Poems List

Noctambule

Noctambule


Zut! it's two o'clock.
See! the lights are jumping.
Finish up your bock,
Time we all were humping.
Waiters stack the chairs,
Pile them on the tables;
Let us to our lairs
Underneath the gables.


Up the old Boul' Mich'
Climb with steps erratic.
Steady . . . how I wish
I was in my attic!
Full am I with cheer;
In my heart the joy stirs;
Couldn't be the beer,
Must have been the oysters.


In obscene array
Garbage cans spill over;
How I wish that they
Smelled as sweet as clover!
Charing women wait;
Cafes drop their shutters;
Rats perambulate
Up and down the gutters.


Down the darkened street
Market carts are creeping;
Horse with wary feet,
Red-faced driver sleeping.
Loads of vivid greens,
Carrots, leeks, potatoes,
Cabbages and beans,
Turnips and tomatoes.


Pair of dapper chaps,
Cigarettes and sashes,
Stare at me, perhaps
Desperate Apachès.


"Needn't bother me,
Jolly well you know it;
Parceque je suis
Quartier Latin poet.


"Give you villanelles,
Madrigals and lyrics;
Ballades and rondels,
Odes and panegyrics.
Poet pinched and poor,
Pricked by cold and hunger;



Trouble's troubadour,
Misery's balladmonger."


Think how queer it is!
Every move I'm making,
Cosmic gravity's
Center I am shaking;
Oh, how droll to feel
(As I now am feeling),
Even as I reel,
All the world is reeling.


Reeling too the stars,
Neptune and Uranus,
Jupiter and Mars,
Mercury and Venus;
Suns and moons with me,
As I'm homeward straying,
All in sympathy
Swaying, swaying, swaying.


Lord! I've got a head.
Well, it's not surprising.
I must gain my bed
Ere the sun be rising;
When the merry lark
In the sky is soaring,
I'll refuse to hark,
I'll be snoring, snoring.


Strike a sulphur match . . .
Ha! at last my garret.
Fumble at the latch,
Close the door and bar it.
Bed, you graciously
Wait, despite my scorning . . .
So, bibaciously
Mad old world, good morning.
192

New Year's Eve

New Year's Eve

It's cruel cold on the water-front, silent and dark and drear;
Only the black tide weltering, only the hissing snow;
And I, alone, like a storm-tossed wreck, on this night of the glad New Year,
Shuffling along in the icy wind, ghastly and gaunt and slow.

They're playing a tune in McGuffy's saloon, and it's cheery and bright in there
(God! but I'm weak -- since the bitter dawn, and never a bite of food);
I'll just go over and slip inside -- I mustn't give way to despair -Perhaps
I can bum a little booze if the boys are feeling good.

They'll jeer at me, and they'll sneer at me, and they'll call me a whiskey soak;
("Have a drink? Well, thankee kindly, sir, I don't mind if I do.")
A drivelling, dirty, gin-joint fiend, the butt of the bar-room joke;
Sunk and sodden and hopeless -- "Another? Well, here's to you!"

McGuffy is showing a bunch of the boys how Bob Fitzsimmons hit;
The barman is talking of Tammany Hall, and why the ward boss got fired.
I'll just sneak into a corner and they'll let me alone a bit;
The room is reeling round and round . . .O God! but I'm tired, I'm tired. . . .

* * * * *

Roses she wore on her breast that night. Oh, but their scent was sweet!
Alone we sat on the balcony, and the fan-palms arched above;
The witching strain of a waltz by Strauss came up to our cool retreat,
And I prisoned her little hand in mine, and I whispered my plea of love.

Then sudden the laughter died on her lips, and lowly she bent her head;
And oh, there came in the deep, dark eyes a look that was heaven to see;
And the moments went, and I waited there, and never a word was said,
And she plucked from her bosom a rose of red and shyly gave it to me.

Then the music swelled to a crash of joy, and the lights blazed up like day,
And I held her fast to my throbbing heart, and I kissed her bonny brow.
"She is mine, she is mine for evermore!" the violins seemed to say,
And the bells were ringing the New Year in -- O God! I can hear them now.

Don't you remember that long, last waltz, with its sobbing, sad refrain?
Don't you remember that last good-by, and the dear eyes dim with tears?
Don't you remember that golden dream, with never a hint of pain,
Of lives that would blend like an angel-song in the bliss of the coming years?

Oh, what have I lost! What have I lost! Ethel, forgive, forgive!
The red, red rose is faded now, and it's fifty years ago.
'Twere better to die a thousand deaths than live each day as I live!
I have sinned, I have sunk to the lowest depths -- but oh, I have suffered so!

Hark! Oh, hark! I can hear the bells! . . . Look! I can see her there,
Fair as a dream . . . but it fades . . . And now -- I can hear the dreadful hum
Of the crowded court . . . See! the Judge looks down . . .
NOT GUILTY, my Lord, I swear . . .
The bells -- I can hear the bells again! . . . Ethel, I come, I come! . . .


* * * * *

"Rouse up, old man, it's twelve o'clock. You can't sleep here, you know.
Say! ain't you got no sentiment? Lift up your muddled head;
Have a drink to the glad New Year, a drop before you go -You
darned old dirty hobo . . . My God! Here, boys! He's DEAD!"
251

No More Music

No More Music

The Porch was blazoned with geranium bloom;
Myrtle and jasmine meadows lit the lea;
With rose and violet the vale's perfume
Languished to where the hyacinthine sea
Dreamed tenderly . . . "And I must go," said he.


He spoke in that dim, ghostly voice of his:
"I was a singer; then the Was . . . and GAS."
(I had to lean to him, no word to miss.)
"We bought this little café nigh to Grasse;
With sun and flowers my last few days will pass.


"And music too. I have my mandolin:
Say! Maybe you can strum on your guitar . . .
Come on - we two will make melodious din,
While Madame sings to us behind the bar:
You'll see how sweet Italian folk-songs are."


So he would play and I would thrum the while;
I used to there every lovely day;
His wife would listen with a sunny smile,
And when I left: "Please come again," she'd say.
"He seems quite sad when you have one away."


Alas! I had to leave without good-bye,
And lived in sooty cities for ayear.
Oh, how my heart ached for that happy sky!
Then, then one day my café I drew near -
God! it was strange how I was gripped with fear.


So still it was; I saw no mandolin,
No gay guitar with ribbons blue and red;
Then all in black, stone-faced the wife came in . . .
I did not ask; I looked, she shook her head:
"La musique est fini," was all she said.
245

Nature's Way

Nature's Way

To tribulations of mankind
Dame Nature is indifferent;
To human sorrow she is blind,
And deaf to human discontent.
Mid fear and fratricidal fray,
Mid woe and tyranny of toil,
She goes her unregarding way


Of sky and sun and soil.

In leaf and blade, in bud and bloom
Exultantly her gladness glows,
And careless of Man's dreary doom
Around the palm she wreathes the rose;
Creating beauty everywhere,
With happy bird in holy song . . .
Please God, let us be unaware


Like her of wrath and wrong.

Let us too be indifferent,
And in her hands our fate resign;
Aye, though the world with rage is rent
Let us be placid as the pine.
For if we turn from greed and guile
Maybe Dame Nature will relent,
And bless us with her lovely smile


Of comfort and content.
249

Negress In Notre Dame

Negress In Notre Dame

When I attended Mass today
A coloured maid sat down by me,
And as I watched her kneel and pray,
Her reverence was good to see.
For whether there may be or no'
A merciful and mighty God,
The love for Him is like a glow
That glorifies the meanest clod.


And then a starched and snotty dame
Who sat the other side of me
Said: "Monsieur, is it not a shame
Such things should be allowed to be?
In my homeland, I'm proud to say,
We know to handle niggers right,
And wouldn't let a black wench pray
And worship God beside a white."


Her tone so tart bewilderd me,
For I am just a simple man.
A friend in every one I see,
Though yellow, brown or black and tan.
For I would father children five
With any comely coloured maid,
And lush with any man alive,
Of any race, of any shade.


Religion may be false or true,
The Churches may be wrong or right,
But if there be the Faith in you
It can be like a shining light.
And though I lack not piety
And pray my best, I'm sure that God
To that black wench and not to me
Would give his most approving nod.


Aye, you may scrub him day and night,
You'll never change a nigger's hide;
But maybe he is just as white,
(Or even more) than you...inside.
225

My Will

My Will

I've made my Will. I don't believe
In luxury and wealth;
And to those loving ones who grieve
My age and frailing health
I give the meed to soothe their ways
That they may happy be,
And pass serenely all their days
In snug security.

That duty done, I leave behind
The all I have to give
To crippled children and the blind
Who lamentably live;
Hoping my withered hand may freight
To happiness a few
Poor innocents whom cruel fate
Has cheated of their due.

A am no grey philanthropist,
Too humble is my lot
Yet how I'm glad to give the grist
My singing mill has brought.
For I have had such lyric days,
So rich, so full, so sweet,
That I with gratitude and praise
Would make my life complete.

I'VE MADE MY WILL: now near the end,
At peace with all mankind,
To children lame I would be friend,
And brother to the blind . . .
And if there be a God, I pray
He bless my last bequest,
And in His love and pity say:
"Good servant,--rest!"
201

My Vineyard

My Vineyard

To me at night the stars are vocal.
They say: 'Your planet's oh so local!
A speck of dust in heaven's ceiling;
Your faith divine a foolish feeling.
What odds if you are chaos hurled,
Yours is a silly little world.'


For their derision, haply true,
I hate the stars, as wouldn't you?
But whether earth be great or little,
I do not care a fishwife's spittle;
I do not fret its where or why,-Today's
a day and I am I.


Serene, afar from woe and worry
I tend my vines and do not hurry.
I buss the lass and tip the bottle,
Fill up the glass and rinse my throttle.
Tomorrow though the earth should perish,
The lust of life today I cherish.


Ah no, the stars I will not curse:
Though things are bad they might be worse.
So when vast constellations shine
I drink to them in ruby wine;
For they themselves,--although it odd is,
Somehow give me a sense that God is.


Because we trust and realise
His love he steers us in the skies.
For faith however foolish can
Be mighty helpful to a man:
And as I tend my vines so He
With tenderness looks after me.
213

My Twins

My Twins

Of twin daughters I'm the mother -
Lord! how I was proud of them;
Each the image of the other,
Like two lilies on one stem;
But while May, my first-born daughter,
Was angelic from the first,
Different as wine and water,
Maude, my second, seemed accurst.


I'm a tender-hearted dame,
Military is my bent;
Thus my pretty dears can claim
For their Pa the Regiment.
As they say: to err is human;
But though lots of love I've had,
I'm an ordinary women,
Just as good as I am bad.


Good and bad should find their level,
So I often wonder why
May was angel, Maude was devil,
Yet between the two was I.
May, they say, has taken vows -
Sister Mary, pure and sweet;
Maudie's in a bawdy house,
Down in Mariposa Street.


It's not natural I'm thinking,
One should pray, the other curse;
I'm so worried I am drinking,
Which is making matters worse.
Yet my daughters love each other,
And I love them equal well;
Saint and sinner call me mother . . .
Ain't heredity just hell?
233

My Tails

My Tails

I haven't worn my evening dress
For nearly twenty years;
Oh I'm unsocial, I confess,
A hermit, it appears.
So much moth-balled it's but away,
And though wee wifie wails,
Never unto my dimmest day
I'll don my tails.

How slim and trim I looked in them,
Though I was sixty old;
And now their sleekness I condemn
To lie in rigid fold.
I have a portrait of myself
Proud-printed in the Press,
In garb now doomed to wardrobe shelf,-My
evening dress.

So let this be my last request,
That when I come to die,
In tails I may be deftly drest,
With white waistcoat and tie.
No, not for me a vulgar shroud
My carcass to caress;--
Oh let me do my coffin proud
In evening dress!
180

My Son

My Son

I must not let my boy Dick down,
Knight of the air.

With wings of light he won renown
Then crashed somewhere.

To fly to France from London town
I do not dare.

Oh he was such a simple lad
Who loved the sky;

A modern day Sir Galahad,
No need to die:

Earthbound he might have been so glad,
Yet chose to fly.

I ask from where his courage stemmed?
I've never flown;

Air-travel I have oft condemned,-Now
I'm alone,

Yet somehow hold the bright belief
God gave his brief.

So now I must live up to him
Who won on high

A lustre time will never dim;
Though coward I,

Let me revere till life be done
My hero son.
162

Comments (0)

Log in to post a comment.

NoComments

Identification and basic context

Robert William Service was born in Preston, Lancashire, England, and later became a Canadian citizen. He is most famous for his Yukon ballads, written during his time in the Canadian North. His writings often focused on the rugged and adventurous life experienced by prospectors and settlers.

Childhood and education

Service's early life was marked by a middle-class upbringing. He received a sound education, but his adventurous spirit led him to seek opportunities abroad rather than settling into a conventional life in England. He eventually traveled to Canada, working various jobs before finding his niche as a poet.

Literary trajectory

Service's literary career took off with the publication of "Songs of a Sourdough" (also known as "The Spell of the Yukon") in 1907, which achieved immediate success. His poetry chronicled the experiences and characters of the Yukon Gold Rush, becoming incredibly popular among both readers and critics. He continued to write prolifically throughout his life, producing novels and plays in addition to his famous ballads.

Works, style, and literary characteristics

Service's major works include "Songs of a Sourdough," "The Ballads of a Cheechako," and "Rhymes of a Rolling Stone." His poetry is characterized by its strong narrative quality, accessible language, and rhythmic meter, often employing rhyme schemes that enhance the storytelling. Dominant themes include adventure, hardship, love, loss, and the harsh beauty of the northern landscape. His style is often described as ballad-like, with a direct and engaging tone that appeals to a broad audience. He successfully captured the spirit and vernacular of the people he wrote about, creating memorable characters and situations.

Cultural and historical context

Service's work is deeply rooted in the historical context of the Klondike Gold Rush and the early 20th century. His poems reflect the era's spirit of adventure, the challenges faced by pioneers, and the unique subculture that developed in the Yukon. He belonged to no specific formal literary movement but his popular appeal placed him within the broader tradition of narrative poetry that resonated with the public during his time.

Personal life

Service led a life of considerable adventure. After working in the Yukon, he served as a war correspondent during World War I and lived in various locations, including France and Monaco. His personal experiences often informed the settings and characters in his poetry and prose, imbuing them with authenticity and a sense of lived experience. He married Germaine Cornulier and had a daughter.

Recognition and reception

Robert W. Service achieved immense popularity during his lifetime, earning the nickname "The Bard of the Yukon." His books sold millions of copies, and his poems were widely recited and known. While sometimes criticized by literary elites for being too sentimental or simplistic, his work maintained a strong connection with ordinary readers and continues to be celebrated for its storytelling and evocative portrayal of the North.

Influences and legacy

Service's work was influenced by popular ballad traditions and the real-life stories of the people he encountered. He, in turn, influenced countless readers and writers with his ability to capture the spirit of adventure and the human condition in challenging environments. His poems remain a significant cultural touchstone for understanding the Yukon Gold Rush era and continue to be read and enjoyed worldwide.

Interpretation and critical analysis

Critics often analyze Service's work for its portrayal of romanticized adventure versus the harsh realities of frontier life. His poems can be interpreted as both celebrating and critiquing the pursuit of fortune, as well as exploring themes of loneliness, companionship, and the resilience of the human spirit against nature's unforgiving backdrop.

Curiosities and lesser-known aspects

Despite his fame as a poet of the North, Service spent relatively little time in the Yukon compared to the duration of his life. His ability to capture the atmosphere and spirit of the region was a testament to his observational skills and imaginative writing. He was also known for his adventurous lifestyle outside of his writing career.

Death and memory

Robert W. Service passed away in 1958. His memory is kept alive through his enduringly popular poems, which continue to be published, recited, and celebrated, ensuring his place as a beloved chronicler of the Yukon's golden age.