Poems List

The moon has set, and the Pleiades; it is midnight, and time passes, and I sleep alone.

The New Yale Book of Quotations

4

[ Of a girl before marriage :] As an apple reddens on the high bough; high atop the highest bough the apple pickers passed it by—no, not passed it by, but they could not reach it.

The New Yale Book of Quotations

4

Equal to the gods seems to me that man who sits facing you and hears you nearby sweetly speaking and softly laughing. This sets my heart to fluttering in my breast, for when I look on you a moment, then can I speak no more, but my tongue falls silent, and at once a delicate flame courses beneath my skin, and with my eyes I see nothing, and my ears hum, and a cold sweat bathes me, and a trembling seizes me all over, and I am paler than grass, and I feel that I am near to death.

The New Yale Book of Quotations

5
guard thy tongue from barking idly.
6

Just as the sweet-apple reddens on the high branch, high on the highest, and the apple-pickers missed it, or rather did not miss it out, but could not reach it.

describing a girl before her marriage

6

Some say an army of cavalry or of infantry or a fleet of ships is the most beautiful thing on the black earth. But I say it is whatever one loves.

D. L. Page (ed.) Lyrica Graeca Selecta (1968) no. 16

5

Words

Words
Although they are
only breath, words
which I command
are immortal
Sappho
tr. Barnard
408

You know the place: then

You know the place: then
You know the place: then
Leave Crete and come to us
waiting where the grove is
pleasantest, by precincts
sacred to you; incense
smokes on the altar, cold
streams murmur through the
apple branches, a young
rose thicket shades the ground
and quivering leaves pour
down deep sleep; in meadows
where horses have grown sleek
among spring flowers, dill
scents the air. Queen! Cyprian!
Fill our gold cups with love
stirred into clear nectar
469

We put the urn abord ship

We put the urn abord ship
We put the urn aboard ship
with this inscription:
This is the dust of little
Timas who unmarried was led
into Persephone's dark bedroom
And she being far from home, girls
her age took new-edged blades
to cut, in mourning for her,
these curls of their soft hair
369

With his venom

With his venom
With his venom
irresistible
and bittersweet
that loosener
of limbs, Love
reptile-like
strikes me down
601

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Identification and basic context

Sappho is an ancient Greek lyric poet, often referred to as the "Tenth Muse." She is known to have written in Aeolic Greek and was a prominent figure in the archaic period of Greek literature. Her origins are strongly associated with the island of Lesbos, and her works were widely circulated and admired in antiquity.

Childhood and education

Details about Sappho's childhood and formal education are scarce, as is common for figures from this distant historical period. It is believed she belonged to an aristocratic family on Lesbos. Ancient sources suggest she received an education befitting her social standing, which would have included literacy, music, and poetry. Her upbringing likely exposed her to the rich cultural traditions of her time and place.

Literary trajectory

Sappho's literary career is marked by her prolific output of lyric poetry, with ancient sources claiming she wrote nine books of poems. Her work was celebrated during her lifetime and the Hellenistic period, where she was studied and anthologized. While much of her poetry is now lost, surviving fragments and testimonies from later authors provide insight into her style and themes.

Works, style, and literary characteristics

Sappho's poetry is predominantly lyrical, characterized by its intensely personal and emotional tone. Her major themes revolve around love, desire, beauty, and the complex relationships between individuals, particularly women. She is known for her mastery of the Aeolic dialect and her innovative use of meter, particularly the Sapphic stanza. Her poetic voice is often confessional and intimate, exploring the nuances of human emotion with remarkable clarity and depth. She is associated with the tradition of lyric poetry, and her work is considered a significant contribution to the development of Western literature.

Cultural and historical context

Sappho lived during the Archaic period of Ancient Greece, a time of significant social and political change, including the rise of city-states and early forms of democracy. She was part of a vibrant cultural milieu on Lesbos, which included other poets and artists. Her work reflects the societal norms and customs of her time, particularly concerning personal relationships and the roles of women. She was a contemporary of other notable figures, though direct interactions are not well-documented.

Personal life

Much of Sappho's personal life remains a subject of speculation due to the limited historical records. It is believed she had a daughter, Kleis. Her poetry strongly suggests a deep emotional connection with other women, which has led to various interpretations regarding her personal relationships and sexuality. These intimate portrayals have been a source of fascination and debate throughout history.

Recognition and reception

Sappho was exceptionally famous in antiquity, considered one of the greatest poets of all time. Her works were widely read, admired, and imitated. Later poets and scholars praised her skill and emotional depth. Despite the loss of most of her poetry, her influence persisted, and she remains a significant figure in the study of ancient Greek literature and a touchstone for discussions on lyric poetry and female authorship.

Influences and legacy

Sappho's influence on subsequent lyric poetry is undeniable. Her style, themes, and emotional intensity inspired countless poets throughout antiquity and beyond. She is considered a foundational figure in the development of Western poetry, particularly in themes of love and personal experience. Her legacy is preserved through the fragments of her work and her enduring reputation as a master of the lyric form.

Interpretation and critical analysis

Sappho's poetry has been subject to continuous interpretation and critical analysis, with particular attention paid to her expressions of love and desire, especially towards women. Debates have arisen concerning the nature of these relationships, her place within the social structures of her time, and the implications of her work for understanding female subjectivity in the ancient world.

Curiosities and lesser-known aspects

One of the most curious aspects of Sappho's legacy is the sheer volume of her lost work. It is believed that only fragments remain, making it difficult to fully reconstruct her oeuvre. Her association with the lyre and musical performance is also noteworthy, underscoring the oral and performative nature of her poetry in its original context.

Death and memory

Details surrounding Sappho's death are unknown. However, her memory has been kept alive through the preservation and study of her poetic fragments. Her name is synonymous with lyric poetry and has become a byword for female poetic genius. The island of Lesbos continues to be associated with her name and her poetic tradition.