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Mother and Motherhood

John Greenleaf Whittier

John Greenleaf Whittier

The Changeling ( From The Tent on the Beach )

The Changeling ( From The Tent on the Beach )

FOR the fairest maid in Hampton
They needed not to search,
Who saw young Anna favor
Come walking into church,-


Or bringing from the meadows,
At set of harvest-day,
The frolic of the blackbirds,
The sweetness of the hay.


Now the weariest of all mothers,
The saddest two years' bride,
She scowls in the face of her husband,
And spurns her child aside.


"Rake out the red coals, goodman,-For
there the child shall lie,
Till the black witch comes to fetch her
And both up chimney fly.


"It's never my own little daughter,
It's never my own," she said;
"The witches have stolen my Anna,
And left me an imp instead.


"Oh, fair and sweet was my baby,
Blue eyes, and hair of gold;
But this is ugly and wrinkled,
Cross, and cunning, and old.


"I hate the touch of her fingers,
I hate the feel of her skin;
It's not the milk from my bosom,
But my blood, that she sucks in.


"My face grows sharp with the torment;
Look! my arms are skin and bone!
Rake open the red coals, goodman,
And the witch shall have her own.


"She'll come when she hears it crying,
In the shape of an owl or bat,
And she'll bring us our darling Anna
In place of her screeching brat."


Then the goodman, Ezra Dalton,
Laid his hand upon her head:
Thy sorrow is great, O woman!
I sorrow with thee," he said.


"The paths to trouble are many
And never but one sure way



Leads out to the light beyond it:
My poor wife, let us pray."


Then he said to the great All-Father,
"Thy daughter is weak and blind;
Let her sight come back, and clothe her
Once more in her right mind.


"Lead her out of this evil shadow,
Out of these fancies wild;
Let the holy love of the mother
Turn again to her child.


"Make her lips like the lips of Mary
Kissing her blessed Son;
Let her hands, like the hands of Jesus,
Rest on her little one.


"Comfort the soul of thy handmaid,
Open her prison-door,
And thine shall be all the glory
And praise forevermore."


Then into the face of its mother
The baby looked up and smiled;
And the cloud of her soul was lifted,
And she knew her little child.


A beam of the slant west sunshine
Made the wan face almost fair,
Lit the blue eyes' patient wonder
And the rings of pale gold hair.


She kissed it on lip and forehead,
She kissed it on cheek and chink
And she bared her snow-white bosom
To the lips so pale and thin.


Oh, fair on her bridal morning
Was the maid who blushed and smiled,
But fairer to Ezra Dalton
Looked the mother of his child.


With more than a lover's fondness
He stooped to her worn young face,
And the nursing child and the mother
He folded in one embrace.


"Blessed be God!" he murmured.
"Blessed be God!" she said;
"For I see, who once was blinded,-I
live, who once was dead.



"Now mount and ride, my goodman,
As thou lovest thy own soul!
Woe's me, if my wicked fancies
Be the death of Goody Cole!"


His horse he saddled and bridled,
And into the night rode he,
Now through the great black woodland,
Now by the white-beached sea.


He rode through the silent clearings,
He came to the ferry wide,
And thrice he called to the boatman
Asleep on the other side.


He set his horse to the river,
He swam to Newbury town,
And he called up Justice Sewall
In his nightcap and his gown.


And the grave and worshipful justice
(Upon whose soul be peace!)
Set his name to the jailer's warrant
For Goodwife Cole's release.


Then through the night the hoof-beats
Went sounding like a flail;
And Goody Cole at cockcrow
Came forth from Ipswich jail.


.
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Ella Wheeler Wilcox

Ella Wheeler Wilcox

Daft

Daft


In the warm yellow smile of the morning,
She stands at the lattice pane,
And watches the strong young binders
Stride down to the fields of grain.
And she counts them over and over
As they pass her cottage door:
Are they six, she counts them seven;
Are they seven, she counts one more.

When the sun swings high in the heavens,
And the reapers go shouting home,
She calls to the household, saying,
'Make haste! for the binders have come
And Johnnie will want his dinner He
was always a hungry child';
And they answer, 'Yes, it ia waiting';
Then tell you, 'Her brain is wild.'

Again, in the hush of the evening,
When the work of the day is done,
And the binders go singing homeward
In the last red rays of the sun,
She will sit at the threshold waiting,
And with her withered face lights with joy:
'Come, Johnnie, ' she says, as they pass her,
'Come into the house, my boy.'

Five summers ago her Johnnie
Went out in the smile of the morn,
Singing across the meadow,
Striding down through the corn -
He towered above the binders,
Walking on either side,
And the mother's heart within her
Swelled with exultant pride.

For he was the light of the household His
brown eyes were wells of truth,
And his face was the face of the morning,
Lit with its pure, fresh youth,
And his song rang out from the hilltops
Like the mellow blast of a horn,
And he strode o'er the fresh shorn meadows,
And down through the rows of corn.

But hushed were the voices of singing,
Hushed by the presence of death,
As back to the cottage they bore him In
the noontide's scorching breath,
For the heat of the sun had slain him,
Had smitten the heart in his breast,
And he who towered above them


Lay lower than all the rest.

The grain grows ripe in the sunshine,
And the summers ebb and flow,
And the binders stride to their labour
And sing as they come and go;
But never again from the hilltops
Echoes the voice like a horn;
Never up from the meadows,
Never back from the corn.

Yet the poor, crazed brain of the mother
Fancies him always near;
She is blest in her strange delusion,

For she knoweth no pain nor fear,
And always she counts the binders
As they pass by her cottage door;


Are they six, she counts them seven;
Are they seven, she counts one more.
434
D.H. Lawrence

D.H. Lawrence

Monologue of a Mother

Monologue of a Mother

This is the last of all, this is the last!
I must hold my hands, and turn my face to the fire,
I must watch my dead days fusing together in dross,
Shape after shape, and scene after scene from my past
Fusing to one dead mass in the sinking fire
Where the ash on the dying coals grows swiftly, like heavy moss.


Strange he is, my son, whom I have awaited like a loyer,
Strange to me like a captive in a foreign country, haunting
The confines and gazing out on the land where the wind is free;
White and gaunt, with wistful eyes that hover
Always on the distance, as if his soul were chaunting
The monotonous weird of departure away from me.


Like a strange white bird blown out of the frozen seas,
Like a bird from the far north blown with a broken wing
Into our sooty garden, he drags and beats
From place to place perpetually, seeking release
From me, from the hand of my love which creeps up, needing
His happiness, whilst he in displeasure retreats.


I must look away from him, for my faded eyes
Like a cringing dog at his heels offend him now,
Like a toothless hound pursuing him with my will,
Till he chafes at my crouching persistence, and a sharp spark flies
In my soul from under the sudden frown of his brow,
As he blenches and turns away, and my heart stands still.


This is the last, it will not be any more.
All my life I have borne the burden of myself,
All the long years of sitting in my husband’s house,
Never have I said to myself as he closed the door:
“Now I am caught!—You are hopelessly lost, O Self,
You are frightened with joy, my heart, like a frightened mouse.”


Three times have I offered myself, three times rejected.
It will not be any more. No more, my son, my son!
Never to know the glad freedom of obedience, since long ago
The angel of childhood kissed me and went. I expected
Another would take me,—and now, my son, O my son,
I must sit awhile and wait, and never know
The loss of myself, till death comes, who cannot fail.


Death, in whose service is nothing of gladness, takes me:
For the lips and the eyes of God are behind a veil.
And the thought of the lipless voice of the Father shakes me
With fear, and fills my eyes with the tears of desire,
And my heart rebels with anguish as night draws nigher.
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