Time and Its Passage

A Solemn thing within the Soul

483

A Solemn thing within the Soul
To feel itself get ripe-
And golden hang-while farther up-
The Maker's Ladders stop-
And in the Orchard far below-
You hear a Being-drop-

A Wonderful-to feel the Sun
Still toiling at the Cheek
You thought was finished-
Cool of eye, and critical of Work-
He shifts the stem-a little-
To give your Core-a look-

But solemnest-to know
Your chance in Harvest moves
A little nearer-Every Sun
The Single-to some lives.

Until The Night

Over the ocean of life’s commotion
We sail till the night comes on.
Sail and sail in a tiny boat,
Drifting wherever the billows go.
Out on the treacherous sea afloat,

Beat by the cruel winds that blow,
Hither and thither our boat is drawn,
Till the day dies out and the night comes on.

Over a meadow of light and shadow
We wander with weary feet,
Seeking a bauble men call “Fame, ”
Grasping the dead-sea fruit named “wealth, ”
Finding each but an empty name,

And the night – the night steals on by stealth,
And we count the season of slumber sweet,
When hope lies dead in the arms of defeat.

Over the river a great Forever
Stretches beyond our sight.
But I know by the glistening pearly gates
Afar from the region of strife and sin,
A beautiful angel always waits

To welcome the sheep of the shepherd in.
And out of the shadows of gloom and night,
They enter the mansion of peace and light.

Time's Defeat

Time has made conquest of so many things
That once were mine. Swift-footed, eager youth
That ran to meet the years; bold brigand health,
That broke all laws of reason unafraid,
And laughed at talk of punishment. Close ties


Of blood and friendship, and that joy of life,
Which reads its music in the major key
And will not listen to a minor strain-
These things and many more are spoils of time.


Yet as a conqueror who only storms
The outposts of a town, and finds the fort
Too strong to be assailed, so time retreats
And knows his impotence. He cannot take
My three great jewels from the crown of life;
Love, sympathy, and faith; and year on year
He sees them grow in lustre and in worth,
And glowers by me, plucking at his beard,
And dragging as he goes, a useless scythe.
Once in the dark he plotted with his friend
Grim death, to steal my treasures. Death replied:
'They are immortal, and beyond thy reach:
I could but set them in another sphere,
To shine with greater lustre.'


Time and Death
Passed on together, knowing their defeat;
And I am singing by the road of life.

Time And Love

Time flies. The swift hours hurry by
And speed us on to untried ways;

New seasons ripen, perish, die,
And yet love stays.

The old, old love – like sweet at first,
At last like bitter wine –

I know not if it blest or curst,
Thy life and mine.

Time flies. In vain our prayers, our tears,
We cannot tempt him to delays;

Down to the past he bears the years,
And yet love stays.

Through changing task and varying dream
We hear the same refrain,

As one can hear a plaintive theme
Run through each strain.

Time flies. He steals out pulsing youth,
He robs us of our care-free days,

He takes away our trust and truth,
And yet love stays.

O Time! take love! When love is vain,
When all its best joys die –

When only its regrets remain –
Let love, too, fly.

The Wheel of the Breast

Through rivers of veins on the nameless quest
The tide of my life goes hurriedly sweeping,
Till it reaches that curious wheel o' the breast,
The human heart, which is never at rest.
Faster, faster, it cries, and leaping,
Plunging, dashing, speeding away,
The wheel and the river work night and day.
I know not wherefore, I know not whither,
This strange tide rushes with such mad force:
It glides on hither, it slides on thither,
Over and over the selfsame course,
With never an outlet and never a source;
And it lashes itself to the heat of passion
And whirls the heart in a mill-wheel fashion.
I can hear in the hush of the still, still night,
The ceaseless sound of that mighty river;
I can hear it gushing, gurgling, rushing,
With a wild, delirious, strange delight,
And a conscious pride in its sense of might,
As it hurries and worries my heart forever.
And I wonder oft as I lie awake,
And list to the river that seethes and surges
Over the wheel that it chides and urges—
I wonder oft if that wheel will break
With the mighty pressure it bears, some day,
Or slowly and wearily wear away.
For little by little the heart is wearing,
Like the wheel of the mill, as the tide goes tearing
And plunging hurriedly through my breast,
In a network of veins on a nameless quet,
From and forth, unto unknown oceans,
Bringing its cargoes of fierce emotions,
With never a pause or an hour for rest.

The Destroyer

With care, and skill, and cunning art
She parried Time's malicious dart,
And kept the years at bay,
Till passion entered in her heart
And aged her in a day!

Leudeman's-on-the-River


Toward even when the day leans down,
To kiss the upturned face of night,
Out just beyond the loud-voiced town
I know a spot of calm delight.
Like crimson arrows from a quiver
The red rays pierce the water flowing,
While we go dreaming, singing, rowing,
To Leudeman's-on-the-River.


The hills, like some glad mocking-bird,
Send back our laughter and our singing,
While faint--and yet more faint is heard
The steeple bells all sweetly ringing.
Some message did the winds deliver
To each glad heart that August night,
All heard, but all heard not aright;
By Leudeman's-on-the-River.


Night falls as in some foreign clime,
Between the hills that slope and rise.
So dusk the shades at landing time,
We could not see each other's eyes.
We only saw the moonbeams quiver
Far down upon the stream! that night
The new moon gave but little light
By Leudeman's-on-the-River.


How dusky were those paths that led
Up from the river to the hall.
The tall trees branching overhead
Invite the early shades that fall.
In all the glad blithe world, oh, never
Were hearts more free from care than when
We wandered through those walks, we ten,
By Leudeman's-on-the-River.


So soon, so soon, the changes came.
This August day we two alone,
On that same river, not the same,
Dream of a night forever flown.
Strange distances have come to sever
The hearts that gayly beat in pleasure,
Long miles we cannot cross or measure--
From Leudeman's-on-the-River.


We'll pluck two leaves, dear friend, to-day.
The green, the russet! seems it strange
So soon, so soon, the leaves can change!
Ah, me! so runs all night away
This night wind chills me, and I shiver;
The summer time is almost past.
One more good-bye--perhaps the last



To Leudeman's-on-the-River.

High Noon

Time’s finger on the dial of my life
Points to high noon! And yet the half-spent day
Leaves less than half remaining, for the dark,
Bleak shadows of the grave engulf the end.


To those who burn the candle to the stick,
The sputtering socket yields but little light.
Long life is sadder than early death.
We cannot count on raveled threads of age
Whereof to weave a fabric. We must use
The warp and woof the ready present yields
And toils while daylight lasts. When I bethink
How brief the past, the future still more brief,
Calls on to action, action! Not for me
Is time for retrospection or for dreams,
Not time for self-laudation or remorse.
Have I done nobly? Then I must not let
Dead yesterday unborn to-morrow shame.
Have I done wrong? Well, let the bitter taste
Of fruit that turned to ashes on my lip
Be my reminder in temptations hour,
And keep me silent when I could condemn.
Sometimes it takes the acid of a sin
To cleanse the clouded windows of our souls
So pity may shine through them.


Looking back,
My faults and errors seem like stepping-stones
That led the way to knowledge of the truth
And made me value virtue: sorrows shine
In rainbow colours o’er the gulf of years,
Where lie forgotten pleasures.

Looking forth,
Out to the westers sky still bright with noon,
I feel well spurred and booted for the strife
That ends not till Nirvana is attained.

Battling with fate, with men and with myself,
Up the steep summit of my life’s forenoon,
Three things I learned, three things of precious worth
To guide and help me down the western slope.
I have learned how to pray, and toil, and save.
To pray for courage to receive what comes,
Knowing what comes to be divinely sent.
To toil for universal good, since thus
And only thus can good come unto me.
To save, by giving whatsoe’er I have
To those who have not, this alone is gain.

Finis


An idle rhyme of the summer time,
Sweet, and solemn, and tender;

Fair with the haze of the moon's pale rays,
Bright with the sunset's splendour.

Summer and beauty over the lands Careless
hours of pleasure;

A meeting of eyes and a touching of hands A
change in the floating measure.

A deeper hue in the skies of blue,
Winds from the tropics blowing;

A softer grace in the fair moons face,
And the summer going, going.

The leaves drift down, the green grows brown,
And tears with smiles are blended;

A twilight hour and a treasured flower, And
now the poem is ended.

Are you Loving Enough?

Are you loving enough? There is some one dear,
Some one you hold as the dearest of all
In the holiest shrine of your heart.
Are you making it known? Is the truth of it clear
To the one you love? If death's quick call
Should suddenly tear you apart,
Leaving no time for a long farewell,
Would you feel you had nothing to tell---
Nothing you wished you had said before
The closing of that dark door?


Are you loving enough? The swift years fly---
Oh, faster and faster they hurry away,
And each one carries its dead.
The good deed left for the by and by,
The word to be uttered another day,
May never be done or said.
Let the love word sound in the listening ear,
Nor wait to speak it above a bier.
Oh the time for telling your love is brief,
But long, long, long is the time for grief.
Are you loving enough?

A Maiden To Her Mirror

He said he loved me! Then he called my hair
Silk threads wherewith sly Cupid strings his bow,
My cheek a rose leaf fallen on new snow;

And swore my round, full throat would bring despair
To Venus or to Psyche.

Time and care
Will fade these locks; the merry god, I know,
Uses no grizzled cords upon his bow.


How will it be when I, no longer fair,

Plead for his kiss with cheeks, whence long ago
The early snowflakes melted quite away,
The rose leaf died – and in whose sallow clay

Lie the deep sunken tracks of life’s gaunt crow?

When this full throat shall wattle fold on fold,
Like some ripe peach left drying on a wall,
Or like a spent accordion, when all

Its music has exhaled – will love grow cold?

A Fallen Leaf

A trusting little leaf of green,
A bold audacious frost;
A rendezvous, a kiss or two,
And youth for ever lost.
Ah, me!
The bitter, bitter cost.

A flaunting patch of vivid red,
That quivers in the sun;
A windy gust, a grave of dust,
The little race is run.
Ah, me!
Were that the only one.

The Shampoo

The still explosions on the rocks,
the lichens, grow
by spreading, gray, concentric shocks.
They have arranged
to meet the rings around the moon, although
within our memories they have not changed.


And since the heavens will attend
as long on us,
you've been, dear friend,
precipitate and pragmatical;
and look what happens. For Time is
nothing if not amenable.


The shooting stars in your black hair
in bright formation
are flocking where,
so straight, so soon?
--Come, let me wash it in this big tin basin,
battered and shiny like the moon.

One Art

The art of losing isn't hard to master;
so many things seem filled with the intent
to be lost that their loss is no disaster,


Lose something every day. Accept the fluster
of lost door keys, the hour badly spent.
The art of losing isn't hard to master.


Then practice losing farther, losing faster:
places, and names, and where it was you meant
to travel. None of these will bring disaster.


I lost my mother's watch. And look! my last, or
next-to-last, of three beloved houses went.
The art of losing isn't hard to master.


I lost two cities, lovely ones. And, vaster,
some realms I owned, two rivers, a continent.
I miss them, but it wasn't a disaster.


-Even losing you (the joking voice, a gesture
I love) I shan't have lied. It's evident
the art of losing's not too hard to master
though it may look like (Write it!) like a disaster.

Anaphora


Each day with so much ceremony
begins, with birds, with bells,
with whistles from a factory;
such white-gold skies our eyes
first open on, such brilliant walls
that for a moment we wonder
"Where is the music coming from, the energy?
The day was meant for what ineffable creature
we must have missed?" Oh promptly he
appears and takes his earthly nature

instantly, instantly falls
victim of long intrigue,
assuming memory and mortal
mortal fatigue.


More slowly falling into sight
and showering into stippled faces,
darkening, condensing all his light;
in spite of all the dreaming
squandered upon him with that look,
suffers our uses and abuses,
sinks through the drift of bodies,
sinks through the drift of vlasses
to evening to the beggar in the park
who, weary, without lamp or book

prepares stupendous studies:
the fiery event
of every day in endless
endless assent.

Imitation of The Olden Poets

Time is a taper waning fast!
Use it, man, well whilst it doth last:
Lest burning downwards it consume away,
Before thou hast commenced the labour of the day.


Time is a pardon of a goodly soil!
Plenty shall crown thine honest toil:
But if uncultivated, rankest weeds
Shall choke the efforts of the rising seeds.


Time is a leasehold of uncertain date!
Granted to thee by everlasting fate.
Neglect not thou, ere thy short term expire,
To save thy soul from ever-burning fire.

When We Are Old And These Rejoicing Veins

When we are old and these rejoicing veins
Are frosty channels to a muted stream,
And out of all our burning their remains
No feeblest spark to fire us, even in dream,
This be our solace: that it was not said
When we were young and warm and in our prime,
Upon our couch we lay as lie the dead,
Sleeping away the unreturning time.
O sweet, O heavy-lidded, O my love,
When morning strikes her spear upon the land,
And we must rise and arm us and reprove
The insolent daylight with a steady hand,
Be not discountenanced if the knowing know
We rose from rapture but an hour ago.

Sonnets 08: And You As Well Must Die, Beloved Dust

And you as well must die, beloved dust,
And all your beauty stand you in no stead;
This flawless, vital hand, this perfect head,
This body of flame and steel, before the gust
Of Death, or under his autumnal frost,
Shall be as any leaf, be no less dead
Than the first leaf that fell,--this wonder fled.
Altered, estranged, disintegrated, lost.
Nor shall my love avail you in your hour.
In spite of all my love, you will arise
Upon that day and wander down the air
Obscurely as the unattended flower,
It mattering not how beautiful you were,
Or how beloved above all else that dies.

Sonnets 10: Oh, My Beloved, Have You Thought Of This

Oh, my beloved, have you thought of this:
How in the years to come unscrupulous Time,
More cruel than Death, will tear you from my kiss,
And make you old, and leave me in my prime?
How you and I, who scale together yet
A little while the sweet, immortal height
No pilgrim may remember or forget,
As sure as the world turns, some granite night
Shall lie awake and know the gracious flame
Gone out forever on the mutual stone;
And call to mind that on the day you came
I was a child, and you a hero grown?—
And the night pass, and the strange morning break
Upon our anguish for each other's sake!

Midnight Oil

Cut if you will, with Sleep's dull knife,
Each day to half its length, my friend,—
The years that Time take off my life,
He'll take from off the other end!

A Dream Within A Dream

Take this kiss upon the brow!
And, in parting from you now,
Thus much let me avowYou
are not wrong, who deem
That my days have been a dream;
Yet if hope has flown away
In a night, or in a day,
In a vision, or in none,
Is it therefore the less gone?
All that we see or seem
Is but a dream within a dream.

I stand amid the roar
Of a surf-tormented shore,
And I hold within my hand
Grains of the golden sandHow
few! yet how they creep
Through my fingers to the deep,
While I weep- while I weep!
O God! can I not grasp
Them with a tighter clasp?
O God! can I not save
One from the pitiless wave?
Is all that we see or seem
But a dream within a dream?

When, Like a Running Grave

When, like a running grave, time tracks you down,
Your calm and cuddled is a scythe of hairs,
Love in her gear is slowly through the house,
Up naked stairs, a turtle in a hearse,
Hauled to the dome,


Comes, like a scissors stalking, tailor age,
Deliver me who timid in my tribe,
Of love am barer than Cadaver's trap
Robbed of the foxy tongue, his footed tape
Of the bone inch


Deliver me, my masters, head and heart,
Heart of Cadaver's candle waxes thin,
When blood, spade-handed, and the logic time
Drive children up like bruises to the thumb,
From maid and head,


For, sunday faced, with dusters in my glove,
Chaste and the chaser, man with the cockshut eye,
I, that time's jacket or the coat of ice
May fail to fasten with a virgin o
In the straight grave,


Stride through Cadaver's country in my force,
My pickbrain masters morsing on the stone
Despair of blood faith in the maiden's slime,
Halt among eunuchs, and the nitric stain
On fork and face.


Time is a foolish fancy, time and fool.
No, no, you lover skull, descending hammer
Descends, my masters, on the entered honour.
You hero skull, Cadaver in the hangar
Tells the stick, 'fail.'


Joy is no knocking nation, sir and madam,
The cancer's fashion, or the summer feather
Lit on the cuddled tree, the cross of fever,
Not city tar and subway bored to foster
Man through macadam.


I dump the waxlights in your tower dome.
Joy is the knock of dust, Cadaver's shoot
Of bud of Adam through his boxy shift,
Love's twilit nation and the skull of state,
Sir, is your doom.


Everything ends, the tower ending and,
(Have with the house of wind), the leaning scene,
Ball of the foot depending from the sun,
(Give, summer, over), the cemented skin,



The actions' end.

All, men my madmen, the unwholesome wind
With whistler's cough contages, time on track
Shapes in a cinder death; love for his trick,
Happy Cadaver's hunger as you take
The kissproof world.

Then Was My Neophyte

Then was my neophyte,
Child in white blood bent on its knees
Under the bell of rocks,
Ducked in the twelve, disciple seas
The winder of the water-clocks
Calls a green day and night.
My sea hermaphrodite,
Snail of man in His ship of fires
That burn the bitten decks,
Knew all His horrible desires
The climber of the water sex
Calls the green rock of light.


Who in these labyrinths,
This tidethread and the lane of scales,
Twine in a moon-blown shell,
Escapes to the flat cities' sails
Furled on the fishes' house and hell,
Nor falls to His green myths?
Stretch the salt photographs,
The landscape grief, love in His oils
Mirror from man to whale
That the green child see like a grail
Through veil and fin and fire and coil
Time on the canvas paths.


He films my vanity.
Shot in the wind, by tilted arcs,
Over the water come
Children from homes and children's parks
Who speak on a finger and thumb,
And the masked, headless boy.
His reels and mystery
The winder of the clockwise scene
Wound like a ball of lakes
Then threw on that tide-hoisted screen
Love's image till my heartbone breaks
By a dramatic sea.


Who kills my history?
The year-hedged row is lame with flint,
Blunt scythe and water blade.
'Who could snap off the shapeless print
From your to-morrow-treading shade
With oracle for eye?'
Time kills me terribly.
'Time shall not murder you,' He said,
'Nor the green nought be hurt;
Who could hack out your unsucked heart,
O green and unborn and undead?'
I saw time murder me.

Should Lanterns Shine

Should lanterns shine, the holy face,
Caught in an octagon of unaccustomed light,
Would wither up, an any boy of love
Look twice before he fell from grace.
The features in their private dark
Are formed of flesh, but let the false day come
And from her lips the faded pigments fall,
The mummy cloths expose an ancient breast.


I have been told to reason by the heart,
But heart, like head, leads helplessly;
I have been told to reason by the pulse,
And, when it quickens, alter the actions' pace
Till field and roof lie level and the same
So fast I move defying time, the quiet gentleman
Whose beard wags in Egyptian wind.


I have heard may years of telling,
And many years should see some change.


The ball I threw while playing in the park
Has not yet reached the ground.