Poems List

Tonight I've watched

Tonight I've watched
Tonight I've watched
the moon and then
the Pleiades
go down
The night is now
half-gone; youth
goes; I am
in bed alone
464

To Evening

To Evening
O HESPERUS! Thou bringest all things home;
All that the garish day hath scattered wide;
The sheep, the goat, back to the welcome fold;
Thou bring'st the child, too, to his mother's side
485

The Muses

The Muses
It is the Muses
who have caused me
to be honred: they
taught me their craft
Sappho
tr. Barnard
377

To any army wife, in Sardis:

To any army wife, in Sardis:
To any army wife, in Sardis:
Some say a cavalry corps,
some infantry, some again,
will maintain that the swift oars
of our fleet are the finest
sight on dark earth; but I say
that whatever one loves, is.
This is easily proved: did
not Helen -- she who had scanned
the flower of the world's manhood --
choose as first among men one
who laid Troy's honor in ruin?
warped to his will, forgetting
love due her own blood, her own
child, she wandered far with him.
So Anactoria, although you
being far away forget us,
the dear sound of your footstep
and light glancing in your eyes
would move me more than glitter
of Lydian horse or armored
tread of mainland infantry
561

The Anactoria Poem

The Anactoria Poem
Some say thronging cavalry, some say foot soldiers,
others call a fleet the most beautiful of
sights the dark earth offers, but I say it's whatever
you love best.
And it's easy to make this understood by
everyone, for she who surpassed all human
kind in beauty, Helen, abandoning her
husband--that best of
men--went sailing off to the shores of Troy and
never spent a thought on her child or loving
parents: when the goddess seduced her wits and
left her to wander,
she forgot them all, she could not remember
anything but longing, and lightly straying
aside, lost her way. But that reminds me
now: Anactória,
she's not here, and I'd rather see her lovely
step, her sparkling glance and her face than gaze on
all the troops in Lydia in their chariots and
glittering armor.
644

Standing by my bed

Standing by my bed
Standing by my bed
in gold sandals
Dawn that very
moment awoke me
595

Prayer to Our Lady of Paphos

Prayer to Our Lady of Paphos
Dapple-throned Aphrodite,
eternal daughter of God,
snare-knitter! Don't, I beg you,
cow my heart with grief! Come,
as once when you heard my faroff
cry and, listening, stepped
from your father's house to your
gold car, to yoke the pair whose
beautiful thick-feathered wings
oaring down mid-air from heaven
carried you to light swiftly
on dark earth; then, blissful one,
smiling your immortal smile
you asked, What ailed me now that
me call you again? What
was it that my distracted
heart most wanted? ``Whom has
Persuasion to bring round now
``to your love? Who, Sappho, is
unfair to you? For, let her
run, she will soon run after;
``if she won't accept gifts, she
will one day give them; and if
she won't love you --- she soon will
``love, although unwillingly...''
If ever --- come now! Relieve
this intolerable pain!
What my heart most hopes will
happen, make happen; you yourself
join forces on my side!
Sappho
tr. Barnard
662

Song of The Rose

Song of The Rose
F Zeus chose us a King of the flowers in his mirth,
He would call to the rose, and would royally crown it;
For the rose, ho, the rose! is the grace of the earth,
Is the light of the plants that are growing upon it!
For the rose, ho, the rose! is the eye of the flowers,
Is the blush of the meadows that feel themselves fair,
Is the lightning of beauty that strikes through the bowers
On pale lovers that sit in the glow unaware.
Ho, the rose breathes of love! ho, the rose lifts the cup
To the red lips of Cypris invoked for a guest!
Ho, the rose having curled its sweet leaves for the world
Takes delight in the motion its petals keep up,
As they laugh to the wind as it laughs from the west.
586

Ode to a Loved One

Ode to a Loved One
LEST as the immortal gods is he,
The youth who fondly sits by thee,
And hears and sees thee, all the while,
Softly speaks and sweetly smile.
'Twas this deprived my soul of rest,
And raised such tumults in my breast;
For, while I gazed, in transport tossed,
My breath was gone, my voice was lost;
My bosom glowed; the subtle flame
Ran quick through all my vital frame;
O'er my dim eyes a darkness hung;
My ears with hollow murmurs rung;
In dewy damps my limbs were chilled;
My blood with gentle horrors thrilled:
My feeble pulse forgot to play;
I fainted, sunk, and died away.
483

Must I remind you, Clesis,

Must I remind you, Clesis,
Must I remind you, Cleis,
that sounds of grief
are unbecmoming in
a poet's household?
and that they are not
suitable in ours?
[Note: "A poet's household" is more litterally one "dedicated to the Muses."]
449

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Identification and basic context

Sappho is an ancient Greek lyric poet, often referred to as the "Tenth Muse." She is known to have written in Aeolic Greek and was a prominent figure in the archaic period of Greek literature. Her origins are strongly associated with the island of Lesbos, and her works were widely circulated and admired in antiquity.

Childhood and education

Details about Sappho's childhood and formal education are scarce, as is common for figures from this distant historical period. It is believed she belonged to an aristocratic family on Lesbos. Ancient sources suggest she received an education befitting her social standing, which would have included literacy, music, and poetry. Her upbringing likely exposed her to the rich cultural traditions of her time and place.

Literary trajectory

Sappho's literary career is marked by her prolific output of lyric poetry, with ancient sources claiming she wrote nine books of poems. Her work was celebrated during her lifetime and the Hellenistic period, where she was studied and anthologized. While much of her poetry is now lost, surviving fragments and testimonies from later authors provide insight into her style and themes.

Works, style, and literary characteristics

Sappho's poetry is predominantly lyrical, characterized by its intensely personal and emotional tone. Her major themes revolve around love, desire, beauty, and the complex relationships between individuals, particularly women. She is known for her mastery of the Aeolic dialect and her innovative use of meter, particularly the Sapphic stanza. Her poetic voice is often confessional and intimate, exploring the nuances of human emotion with remarkable clarity and depth. She is associated with the tradition of lyric poetry, and her work is considered a significant contribution to the development of Western literature.

Cultural and historical context

Sappho lived during the Archaic period of Ancient Greece, a time of significant social and political change, including the rise of city-states and early forms of democracy. She was part of a vibrant cultural milieu on Lesbos, which included other poets and artists. Her work reflects the societal norms and customs of her time, particularly concerning personal relationships and the roles of women. She was a contemporary of other notable figures, though direct interactions are not well-documented.

Personal life

Much of Sappho's personal life remains a subject of speculation due to the limited historical records. It is believed she had a daughter, Kleis. Her poetry strongly suggests a deep emotional connection with other women, which has led to various interpretations regarding her personal relationships and sexuality. These intimate portrayals have been a source of fascination and debate throughout history.

Recognition and reception

Sappho was exceptionally famous in antiquity, considered one of the greatest poets of all time. Her works were widely read, admired, and imitated. Later poets and scholars praised her skill and emotional depth. Despite the loss of most of her poetry, her influence persisted, and she remains a significant figure in the study of ancient Greek literature and a touchstone for discussions on lyric poetry and female authorship.

Influences and legacy

Sappho's influence on subsequent lyric poetry is undeniable. Her style, themes, and emotional intensity inspired countless poets throughout antiquity and beyond. She is considered a foundational figure in the development of Western poetry, particularly in themes of love and personal experience. Her legacy is preserved through the fragments of her work and her enduring reputation as a master of the lyric form.

Interpretation and critical analysis

Sappho's poetry has been subject to continuous interpretation and critical analysis, with particular attention paid to her expressions of love and desire, especially towards women. Debates have arisen concerning the nature of these relationships, her place within the social structures of her time, and the implications of her work for understanding female subjectivity in the ancient world.

Curiosities and lesser-known aspects

One of the most curious aspects of Sappho's legacy is the sheer volume of her lost work. It is believed that only fragments remain, making it difficult to fully reconstruct her oeuvre. Her association with the lyre and musical performance is also noteworthy, underscoring the oral and performative nature of her poetry in its original context.

Death and memory

Details surrounding Sappho's death are unknown. However, her memory has been kept alive through the preservation and study of her poetic fragments. Her name is synonymous with lyric poetry and has become a byword for female poetic genius. The island of Lesbos continues to be associated with her name and her poetic tradition.