yet I know some people
Who, morn and noon and night,
Tease and fret with bitters
The lion-appetite.
It matters not what ails them,
For each disease and all
They seem to think there's healing
In demon alcohol.


So they fret the lion,
And anger him, until,
In his awful power,
He springs up to kill.
Let me warn you, children,
From this foolish way.
Do not tease the lion,
Nor tempt him any day.


Don't believe the doctors
If they say you need
Any wines or ciders;
For there are, indeed,
Better cures, and safer,
Than these drinks, that slay
More than a hundred people
Without fail each day.

Wandering by the river's edge,
I love to rustle through the sedge
And through the woods of reed to tear
Almost as high as bushes are.
Yet, turning quick with shudder chill,
As danger ever does from ill,
Fear's moment ague quakes the blood,
While plop the snake coils in the flood
And, hissing with a forked tongue,
Across the river winds along.
In coat of orange, green, and blue
Now on a willow branch I view,
Grey waving to the sunny gleam,
Kingfishers watch the ripple stream
For little fish that nimble bye
And in the gravel shallows lie.


Eddies run before the boats,
Gurgling where the fisher floats,
Who takes advantage of the gale
And hoists his handkerchief for sail
On osier twigs that form a mast--
While idly lies, nor wanted more,
The spirit that pushed him on before.


There's not a hill in all the view,
Save that a forked cloud or two
Upon the verge of distance lies
And into mountains cheats the eyes.
And as to trees the willows wear
Lopped heads as high as bushes are;
Some taller things the distance shrouds
That may be trees or stacks or clouds
Or may be nothing; still they wear
A semblance where there's nought to spare.


Among the tawny tasselled reed
The ducks and ducklings float and feed.
With head oft dabbing in the flood
They fish all day the weedy mud,
And tumbler-like are bobbing there,
Heels topsy turvy in the air.


The geese in troops come droving up,
Nibble the weeds, and take a sup;
And, closely puzzled to agree,
Chatter like gossips over tea.
The gander with his scarlet nose
When strife's at height will interpose;
And, stretching neck to that and this,
With now a mutter, now a hiss,
A nibble at the feathers too,



A sort of 'pray be quiet do,'
And turning as the matter mends,
He stills them into mutual friends;
Then in a sort of triumph sings
And throws the water oer his wings.


Ah, could I see a spinney nigh,
A puddock riding in the sky
Above the oaks with easy sail
On stilly wings and forked tail,
Or meet a heath of furze in flower,
I might enjoy a quiet hour,
Sit down at rest, and walk at ease,
And find a many things to please.
But here my fancy's moods admire
The naked levels till they tire,
Nor een a molehill cushion meet
To rest on when I want a seat.


Here's little save the river scene
And grounds of oats in rustling green
And crowded growth of wheat and beans,
That with the hope of plenty leans
And cheers the farmer's gazing brow,
Who lives and triumphs in the plough--
One sometimes meets a pleasant sward
Of swarthy grass; and quickly marred
The plough soon turns it into brown,
And, when again one rambles down
The path, small hillocks burning lie
And smoke beneath a burning sky.
Green paddocks have but little charms
With gain the merchandise of farms;
And, muse and marvel where we may,
Gain mars the landscape every day--
The meadow grass turned up and copt,
The trees to stumpy dotterels lopt,
The hearth with fuel to supply
For rest to smoke and chatter bye;
Giving the joy of home delights,
The warmest mirth on coldest nights.
And so for gain, that joy's repay,
Change cheats the landscape every day,
Nor trees nor bush about it grows
That from the hatchet can repose,
And the horizon stooping smiles
Oer treeless fens of many miles.
Spring comes and goes and comes again
And all is nakedness and fen.

By the old tavern door on the causey there lay
A hogshead of stingo just rolled from a dray,
And there stood the blacksmith awaiting a drop
As dry as the cinders that lay in his shop;
And there stood the cobbler as dry as a bun,
Almost crackt like a bucket when left in the sun.
He'd whetted his knife upon pendil and hone
Till he'd not got a spittle to moisten the stone;
So ere he could work--though he'd lost the whole day--
He must wait the new broach and bemoisten his clay.


The cellar was empty, each barrel was drained
To its dregs--and Sir John like a rebel remained
In the street--for removal too powerful and large
For two or three topers to take into charge.
Odd zooks, said a gipsey, with bellows to mend,
Had I strength I would just be for helping a friend
To walk on his legs: but a child in the street
Had as much power as he to put John on his feet.
Then up came the blacksmith: Sir Barley, said he,
I should just like to storm your old tower for a spree;


And my strength for your strength and bar your renown
I'd soon try your spirit by cracking your crown.
And the cobbler he tuckt up his apron and spit
In his hands for a burster--but devil a bit
Would he move--so as yet they made nothing of land;
For there lay the knight like a whale in the sand.
Said the tinker: If I could but drink of his vein
I should just be as strong and as stubborn again.
Push along, said the toper, the cellar's adry:
There's nothing to moisten the mouth of a fly.


Says the host, We shall burn out with thirst, he's so big.
There's a cag of small swipes half as sour as a wig.
In such like extremes, why, extremes will come pat;
So let's go and wet all our whistles with that.
Says the gipsey, May I never bottom a chair
If I drink of small swipes while Sir John's lying there.
And the blacksmith he threw off his apron and swore
Small swipes should bemoisten his gullet no more:
Let it out on the floor for the dry cock-a-roach--
And he held up his hammer with threatens to broach


Sir John in his castle without leave or law
And suck out his blood with a reed or a straw
Ere he'd soak at the swipes--and he turned him to start,
Till the host for high treason came down a full quart.
Just then passed the dandy and turned up his nose:
They'd fain have him shove, but he looked at his clothes
And nipt his nose closer and twirled his stick round
And simpered, Tis nuisance to lie on the ground.



But Bacchus, he laughed from the old tavern sign,
Saying, Go on, thou shadow, and let the sun shine.


Then again they all tried, and the tinker he swore
That the hogshead had grown twice as heavy or more.
Nay nay, said the toper, and reeled as he spoke,
We're all getting weak, that's the end of the joke.
The ploughman came up and cut short his old tune,
Hallooed 'woi' to his horses and though it was June
Said he'd help them an hour ere he'd keep them adry;
Well done, said the blacksmith with hopes running high;
He moves, and, by jingo, success to the plough!
Aye aye, said the cobbler, we'll conquer him now.


The hogshead rolled forward, the toper fell back,
And the host laughed aloud as his sides they would crack
To see the old tinker's toil make such a gap
In his coat as to rend it from collar to flap.
But the tinker he grumbled and cried Fiddle-dee!
This garment hath been an old tenant with me;
And a needle and thread with a little good skill
When I've leisure will make it stand more weathers still.
Then crack went his breeks from the hip to the knee
With his thrusting--no matter; for nothing cared he.


So long as Sir John rolled along to the door,
He's a chip of our block, said the blacksmith, and swore;
And as sure as I live to drive nails in a shoe
He shall have at my cost a full pitcher or two.
And the toper he hiccuped--which hindered an oath--
So long as he'd credit, he'd pitcher them both.
But the host stopt to hint when he'd ordered the dray
Sir Barleycorn's order was purchase and pay.
And now the old knight is imprisoned and ta'en
To waste in the tavern man's cellar again.


And now, said the blacksmith, let forfeits come first
For the insult swipes offered, or his hoops I will burst.
Here it is, my old hearties--Then drink your thirst full,
Said the host, for the stingo is worth a strong pull.
Never fear for your legs if they're broken to-day;
Winds only blow straws, dust, and feathers away.
But the cask that is full, like a giant he lies,
And giants alone can his spirits capsize.
If he lies in the path, though a king's coming bye,
John Barleycorn's mighty and there he will lie.


Then the toper sat down with a hiccup and felt
If he'd still an odd coin in his pocket to melt,
And he made a wry face, for his pocket was bare.
--But he laughed and danced up, What, old boy, are you there?
When he felt that a stiver had got to his knee



Through a hole in his fob, and right happy was he.
Says the tinker, I've brawled till no breath I have got
And not met with twopence to purchase a pot.
Says the toper, I've powder to charge a long gun,
And a stiver I've found when I thought I'd got none;


So helping a thirsty old friend in his need
Is my duty--take heart, thou art welcome indeed.
Then the smith with his tools in Sir John made a breach,
And the toper he hiccuped and ended his speech;
And pulled at the quart, till the snob he declared
When he went to drink next that the bottom was bared.
No matter for that, said the toper, and grinned;
I had but a soak and neer rested for wind.
That's the law, said the smith, with a look rather vexed,
But the quart was a forfeit; so pay for the next.


Thus they talked of their skill and their labour till noon
When the sober man's toil was exactly half done,
And there the plough lay--people hardly could pass
And the horses let loose polished up the short grass
And browsed on the bottle of flags lying there,
By the gipsey's old budget, for mending a chair.
The miller's horse tied to the old smithy door
Stood stamping his feet, by the flies bitten sore,
Awaiting the smith as he wanted a shoe;
And he stampt till another fell off and made two:


Till the miller, expecting that all would get loose,
Went to seek him and cursed him outright for a goose;
But he dipt his dry beak in the mug once or twice
And forgot all his passion and toil in a trice.
And the flybitten horse at the old smithy post
Might stamp till his shoes and his legs they were lost.
He sung his old songs and forgot his old mill--
Blow winds high or low, she might rest her at will.
And the cobbler, in spite of his bustle for pelf,
Left the shop all the day to take care of itself.


And the toper who carried his house on his head,
No wife to be teazing, no bairns to be fed,
Would sit out the week or the month or the year
Or a life-time so long as he'd credit for beer.
The ploughman he talked of his skill as divine,
How he could plough thurrows as straight as a line;
And the blacksmith he swore, had he but the command,
He could shoe the king's hunter the best in the land;
And the cobbler declared, was his skill but once seen,
He should soon get an order for shoes from the queen.


But the tinker he swore he could beat them all three,
For gi' me a pair of old bellows, says he,



And I'll make them roar out like the wind in a storm
And make them blow fire out of coal hardly warm.
The toper said nothing but wished the quart full
And swore he could toss it all off at a pull.
Have one, said the tinker; but wit was away,
When the bet was to bind him he'd nothing to pay.
And thus in the face of life's sun-and-shower weather
They drank, bragged, and sung, and got merry together.


The sun he went down--the last gleam from his brow
Flung a smile of repose on the holiday plough;
The glooms they approached, and the dews like a rain
Fell thick and hung pearls on the old sorrel mane
Of the horse that the miller had brought to be shod,
And the morning awoke, saw a sight rather odd--
For a bit of the halter still hung at the door,
Bit through by the horse now at feed on the moor;
And the old tinker's budget lay still in the weather,
While all kept on singing and drinking together.

SMOOTHLY and lightly the golden seed by the furrow is cover'd;

Yet will a deeper one, friend, cover thy bones at the last.
Joyously plough'd and sow'd! Here food all living is budding,
E'en from the side of the tomb Hope will not vanish away.

The shepherd on his journey heard when nigh
His dog among the bushes barking high;
The ploughman ran and gave a hearty shout,
He found a weary fox and beat him out.
The ploughman laughed and would have ploughed him in
But the old shepherd took him for the skin.
He lay upon the furrow stretched for dead,
The old dog lay and licked the wounds that bled,
The ploughman beat him till his ribs would crack,
And then the shepherd slung him at his back;
And when he rested, to his dog's surprise,
The old fox started from his dead disguise;
And while the dog lay panting in the sedge
He up and snapt and bolted through the hedge.


He scampered to the bushes far away;
The shepherd called the ploughman to the fray;
The ploughman wished he had a gun to shoot.
The old dog barked and followed the pursuit.
The shepherd threw his hook and tottered past;
The ploughman ran but none could go so fast;
The woodman threw his faggot from the way
And ceased to chop and wondered at the fray.
But when he saw the dog and heard the cry
He threw his hatchet--but the fox was bye.
The shepherd broke his hook and lost the skin;
He found a badger hole and bolted in.
They tried to dig, but, safe from danger's way,
He lived to chase the hounds another day.

I met her on the Lachlan Side -A
darling girl I thought her,

And ere I left I swore I'd win
The free-selector's daughter.

I milked her father's cows a month,
I brought the wood and water,

I mended all the broken fence,
Before I won the daughter.

I listened to her father's yarns,
I did just what I `oughter',

And what you'll have to do to win
A free-selector's daughter.

I broke my pipe and burnt my twist,
And washed my mouth with water;

I had a shave before I kissed
The free-selector's daughter.

Then, rising in the frosty morn,
I brought the cows for Mary,

And when I'd milked a bucketful
I took it to the dairy.

I poured the milk into the dish
While Mary held the strainer,

I summoned heart to speak my wish,
And, oh! her blush grew plainer.

I told her I must leave the place,
I said that I would miss her;

At first she turned away her face,
And then she let me kiss her.

I put the bucket on the ground,
And in my arms I caught her:
I'd give the world to hold again
That free-selector's daughter!