Relationships and Family

[Month of] April

The stranger warmth of the young sun obeying,
Look! little beads of green begin to grow,
And hidden flowers have dated their tops to show
Where late such droughty dusts were rudely playing.
It's not the month, but all the world's a-maying!
Come then with me, I'll take you, for I know
Where the first hedgethorns and white windflowers blow:
We two alone,, that goes without the saying.


The month has treacherous clouds and moves in fears.
This April shames the month itself with smiles:
In whose new eyes I know no heaven of tears,
But still serene desire and between whiles,
So great a look that even April's grace
Makes only marvel at her only face.

How Heavy The Days

How heavy the days are.
There's not a fire that can warm me,
Not a sun to laugh with me,
Everything bare,
Everything cold and merciless,
And even the beloved, clear
Stars look desolately down,
Since I learned in my heart that
Love can die.


Translated by James Wright


Submitted by Holt

Across The Fields

Across the sky, the clouds move,
Across the fields, the wind,
Across the fields the lost child
Of my mother wanders.


Across the street, leaves blow,
Across the trees, birds cry --
Across the mountains, far away,
My home must be.

Across The Fields

Across the sky, the clouds move,
Across the fields, the wind,
Across the fields the lost child
Of my mother wanders.


Across the street, leaves blow,
Across the trees, birds cry --
Across the mountains, far away,
My home must be.

Voices Of The Night : Footsteps of Angels

When the hours of Day are numbered,
And the voices of the Night
Wake the better soul, that slumbered,
To a holy, calm delight;


Ere the evening lamps are lighted,
And, like phantoms grim and tall,
Shadows from the fitful firelight
Dance upon the parlor wall;


Then the forms of the departed
Enter at the open door;
The beloved, the true-hearted,
Come to visit me once more;


He, the young and strong, who cherished
Noble longings for the strife,
By the roadside fell and perished,
Weary with the march of life!


They, the holy ones and weakly,
Who the cross of suffering bore,
Folded their pale hands so meekly,
Spake with us on earth no more!


And with them the Being Beauteous,
Who unto my youth was given,
More than all things else to love me,
And is now a saint in heaven.


With a slow and noiseless footstep
Comes that messenger divine,
Takes the vacant chair beside me,
Lays her gentle hand in mine.


And she sits and gazes at me
With those deep and tender eyes,
Like the stars, so still and saint-like,
Looking downward from the skies.


Uttered not, yet comprehended,
Is the spirit's voiceless prayer,
Soft rebukes, in blessings ended,
Breathing from her lips of air.


Oh, though oft depressed and lonely,
All my fears are laid aside,
If I but remember only
Such as these have lived and died!

Village Blacksmith, The

Under a spreading chestnut tree
The village smithy stands;
The Smith, a mighty man is he,
With large and sinewy hands;
And the muscles of his brawny arms
Are strong as iron bands.

His hair is crisp, and black, and long,

His face is like the tan;
His brow is wet with honest sweat,
He earns whate'er he can
And looks the whole world in the face


For he owes not any man.

Week in, week out, from morn till night,
You can hear his bellows blow;
You can hear him swing his heavy sledge,
With measured beat and slow,
Like a sexton ringing the village bell,
When the evening sun is low.

And children coming home from school
Look in at the open door;
They love to see the flaming furge,
And hear the bellows roar,
And catch the burning sparks that fly
Like chaff from a threshing floor.

He goes on Sunday to the church
and sits among his boys;

He hears the parson pray and preach.
He hears his daughter's voice
singing in the village choir,
And it makes his heart rejoice.
It sounds to him like her mother's voice,
Singing in Paradise!
He needs must think of her once more,
How in the grave she lies;
And with his hard, rough hand he wipes
A tear out of his eyes.
Toiling, rejoicing,-sorrowing,
Onward through life he goes;
Each morning sees some task begin,
Each evening sees it close;
Something attempted, something done,
Has earned a night's repose.

Thanks, thanks to thee, my worthy friend
For the lesson thou hast taught!

Thus at the flaming forge of life
Our fortunes must be wrought;


Thus on its sounding anvil shaped
Each burning deed and thought!

The White Man's Foot

In his lodge beside a river,
Close beside a frozen river,
Sat an old man, sad and lonely.
White his hair was as a snow-drift;
Dull and low his fire was burning,
And the old man shook and trembled,
Folded in his Waubewyon,
In his tattered white-skin-wrapper,
Hearing nothing but the tempest
As it roared along the forest,
Seeing nothing but the snow-storm,
As it whirled and hissed and drifted.


All the coals were white with ashes,
And the fire was slowly dying,
As a young man, walking lightly,
At the open doorway entered.
Red with blood of youth his cheeks were,
Soft his eyes, as stars In Spring-time,
Bound his forehead was with grasses;
Bound and plumed with scented grasses,
On his lips a smile of beauty,
Filling all the lodge with sunshine,
In his hand a bunch of blossoms
Filling all the lodge with sweetness.

"Ah, my son!" exclaimed the old man,
"Happy are my eyes to see you.
Sit here on the mat beside me,
Sit here by the dying embers,
Let us pass the night together,
Tell me of your strange adventures,
Of the lands where you have travelled;
I will tell you of my prowess,
Of my many deeds of wonder."

From his pouch he drew his peace-pipe,
Very old and strangely fashioned;
Made of red stone was the pipe-head,
And the stem a reed with feathers;
Filled the pipe with bark of willow,
Placed a burning coal upon it,
Gave it to his guest, the stranger,
And began to speak in this wise:
"When I blow my breath about me,
When I breathe upon the landscape,
Motionless are all the rivers,
Hard as stone becomes the water!"

And the young man answered, smiling:
"When I blow my breath about me,
When I breathe upon the landscape,
Flowers spring up o'er all the meadows,
Singing, onward rush the rivers!"

"When I shake my hoary tresses,"
Said the old man darkly frowning,


"All the land with snow is covered;
All the leaves from all the branches
Fall and fade and die and wither,
For I breathe, and lo! they are not.
From the waters and the marshes,
Rise the wild goose and the heron,
Fly away to distant regions,
For I speak, and lo! they are not.
And where'er my footsteps wander,
All the wild beasts of the forest
Hide themselves in holes and caverns,
And the earth becomes as flintstone!"


"When I shake my flowing ringlets,"
Said the young man, softly laughing,
"Showers of rain fall warm and welcome,
Plants lift up their heads rejoicing,
Back Into their lakes and marshes
Come the wild goose and the heron,
Homeward shoots the arrowy swallow,
Sing the bluebird and the robin,
And where'er my footsteps wander,
All the meadows wave with blossoms,
All the woodlands ring with music,
All the trees are dark with foliage!"

While they spake, the night departed:
From the distant realms of Wabun,
From his shining lodge of silver,
Like a warrior robed and painted,
Came the sun, and said, "Behold me
Gheezis, the great sun, behold me!"

Then the old man's tongue was speechless
And the air grew warm and pleasant,
And upon the wigwam sweetly
Sang the bluebird and the robin,
And the stream began to murmur,
And a scent of growing grasses
Through the lodge was gently wafted.

And Segwun, the youthful stranger,
More distinctly in the daylight
Saw the icy face before him;
It was Peboan, the Winter!

From his eyes the tears were flowing,
As from melting lakes the streamlets,
And his body shrunk and dwindled
As the shouting sun ascended,
Till into the air it faded,
Till into the ground it vanished,
And the young man saw before him,
On the hearth-stone of the wigwam,
Where the fire had smoked and smouldered,
Saw the earliest flower of Spring-time,
Saw the Beauty of the Spring-time,


Saw the Miskodeed in blossom.

Thus it was that in the North-land
After that unheard-of coldness,
That intolerable Winter,
Came the Spring with all its splendor,
All its birds and all its blossoms,
All its flowers and leaves and grasses.

Sailing on the wind to northward,
Flying in great flocks, like arrows,
Like huge arrows shot through heaven,
Passed the swan, the Mahnahbezee,
Speaking almost as a man speaks;
And in long lines waving, bending
Like a bow-string snapped asunder,
Came the white goose, Waw-be-wawa;
And in pairs, or singly flying,
Mahng the loon, with clangorous pinions,
The blue heron, the Shuh-shuh-gah,
And the grouse, the Mushkodasa.

In the thickets and the meadows
Piped the bluebird, the Owaissa,
On the summit of the lodges
Sang the robin, the Opechee,
In the covert of the pine-trees
Cooed the pigeon, the Omemee;
And the sorrowing Hiawatha,
Speechless in his infinite sorrow,
Heard their voices calling to him,
Went forth from his gloomy doorway,
Stood and gazed into the heaven,
Gazed upon the earth and waters.

From his wanderings far to eastward,
From the regions of the morning,
From the shining land of Wabun,
Homeward now returned Iagoo,
The great traveller, the great boaster,
Full of new and strange adventures,
Marvels many and many wonders.

And the people of the village
Listened to him as he told them
Of his marvellous adventures,
Laughing answered him in this wise:
"Ugh! it is indeed Iagoo!
No one else beholds such wonders!"

He had seen, he said, a water
Bigger than the Big-Sea-Water,
Broader than the Gitche Gumee,
Bitter so that none could drink it!
At each other looked the warriors,
Looked the women at each other,
Smiled, and said, "It cannot be so!"
Kaw!" they said, it cannot be so!"


O'er it, said he, o'er this water
Came a great canoe with pinions,
A canoe with wings came flying,
Bigger than a grove of pine-trees,
Taller than the tallest tree-tops!
And the old men and the women
Looked and tittered at each other;
"Kaw!" they said, "we don't believe it!"

From its mouth, he said, to greet him,
Came Waywassimo, the lightning,
Came the thunder, Annemeekee!
And the warriors and the women
Laughed aloud at poor Iagoo;
"Kaw!" they said, "what tales you tell us!"

In it, said he, came a people,
In the great canoe with pinions
Came, he said, a hundred warriors;
Painted white were all their faces
And with hair their chins were covered!
And the warriors and the women
Laughed and shouted in derision,
Like the ravens on the tree-tops,
Like the crows upon the hemlocks.
"Kaw!" they said, "what lies you tell us!
Do not think that we believe them!"

Only Hiawatha laughed not,
But he gravely spake and answered
To their jeering and their jesting:
"True is all Iagoo tells us;
I have seen it in a vision,
Seen the great canoe with pinions,
Seen the people with white faces,
Seen the coming of this bearded
People of the wooden vessel
From the regions of the morning,
From the shining land of Wabun.

"Gitche Manito, the Mighty,
The Great Spirit, the Creator,
Sends them hither on his errand.
Sends them to us with his message.
Wheresoe'er they move, before them
Swarms the stinging fly, the Ahmo,
Swarms the bee, the honey-maker;
Wheresoe'er they tread, beneath them
Springs a flower unknown among us,
Springs the White-man's Foot in blossom.

"Let us welcome, then, the strangers,
Hail them as our friends and brothers,
And the heart's right hand of friendship
Give them when they come to see us.
Gitche Manito, the Mighty,
Said this to me in my vision.


"I beheld, too, in that vision
All the secrets of the future,
Of the distant days that shall be.
I beheld the westward marches
Of the unknown, crowded nations.
All the land was full of people,
Restless, struggling, toiling, striving,
Speaking many tongues, yet feeling
But one heart-beat in their bosoms.
In the woodlands rang their axes,
Smoked their towns in all the valleys,
Over all the lakes and rivers
Rushed their great canoes of thunder.

"Then a darker, drearier vision
Passed before me, vague and cloud-like;
I beheld our nation scattered,
All forgetful of my counsels,
Weakened, warring with each other:
Saw the remnants of our people
Sweeping westward, wild and woful,
Like the cloud-rack of a tempest,
Like the withered leaves of Autumn!"

The Village Blacksmith

Under a spreading chestnut tree
The village smithy stands;
The smith, a might man is he,
With large and sinewy hands;
And the muscles of his brawney arms
Are strong as iron bands.


His hair is crisp, and black, and long,
His face is like the tan;
His brow is wet with honest sweat,
He earns what'er he can,
And looks the whole word in the face,
For he owes not any man.


Week in, week out, from morn till night,
You can hear the bellows blow;
You can hear him swing his might sledge,
With measure beat and slow,
Like a sexton ringing the village bell,
When the evening sun is low.


And children coming home from school
Look in the open door;
They love to see the flaming forge,
And hear the bellows roar.
And catch the flaming sparks that fly
Like chaff from a threshing floor.


He goes on Sunday to the church,
And sits among his boys;
He hears the parson pray and preach,
He hears his daughter's voice,
Singing in the choir,
And it makes his heart rejoice.


It sounds to him like his mother's voice,
Singing in Paradise!
He needs must think of her once more,
How in the grave she lies;
And with his hard, rough hands he wipes
A tear out of his eyes.


Toiing, -- rejoicing, -- sorrowing,
Onward in life he goes;
Each morning sees some task begin,
Each evening sees it close;
Something attempted, something done,
Has earned his night's repose.


Thanks, thanks to thee, my worthy friend,
For the lesson thou has taught!
Thus at the flaming forge of life



Our fortunes must be wrought;
Thus on its sounding anvil shaped
Each burning deed and thought.

The Song of Hiawatha: X

X. Hiawatha's Wooing
"As unto the bow the cord is,
So unto the man is woman,
Though she bends him, she obeys him,
Though she draws him, yet she follows,
Useless each without the other!"


Thus the youthful Hiawatha
Said within himself and pondered,
Much perplexed by various feelings,
Listless, longing, hoping, fearing,
Dreaming still of Minnehaha,
Of the lovely Laughing Water,
In the land of the Dacotahs.


"Wed a maiden of your people,"
Warning said the old Nokomis;
"Go not eastward, go not westward,
For a stranger, whom we know not!
Like a fire upon the hearth-stone
Is a neighbor's homely daughter,
Like the starlight or the moonlight
Is the handsomest of strangers!"


Thus dissuading spake Nokomis,
And my Hiawatha answered
Only this: "Dear old Nokomis,
Very pleasant is the firelight,
But I like the starlight better,
Better do I like the moonlight!"


Gravely then said old Nokomis:
"Bring not here an idle maiden,
Bring not here a useless woman,
Hands unskilful, feet unwilling;
Bring a wife with nimble fingers,
Heart and hand that move together,
Feet that run on willing errands!"


Smiling answered Hiawatha:
"In the land of the Dacotahs
Lives the Arrow-maker's daughter,
Minnehaha, Laughing Water,
Handsomest of all the women.
I will bring her to your wigwam,
She shall run upon your errands,
Be your starlight, moonlight, firelight,
Be the sunlight of my people!"


Still dissuading said Nokomis:
"Bring not to my lodge a stranger



From the land of the Dacotahs!
Very fierce are the Dacotahs,
Often is there war between us,
There are feuds yet unforgotten,
Wounds that ache and still may open!


Laughing answered Hiawatha:
"For that reason, if no other,
Would I wed the fair Dacotah,
That our tribes might be united,
That old feuds might be forgotten,
And old wounds be healed forever!"


Thus departed Hiawatha
To the land of the Dacotahs,
To the land of handsome women;
Striding over moor and meadow,
Through interminable forests,
Through uninterrupted silence.


With his moccasins of magic,
At each stride a mile he measured;
Yet the way seemed long before him,
And his heart outran his footsteps;
And he journeyed without resting,
Till he heard the cataract's laughter,
Heard the Falls of Minnehaha
Calling to him through the silence.
"Pleasant is the sound!" he murmured,
"Pleasant is the voice that calls me!"


On the outskirts of the forests,
'Twixt the shadow and the sunshine,
Herds of fallow deer were feeding,
But they saw not Hiawatha;
To his bow be whispered, "Fail not!"
To his arrow whispered, "Swerve not!"
Sent it singing on its errand,
To the red heart of the roebuck;
Threw the deer across his shoulder,
And sped forward without pausing.


At the doorway of his wigwam
Sat his ancient Arrow-maker,
In the land of the Dacotahs,
Making arrow-heads of jasper,
Arrow-heads of chalcedony.
At his side, in all her beauty,
Sat the lovely Minnehaha,
Sat his daughter, Laughing Water,
Plaiting mats of flags and rushes;
Of the past the old man's thoughts were,



And the maiden's of the future.


He was thinking, as he sat there,
Of the days when with such arrows
He had struck the deer and bison,
On the Muskoday, the meadow;
Shot the wild goose, flying southward,
On the wing, the clamorous Wawa;
Thinking of the great war-parties,
How they came to buy his arrows,
Could not fight without his arrows.
Ah, no more such noble warriors
Could be found on earth as they were!
Now the men were all like women,
Only used their tongues for weapons!


She was thinking of a hunter,
From another tribe and country,
Young and tall and very handsome,
Who one morning, in the Spring-time,
Came to buy her father's arrows,
Lingered long about the doorway,
Sat and rested in the wigwam,
Looking back as he departed.
She had heard her father praise him,
Praise his courage and his wisdom;
Would he come again for arrows
To the Falls of Minnehaha?
On the mat her hands lay idle,
And her eyes were very dreamy.


Through their thoughts they heard a footstep,
Heard a rustling in the branches,
And with glowing cheek and forehead,
With the deer upon his shoulders,
Suddenly from out the woodlands
Hiawatha stood before them.


Straight the ancient Arrow-maker
Looked up gravely from his labor,
Laid aside the unfinished arrow,
Bade him enter at the doorway,
Saying, as he rose to meet him,
"Hiawatha, you are welcome!"


At the feet of Laughing Water
Hiawatha laid his burden,
Threw the red deer from his shoulders;
And the maiden looked up at him,
Looked up from her mat of rushes,
Said with gentle look and accent,
"You are welcome, Hiawatha!"



Very spacious was the wigwam,
Made of deer-skins dressed and whitened,
With the Gods of the Dacotahs
Drawn and painted on its curtains,
And so tall the doorway, hardly
Hiawatha stooped to enter,
Hardly touched his eagle-feathers
As he entered at the doorway.


Then uprose the Laughing Water,
From the ground fair Minnehaha,
Laid aside her mat unfinished,
Brought forth food and set before them,
Water brought them from the brooklet,
Gave them food in earthen vessels,
Gave them drink in bowls of bass-wood,
Listened while the guest was speaking,
Listened while her father answered,
But not once her lips she opened,
Not a single word she uttered.


Yes, as in a dream she listened
To the words of Hiawatha,
As he talked of old Nokomis,
Who had nursed him in his childhood,
As he told of his companions,
Chibiabos, the musician,
And the very strong man, Kwasind,
And of happiness and plenty
In the land of the Ojibways,
In the pleasant land and peaceful.


"After many years of warfare,
Many years of strife and bloodshed,
There is peace between the Ojibways
And the tribe of the Dacotahs."
Thus continued Hiawatha,
And then added, speaking slowly,
'That this peace may last forever,
And our hands be clasped more closely,
And our hearts be more united,
Give me as my wife this maiden,
Minnehaha, Laughing Water,
Loveliest of Dacotah women!


And the ancient Arrow-maker
Paused a moment ere he answered,
Smoked a little while in silence,
Looked at Hiawatha proudly,
Fondly looked at Laughing Water,
And made answer very gravely:



"Yes, if Minnehaha wishes;
Let your heart speak, Minnehaha!"


And the lovely Laughing Water
Seemed more lovely as she stood there,
Neither willing nor reluctant,
As she went to Hiawatha,
Softly took the seat beside him,
While she said, and blushed to say it,
"I will follow you, my husband!"


This was Hiawatha's wooing!
Thus it was he won the daughter
Of the ancient Arrow-maker,
In the land of the Dacotahs!


From the wigwam he departed,
Leading with him Laughing Water;
Hand in hand they went together,
Through the woodland and the meadow,
Left the old man standing lonely
At the doorway of his wigwam,
Heard the Falls of Minnehaha
Calling to them from the distance,
Crying to them from afar off,
"Fare thee well, O Minnehaha!"


And the ancient Arrow-maker
Turned again unto his labor,
Sat down by his sunny doorway,
Murmuring to himself, and saying:
"Thus it is our daughters leave us,
Those we love, and those who love us!
Just when they have learned to help us,
When we are old and lean upon them,
Comes a youth with flaunting feathers,
With his flute of reeds, a stranger
Wanders piping through the village,
Beckons to the fairest maiden,
And she follows where he leads her,
Leaving all things for the stranger!"


Pleasant was the journey homeward,
Through interminable forests,
Over meadow, over mountain,
Over river, hill, and hollow.
Short it seemed to Hiawatha,
Though they journeyed very slowly,
Though his pace he checked and slackened
To the steps of Laughing Water.


Over wide and rushing rivers



In his arms he bore the maiden;
Light he thought her as a feather,
As the plume upon his head-gear;
Cleared the tangled pathway for her,
Bent aside the swaying branches,
Made at night a lodge of branches,
And a bed with boughs of hemlock,
And a fire before the doorway
With the dry cones of the pine-tree.


All the travelling winds went with them,
O'er the meadows, through the forest;
All the stars of night looked at them,
Watched with sleepless eyes their slumber;
From his ambush in the oak-tree
Peeped the squirrel, Adjidaumo,
Watched with eager eyes the lovers;
And the rabbit, the Wabasso,
Scampered from the path before them,
Peering, peeping from his burrow,
Sat erect upon his haunches,
Watched with curious eyes the lovers.


Pleasant was the journey homeward!
All the birds sang loud and sweetly
Songs of happiness and heart's-ease;
Sang the bluebird, the Owaissa,
"Happy are you, Hiawatha,
Having such a wife to love you!"
Sang the robin, the Opechee,
"Happy are you, Laughing Water,
Having such a noble husband!"


From the sky the sun benignant
Looked upon them through the branches,
Saying to them, "O my children,
Love is sunshine, hate is shadow,
Life is checkered shade and sunshine,
Rule by love, O Hiawatha!"


From the sky the moon looked at them,
Filled the lodge with mystic splendors,
Whispered to them, "O my children,
Day is restless, night is quiet,
Man imperious, woman feeble;
Half is mine, although I follow;
Rule by patience, Laughing Water!"


Thus it was they journeyed homeward;
Thus it was that Hiawatha
To the lodge of old Nokomis
Brought the moonlight, starlight, firelight,



Brought the sunshine of his people,
Minnehaha, Laughing Water,
Handsomest of all the women
In the land of the Dacotahs,
In the land of handsome women.

The Song of Hiawatha: X

X. Hiawatha's Wooing
"As unto the bow the cord is,
So unto the man is woman,
Though she bends him, she obeys him,
Though she draws him, yet she follows,
Useless each without the other!"


Thus the youthful Hiawatha
Said within himself and pondered,
Much perplexed by various feelings,
Listless, longing, hoping, fearing,
Dreaming still of Minnehaha,
Of the lovely Laughing Water,
In the land of the Dacotahs.


"Wed a maiden of your people,"
Warning said the old Nokomis;
"Go not eastward, go not westward,
For a stranger, whom we know not!
Like a fire upon the hearth-stone
Is a neighbor's homely daughter,
Like the starlight or the moonlight
Is the handsomest of strangers!"


Thus dissuading spake Nokomis,
And my Hiawatha answered
Only this: "Dear old Nokomis,
Very pleasant is the firelight,
But I like the starlight better,
Better do I like the moonlight!"


Gravely then said old Nokomis:
"Bring not here an idle maiden,
Bring not here a useless woman,
Hands unskilful, feet unwilling;
Bring a wife with nimble fingers,
Heart and hand that move together,
Feet that run on willing errands!"


Smiling answered Hiawatha:
"In the land of the Dacotahs
Lives the Arrow-maker's daughter,
Minnehaha, Laughing Water,
Handsomest of all the women.
I will bring her to your wigwam,
She shall run upon your errands,
Be your starlight, moonlight, firelight,
Be the sunlight of my people!"


Still dissuading said Nokomis:
"Bring not to my lodge a stranger



From the land of the Dacotahs!
Very fierce are the Dacotahs,
Often is there war between us,
There are feuds yet unforgotten,
Wounds that ache and still may open!


Laughing answered Hiawatha:
"For that reason, if no other,
Would I wed the fair Dacotah,
That our tribes might be united,
That old feuds might be forgotten,
And old wounds be healed forever!"


Thus departed Hiawatha
To the land of the Dacotahs,
To the land of handsome women;
Striding over moor and meadow,
Through interminable forests,
Through uninterrupted silence.


With his moccasins of magic,
At each stride a mile he measured;
Yet the way seemed long before him,
And his heart outran his footsteps;
And he journeyed without resting,
Till he heard the cataract's laughter,
Heard the Falls of Minnehaha
Calling to him through the silence.
"Pleasant is the sound!" he murmured,
"Pleasant is the voice that calls me!"


On the outskirts of the forests,
'Twixt the shadow and the sunshine,
Herds of fallow deer were feeding,
But they saw not Hiawatha;
To his bow be whispered, "Fail not!"
To his arrow whispered, "Swerve not!"
Sent it singing on its errand,
To the red heart of the roebuck;
Threw the deer across his shoulder,
And sped forward without pausing.


At the doorway of his wigwam
Sat his ancient Arrow-maker,
In the land of the Dacotahs,
Making arrow-heads of jasper,
Arrow-heads of chalcedony.
At his side, in all her beauty,
Sat the lovely Minnehaha,
Sat his daughter, Laughing Water,
Plaiting mats of flags and rushes;
Of the past the old man's thoughts were,



And the maiden's of the future.


He was thinking, as he sat there,
Of the days when with such arrows
He had struck the deer and bison,
On the Muskoday, the meadow;
Shot the wild goose, flying southward,
On the wing, the clamorous Wawa;
Thinking of the great war-parties,
How they came to buy his arrows,
Could not fight without his arrows.
Ah, no more such noble warriors
Could be found on earth as they were!
Now the men were all like women,
Only used their tongues for weapons!


She was thinking of a hunter,
From another tribe and country,
Young and tall and very handsome,
Who one morning, in the Spring-time,
Came to buy her father's arrows,
Lingered long about the doorway,
Sat and rested in the wigwam,
Looking back as he departed.
She had heard her father praise him,
Praise his courage and his wisdom;
Would he come again for arrows
To the Falls of Minnehaha?
On the mat her hands lay idle,
And her eyes were very dreamy.


Through their thoughts they heard a footstep,
Heard a rustling in the branches,
And with glowing cheek and forehead,
With the deer upon his shoulders,
Suddenly from out the woodlands
Hiawatha stood before them.


Straight the ancient Arrow-maker
Looked up gravely from his labor,
Laid aside the unfinished arrow,
Bade him enter at the doorway,
Saying, as he rose to meet him,
"Hiawatha, you are welcome!"


At the feet of Laughing Water
Hiawatha laid his burden,
Threw the red deer from his shoulders;
And the maiden looked up at him,
Looked up from her mat of rushes,
Said with gentle look and accent,
"You are welcome, Hiawatha!"



Very spacious was the wigwam,
Made of deer-skins dressed and whitened,
With the Gods of the Dacotahs
Drawn and painted on its curtains,
And so tall the doorway, hardly
Hiawatha stooped to enter,
Hardly touched his eagle-feathers
As he entered at the doorway.


Then uprose the Laughing Water,
From the ground fair Minnehaha,
Laid aside her mat unfinished,
Brought forth food and set before them,
Water brought them from the brooklet,
Gave them food in earthen vessels,
Gave them drink in bowls of bass-wood,
Listened while the guest was speaking,
Listened while her father answered,
But not once her lips she opened,
Not a single word she uttered.


Yes, as in a dream she listened
To the words of Hiawatha,
As he talked of old Nokomis,
Who had nursed him in his childhood,
As he told of his companions,
Chibiabos, the musician,
And the very strong man, Kwasind,
And of happiness and plenty
In the land of the Ojibways,
In the pleasant land and peaceful.


"After many years of warfare,
Many years of strife and bloodshed,
There is peace between the Ojibways
And the tribe of the Dacotahs."
Thus continued Hiawatha,
And then added, speaking slowly,
'That this peace may last forever,
And our hands be clasped more closely,
And our hearts be more united,
Give me as my wife this maiden,
Minnehaha, Laughing Water,
Loveliest of Dacotah women!


And the ancient Arrow-maker
Paused a moment ere he answered,
Smoked a little while in silence,
Looked at Hiawatha proudly,
Fondly looked at Laughing Water,
And made answer very gravely:



"Yes, if Minnehaha wishes;
Let your heart speak, Minnehaha!"


And the lovely Laughing Water
Seemed more lovely as she stood there,
Neither willing nor reluctant,
As she went to Hiawatha,
Softly took the seat beside him,
While she said, and blushed to say it,
"I will follow you, my husband!"


This was Hiawatha's wooing!
Thus it was he won the daughter
Of the ancient Arrow-maker,
In the land of the Dacotahs!


From the wigwam he departed,
Leading with him Laughing Water;
Hand in hand they went together,
Through the woodland and the meadow,
Left the old man standing lonely
At the doorway of his wigwam,
Heard the Falls of Minnehaha
Calling to them from the distance,
Crying to them from afar off,
"Fare thee well, O Minnehaha!"


And the ancient Arrow-maker
Turned again unto his labor,
Sat down by his sunny doorway,
Murmuring to himself, and saying:
"Thus it is our daughters leave us,
Those we love, and those who love us!
Just when they have learned to help us,
When we are old and lean upon them,
Comes a youth with flaunting feathers,
With his flute of reeds, a stranger
Wanders piping through the village,
Beckons to the fairest maiden,
And she follows where he leads her,
Leaving all things for the stranger!"


Pleasant was the journey homeward,
Through interminable forests,
Over meadow, over mountain,
Over river, hill, and hollow.
Short it seemed to Hiawatha,
Though they journeyed very slowly,
Though his pace he checked and slackened
To the steps of Laughing Water.


Over wide and rushing rivers



In his arms he bore the maiden;
Light he thought her as a feather,
As the plume upon his head-gear;
Cleared the tangled pathway for her,
Bent aside the swaying branches,
Made at night a lodge of branches,
And a bed with boughs of hemlock,
And a fire before the doorway
With the dry cones of the pine-tree.


All the travelling winds went with them,
O'er the meadows, through the forest;
All the stars of night looked at them,
Watched with sleepless eyes their slumber;
From his ambush in the oak-tree
Peeped the squirrel, Adjidaumo,
Watched with eager eyes the lovers;
And the rabbit, the Wabasso,
Scampered from the path before them,
Peering, peeping from his burrow,
Sat erect upon his haunches,
Watched with curious eyes the lovers.


Pleasant was the journey homeward!
All the birds sang loud and sweetly
Songs of happiness and heart's-ease;
Sang the bluebird, the Owaissa,
"Happy are you, Hiawatha,
Having such a wife to love you!"
Sang the robin, the Opechee,
"Happy are you, Laughing Water,
Having such a noble husband!"


From the sky the sun benignant
Looked upon them through the branches,
Saying to them, "O my children,
Love is sunshine, hate is shadow,
Life is checkered shade and sunshine,
Rule by love, O Hiawatha!"


From the sky the moon looked at them,
Filled the lodge with mystic splendors,
Whispered to them, "O my children,
Day is restless, night is quiet,
Man imperious, woman feeble;
Half is mine, although I follow;
Rule by patience, Laughing Water!"


Thus it was they journeyed homeward;
Thus it was that Hiawatha
To the lodge of old Nokomis
Brought the moonlight, starlight, firelight,



Brought the sunshine of his people,
Minnehaha, Laughing Water,
Handsomest of all the women
In the land of the Dacotahs,
In the land of handsome women.

The Song Of Hiawatha XIV: Picture-Writing

In those days said Hiawatha,
'Lo! how all things fade and perish!
From the memory of the old men
Pass away the great traditions,
The achievements of the warriors,
The adventures of the hunters,
All the wisdom of the Medas,
All the craft of the Wabenos,
All the marvellous dreams and visions
Of the Jossakeeds, the Prophets!
'Great men die and are forgotten,
Wise men speak; their words of wisdom
Perish in the ears that hear them,
Do not reach the generations
That, as yet unborn, are waiting
In the great, mysterious darkness
Of the speechless days that shall be!
'On the grave-posts of our fathers
Are no signs, no figures painted;
Who are in those graves we know not,
Only know they are our fathers.
Of what kith they are and kindred,
From what old, ancestral Totem,
Be it Eagle, Bear, or Beaver,
They descended, this we know not,
Only know they are our fathers.
'Face to face we speak together,
But we cannot speak when absent,
Cannot send our voices from us
To the friends that dwell afar off;
Cannot send a secret message,
But the bearer learns our secret,
May pervert it, may betray it,
May reveal it unto others.'
Thus said Hiawatha, walking
In the solitary forest,
Pondering, musing in the forest,
On the welfare of his people.
From his pouch he took his colors,
Took his paints of different colors,
On the smooth bark of a birch-tree
Painted many shapes and figures,
Wonderful and mystic figures,
And each figure had a meaning,
Each some word or thought suggested.
Gitche Manito the Mighty,
He, the Master of Life, was painted
As an egg, with points projecting
To the four winds of the heavens.
Everywhere is the Great Spirit,
Was the meaning of this symbol.
Gitche Manito the Mighty,



He the dreadful Spirit of Evil,
As a serpent was depicted,
As Kenabeek, the great serpent.
Very crafty, very cunning,
Is the creeping Spirit of Evil,
Was the meaning of this symbol.
Life and Death he drew as circles,
Life was white, but Death was darkened;
Sun and moon and stars he painted,
Man and beast, and fish and reptile,
Forests, mountains, lakes, and rivers.
For the earth he drew a straight line,
For the sky a bow above it;
White the space between for daytime,
Filled with little stars for night-time;
On the left a point for sunrise,
On the right a point for sunset,
On the top a point for noontide,
And for rain and cloudy weather
Waving lines descending from it.


Footprints pointing towards a wigwam
Were a sign of invitation,
Were a sign of guests assembling;
Bloody hands with palms uplifted
Were a symbol of destruction,
Were a hostile sign and symbol.
All these things did Hiawatha
Show unto his wondering people,
And interpreted their meaning,
And he said: 'Behold, your grave-posts
Have no mark, no sign, nor symbol,
Go and paint them all with figures;
Each one with its household symbol,
With its own ancestral Totem;
So that those who follow after
May distinguish them and know them.'
And they painted on the grave-posts
On the graves yet unforgotten,
Each his own ancestral Totem,
Each the symbol of his household;
Figures of the Bear and Reindeer,
Of the Turtle, Crane, and Beaver,
Each inverted as a token
That the owner was departed,
That the chief who bore the symbol
Lay beneath in dust and ashes.
And the Jossakeeds, the Prophets,
The Wabenos, the Magicians,
And the Medicine-men, the Medas,
Painted upon bark and deer-skin
Figures for the songs they chanted,



For each song a separate symbol,
Figures mystical and awful,
Figures strange and brightly colored;
And each figure had its meaning,
Each some magic song suggested.
The Great Spirit, the Creator,
Flashing light through all the heaven;
The Great Serpent, the Kenabeek,
With his bloody crest erected,
Creeping, looking into heaven;
In the sky the sun, that listens,
And the moon eclipsed and dying;
Owl and eagle, crane and hen-hawk,
And the cormorant, bird of magic;
Headless men, that walk the heavens,
Bodies lying pierced with arrows,
Bloody hands of death uplifted,
Flags on graves, and great war-captains
Grasping both the earth and heaven!
Such as these the shapes they painted
On the birch-bark and the deer-skin;
Songs of war and songs of hunting,
Songs of medicine and of magic,
All were written in these figures,
For each figure had its meaning,
Each its separate song recorded.
Nor forgotten was the Love-Song,
The most subtle of all medicines,
The most potent spell of magic,
Dangerous more than war or hunting!
Thus the Love-Song was recorded,
Symbol and interpretation.
First a human figure standing,
Painted in the brightest scarlet;
`T Is the lover, the musician,
And the meaning is, 'My painting
Makes me powerful over others.'
Then the figure seated, singing,
Playing on a drum of magic,
And the interpretation, 'Listen!
`T Is my voice you hear, my singing!'
Then the same red figure seated
In the shelter of a wigwam,
And the meaning of the symbol,
'I will come and sit beside you
In the mystery of my passion!'
Then two figures, man and woman,
Standing hand in hand together
With their hands so clasped together
That they seemed in one united,
And the words thus represented
Are, 'I see your heart within you,



And your cheeks are red with blushes!'
Next the maiden on an island,
In the centre of an Island;
And the song this shape suggested
Was, 'Though you were at a distance,
Were upon some far-off island,
Such the spell I cast upon you,
Such the magic power of passion,
I could straightway draw you to me!'
Then the figure of the maiden
Sleeping, and the lover near her,
Whispering to her in her slumbers,
Saying, 'Though you were far from me
In the land of Sleep and Silence,
Still the voice of love would reach you!'
And the last of all the figures
Was a heart within a circle,
Drawn within a magic circle;
And the image had this meaning:
'Naked lies your heart before me,
To your naked heart I whisper!'
Thus it was that Hiawatha,
In his wisdom, taught the people
All the mysteries of painting,
All the art of Picture-Writing,
On the smooth bark of the birch-tree,
On the white skin of the reindeer,
On the grave-posts of the village.

The Song of Hiawatha X: Hiawatha's Wooing

'As unto the bow the cord is,
So unto the man is woman,
Though she bends him, she obeys him,
Though she draws him, yet she follows,
Useless each without the other!'


Thus the youthful Hiawatha
Said within himself and pondered,
Much perplexed by various feelings,
Listless, longing, hoping, fearing,
Dreaming still of Minnehaha,
Of the lovely Laughing Water,
In the land of the Dacotahs.


'Wed a maiden of your people,'
Warning said the old Nokomis;
'Go not eastward, go not westward,
For a stranger, whom we know not!
Like a fire upon the hearth-stone
Is a neighbor's homely daughter,
Like the starlight or the moonlight
Is the handsomest of strangers!'


Thus dissuading spake Nokomis,
And my Hiawatha answered
Only this: 'Dear old Nokomis,
Very pleasant is the firelight,
But I like the starlight better,
Better do I like the moonlight!'


Gravely then said old Nokomis:
'Bring not here an idle maiden,
Bring not here a useless woman,
Hands unskilful, feet unwilling;
Bring a wife with nimble fingers,
Heart and hand that move together,
Feet that run on willing errands!'


Smiling answered Hiawatha:
'In the land of the Dacotahs
Lives the Arrow-maker's daughter,
Minnehaha, Laughing Water,
Handsomest of all the women.
I will bring her to your wigwam,
She shall run upon your errands,
Be your starlight, moonlight, firelight,
Be the sunlight of my people!'


Still dissuading said Nokomis:
'Bring not to my lodge a stranger
From the land of the Dacotahs!
Very fierce are the Dacotahs,



Often is there war between us,
There are feuds yet unforgotten,
Wounds that ache and still may open!


Laughing answered Hiawatha:
'For that reason, if no other,
Would I wed the fair Dacotah,
That our tribes might be united,
That old feuds might be forgotten,
And old wounds be healed forever!'


Thus departed Hiawatha
To the land of the Dacotahs,
To the land of handsome women;
Striding over moor and meadow,
Through interminable forests,
Through uninterrupted silence.


With his moccasins of magic,
At each stride a mile he measured;
Yet the way seemed long before him,
And his heart outran his footsteps;
And he journeyed without resting,
Till he heard the cataract's laughter,
Heard the Falls of Minnehaha
Calling to him through the silence.
'Pleasant is the sound!' he murmured,
'Pleasant is the voice that calls me!'


On the outskirts of the forests,
'Twixt the shadow and the sunshine,
Herds of fallow deer were feeding,
But they saw not Hiawatha;
To his bow be whispered, 'Fail not!'
To his arrow whispered, 'Swerve not!'
Sent it singing on its errand,
To the red heart of the roebuck;
Threw the deer across his shoulder,
And sped forward without pausing.


At the doorway of his wigwam
Sat his ancient Arrow-maker,
In the land of the Dacotahs,
Making arrow-heads of jasper,
Arrow-heads of chalcedony.
At his side, in all her beauty,
Sat the lovely Minnehaha,
Sat his daughter, Laughing Water,
Plaiting mats of flags and rushes;
Of the past the old man's thoughts were,
And the maiden's of the future.



He was thinking, as he sat there,
Of the days when with such arrows
He had struck the deer and bison,
On the Muskoday, the meadow;
Shot the wild goose, flying southward,
On the wing, the clamorous Wawa;
Thinking of the great war-parties,
How they came to buy his arrows,
Could not fight without his arrows.
Ah, no more such noble warriors
Could be found on earth as they were!
Now the men were all like women,
Only used their tongues for weapons!


She was thinking of a hunter,
From another tribe and country,
Young and tall and very handsome,
Who one morning, in the Spring-time,
Came to buy her father's arrows,
Lingered long about the doorway,
Sat and rested in the wigwam,
Looking back as he departed.
She had heard her father praise him,
Praise his courage and his wisdom;
Would he come again for arrows
To the Falls of Minnehaha?
On the mat her hands lay idle,
And her eyes were very dreamy.


Through their thoughts they heard a footstep,
Heard a rustling in the branches,
And with glowing cheek and forehead,
With the deer upon his shoulders,
Suddenly from out the woodlands
Hiawatha stood before them.


Straight the ancient Arrow-maker
Looked up gravely from his labor,
Laid aside the unfinished arrow,
Bade him enter at the doorway,
Saying, as he rose to meet him,
'Hiawatha, you are welcome!'


At the feet of Laughing Water
Hiawatha laid his burden,
Threw the red deer from his shoulders;
And the maiden looked up at him,
Looked up from her mat of rushes,
Said with gentle look and accent,
'You are welcome, Hiawatha!'


Very spacious was the wigwam,



Made of deer-skins dressed and whitened,
With the Gods of the Dacotahs
Drawn and painted on its curtains,
And so tall the doorway, hardly
Hiawatha stooped to enter,
Hardly touched his eagle-feathers
As he entered at the doorway.


Then uprose the Laughing Water,
From the ground fair Minnehaha,
Laid aside her mat unfinished,
Brought forth food and set before them,
Water brought them from the brooklet,
Gave them food in earthen vessels,
Gave them drink in bowls of bass-wood,
Listened while the guest was speaking,
Listened while her father answered,
But not once her lips she opened,
Not a single word she uttered.


Yes, as in a dream she listened
To the words of Hiawatha,
As he talked of old Nokomis,
Who had nursed him in his childhood,
As he told of his companions,
Chibiabos, the musician,
And the very strong man, Kwasind,
And of happiness and plenty
In the land of the Ojibways,
In the pleasant land and peaceful.


'After many years of warfare,
Many years of strife and bloodshed,
There is peace between the Ojibways
And the tribe of the Dacotahs.'
Thus continued Hiawatha,
And then added, speaking slowly,
'That this peace may last forever,
And our hands be clasped more closely,
And our hearts be more united,
Give me as my wife this maiden,
Minnehaha, Laughing Water,
Loveliest of Dacotah women!


And the ancient Arrow-maker
Paused a moment ere he answered,
Smoked a little while in silence,
Looked at Hiawatha proudly,
Fondly looked at Laughing Water,
And made answer very gravely:
'Yes, if Minnehaha wishes;
Let your heart speak, Minnehaha!'



And the lovely Laughing Water
Seemed more lovely as she stood there,
Neither willing nor reluctant,
As she went to Hiawatha,
Softly took the seat beside him,
While she said, and blushed to say it,
'I will follow you, my husband!'


This was Hiawatha's wooing!
Thus it was he won the daughter
Of the ancient Arrow-maker,
In the land of the Dacotahs!


From the wigwam he departed,
Leading with him Laughing Water;
Hand in hand they went together,
Through the woodland and the meadow,
Left the old man standing lonely
At the doorway of his wigwam,
Heard the Falls of Minnehaha
Calling to them from the distance,
Crying to them from afar off,
'Fare thee well, O Minnehaha!'


And the ancient Arrow-maker
Turned again unto his labor,
Sat down by his sunny doorway,
Murmuring to himself, and saying:
'Thus it is our daughters leave us,
Those we love, and those who love us!
Just when they have learned to help us,
When we are old and lean upon them,
Comes a youth with flaunting feathers,
With his flute of reeds, a stranger
Wanders piping through the village,
Beckons to the fairest maiden,
And she follows where he leads her,
Leaving all things for the stranger!'


Pleasant was the journey homeward,
Through interminable forests,
Over meadow, over mountain,
Over river, hill, and hollow.
Short it seemed to Hiawatha,
Though they journeyed very slowly,
Though his pace he checked and slackened
To the steps of Laughing Water.


Over wide and rushing rivers
In his arms he bore the maiden;
Light he thought her as a feather,



As the plume upon his head-gear;
Cleared the tangled pathway for her,
Bent aside the swaying branches,
Made at night a lodge of branches,
And a bed with boughs of hemlock,
And a fire before the doorway
With the dry cones of the pine-tree.


All the travelling winds went with them,
O'er the meadows, through the forest;
All the stars of night looked at them,
Watched with sleepless eyes their slumber;
From his ambush in the oak-tree
Peeped the squirrel, Adjidaumo,
Watched with eager eyes the lovers;
And the rabbit, the Wabasso,
Scampered from the path before them,
Peering, peeping from his burrow,
Sat erect upon his haunches,
Watched with curious eyes the lovers.


Pleasant was the journey homeward!
All the birds sang loud and sweetly
Songs of happiness and heart's-ease;
Sang the bluebird, the Owaissa,
'Happy are you, Hiawatha,
Having such a wife to love you!'
Sang the robin, the Opechee,
'Happy are you, Laughing Water,
Having such a noble husband!'


From the sky the sun benignant
Looked upon them through the branches,
Saying to them, 'O my children,
Love is sunshine, hate is shadow,
Life is checkered shade and sunshine,
Rule by love, O Hiawatha!'


From the sky the moon looked at them,
Filled the lodge with mystic splendors,
Whispered to them, 'O my children,
Day is restless, night is quiet,
Man imperious, woman feeble;
Half is mine, although I follow;
Rule by patience, Laughing Water!'


Thus it was they journeyed homeward;
Thus it was that Hiawatha
To the lodge of old Nokomis
Brought the moonlight, starlight, firelight,
Brought the sunshine of his people,
Minnehaha, Laughing Water,



Handsomest of all the women
In the land of the Dacotahs,
In the land of handsome women.

The Hanging Of The Crane

The lights are out, and gone are all the guests
That thronging came with merriment and jests
To celebrate the Hanging of the Crane
In the new house,--into the night are gone;
But still the fire upon the hearth burns on,
And I alone remain.


O fortunate, O happy day,
When a new household finds its place
Among the myriad homes of earth,
Like a new star just sprung to birth,
And rolled on its harmonious way
Into the boundless realms of space!


So said the guests in speech and song,
As in the chimney, burning bright,
We hung the iron crane to-night,
And merry was the feast and long.


II.
And now I sit and muse on what may be,
And in my vision see, or seem to see,
Through floating vapors interfused with light,
Shapes indeterminate, that gleam and fade,
As shadows passing into deeper shade
Sink and elude the sight.


For two alone, there in the hall,
As spread the table round and small;
Upon the polished silver shine
The evening lamps, but, more divine,
The light of love shines over all;
Of love, that says not mine and thine,
But ours, for ours is thine and mine.


They want no guests, to come between
Their tender glances like a screen,
And tell them tales of land and sea,
And whatsoever may betide
The great, forgotten world outside;
They want no guests; they needs must be
Each other's own best company.


III.
The picture fades; as at a village fair
A showman's views, dissolving into air,
Again appear transfigured on the screen,
So in my fancy this; and now once more,
In part transfigured, through the open door
Appears the selfsame scene.



Seated, I see the two again,
But not alone; they entertain
A little angel unaware,
With face as round as is the moon;
A royal guest with flaxen hair,
Who, throned upon his lofty chair,
Drums on the table with his spoon,
Then drops it careless on the floor,
To grasp at things unseen before.


Are these celestial manners? these
The ways that win, the arts that please?
Ah yes; consider well the guest,
And whatsoe'er he does seems best;
He ruleth by the right divine
Of helplessness, so lately born
In purple chambers of the morn,
As sovereign over thee and thine.
He speaketh not; and yet there lies
A conversation in his eyes;
The golden silence of the Greek,
The gravest wisdom of the wise,
Not spoken in language, but in looks
More legible than printed books,
As if he could but would not speak.
And now, O monarch absolute,
Thy power is put to proof; for, lo!
Resistless, fathomless, and slow,
The nurse comes rustling like the sea,
And pushes back thy chair and thee,
And so good night to King Canute.


IV.
As one who walking in a forest sees
A lovely landscape through the parted frees,
Then sees it not, for boughs that intervene
Or as we see the moon sometimes revealed
Through drifting clouds, and then again concealed,
So I behold the scene.


There are two guests at table now;
The king, deposed and older grown,
No longer occupies the throne,--
The crown is on his sister's brow;
A Princess from the Fairy Isles,
The very pattern girl of girls.
All covered and embowered in curls,
Rose-tinted from the Isle of Flowers,
And sailing with soft, silken sails



From far-off Dreamland into ours.
Above their bowls with rims of blue
Four azure eyes of deeper hue
Are looking, dreamy with delight;
Limpid as planets that emerge
Above the ocean's rounded verge,
Soft-shining through the summer night.
Steadfast they gaze, yet nothing see
Beyond the horizon of their bowls;
Nor care they for the world that rolls
With all its freight of troubled souls
Into the days that are to be.


V.
Again the tossing boughs shut out the scene,
Again the drifting vapors intervene,
And the moon's pallid disk is hidden quite;
And now I see the table wider grown,
As round a pebble into water thrown
Dilates a ring of light.


I see the table wider grown,
I see it garlanded with guests,
As if fair Ariadne's Crown
Out of the sky had fallen down;
Maidens within whose tender breasts
A thousand restless hopes and fears,
Forth reaching to the coming years,
Flutter awhile, then quiet lie
Like timid birds that fain would fly,
But do not dare to leave their nests;--
And youths, who in their strength elate
Challenge the van and front of fate,
Eager as champions to be
In the divine knight-errantry
Of youth, that travels sea and land
Seeking adventures, or pursues,
Through cities, and through solitudes
Frequented by the lyric Muse,
The phantom with the beckoning hand,
That still allures and still eludes.
O sweet illusions of the brain!
O sudden thrills of fire and frost!
The world is bright while ye remain,
And dark and dead when ye are lost!


VI.
The meadow-brook, that seemeth to stand still,
Quickens its current as it nears the mill;
And so the stream of Time that lingereth



In level places, and so dull appears,
Runs with a swifter current as it nears
The gloomy mills of Death.


And now, like the magician's scroll,
That in the owner's keeping shrinks
With every wish he speaks or thinks,
Till the last wish consumes the whole,
The table dwindles, and again
I see the two alone remain.
The crown of stars is broken in parts;
Its jewels, brighter than the day,
Have one by one been stolen away
To shine in other homes and hearts.
One is a wanderer now afar
In Ceylon or in Zanzibar,
Or sunny regions of Cathay;
And one is in the boisterous camp
Mid clink of arms and horses' tramp,
And battle's terrible array.
I see the patient mother read,
With aching heart, of wrecks that float
Disabled on those seas remote,
Or of some great heroic deed
On battle-fie1ds where thousands bleed
To lift one hero into fame.
Anxious she bends her graceful head
Above these chronicles of pain,
And trembles with a secret dread
Lest there among the drowned or slain
She find the one beloved name.


VII.
After a day of cloud and wind and rain
Sometimes the setting sun breaks out again,
And touching all the darksome woods with light,
Smiles on the fields, until they laugh and sing,
Then like a ruby from the horizon's ring
Drops down into the night.


What see I now? The night is fair,
The storm of grief, the clouds of care,
The wind, the rain, have passed away;
The lamps are lit, the fires burn bright,
The house is full of life and light:
It is the Golden Wedding day.
The guests come thronging in once more,
Quick footsteps sound along the floor,
The trooping children crowd the stair,
And in and out and everywhere
Flashes along the corridor



The sunshine of their golden hair.
On the round table in the hall
Another Ariadne's Crown
Out of the sky hath fallen down;
More than one Monarch of the Moon
Is drumming with his silver spoon;
The light of love shines over all.


O fortunate, O happy day!
The people sing, the people say.
The ancient bridegroom and the bride,
Smiling contented and serene
Upon the blithe, bewildering scene,
Behold, well pleased, on every side
Their forms and features multiplied,
As the reflection of a light
Between two burnished mirrors gleams,
Or lamps upon a bridge at night
Stretch on and on before the sight,
Till the long vista endless seems.

The Hanging Of The Crane

The lights are out, and gone are all the guests
That thronging came with merriment and jests
To celebrate the Hanging of the Crane
In the new house,--into the night are gone;
But still the fire upon the hearth burns on,
And I alone remain.


O fortunate, O happy day,
When a new household finds its place
Among the myriad homes of earth,
Like a new star just sprung to birth,
And rolled on its harmonious way
Into the boundless realms of space!


So said the guests in speech and song,
As in the chimney, burning bright,
We hung the iron crane to-night,
And merry was the feast and long.


II.
And now I sit and muse on what may be,
And in my vision see, or seem to see,
Through floating vapors interfused with light,
Shapes indeterminate, that gleam and fade,
As shadows passing into deeper shade
Sink and elude the sight.


For two alone, there in the hall,
As spread the table round and small;
Upon the polished silver shine
The evening lamps, but, more divine,
The light of love shines over all;
Of love, that says not mine and thine,
But ours, for ours is thine and mine.


They want no guests, to come between
Their tender glances like a screen,
And tell them tales of land and sea,
And whatsoever may betide
The great, forgotten world outside;
They want no guests; they needs must be
Each other's own best company.


III.
The picture fades; as at a village fair
A showman's views, dissolving into air,
Again appear transfigured on the screen,
So in my fancy this; and now once more,
In part transfigured, through the open door
Appears the selfsame scene.



Seated, I see the two again,
But not alone; they entertain
A little angel unaware,
With face as round as is the moon;
A royal guest with flaxen hair,
Who, throned upon his lofty chair,
Drums on the table with his spoon,
Then drops it careless on the floor,
To grasp at things unseen before.


Are these celestial manners? these
The ways that win, the arts that please?
Ah yes; consider well the guest,
And whatsoe'er he does seems best;
He ruleth by the right divine
Of helplessness, so lately born
In purple chambers of the morn,
As sovereign over thee and thine.
He speaketh not; and yet there lies
A conversation in his eyes;
The golden silence of the Greek,
The gravest wisdom of the wise,
Not spoken in language, but in looks
More legible than printed books,
As if he could but would not speak.
And now, O monarch absolute,
Thy power is put to proof; for, lo!
Resistless, fathomless, and slow,
The nurse comes rustling like the sea,
And pushes back thy chair and thee,
And so good night to King Canute.


IV.
As one who walking in a forest sees
A lovely landscape through the parted frees,
Then sees it not, for boughs that intervene
Or as we see the moon sometimes revealed
Through drifting clouds, and then again concealed,
So I behold the scene.


There are two guests at table now;
The king, deposed and older grown,
No longer occupies the throne,--
The crown is on his sister's brow;
A Princess from the Fairy Isles,
The very pattern girl of girls.
All covered and embowered in curls,
Rose-tinted from the Isle of Flowers,
And sailing with soft, silken sails



From far-off Dreamland into ours.
Above their bowls with rims of blue
Four azure eyes of deeper hue
Are looking, dreamy with delight;
Limpid as planets that emerge
Above the ocean's rounded verge,
Soft-shining through the summer night.
Steadfast they gaze, yet nothing see
Beyond the horizon of their bowls;
Nor care they for the world that rolls
With all its freight of troubled souls
Into the days that are to be.


V.
Again the tossing boughs shut out the scene,
Again the drifting vapors intervene,
And the moon's pallid disk is hidden quite;
And now I see the table wider grown,
As round a pebble into water thrown
Dilates a ring of light.


I see the table wider grown,
I see it garlanded with guests,
As if fair Ariadne's Crown
Out of the sky had fallen down;
Maidens within whose tender breasts
A thousand restless hopes and fears,
Forth reaching to the coming years,
Flutter awhile, then quiet lie
Like timid birds that fain would fly,
But do not dare to leave their nests;--
And youths, who in their strength elate
Challenge the van and front of fate,
Eager as champions to be
In the divine knight-errantry
Of youth, that travels sea and land
Seeking adventures, or pursues,
Through cities, and through solitudes
Frequented by the lyric Muse,
The phantom with the beckoning hand,
That still allures and still eludes.
O sweet illusions of the brain!
O sudden thrills of fire and frost!
The world is bright while ye remain,
And dark and dead when ye are lost!


VI.
The meadow-brook, that seemeth to stand still,
Quickens its current as it nears the mill;
And so the stream of Time that lingereth



In level places, and so dull appears,
Runs with a swifter current as it nears
The gloomy mills of Death.


And now, like the magician's scroll,
That in the owner's keeping shrinks
With every wish he speaks or thinks,
Till the last wish consumes the whole,
The table dwindles, and again
I see the two alone remain.
The crown of stars is broken in parts;
Its jewels, brighter than the day,
Have one by one been stolen away
To shine in other homes and hearts.
One is a wanderer now afar
In Ceylon or in Zanzibar,
Or sunny regions of Cathay;
And one is in the boisterous camp
Mid clink of arms and horses' tramp,
And battle's terrible array.
I see the patient mother read,
With aching heart, of wrecks that float
Disabled on those seas remote,
Or of some great heroic deed
On battle-fie1ds where thousands bleed
To lift one hero into fame.
Anxious she bends her graceful head
Above these chronicles of pain,
And trembles with a secret dread
Lest there among the drowned or slain
She find the one beloved name.


VII.
After a day of cloud and wind and rain
Sometimes the setting sun breaks out again,
And touching all the darksome woods with light,
Smiles on the fields, until they laugh and sing,
Then like a ruby from the horizon's ring
Drops down into the night.


What see I now? The night is fair,
The storm of grief, the clouds of care,
The wind, the rain, have passed away;
The lamps are lit, the fires burn bright,
The house is full of life and light:
It is the Golden Wedding day.
The guests come thronging in once more,
Quick footsteps sound along the floor,
The trooping children crowd the stair,
And in and out and everywhere
Flashes along the corridor



The sunshine of their golden hair.
On the round table in the hall
Another Ariadne's Crown
Out of the sky hath fallen down;
More than one Monarch of the Moon
Is drumming with his silver spoon;
The light of love shines over all.


O fortunate, O happy day!
The people sing, the people say.
The ancient bridegroom and the bride,
Smiling contented and serene
Upon the blithe, bewildering scene,
Behold, well pleased, on every side
Their forms and features multiplied,
As the reflection of a light
Between two burnished mirrors gleams,
Or lamps upon a bridge at night
Stretch on and on before the sight,
Till the long vista endless seems.

The Golden Mile-Stone. (Birds Of Passage. Flight The First)

Leafless are the trees; their purple branches
Spread themselves abroad, like reefs of coral,
Rising silent
In the Red Sea of the winter sunset.


From the hundred chimneys of the village,
Like the Afreet in the Arabian story,
Smoky columns
Tower aloft into the air of amber.


At the window winks the flickering fire-light;
Here and there the lamps of evening glimmer,
Social watch-fires
Answering one another through the darkness.


On the hearth the lighted logs are glowing,
And like Ariel in the cloven pine-tree
For its freedom
Groans and sighs the air imprisoned in them.


By the fireside there are old men seated,
Seeing ruined cities in the ashes,
Asking sadly
Of the Past what it can ne'er restore them.


By the fireside there are youthful dreamers,
Building castles fair, with stately stairways,
Asking blindly
Of the Future what it cannot give them.


By the fireside tragedies are acted
In whose scenes appear two actors only,
Wife and husband,
And above them God the sole spectator.


By the fireside there are peace and comfort,
Wives and children, with fair, thoughtful faces,
Waiting, watching
For a well-known footstep in the passage.


Each man's chimney is his Golden Mile-Stone;
Is the central point, from which he measures
Every distance
Through the gateways of the world around him.


In his farthest wanderings still he sees it;
Hears the talking flame, the answering night-wind,
As he heard them
When he sat with those who were, but are not.


Happy he whom neither wealth nor fashion,
Nor the march of the encroaching city,



Drives an exile
From the hearth of his ancestral homestead.


We may build more splendid habitations,
Fill our rooms with paintings and with sculptures,
But we cannot
Buy with gold the old associations!

The Golden Legend: IV. The Road To Hirschau

PRINCE HENRY _and_ ELSIE, _with their attendants, on
horseback._


_Elsie._ Onward and onward the highway runs
to the distant city, impatiently bearing
Tidings of human joy and disaster, of love and of
hate, of doing and daring!


_Prince Henry._ This life of ours is a wild aeolian
harp of many a joyous strain,
But under them all there runs a loud perpetual wail,
as of souls in pain.


_Elsie._ Faith alone can interpret life, and the heart
that aches and bleeds with the stigma
Of pain, alone bears the likeness of Christ, and can
comprehend its dark enigma.


_Prince Henry._ Man is selfish, and seeketh pleasure
with little care of what may betide;
Else why am I travelling here beside thee, a demon
that rides by an angel's side?


_Elsie._ All the hedges are white with dust, and
the great dog under the creaking wain
Hangs his head in the lazy heat, while onward the
horses toil and strain


_Prince Henry._ Now they stop at the wayside inn,
and the wagoner laughs with the landlord's daughter,
While out of the dripping trough the horses distend
their leathern sides with water.


_Elsie._ All through life there are wayside inns,
where man may refresh his soul with love;
Even the lowest may quench his thirst at rivulets fed
by springs from above.


_Prince Henry._ Yonder, where rises the cross of
stone, our journey along the highway ends,
And over the fields, by a bridle path, down into the
broad green valley descends.


_Elsie._ I am not sorry to leave behind the beaten
road with its dust and heat;
The air will be sweeter far, and the turf will be softer
under our horses' feet.


(_They turn down a green lane._)


_Elsie._ Sweet is the air with the budding haws,
and the valley stretching for miles below



Is white with blossoming cheery trees, as if just covered
with lightest snow.


_Prince Henry._ Over our heads a white cascade is
gleaming against the distant hill;
We cannot hear it, nor see it move, but it hangs like
a banner when winds are still.


_Elsie._ Damp and cool is this deep ravine, and
cool the sound of the brook by our side!
What is this castle that rises above us, and lords it
over a land so wide?


_Prince Henry._ It is the home of the Counts of
Calva; well have I known these scenes of old,
Well I remember each tower and turret, remember the
brooklet, the wood, and the wold.


_Elsie._ Hark! from the little village below us the
bells of the church are ringing for rain!
Priests and peasants in long procession come forth
and kneel on the arid plain.


_Prince Henry._ They have not long to wait, for I
see in the south uprising a little cloud,
That before the sun shall be set will cover the sky
above us as with a shroud.


(_They pass on._)


* * * * *


THE CONVENT OF HIRSCHAU IN THE BLACK FOREST.


* * * * *


_The Convent cellar._ FRIAR CLAUS _comes in with a
light and a basket of empty flagons._


_Friar Claus._ I always enter this sacred place
With a thoughtful, solemn, and reverent pace,
Pausing long enough on each stair
To breathe an ejaculatory prayer,
And a benediction on the vines
That produce these various sorts of wines!


For my part, I am well content
That we have got through with the tedious Lent!
Fasting is all very well for those
Who have to contend with invisible foes;
But I am quite sure it does not agree
With a quiet, peaceable man like me,



Who am not of that nervous and meagre kind
That are always distressed in body and mind!
And at times it really does me good
To come down among this brotherhood,
Dwelling forever under ground,
Silent, contemplative, round and sound;
Each one old, and brown with mould,
But filled to the lips with the ardor of youth,
With the latent power and love of truth,
And with virtues fervent and manifold.


I have heard it said, that at Easter-tide,
When buds are swelling on every side,
And the sap begins to move in the vine.
Then in all the cellars, far and wide,
The oldest, as well as the newest, wine
Begins to stir itself, and ferment,
With a kind of revolt and discontent
At being so long in darkness pent,
And fain would burst from its sombre tun
To bask on the hillside in the sun;
As in the bosom of us poor friars,
The tumult of half-subdued desires
For the world that we have left behind
Disturbs at times all peace of mind!
And now that we have lived through Lent,
My duty it is, as often before,
To open awhile the prison-door,
And give these restless spirits vent.


Now here is a cask that stands alone,
And has stood a hundred years or more,
Its beard of cobwebs, long and hoar,
Trailing and sweeping along the floor,
Like Barbarossa, who sits in his cave,
Taciturn, sombre, sedate, and grave,
Till his beard has grown through the table of stone!
It is of the quick and not of the dead!
In its veins the blood is hot and red,
And a heart still beats in those ribs of oak
That time may have tamed, but has not broke;
It comes from Bacharach on the Rhine,
Is one of the three best kinds of wine,
And costs some hundred florins the ohm;
But that I do not consider dear,
When I remember that every year
Four butts are sent to the Pope of Rome.
And whenever a goblet thereof I drain,
The old rhyme keeps running in my brain:


At Bacharach on the Rhine,
At Hochheim on the Main,



And at Wuerzburg on the Stein,
Grow the three best kinds of wine!


They are all good wines, and better far
Than those of the Neckar, or those of the Ahr
In particular, Wuerzburg well may boast
Of its blessed wine of the Holy Ghost,
Which of all wines I like the most.
This I shall draw for the Abbot's drinking,
Who seems to be much of my way of thinking.


(_Fills a flagon._)


Ah! how the streamlet laughs and sings!
What a delicious fragrance springs
From the deep flagon, while it fills,
As of hyacinths and daffodils!
Between this cask and the Abbot's lips
Many have been the sips and slips;
Many have been the draughts of wine,
On their way to his, that have stopped at mine;
And many a time my soul has hankered
For a deep draught out of his silver tankard,
When it should have been busy with other affairs,
Less with its longings and more with its prayers.
But now there is no such awkward condition,
No danger of death and eternal perdition;
So here's to the Abbot and Brothers all,
Who dwell in this convent of Peter and Paul!


(_He drinks._)


O cordial delicious! O soother of pain!
It flashes like sunshine into my brain!
A benison rest on the Bishop who sends
Such a fudder of wine as this to his friends!


And now a flagon for such as may ask
A draught from the noble Bacharach cask,
And I will be gone, though I know full well
The cellar's a cheerfuller place than the cell.
Behold where he stands, all sound and good,
Brown and old in his oaken hood;
Silent he seems externally
As any Carthusian monk may be;
But within, what a spirit of deep unrest!
What a seething and simmering in his breast!
As if the heaving of his great heart
Would burst his belt of oak apart!
Let me unloose this button of wood,
And quiet a little his turbulent mood.



(_Sets it running._)


See! how its currents gleam and shine,
As if they had caught the purple hues
Of autumn sunsets on the Rhine,
Descending and mingling with the dews;
Or as if the grapes were stained with the blood
Of the innocent boy, who, some years back,
Was taken and crucified by the Jews,
In that ancient town of Bacharach;
Perdition upon those infidel Jews,
In that ancient town of Bacharach!
The beautiful town, that gives us wine
With the fragrant odor of Muscadine!
I should deem it wrong to let this pass
Without first touching my lips to the glass,
For here in the midst of the current I stand,
Like the stone Pfalz in the midst of the river
Taking toll upon either hand,
And much more grateful to the giver.


(_He drinks._)


Here, now, is a very inferior kind,
Such as in any town you may find,
Such as one might imagine would suit
The rascal who drank wine out of a boot,
And, after all, it was not a crime,
For he won thereby Dorf Hueffelsheim.
A jolly old toper! who at a pull
Could drink a postilion's jack boot full,
And ask with a laugh, when that was done,
If the fellow had left the other one!
This wine is as good as we can afford
To the friars, who sit at the lower board,
And cannot distinguish bad from good,
And are far better off than if they could,
Being rather the rude disciples of beer
Than of anything more refined and dear!


(_Fills the other flagon and departs._)


* * * * *


THE SCRIPTORIUM.


FRIAR PACIFICUS _transcribing and illuminating._


_Friar Pacificus_ It is growing dark! Yet one line more,
And then my work for today is o'er.
I come again to the name of the Lord!
Ere I that awful name record,



That is spoken so lightly among men,
Let me pause awhile, and wash my pen;
Pure from blemish and blot must it be
When it writes that word of mystery!


Thus have I labored on and on,
Nearly through the Gospel of John.
Can it be that from the lips
Of this same gentle Evangelist,
That Christ himself perhaps has kissed,
Came the dread Apocalypse!
It has a very awful look,
As it stands there at the end of the book,
Like the sun in an eclipse.
Ah me! when I think of that vision divine,
Think of writing it, line by line,
I stand in awe of the terrible curse,
Like the trump of doom, in the closing verse!
God forgive me! if ever I
Take aught from the book of that Prophecy,
Lest my part too should be taken away
From the Book of Life on the Judgment Day.


This is well written, though I say it!
I should not be afraid to display it,
In open day, on the selfsame shelf
With the writings of St Thecla herself,
Or of Theodosius, who of old
Wrote the Gospels in letters of gold!
That goodly folio standing yonder,
Without a single blot or blunder,
Would not bear away the palm from mine,
If we should compare them line for line.


There, now, is an initial letter!
King Rene himself never made a better!
Finished down to the leaf and the snail,
Down to the eyes on the peacock's tail!
And now, as I turn the volume over,
And see what lies between cover and cover,
What treasures of art these pages hold,
All ablaze with crimson and gold,
God forgive me! I seem to feel
A certain satisfaction steal
Into my heart, and into my brain,
As if my talent had not lain
Wrapped in a napkin, and all in vain.
Yes, I might almost say to the Lord,
Here is a copy of thy Word,
Written out with much toil and pain;
Take it, O Lord, and let it be
As something I have done for thee!



(_He looks from the window._)


How sweet the air is! How fair the scene!
I wish I had as lovely a green
To paint my landscapes and my leaves!
How the swallows twitter under the eaves!
There, now, there is one in her nest;
I can just catch a glimpse of her head and breast,
And will sketch her thus, in her quiet nook,
In the margin of my Gospel book.


(_He makes a sketch._)


I can see no more. Through the valley yonder
A shower is passing; I hear the thunder
Mutter its curses in the air,
The Devil's own and only prayer!
The dusty road is brown with rain,
And speeding on with might and main,
Hitherward rides a gallant train.
They do not parley, they cannot wait,
But hurry in at the convent gate.
What a fair lady! and beside her
What a handsome, graceful, noble rider!
Now she gives him her hand to alight;
They will beg a shelter for the night.
I will go down to the corridor,
And try to see that face once more;
It will do for the face of some beautiful Saint,
Or for one of the Maries I shall paint.


(_Goes out._)


* * * * *


THE CLOISTERS.


* * * * *


_The_ ABBOT ERNESTUS _pacing to and fro._


_Abbot._ Slowly, slowly up the wall
Steals the sunshine, steals the shade;
Evening damps begin to fall,
Evening shadows are displayed.
Round me, o'er me, everywhere,
All the sky is grand with clouds,
And athwart the evening air
Wheel the swallows home in crowds.
Shafts of sunshine from the west
Paint the dusky windows red;



Darker shadows, deeper rest,
Underneath and overhead.
Darker, darker, and more wan,
In my breast the shadows fall;
Upward steals the life of man,
As the sunshine from the wall.
From the wall into the sky,
From the roof along the spire;
Ah, the souls of those that die
Are but sunbeams lifted higher.


(_Enter_ PRINCE HENRY.)


_Prince Henry._ Christ is arisen!


_Abbot._ Amen! he is arisen!
His peace be with you!


_Prince Henry._ Here it reigns forever!
The peace of God, that passeth understanding,
Reigns in these cloisters and these corridors,
Are you Ernestus, Abbot of the convent?


_Abbot._ I am.


_Prince Henry._ And I Prince Henry of Hoheneck,
Who crave your hospitality to-night.


_Abbot._ You are thrice welcome to our humble walls.
You do us honor; and we shall requite it,
I fear, but poorly, entertaining you
With Paschal eggs, and our poor convent wine,
The remnants of our Easter holidays.


_Prince Henry._ How fares it with the holy monks of Hirschau?
Are all things well with them?


_Abbot._ All things are well.


_Prince Henry._ A noble convent! I have known it long
By the report of travellers. I now see
Their commendations lag behind the truth.
You lie here in the valley of the Nagold
As in a nest: and the still river, gliding
Along its bed, is like an admonition
How all things pass. Your lands are rich and ample,
And your revenues large. God's benediction
Rests on your convent.


_Abbot._ By our charities
We strive to merit it. Our Lord and Master,
When he departed, left us in his will,



As our best legacy on earth, the poor!
These we have always with us; had we not,
Our hearts would grow as hard as are these stones.


_Prince Henry._ If I remember right, the Counts of Calva
Founded your convent.


_Abbot._ Even as you say.


_Prince Henry._ And, if I err not, it is very old.


_Abbot._ Within these cloisters lie already buried
Twelve holy Abbots. Underneath the flags
On which we stand, the Abbot William lies,
Of blessed memory.


_Prince Henry._ And whose tomb is that,
Which bears the brass escutcheon?


_Abbot._ A benefactor's.
Conrad, a Count of Calva, he who stood
Godfather to our bells.


_Prince Henry._ Your monks are learned
And holy men, I trust.


_Abbot._ There are among them
Learned and holy men. Yet in this age
We need another Hildebrand, to shake
And purify us like a mighty wind.
The world is wicked, and sometimes I wonder
God does not lose his patience with it wholly,
And shatter it like glass! Even here, at times,
Within these walls, where all should be at peace,
I have my trials. Time has laid his hand
Upon my heart, gently, not smiting it,
But as a harper lays his open palm
Upon his harp, to deaden its vibrations.
Ashes are on my head, and on my lips
Sackcloth, and in my breast a heaviness
And weariness of life, that makes me ready
To say to the dead Abbots under us,
'Make room for me!' Only I see the dusk
Of evening twilight coming, and have not
Completed half my task; and so at times
The thought of my shortcomings in this life
Falls like a shadow on the life to come.


_Prince Henry._ We must all die, and not the old alone;
The young have no exemption from that doom.


_Abbot._ Ah, yes! the young may die, but the old must!



That is the difference.


_Prince Henry._ I have heard much laud
Of your transcribers. Your Scriptorium
Is famous among all, your manuscripts
Praised for their beauty and their excellence.


_Abbot._ That is indeed our boast. If you desire it,
You shall behold these treasures. And meanwhile
Shall the Refectorarius bestow
Your horses and attendants for the night.


(_They go in. The Vesper-bell rings._)


* * * * *


THE CHAPEL.


* * * * *


_Vespers; after which the monks retire, a chorister
leading an old monk who is blind_.


_Prince Henry._ They are all gone, save one who lingers,
Absorbed in deep and silent prayer.
As if his heart could find no rest,
At times he beats his heaving breast
With clenched and convulsive fingers,
Then lifts them trembling in the air.
A chorister, with golden hair,
Guides hitherward his heavy pace.
Can it be so? Or does my sight
Deceive me in the uncertain light?
Ah no! I recognize that face,
Though Time has touched it in his flight,
And changed the auburn hair to white.
It is Count Hugo of the Rhine,
The deadliest foe of all our race,
And hateful unto me and mine!


_The Blind Monk_. Who is it that doth stand so near
His whispered words I almost hear?


_Prince Henry_. I am Prince Henry of Hoheneck,
And you, Count Hugo of the Rhine!
I know you, and I see the scar,
The brand upon your forehead, shine
And redden like a baleful star!


_The Blind Monk_. Count Hugo once, but now the wreck
Of what I was. O Hoheneck!
The passionate will, the pride, the wrath



That bore me headlong on my path,
Stumbled and staggered into fear,
And failed me in my mad career,
As a tired steed some evil-doer,
Alone upon a desolate moor,
Bewildered, lost, deserted, blind,
And hearing loud and close behind
The o'ertaking steps of his pursuer.
Then suddenly, from the dark there came
A voice that called me by my name,
And said to me, 'Kneel down and pray!'
And so my terror passed away,
Passed utterly away forever.
Contrition, penitence, remorse,
Came on me, with o'erwhelming force;
A hope, a longing, an endeavor,
By days of penance and nights of prayer,
To frustrate and defeat despair!
Calm, deep, and still is now my heart.
With tranquil waters overflowed;
A lake whose unseen fountains start,
Where once the hot volcano glowed.
And you, O Prince of Hoheneck!
Have known me in that earlier time,
A man of violence and crime,
Whose passions brooked no curb nor check.
Behold me now, in gentler mood,
One of this holy brotherhood.
Give me your hand; here let me kneel;
Make your reproaches sharp as steel;
Spurn me, and smite me on each cheek;
No violence can harm the meek,
There is no wound Christ cannot heal!
Yes; lift your princely hand, and take
Revenge, if 't is revenge you seek,
Then pardon me, for Jesus' sake!


_Prince Henry._ Arise, Count Hugo! let there be
No farther strife nor enmity
Between us twain; we both have erred!
Too rash in act, too wroth in word,
From the beginning have we stood
In fierce, defiant attitude,
Each thoughtless of the other's right,
And each reliant on his might.
But now our souls are more subdued;
The hand of God, and not in vain,
Has touched us with the fire of pain.
Let us kneel down, and side by side
Pray, till our souls are purified,
And pardon will not be denied!



(_They kneel._)

* * * * *

THE REFECTORY.

* * * * *

_Gaudiolum of Monks at midnight. LUCIFER disguised
as a Friar._


_Friar Paul (sings)._ Ave! color vini clari,
Dulcis potus, non aman,
Tua nos inebriari
Digneris potentia!


_Friar Cuthbert._ Not so much noise, my worthy freres,
You'll disturb the Abbot at his prayers.


_Friar Paul (sings)._ O! quam placens in colore!
O! quam fragrans in odore!
O! quam sapidum in ore!
Dulce linguse vinculum!


_Friar Cuthbert._ I should think your tongue had
broken its chain!


_Friar Paul (sings)._ Felix venter quern intrabis!
Felix guttur quod rigabis!
Felix os quod tu lavabis!
Et beata labia!


_Friar Cuthbert._ Peace! I say, peace!
Will you never cease!
You will rouse up the Abbot, I tell you again!


_Friar John._ No danger! to-night he will let us alone,
As I happen to know he has guests of his own.


_Friar Cuthbert._ Who are they?


_Friar John._ A German Prince and his train,
Who arrived here just before the rain.
There is with him a damsel fair to see,
As slender and graceful as a reed!
When she alighted from her steed,
It seemed like a blossom blown from a tree.


_Friar Cuthbert._ None of your pale-faced girls for me!


(_Kisses the girl at his side_.)



_Friar John._ Come, old fellow, drink down to your peg!
do not drink any farther, I beg!


_Friar Paul (sings)._ In the days of gold,
The days of old,
Cross of wood
And bishop of gold!


_Friar Cuthbert (to the girl)._ What an infernal racket and din!
No need not blush so, that's no sin.
You look very holy in this disguise,
Though there's something wicked in your eyes!


_Friar Paul (continues.)_ Now we have changed
That law so good,
To cross of gold
And bishop of wood!


_Friar Cuthbert._ I like your sweet face under a hood.
Sister! how came you into this way?


_Girl._ It was you, Friar Cuthbert, who led me astray.
Have you forgotten that day in June,
When the church was so cool in the afternoon,
And I came in to confess my sins?
That is where my ruin begins.


_Friar John._ What is the name of yonder friar,
With an eye that glows like a coal of fire,
And such a black mass of tangled hair?


_Friar Paul._ He who is sitting there,
With a rollicking,
Devil may care,
Free and easy look and air,
As if he were used to such feasting and frollicking?


_Friar John._ The same.


_Friar Paul._ He's a stranger. You had better ask his name,
And where he is going, and whence he came.


_Friar John._ Hallo! Sir Friar!


_Friar Paul._ You must raise your voice a little higher,
He does not seem to hear what you say.
Now, try again! He is looking this way.


_Friar John._ Hallo! Sir Friar,
We wish to inquire
Whence you came, and where you are going,
And anything else that is worth the knowing.



So be so good as to open your head.


_Lucifer._ I am a Frenchman born and bred,
Going on a pilgrimage to Rome.
My home
Is the convent of St. Gildas de Rhuys,
Of which, very like, you never have heard.


_Monks._ Never a word!


_Lucifer._ You must know, then, it is in the diocese
Called the Diocese of Vannes,
In the province of Brittany.
From the gray rocks of Morbihan
It overlooks the angry sea;
The very seashore where,
In his great despair,
Abbot Abelard walked to and fro,
Filling the night with woe,
And wailing aloud to the merciless seas
The name of his sweet Heloise!
Whilst overhead
The convent windows gleamed as red
As the fiery eyes of the monks within,
Who with jovial din
Gave themselves up to all kinds of sin!
Ha! that is a convent! that is an abbey!
Over the doors,
None of your death-heads carved in wood,
None of your Saints looking pious and good,
None of your Patriarchs old and shabby!
But the heads and tusks of boars,
And the cells
Hung all round with the fells
of the fallow-deer,
And then what cheer!
What jolly, fat friars,
Sitting round the great, roaring fires,
Roaring louder than they,
With their strong wines,
And their concubines,
And never a bell,
With its swagger and swell,
Calling you up with a start of affright
In the dead of night,
To send you grumbling down dark stairs,
To mumble your prayers,
But the cheery crow
Of cocks in the yard below,
After daybreak, an hour or so,
And the barking of deep-mouthed hounds,
These are the sounds



That, instead of bells, salute the ear.
And then all day
Up and away
Through the forest, hunting the deer!
Ah, my friends! I'm afraid that here
You are a little too pious, a little too tame,
And the more is the shame,
It is the greatest folly
Not to be jolly;
That's what I think!
Come, drink, drink,
Drink, and die game!


_Monks,_ And your Abbot What's-his-name?


_Lucifer._ Abelard!


_Monks._ Did he drink hard?


_Lucifer._ O, no! Not he!
He was a dry old fellow,
Without juice enough to get thoroughly mellow.
There he stood,
Lowering at us in sullen mood,
As if he had come into Brittany
Just to reform our brotherhood!


(_A roar of laughter_.)


But you see
It never would do!
For some of us knew a thing or two,
In the Abbey of St. Gildas de Rhuys!
For instance, the great ado
With old Fulbert's niece,
The young and lovely Heloise!


_Friar John._ Stop there, if you please,
Till we drink to the fair Heloise.


_All (drinking and shouting)._ Heloise! Heloise!


(_The Chapel-bell tolls_.)


_Lucifer (starting)._ What is that bell for? Are you such asses
As to keep up the fashion of midnight masses?


_Friar Cuthbert._ It is only a poor, unfortunate brother,
Who is gifted with most miraculous powers
Of getting up at all sorts of hours,
And, by way of penance and Christian meekness,
Of creeping silently out of his cell



To take a pull at that hideous bell;
So that all the monks who are lying awake
May murmur some kind of prayer for his sake,
And adapted to his peculiar weakness!


_Friar John._ From frailty and fall-


_All._ Good Lord, deliver us all!


_Friar Cuthbert._ And before the bell for matins sounds,
He takes his lantern, and goes the rounds,
Flashing it into our sleepy eyes,
Merely to say it is time to arise.
But enough of that. Go on, if you please,
With your story about St. Gildas de Rhuys.


_Lucifer._ Well, it finally came to pass
That, half in fun and half in malice,
One Sunday at Mass
We put some poison into the chalice.
But, either by accident or design,
Peter Abelard kept away
From the chapel that day,
And a poor, young friar, who in his stead
Drank the sacramental wine,
Fell on the steps of the altar, dead!
But look! do you see at the window there
That face, with a look of grief and despair,
That ghastly face, as of one in pain?


_Monks._ Who? where?


_Lucifer._ As I spoke, it vanished away again.


_Friar Cuthbert._ It is that nefarious
Siebald the Refectorarius.
That fellow is always playing the scout,
Creeping and peeping and prowling about;
And then he regales
The Abbot with Scandalous tales.


_Lucifer_. A spy in the convent? One of the brothers
Telling scandalous tales of the others?
Out upon him, the lazy loon!
I would put a stop to that pretty soon,
In a way he should rue it.


_Monks_. How shall we do it?


_Lucifer_. Do you, brother Paul,
Creep under the window, close to the wall,
And open it suddenly when I call.



Then seize the villain by the hair,
And hold him there,
And punish him soundly, once for all.


_Friar Cuthbert_. As St. Dustan of old,
We are told,
Once caught the Devil by the nose!


_Lucifer_. Ha! ha! that story is very clever,
But has no foundation whatsoever.
Quick! for I see his face again
Glaring in at the window pane;
Now! now! and do not spare your blows.


(FRIAR PAUL _opens the window suddenly, and seizes_
SIEBALD. _They beat him._)


_Friar Siebald_. Help! help! are you going to slay me?


_Friar Paul_. That will teach you again to betray me!


_Friar Siebald_. Mercy! mercy!


_Friar Paul_ (_shouting and beating_). Rumpas bellorum lorum,
Vim confer amorum
Morum verorum, rorun.
Tu plena polorum!


_Lucifer_. Who stands in the doorway yonder,
Stretching out his trembling hand,
Just as Abelard used to stand,
The flash of his keen, black eyes
Forerunning the thunder?


_The Monks (in confusion)_. The Abbot! the
Abbot!


_Friar Cuthbert (to the girl)_. Put on your disguise!


_Friar Francis_. Hide the great flagon
From the eyes of the dragon!


_Friar Cuthbert_. Pull the brown hood over your face,
Lest you bring me into disgrace!


_Abbot_. What means this revel and carouse?
Is this a tavern and drinking-house?
Are you Christian monks, or heathen devils,
To pollute this convent with your revels?
Were Peter Damian still upon earth,
To be shocked by such ungodly mirth,
He would write your names, with pen of gall,



In his Book of Gomorrah, one and all!
Away, you drunkards! to your cells,
And pray till you hear the matin-bells;
You, Brother Francis, and you, Brother Paul!
And as a penance mark each prayer
With the scourge upon your shoulders bare;
Nothing atones for such a sin
But the blood that follows the discipline.
And you, Brother Cuthbert, come with me
Alone into the sacristy;
You, who should be a guide to your brothers,
And are ten times worse than all the others,
For you I've a draught that has long been brewing
You shall do a penance worth the doing!
Away to your prayers, then, one and all!
I wonder the very, convent wall
Does not crumble and crush you in its fall!


* * * * *


THE NEIGHBORING NUNNERY.


* * * * *


_The_ ABBESS IRMINGARD _sitting with_ ELSIE _in the
moonlight._


_Irmingard_ The night is silent, the wind is still,
The moon is looking from yonder hill
Down upon convent, and grove, and garden;
The clouds have passed away from her face,
Leaving behind them no sorrowful trace,
Only the tender and quiet grace
Of one, whose heart had been healed with pardon!


And such am I. My soul within
Was dark with passion and soiled with sin.
But now its wounds are healed again;
Gone are the anguish, the terror, and pain;
For across that desolate land of woe,
O'er whose burning sands I was forced to go,
A wind from heaven began to blow;
And all my being trembled and shook,
As the leaves of the tree, or the grass of the field,
And I was healed, as the sick are healed,
When fanned by the leaves of the Holy Book!


As thou sittest in the moonlight there,
Its glory flooding thy golden hair,
And the only darkness that which lies
In the haunted chambers of thine eyes,
I feel my soul drawn unto thee,



Strangely, and strongly, and more and more,
As to one I have known and loved before;
For every soul is akin to me
That dwells in the land of mystery!
I am the Lady Irmingard,
Born of a noble race and name!
Many a wandering Suabian bard,
Whose life was dreary, and bleak, and hard,
Has found through me the way to fame.
Brief and bright were those days, and the night
Which followed was full of a lurid light.
Love, that of every woman's heart
Will have the whole, and not a part,
That is to her, in Nature's plan,
More than ambition is to man,
Her light, her life, her very breath,
With no alternative but death,
Found me a maiden soft and young,
Just from the convent's cloistered school,
And seated on my lowly stool,
Attentive while the minstrels sung.


Gallant, graceful, gentle, tall,
Fairest, noblest, best of all,
Was Walter of the Vogelweid,
And, whatsoever may betide,
Still I think of him with pride!
His song was of the summer-time
The very birds sang in his rhyme;
The sunshine, the delicious air,
The fragrance of the flowers, were there,
And I grew restless as I heard,
Restless and buoyant as a bird,
Down soft, aerial currents sailing,
O'er blossomed orchards, and fields in bloom,
And through the momentary gloom
Of shadows o'er the landscape trailing,
Yielding and borne I knew not where,
But feeling resistance unavailing.


And thus, unnoticed and apart,
And more by accident than choice.
I listened to that single voice
Until the chambers of my heart
Were filled with it by night and day,
One night,--it was a night in May,--
Within the garden, unawares,
Under the blossoms in the gloom,
I heard it utter my own name
With protestations and wild prayers;
And it rang through me, and became
Like the archangel's trump of doom,



Which the soul hears, and must obey;
And mine arose as from a tomb.
My former life now seemed to me
Such as hereafter death may be,
When in the great Eternity
We shall awake and find it day.


It was a dream, and would not stay;
A dream, that in a single night
Faded and vanished out of sight.
My father's anger followed fast
This passion, as a freshening blast
Seeks out and fans the fire, whose rage
It may increase, but not assuage.
And he exclaimed: 'No wandering bard
Shall win thy hand, O Irmingard!
For which Prince Henry of Hoheneck
By messenger and letter sues.'


Gently, but firmly, I replied:
'Henry of Hoheneck I discard!
Never the hand of Irmingard
Shall lie in his as the hand of a bride!'
This said I, Walter, for thy sake:
This said I, for I could not choose.
After a pause, my father spake
In that cold and deliberate tone
Which turns the hearer into stone,
And seems itself the act to be
That follows with such dread certainty;
'This, or the cloister and the veil!'
No other words than these he said,
But they were like a funeral wail;
My life was ended, my heart was dead.


That night from the castle-gate went down,
With silent, slow, and stealthy pace,
Two shadows, mounted on shadowy steeds,
Taking the narrow path that leads
Into the forest dense and brown,
In the leafy darkness of the place,
One could not distinguish form nor face,
Only a bulk without a shape,
A darker shadow in the shade;
One scarce could say it moved or stayed,
Thus it was we made our escape!
A foaming brook, with many a bound,
Followed us like a playful hound;
Then leaped before us, and in the hollow
Paused, and waited for us to follow,
And seemed impatient, and afraid
That our tardy flight should be betrayed



By the sound our horses' hoof-beats made,
And when we reached the plain below,
He paused a moment and drew rein
To look back at the castle again;
And we saw the windows all aglow
With lights, that were passing to and fro;
Our hearts with terror ceased to beat;
The brook crept silent to our feet;
We knew what most we feared to know.
Then suddenly horns began to blow;
And we heard a shout, and a heavy tramp,
And our horses snorted in the damp
Night-air of the meadows green and wide,
And in a moment, side by side,
So close, they must have seemed but one,
The shadows across the moonlight run,
And another came, and swept behind,
Like the shadow of clouds before the wind!


How I remember that breathless flight
Across the moors, in the summer night!
How under our feet the long, white road
Backward like a river flowed,
Sweeping with it fences and hedges,
Whilst farther away, and overhead,
Paler than I, with fear and dread,
The moon fled with us, as we fled
Along the forest's jagged edges!


All this I can remember well;
But of what afterward befell
I nothing farther can recall
Than a blind, desperate, headlong fall;
The rest is a blank and darkness all.
When I awoke out of this swoon,
The sun was shining, not the moon,
Making a cross upon the wall
With the bars of my windows narrow and tall;
And I prayed to it, as I had been wont to pray,
From early childhood, day by day,
Each morning, as in bed I lay!
I was lying again in my own room!
And I thanked God, in my fever and pain,
That those shadows on the midnight plain
Were gone, and could not come again!
I struggled no longer with my doom!
This happened many years ago.
I left my father's home to come
Like Catherine to her martyrdom,
For blindly I esteemed it so.
And when I heard the convent door
Behind me close, to ope no more,



I felt it smite me like a blow,
Through all my limbs a shudder ran,
And on my bruised spirit fell
The dampness of my narrow cell
As night-air on a wounded man,
Giving intolerable pain.


But now a better life began,
I felt the agony decrease
By slow degrees, then wholly cease,
Ending in perfect rest and peace!
It was not apathy, nor dulness,
That weighed and pressed upon my brain,
But the same passion I had given
To earth before, now turned to heaven
With all its overflowing fulness.


Alas! the world is full of peril!
The path that runs through the fairest meads,
On the sunniest side of the valley, leads
Into a region bleak and sterile!
Alike in the high-born and the lowly,
The will is feeble, and passion strong.
We cannot sever right from wrong;
Some falsehood mingles with all truth;
Nor is it strange the heart of youth
Should waver and comprehend but slowly
The things that are holy and unholy!


But in this sacred and calm retreat,
We are all well and safely shielded
From winds that blow, and waves that beat,
From the cold, and rain, and blighting heat,
To which the strongest hearts have yielded.
Here we stand as the Virgins Seven,
For our celestial bridegroom yearning;
Our hearts are lamps forever burning,
With a steady and unwavering flame,
Pointing upward, forever the same,
Steadily upward toward the Heaven!


The moon is hidden behind a cloud;
A sudden darkness fills the room,
And thy deep eyes, amid the gloom,
Shine like jewels in a shroud.
On the leaves is a sound of falling rain;
A bird, awakened in its nest,
Gives a faint twitter of unrest,
Then smoothes its plumes and sleeps again.


No other sounds than these I hear;
The hour of midnight must be near.



Thou art o'erspent with the day's fatigue
Of riding many a dusty league;
Sink, then, gently to thy slumber;
Me so many cares encumber,
So many ghosts, and forms of fright,
Have started from their graves to-night,
They have driven sleep from mine eyes away:
I will go down to the chapel and pray.

The Four Princesses At Wilna. A Photograph

Sweet faces, that from pictured casements lean
As from a castle window, looking down
On some gay pageant passing through a town,
Yourselves the fairest figures in the scene;
With what a gentle grace, with what serene
Unconsciousness ye wear the triple crown
Of youth and beauty and the fair renown
Of a great name, that ne'er hath tarnished been!
From your soft eyes, so innocent and sweet,
Four spirits, sweet and innocent as they,
Gaze on the world below, the sky above;
Hark! there is some one singing in the street;
'Faith, Hope, and Love! these three,' he seems to say;
'These three; and greatest of the three is Love.'

The Evening Star

Lo! in the paintedoriel of the West,

Whose panes the sunken sun incarnadines,

Like a fair lady at her casement, shines

The evening star, the star of love and rest!

And then anon she doth herself divest

Of all her radiant garments, and reclines

Behind the sombre screen of yonder pines,

With slumber and soft dreams of love oppressed.

O my beloved, my sweet Hesperus!

My morning and my evening star of love!

My best and gentlest lady! even thus,

As that fair planet in the sky above,

Dost thou retire unto thy rest at night,

And from thy darkened window fades the light.

The Castle-Builder. (Birds Of Passage. Flight The Third)

A gentle boy, with soft and silken locks,
A dreamy boy, with brown and tender eyes,
A castle-builder, with his wooden blocks,
And towers that touch imaginary skies.


A fearless rider on his father's knee,
An eager listener unto stories told
At the Round Table of the nursery,
Of heroes and adventures manifold.


There will be other towers for thee to build;
There will be other steeds for thee to ride;
There will be other legends, and all filled
With greater marvels and more glorified.


Build on, and make thy castles high and fair,
Rising and reaching upward to the skies;
Listen to voices in the upper air,
Nor lose thy simple faith in mysteries.

The Burial Of The Poet

In the old churchyard of his native town,
And in the ancestral tomb beside the wall,
We laid him in the sleep that comes to all,
And left him to his rest and his renown.
The snow was falling, as if Heaven dropped down
White flowers of Paradise to strew his pall;--
The dead around him seemed to wake, and call
His name, as worthy of so white a crown.
And now the moon is shining on the scene,
And the broad sheet of snow is written o'er
With shadows cruciform of leafless trees,
As once the winding-sheet of Saladin
With chapters of the Koran; but, ah! more
Mysterious and triumphant signs are these.

The Boy And The Brook. (Armenian Popular Song, From The Prose Version Of
Alishan)

Down from yon distant mountain height
The brooklet flows through the village street;
A boy comes forth to wash his hands,
Washing, yes washing, there he stands,
In the water cool and sweet.


Brook, from what mountain dost thou come,
O my brooklet cool and sweet!
I come from yon mountain high and cold,
Where lieth the new snow on the old,
And melts in the summer heat.


Brook, to what river dost thou go?
O my brooklet cool and sweet!
I go to the river there below
Where in bunches the violets grow,
And sun and shadow meet.


Brook, to what garden dost thou go?
O my brooklet cool and sweet!
I go to the garden in the vale
Where all night long the nightingale
Her love-song doth repeat.


Brook, to what fountain dost thou go?
O my brooklet cool and sweet!
I go to the fountain at whose brink
The maid that loves thee comes to drink,
And whenever she looks therein,
I rise to meet her, and kiss her chin,
And my joy is then complete.

The Artist. (Sonnet I.)

Nothing the greatest artist can conceive
That every marble block doth not confine
Within itself; and only its design
The hand that follows intellect can achieve.
The ill I flee, the good that I believe,
In thee, fair lady, lofty and divine,
Thus hidden lie; and so that death be mine
Art, of desired success, doth me bereave.
Love is not guilty, then, nor thy fair face,
Nor fortune, cruelty, nor great disdain,
Of my disgrace, nor chance, nor destiny,
If in thy heart both death and love find place
At the same time, and if my humble brain,
Burning, can nothing draw but death from thee.

The Angel And The Child. (From Jean Reboul, The Baker Of Nismes)

An angel with a radiant face,
Above a cradle bent to look,
Seemed his own image there to trace,
As in the waters of a brook.


'Dear child! who me resemblest so,'
It whispered, 'come, O come with me!
Happy together let us go,
The earth unworthy is of thee!


'Here none to perfect bliss attain;
The soul in pleasure suffering lies;
Joy hath an undertone of pain,
And even the happiest hours their sighs.


'Fear doth at every portal knock;
Never a day serene and pure
From the o'ershadowing tempest's shock
Hath made the morrow's dawn secure.


'What then, shall sorrows and shall fears
Come to disturb so pure a brow?
And with the bitterness of tears
These eyes of azure troubled grow?


'Ah no! into the fields of space,
Away shalt thou escape with me;
And Providence will grant thee grace
Of all the days that were to be.


'Let no one in thy dwelling cower,
In sombre vestments draped and veiled;
But let them welcome thy last hour,
As thy first moments once they hailed.


'Without a cloud be there each brow;
There let the grave no shadow cast;
When one is pure as thou art now,
The fairest day is still the last.'


And waving wide his wings of white,
The angel, at these words, had sped
Towards the eternal realms of light!--
Poor mother! see, thy son is dead!

Tales Of A Wayside Inn : Part 3. The Theologian's Tale; Elizabeth

'Ah, how short are the days! How soon the night overtakes us!
In the old country the twilight is longer; but here in the forest
Suddenly comes the dark, with hardly a pause in its coming,
Hardly a moment between the two lights, the day and the lamplight;
Yet how grand is the winter! How spotless the snow is, and perfect!'


Thus spake Elizabeth Haddon at nightfall to Hannah the housemaid,
As in the farm-house kitchen, that served for kitchen and parlor,
By the window she sat with her work, and looked on a landscape
White as the great white sheet that Peter saw in his vision,
By the four corners let down and descending out of the heavens.